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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B27C27 it is the complementary color #4D83D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B27C27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B27C27 shade: #B77C22, #C88E35, #D9A048, #EAB25B and #FBC46E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B27C27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B27C27 shade: #B27C27, #A16A14, #905801, #7F4600 and #6E3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B27C27 shade: #B37D27, #B35727, #B33127 and #B32727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B27C27 shade: #B37D27, #B3A327, #9EB327, #78B327 and #52B327

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B27C27 shade matches the following richer shades: #B37D27, #C58115 and #D78503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B27C27 shade: #B37D27, #A27939, #90754A, #7E715C and #6C6D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B27C27 shade: #B33027, #B35627, #B37B27, #B3A127 and #A1B327

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B27C27 shade: #704E18, #916520, #B37D27, #D29432 and #D9A554

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B27C27 shade: #B27C27, #43B327 and #4327B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B27C27 shade: #B27C27, #27B37B and #7B27B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B27C27 shade: #B27C27, #43B327, #275FB3 and #9727B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B27C27 shade: #B27C27, #27B335, #275FB3 and #B327A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 78 / 30

HEX #B27C27

RGB 178 124 39

HSL 36.69, 0.64%, 0.43%

LAB 56.11, 13.46, 51.82

 

Complementary color

CMYK 64 / 39 / 0 / 15

HEX #4D83D8

RGB 77 131 216

HSL 216.69, 0.64%, 0.57%

LAB 54.83, 8.82, -48.93

 

CMYK 0 / 32 / 81 / 28

HEX #B77C22

RGB 183 124 34

HSL 36.24, 0.69%, 0.43%

LAB 56.68, 15.5, 54.48

 

CMYK 0 / 29 / 74 / 22

HEX #C88E35

RGB 200 142 53

HSL 36.33, 0.58%, 0.5%

LAB 63.25, 13.83, 53.84

 

CMYK 0 / 26 / 67 / 15

HEX #D9A048

RGB 217 160 72

HSL 36.41, 0.66%, 0.57%

LAB 69.73, 12.4, 52.75

 

CMYK 0 / 24 / 61 / 8

HEX #EAB25B

RGB 234 178 91

HSL 36.5, 0.77%, 0.64%

LAB 76.12, 11.17, 51.48

 

CMYK 0 / 22 / 56 / 2

HEX #FBC46E

RGB 251 196 110

HSL 36.6, 0.95%, 0.71%

LAB 82.44, 10.11, 50.16

 

CMYK 0 / 30 / 78 / 30

HEX #B27C27

RGB 178 124 39

HSL 36.69, 0.64%, 0.43%

LAB 56.11, 13.46, 51.82

 

CMYK 0 / 34 / 88 / 37

HEX #A16A14

RGB 161 106 20

HSL 36.6, 0.78%, 0.35%

LAB 49.42, 15.31, 51.91

 

CMYK 0 / 39 / 99 / 44

HEX #905801

RGB 144 88 1

HSL 36.5, 0.99%, 0.28%

LAB 42.63, 17.47, 50.8

 

CMYK 0 / 45 / 100 / 50

HEX #7F4600

RGB 127 70 0

HSL 33.07, 1%, 0.25%

LAB 35.78, 20.06, 45.52

 

CMYK 0 / 53 / 100 / 57

HEX #6E3400

RGB 110 52 0

HSL 28.36, 1%, 0.22%

LAB 28.83, 22.74, 39.54

 

CMYK 0 / 30 / 78 / 30

HEX #B37D27

RGB 179 125 39

HSL 36.86, 0.64%, 0.43%

LAB 56.48, 13.35, 52.21

 

CMYK 0 / 51 / 78 / 30

HEX #B35727

RGB 179 87 39

HSL 20.57, 0.64%, 0.43%

LAB 47.68, 34.18, 43.68

 

CMYK 0 / 73 / 78 / 30

HEX #B33127

RGB 179 49 39

HSL 4.29, 0.64%, 0.43%

LAB 41.1, 51.55, 36.96

 

CMYK 0 / 78 / 78 / 30

HEX #B32727

RGB 179 39 39

HSL 0, 0.64%, 0.43%

LAB 39.88, 54.93, 35.68

 

CMYK 0 / 30 / 78 / 30

HEX #B37D27

RGB 179 125 39

HSL 36.86, 0.64%, 0.43%

LAB 56.48, 13.35, 52.21

 

CMYK 0 / 9 / 78 / 30

HEX #B3A327

RGB 179 163 39

HSL 53.14, 0.64%, 0.43%

LAB 66.46, -7.41, 61.43

 

CMYK 12 / 0 / 78 / 30

HEX #9EB327

RGB 158 179 39

HSL 69, 0.64%, 0.43%

LAB 69.22, -24.71, 63.3

 

CMYK 33 / 0 / 78 / 30

HEX #78B327

RGB 120 179 39

HSL 85.29, 0.64%, 0.43%

LAB 66.81, -39.89, 60.2

 

CMYK 54 / 0 / 78 / 30

HEX #52B327

RGB 82 179 39

HSL 101.57, 0.64%, 0.43%

LAB 65.11, -52.37, 57.98

 

CMYK 0 / 30 / 78 / 30

HEX #B37D27

RGB 179 125 39

HSL 36.86, 0.64%, 0.43%

LAB 56.48, 13.35, 52.21

 

CMYK 0 / 35 / 89 / 23

HEX #C58115

RGB 197 129 21

HSL 36.82, 0.81%, 0.43%

LAB 59.55, 18.58, 61.59

 

CMYK 0 / 38 / 99 / 16

HEX #D78503

RGB 215 133 3

HSL 36.79, 0.97%, 0.43%

LAB 62.7, 23.97, 68.15

 

CMYK 0 / 30 / 78 / 30

HEX #B37D27

RGB 179 125 39

HSL 36.86, 0.64%, 0.43%

LAB 56.48, 13.35, 52.21

 

CMYK 0 / 25 / 65 / 36

HEX #A27939

RGB 162 121 57

HSL 36.57, 0.48%, 0.43%

LAB 53.66, 8.96, 40.49

 

CMYK 0 / 19 / 49 / 44

HEX #90754A

RGB 144 117 74

HSL 36.86, 0.32%, 0.43%

LAB 50.86, 4.68, 27.61

 

CMYK 0 / 10 / 27 / 51

HEX #7E715C

RGB 126 113 92

HSL 37.06, 0.16%, 0.43%

LAB 48.28, 1.51, 13.52

 

CMYK 2 / 1 / 0 / 57

HEX #6C6D6E

RGB 108 109 110

HSL 210, 0.01%, 0.43%

LAB 45.98, -0.17, -0.7

 

CMYK 0 / 73 / 78 / 30

HEX #B33027

RGB 179 48 39

HSL 3.86, 0.64%, 0.43%

LAB 40.97, 51.91, 36.82

 

CMYK 0 / 52 / 78 / 30

HEX #B35627

RGB 179 86 39

HSL 20.14, 0.64%, 0.43%

LAB 47.48, 34.71, 43.47

 

CMYK 0 / 31 / 78 / 30

HEX #B37B27

RGB 179 123 39

HSL 36, 0.64%, 0.43%

LAB 55.98, 14.47, 51.74

 

CMYK 0 / 10 / 78 / 30

HEX #B3A127

RGB 179 161 39

HSL 52.29, 0.64%, 0.43%

LAB 65.92, -6.35, 60.94

 

CMYK 10 / 0 / 78 / 30

HEX #A1B327

RGB 161 179 39

HSL 67.71, 0.64%, 0.43%

LAB 69.44, -23.44, 63.59

 

CMYK 0 / 30 / 79 / 56

HEX #704E18

RGB 112 78 24

HSL 36.82, 0.65%, 0.27%

LAB 35.91, 8.89, 35.95

 

CMYK 0 / 30 / 78 / 43

HEX #916520

RGB 145 101 32

HSL 36.64, 0.64%, 0.35%

LAB 46.22, 11.25, 43.86

 

CMYK 0 / 30 / 78 / 30

HEX #B37D27

RGB 179 125 39

HSL 36.86, 0.64%, 0.43%

LAB 56.48, 13.35, 52.21

 

CMYK 0 / 30 / 76 / 18

HEX #D29432

RGB 210 148 50

HSL 36.75, 0.64%, 0.51%

LAB 65.84, 14.77, 58.01

 

CMYK 0 / 24 / 61 / 15

HEX #D9A554

RGB 217 165 84

HSL 36.54, 0.64%, 0.59%

LAB 71.08, 10.48, 48.59

 

CMYK 0 / 30 / 78 / 30

HEX #B27C27

RGB 178 124 39

HSL 36.69, 0.64%, 0.43%

LAB 56.11, 13.46, 51.82

 

CMYK 63 / 0 / 78 / 30

HEX #43B327

RGB 67 179 39

HSL 108, 0.64%, 0.43%

LAB 64.63, -56.2, 57.36

 

CMYK 63 / 78 / 0 / 30

HEX #4327B3

RGB 67 39 179

HSL 252, 0.64%, 0.43%

LAB 29.16, 50.32, -69.1

 

CMYK 0 / 30 / 78 / 30

HEX #B27C27

RGB 178 124 39

HSL 36.69, 0.64%, 0.43%

LAB 56.11, 13.46, 51.82

 

CMYK 78 / 0 / 31 / 30

HEX #27B37B

RGB 39 179 123

HSL 156, 0.64%, 0.43%

LAB 65.04, -49.32, 18.52

 

CMYK 31 / 78 / 0 / 30

HEX #7B27B3

RGB 123 39 179

HSL 276, 0.64%, 0.43%

LAB 35.82, 58.51, -57.92

 

CMYK 0 / 30 / 78 / 30

HEX #B27C27

RGB 178 124 39

HSL 36.69, 0.64%, 0.43%

LAB 56.11, 13.46, 51.82

 

CMYK 63 / 0 / 78 / 30

HEX #43B327

RGB 67 179 39

HSL 108, 0.64%, 0.43%

LAB 64.63, -56.2, 57.36

 

CMYK 78 / 47 / 0 / 30

HEX #275FB3

RGB 39 95 179

HSL 216, 0.64%, 0.43%

LAB 41.01, 12.32, -49.85

 

CMYK 16 / 78 / 0 / 30

HEX #9727B3

RGB 151 39 179

HSL 288, 0.64%, 0.43%

LAB 40.06, 63.62, -50.86

 

CMYK 0 / 30 / 78 / 30

HEX #B27C27

RGB 178 124 39

HSL 36.69, 0.64%, 0.43%

LAB 56.11, 13.46, 51.82

 

CMYK 78 / 0 / 70 / 30

HEX #27B335

RGB 39 179 53

HSL 126, 0.64%, 0.43%

LAB 64.1, -60.29, 51.65

 

CMYK 78 / 47 / 0 / 30

HEX #275FB3

RGB 39 95 179

HSL 216, 0.64%, 0.43%

LAB 41.01, 12.32, -49.85

 

CMYK 0 / 78 / 8 / 30

HEX #B327A5

RGB 179 39 165

HSL 306, 0.64%, 0.43%

LAB 43.87, 66.94, -36.18

 

Description

Color code: HEX #B27C27 | qconv.com Color code: HEX #B27C27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 124 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 124 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 78 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 78% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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