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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B27948 it is the complementary color #4D86B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B27948. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B27948 shade: #B77943, #C88B56, #D99D69, #EAAF7C and #FBC18F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B27948. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B27948 shade: #B27948, #A16735, #905522, #7F430F and #6E3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B27948 shade: #B17848, #B15C48 and #B14848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B27948 shade: #B17848, #B19548, #B1B148, #94B148 and #78B148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B27948 shade matches the following richer shades: #B17848, #C57734, #D97520 and #EE740B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B27948 shade: #B17848, #9D7A5C, #887C70, #747D85 and #607F99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B27948 shade: #B14851, #B15B48, #B17748, #B19348 and #B1AF48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B27948 shade: #765130, #94653C, #B17848, #BF8E63 and #CBA380

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B27948 shade: #B27948, #6DB148 and #4D48B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B27948 shade: #B27948, #48B177 and #7748B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B27948 shade: #B27948, #6DB148, #4882B1 and #8C48B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B27948 shade: #B27948, #4DB148, #4882B1 and #AC48B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 60 / 30

HEX #B27948

RGB 178 121 72

HSL 27.74, 0.42%, 0.49%

LAB 55.69, 17.08, 35.54

 

Complementary color

CMYK 58 / 27 / 0 / 28

HEX #4D86B7

RGB 77 134 183

HSL 207.74, 0.42%, 0.51%

LAB 54.08, -4, -31.39

 

CMYK 0 / 34 / 63 / 28

HEX #B77943

RGB 183 121 67

HSL 27.93, 0.46%, 0.49%

LAB 56.23, 18.86, 38.97

 

CMYK 0 / 31 / 57 / 22

HEX #C88B56

RGB 200 139 86

HSL 27.89, 0.51%, 0.56%

LAB 62.86, 17.56, 37.38

 

CMYK 0 / 28 / 52 / 15

HEX #D99D69

RGB 217 157 105

HSL 27.86, 0.6%, 0.63%

LAB 69.39, 16.44, 35.88

 

CMYK 0 / 25 / 47 / 8

HEX #EAAF7C

RGB 234 175 124

HSL 27.82, 0.72%, 0.7%

LAB 75.83, 15.47, 34.47

 

CMYK 0 / 23 / 43 / 2

HEX #FBC18F

RGB 251 193 143

HSL 27.78, 0.93%, 0.77%

LAB 82.18, 14.62, 33.16

 

CMYK 0 / 32 / 60 / 30

HEX #B27948

RGB 178 121 72

HSL 27.74, 0.42%, 0.49%

LAB 55.69, 17.08, 35.54

 

CMYK 0 / 36 / 67 / 37

HEX #A16735

RGB 161 103 53

HSL 27.78, 0.5%, 0.42%

LAB 48.93, 18.48, 37.18

 

CMYK 0 / 41 / 76 / 44

HEX #905522

RGB 144 85 34

HSL 27.82, 0.62%, 0.35%

LAB 42.06, 20.16, 38.77

 

CMYK 0 / 47 / 88 / 50

HEX #7F430F

RGB 127 67 15

HSL 27.86, 0.79%, 0.28%

LAB 35.12, 22.15, 39.86

 

CMYK 0 / 55 / 100 / 57

HEX #6E3100

RGB 110 49 0

HSL 26.73, 1%, 0.22%

LAB 28.15, 24.45, 38.99

 

CMYK 0 / 32 / 59 / 31

HEX #B17848

RGB 177 120 72

HSL 27.43, 0.42%, 0.49%

LAB 55.33, 17.21, 35.07

 

CMYK 0 / 48 / 59 / 31

HEX #B15C48

RGB 177 92 72

HSL 11.43, 0.42%, 0.49%

LAB 48.85, 32.65, 27.06

 

CMYK 0 / 59 / 59 / 31

HEX #B14848

RGB 177 72 72

HSL 0, 0.42%, 0.49%

LAB 44.87, 42.83, 21.96

 

CMYK 0 / 32 / 59 / 31

HEX #B17848

RGB 177 120 72

HSL 27.43, 0.42%, 0.49%

LAB 55.33, 17.21, 35.07

 

CMYK 0 / 16 / 59 / 31

HEX #B19548

RGB 177 149 72

HSL 44, 0.42%, 0.49%

LAB 62.77, 1.1, 43.83

 

CMYK 0 / 0 / 59 / 31

HEX #B1B148

RGB 177 177 72

HSL 60, 0.42%, 0.49%

LAB 70.36, -13.77, 52.34

 

CMYK 16 / 0 / 59 / 31

HEX #94B148

RGB 148 177 72

HSL 76.57, 0.42%, 0.49%

LAB 68.17, -25.81, 49.31

 

CMYK 32 / 0 / 59 / 31

HEX #78B148

RGB 120 177 72

HSL 92.57, 0.42%, 0.49%

LAB 66.45, -36.57, 46.9

 

CMYK 0 / 32 / 59 / 31

HEX #B17848

RGB 177 120 72

HSL 27.43, 0.42%, 0.49%

LAB 55.33, 17.21, 35.07

 

CMYK 0 / 40 / 74 / 23

HEX #C57734

RGB 197 119 52

HSL 27.72, 0.58%, 0.49%

LAB 57.38, 25.06, 48.19

 

CMYK 0 / 46 / 85 / 15

HEX #D97520

RGB 217 117 32

HSL 27.57, 0.74%, 0.49%

LAB 59.51, 33.73, 59.37

 

CMYK 0 / 51 / 95 / 7

HEX #EE740B

RGB 238 116 11

HSL 27.75, 0.91%, 0.49%

LAB 62.25, 42.25, 68.15

 

CMYK 0 / 32 / 59 / 31

HEX #B17848

RGB 177 120 72

HSL 27.43, 0.42%, 0.49%

LAB 55.33, 17.21, 35.07

 

CMYK 0 / 22 / 41 / 38

HEX #9D7A5C

RGB 157 122 92

HSL 27.69, 0.26%, 0.49%

LAB 53.88, 9.46, 21.64

 

CMYK 0 / 9 / 18 / 47

HEX #887C70

RGB 136 124 112

HSL 30, 0.1%, 0.49%

LAB 52.75, 2.46, 8.21

 

CMYK 13 / 6 / 0 / 48

HEX #747D85

RGB 116 125 133

HSL 208.24, 0.07%, 0.49%

LAB 51.92, -1.59, -5.49

 

CMYK 37 / 17 / 0 / 40

HEX #607F99

RGB 96 127 153

HSL 207.37, 0.23%, 0.49%

LAB 51.8, -4.24, -17.49

 

CMYK 0 / 59 / 54 / 31

HEX #B14851

RGB 177 72 81

HSL 354.86, 0.42%, 0.49%

LAB 45.05, 43.55, 16.73

 

CMYK 0 / 49 / 59 / 31

HEX #B15B48

RGB 177 91 72

HSL 10.86, 0.42%, 0.49%

LAB 48.63, 33.18, 26.79

 

CMYK 0 / 33 / 59 / 31

HEX #B17748

RGB 177 119 72

HSL 26.86, 0.42%, 0.49%

LAB 55.08, 17.77, 34.77

 

CMYK 0 / 17 / 59 / 31

HEX #B19348

RGB 177 147 72

HSL 42.86, 0.42%, 0.49%

LAB 62.24, 2.19, 43.22

 

CMYK 0 / 1 / 59 / 31

HEX #B1AF48

RGB 177 175 72

HSL 58.86, 0.42%, 0.49%

LAB 69.81, -12.74, 51.74

 

CMYK 0 / 31 / 59 / 54

HEX #765130

RGB 118 81 48

HSL 28.29, 0.42%, 0.33%

LAB 37.75, 11.58, 25.42

 

CMYK 0 / 32 / 59 / 42

HEX #94653C

RGB 148 101 60

HSL 27.95, 0.42%, 0.41%

LAB 46.88, 14.39, 30.58

 

CMYK 0 / 32 / 59 / 31

HEX #B17848

RGB 177 120 72

HSL 27.43, 0.42%, 0.49%

LAB 55.33, 17.21, 35.07

 

CMYK 0 / 26 / 48 / 25

HEX #BF8E63

RGB 191 142 99

HSL 28.04, 0.42%, 0.57%

LAB 62.78, 13.31, 30.09

 

CMYK 0 / 20 / 37 / 20

HEX #CBA380

RGB 203 163 128

HSL 28, 0.42%, 0.65%

LAB 69.79, 9.91, 23.77

 

CMYK 0 / 32 / 60 / 30

HEX #B27948

RGB 178 121 72

HSL 27.74, 0.42%, 0.49%

LAB 55.69, 17.08, 35.54

 

CMYK 38 / 0 / 59 / 31

HEX #6DB148

RGB 109 177 72

HSL 98.86, 0.42%, 0.49%

LAB 65.88, -40.44, 46.09

 

CMYK 56 / 59 / 0 / 31

HEX #4D48B1

RGB 77 72 177

HSL 242.86, 0.42%, 0.49%

LAB 36.72, 32.44, -55.5

 

CMYK 0 / 32 / 60 / 30

HEX #B27948

RGB 178 121 72

HSL 27.74, 0.42%, 0.49%

LAB 55.69, 17.08, 35.54

 

CMYK 59 / 0 / 33 / 31

HEX #48B177

RGB 72 177 119

HSL 146.86, 0.42%, 0.49%

LAB 65.08, -43.79, 20.86

 

CMYK 33 / 59 / 0 / 31

HEX #7748B1

RGB 119 72 177

HSL 266.86, 0.42%, 0.49%

LAB 40.79, 41.63, -48.74

 

CMYK 0 / 32 / 60 / 30

HEX #B27948

RGB 178 121 72

HSL 27.74, 0.42%, 0.49%

LAB 55.69, 17.08, 35.54

 

CMYK 38 / 0 / 59 / 31

HEX #6DB148

RGB 109 177 72

HSL 98.86, 0.42%, 0.49%

LAB 65.88, -40.44, 46.09

 

CMYK 59 / 27 / 0 / 31

HEX #4882B1

RGB 72 130 177

HSL 206.86, 0.42%, 0.49%

LAB 52.42, -4.66, -30.54

 

CMYK 21 / 59 / 0 / 31

HEX #8C48B1

RGB 140 72 177

HSL 278.86, 0.42%, 0.49%

LAB 43.34, 46.84, -44.51

 

CMYK 0 / 32 / 60 / 30

HEX #B27948

RGB 178 121 72

HSL 27.74, 0.42%, 0.49%

LAB 55.69, 17.08, 35.54

 

CMYK 56 / 0 / 59 / 31

HEX #4DB148

RGB 77 177 72

HSL 117.14, 0.42%, 0.49%

LAB 64.56, -50.06, 44.23

 

CMYK 59 / 27 / 0 / 31

HEX #4882B1

RGB 72 130 177

HSL 206.86, 0.42%, 0.49%

LAB 52.42, -4.66, -30.54

 

CMYK 3 / 59 / 0 / 31

HEX #AC48B1

RGB 172 72 177

HSL 297.14, 0.42%, 0.49%

LAB 47.73, 55.08, -37.27

 

Description

Color code: HEX #B27948 | qconv.com Color code: HEX #B27948 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 121 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 121 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 60 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 60% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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