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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B27974 it is the complementary color #4D868B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B27974. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B27974 shade: #B7796F, #C88B82, #D99D95, #EAAFA8 and #FBC1BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B27974. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B27974 shade: #B27974, #A16761, #90554E, #7F433B and #6E3128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B27974 shade: #B27974 and #B27474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B27974 shade: #B27974, #B28A74, #B29B74, #B2AC74 and #A9B274

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B27974 shade matches the following richer shades: #B27974, #C46B63, #D55C52, #E64E40 and #F83F2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B27974 shade: #B27974, #A18886, #909697, #7EA5A8 and #6DB3BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B27974 shade: #B27491, #B27481, #B27874, #B28974 and #B29A74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B27974 shade: #89504B, #A4605A, #B27974, #C1938F and #D0ADAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B27974 shade: #B27974, #A2B274 and #7489B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B27974 shade: #B27974, #74B278 and #7874B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B27974 shade: #B27974, #A2B274, #74AEB2 and #8574B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B27974 shade: #B27974, #8FB274, #74AEB2 and #9874B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

Complementary color

CMYK 45 / 4 / 0 / 45

HEX #4D868B

RGB 77 134 139

HSL 184.84, 0.29%, 0.42%

LAB 52.39, -17.3, -8.55

 

CMYK 0 / 34 / 39 / 28

HEX #B7796F

RGB 183 121 111

HSL 8.33, 0.33%, 0.58%

LAB 56.97, 23, 15.43

 

CMYK 0 / 31 / 35 / 22

HEX #C88B82

RGB 200 139 130

HSL 7.71, 0.39%, 0.65%

LAB 63.64, 22.09, 14.17

 

CMYK 0 / 28 / 31 / 15

HEX #D99D95

RGB 217 157 149

HSL 7.06, 0.47%, 0.72%

LAB 70.2, 21.28, 13.04

 

CMYK 0 / 25 / 28 / 8

HEX #EAAFA8

RGB 234 175 168

HSL 6.36, 0.61%, 0.79%

LAB 76.67, 20.56, 12

 

CMYK 0 / 23 / 25 / 2

HEX #FBC1BB

RGB 251 193 187

HSL 5.63, 0.89%, 0.86%

LAB 83.04, 19.91, 11.04

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 0 / 36 / 40 / 37

HEX #A16761

RGB 161 103 97

HSL 5.63, 0.25%, 0.51%

LAB 49.67, 22.58, 13.08

 

CMYK 0 / 41 / 46 / 44

HEX #90554E

RGB 144 85 78

HSL 6.36, 0.3%, 0.44%

LAB 42.73, 23.66, 14.58

 

CMYK 0 / 47 / 54 / 50

HEX #7F433B

RGB 127 67 59

HSL 7.06, 0.37%, 0.36%

LAB 35.68, 24.9, 16.37

 

CMYK 0 / 55 / 64 / 57

HEX #6E3128

RGB 110 49 40

HSL 7.71, 0.47%, 0.29%

LAB 28.55, 26.29, 18.61

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 0 / 35 / 35 / 30

HEX #B27474

RGB 178 116 116

HSL 0, 0.29%, 0.58%

LAB 55.29, 24.43, 10.11

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 0 / 22 / 35 / 30

HEX #B28A74

RGB 178 138 116

HSL 21.29, 0.29%, 0.58%

LAB 60.7, 12.11, 17.63

 

CMYK 0 / 13 / 35 / 30

HEX #B29B74

RGB 178 155 116

HSL 37.74, 0.29%, 0.58%

LAB 65.1, 2.7, 23.6

 

CMYK 0 / 3 / 35 / 30

HEX #B2AC74

RGB 178 172 116

HSL 54.19, 0.29%, 0.58%

LAB 69.63, -6.46, 29.62

 

CMYK 5 / 0 / 35 / 30

HEX #A9B274

RGB 169 178 116

HSL 68.71, 0.29%, 0.58%

LAB 70.55, -13.2, 30.68

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 0 / 45 / 49 / 23

HEX #C46B63

RGB 196 107 99

HSL 4.95, 0.45%, 0.58%

LAB 55.23, 34.45, 20.26

 

CMYK 0 / 57 / 62 / 16

HEX #D55C52

RGB 213 92 82

HSL 4.58, 0.61%, 0.58%

LAB 54.46, 46.97, 29.53

 

CMYK 0 / 66 / 72 / 10

HEX #E64E40

RGB 230 78 64

HSL 5.06, 0.77%, 0.58%

LAB 54.7, 57.96, 40.62

 

CMYK 0 / 75 / 81 / 3

HEX #F83F2F

RGB 248 63 47

HSL 4.78, 0.93%, 0.58%

LAB 55.8, 68.3, 51.68

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 0 / 16 / 17 / 37

HEX #A18886

RGB 161 136 134

HSL 4.44, 0.13%, 0.58%

LAB 58.89, 9.13, 4.59

 

CMYK 5 / 1 / 0 / 41

HEX #909697

RGB 144 150 151

HSL 188.57, 0.03%, 0.58%

LAB 61.63, -1.96, -1.29

 

CMYK 25 / 2 / 0 / 34

HEX #7EA5A8

RGB 126 165 168

HSL 184.29, 0.19%, 0.58%

LAB 65.1, -12.47, -5.88

 

CMYK 41 / 4 / 0 / 27

HEX #6DB3BA

RGB 109 179 186

HSL 185.45, 0.36%, 0.58%

LAB 68.78, -20.18, -10.5

 

CMYK 0 / 35 / 19 / 30

HEX #B27491

RGB 178 116 145

HSL 331.94, 0.29%, 0.58%

LAB 56.09, 28.63, -5.64

 

CMYK 0 / 35 / 28 / 30

HEX #B27481

RGB 178 116 129

HSL 347.42, 0.29%, 0.58%

LAB 55.63, 26.2, 3

 

CMYK 0 / 33 / 35 / 30

HEX #B27874

RGB 178 120 116

HSL 3.87, 0.29%, 0.58%

LAB 56.25, 22.19, 11.45

 

CMYK 0 / 23 / 35 / 30

HEX #B28974

RGB 178 137 116

HSL 20.32, 0.29%, 0.58%

LAB 60.44, 12.66, 17.28

 

CMYK 0 / 13 / 35 / 30

HEX #B29A74

RGB 178 154 116

HSL 36.77, 0.29%, 0.58%

LAB 64.83, 3.24, 23.25

 

CMYK 0 / 42 / 45 / 46

HEX #89504B

RGB 137 80 75

HSL 4.84, 0.29%, 0.42%

LAB 40.51, 23.29, 13.23

 

CMYK 0 / 41 / 45 / 36

HEX #A4605A

RGB 164 96 90

HSL 4.86, 0.29%, 0.5%

LAB 48.26, 26.92, 15.35

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 0 / 24 / 26 / 24

HEX #C1938F

RGB 193 147 143

HSL 4.8, 0.29%, 0.66%

LAB 65.11, 16.72, 8.82

 

CMYK 0 / 17 / 18 / 18

HEX #D0ADAA

RGB 208 173 170

HSL 4.74, 0.29%, 0.74%

LAB 73.67, 12.23, 6.29

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 9 / 0 / 35 / 30

HEX #A2B274

RGB 162 178 116

HSL 75.48, 0.29%, 0.58%

LAB 70.02, -15.95, 29.89

 

CMYK 35 / 23 / 0 / 30

HEX #7489B2

RGB 116 137 178

HSL 219.68, 0.29%, 0.58%

LAB 56.9, 2.62, -23.99

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 35 / 0 / 33 / 30

HEX #74B278

RGB 116 178 120

HSL 123.87, 0.29%, 0.58%

LAB 67.21, -31.97, 23.5

 

CMYK 33 / 35 / 0 / 30

HEX #7874B2

RGB 120 116 178

HSL 243.87, 0.29%, 0.58%

LAB 51.49, 16.2, -32.34

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 9 / 0 / 35 / 30

HEX #A2B274

RGB 162 178 116

HSL 75.48, 0.29%, 0.58%

LAB 70.02, -15.95, 29.89

 

CMYK 35 / 2 / 0 / 30

HEX #74AEB2

RGB 116 174 178

HSL 183.87, 0.29%, 0.58%

LAB 67.43, -17.75, -8.06

 

CMYK 25 / 35 / 0 / 30

HEX #8574B2

RGB 133 116 178

HSL 256.45, 0.29%, 0.58%

LAB 52.61, 20.09, -30.52

 

CMYK 0 / 32 / 35 / 30

HEX #B27974

RGB 178 121 116

HSL 4.84, 0.29%, 0.58%

LAB 56.49, 21.63, 11.79

 

CMYK 20 / 0 / 35 / 30

HEX #8FB274

RGB 143 178 116

HSL 93.87, 0.29%, 0.58%

LAB 68.71, -23.18, 27.92

 

CMYK 35 / 2 / 0 / 30

HEX #74AEB2

RGB 116 174 178

HSL 183.87, 0.29%, 0.58%

LAB 67.43, -17.75, -8.06

 

CMYK 15 / 35 / 0 / 30

HEX #9874B2

RGB 152 116 178

HSL 274.84, 0.29%, 0.58%

LAB 54.43, 26.04, -27.55

 

Description

Color code: HEX #B27974 | qconv.com Color code: HEX #B27974 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 121 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 121 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 35 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 35% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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