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Color name
HEX #B2858A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2858A it is the complementary color #4D7A75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2858A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2858A shade: #B78585, #C89798, #D9A9AB, #EABBBE and #FBCDD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2858A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2858A shade: #B2858A, #A17377, #906164, #7F4F51 and #6E3D3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2858A shade: #B28489 and #B28484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2858A shade: #B28489, #B28496, #B284A2, #B284AE and #A984B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2858A shade matches the following richer shades: #B28489, #C2747D, #D26470, #E25464 and #F24457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2858A shade: #B28489, #A29496, #92A4A2, #82B4AF and #72C5BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2858A shade: #B284A2, #B28496, #B2848A, #B28B84 and #B29784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2858A shade: #8C585D, #A26B71, #B28489, #C29EA2 and #D2B7BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2858A shade: #B2858A, #AEB284 and #849CB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2858A shade: #B2858A, #8AB284 and #848AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2858A shade: #B2858A, #AEB284, #84B2AD and #8884B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2858A shade: #B2858A, #A0B284, #84B2AD and #9684B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 22 / 30

HEX #B2858A

RGB 178 133 138

HSL 353.33, 0.23%, 0.61%

LAB 59.96, 18.01, 4.06

 

Complementary color

CMYK 37 / 0 / 4 / 52

HEX #4D7A75

RGB 77 122 117

HSL 173.33, 0.23%, 0.39%

LAB 47.98, -16.66, -2.17

 

CMYK 0 / 27 / 27 / 28

HEX #B78585

RGB 183 133 133

HSL 0, 0.26%, 0.62%

LAB 60.37, 19.2, 7.59

 

CMYK 0 / 25 / 24 / 22

HEX #C89798

RGB 200 151 152

HSL 358.78, 0.31%, 0.69%

LAB 67.04, 18.5, 6.62

 

CMYK 0 / 22 / 21 / 15

HEX #D9A9AB

RGB 217 169 171

HSL 357.5, 0.39%, 0.76%

LAB 73.59, 17.88, 5.74

 

CMYK 0 / 20 / 19 / 8

HEX #EABBBE

RGB 234 187 190

HSL 356.17, 0.53%, 0.83%

LAB 80.04, 17.32, 4.91

 

CMYK 0 / 18 / 17 / 2

HEX #FBCDD1

RGB 251 205 209

HSL 354.78, 0.85%, 0.89%

LAB 86.39, 16.8, 4.14

 

CMYK 0 / 25 / 22 / 30

HEX #B2858A

RGB 178 133 138

HSL 353.33, 0.23%, 0.61%

LAB 59.96, 18.01, 4.06

 

CMYK 0 / 29 / 26 / 37

HEX #A17377

RGB 161 115 119

HSL 354.78, 0.2%, 0.54%

LAB 53.14, 18.73, 5.01

 

CMYK 0 / 33 / 31 / 44

HEX #906164

RGB 144 97 100

HSL 356.17, 0.2%, 0.47%

LAB 46.18, 19.54, 6.07

 

CMYK 0 / 38 / 36 / 50

HEX #7F4F51

RGB 127 79 81

HSL 357.5, 0.23%, 0.4%

LAB 39.07, 20.48, 7.3

 

CMYK 0 / 45 / 44 / 57

HEX #6E3D3E

RGB 110 61 62

HSL 358.78, 0.29%, 0.34%

LAB 31.81, 21.56, 8.78

 

CMYK 0 / 26 / 23 / 30

HEX #B28489

RGB 178 132 137

HSL 353.48, 0.23%, 0.61%

LAB 59.68, 18.42, 4.24

 

CMYK 0 / 26 / 26 / 30

HEX #B28484

RGB 178 132 132

HSL 0, 0.23%, 0.61%

LAB 59.56, 17.67, 6.92

 

CMYK 0 / 26 / 23 / 30

HEX #B28489

RGB 178 132 137

HSL 353.48, 0.23%, 0.61%

LAB 59.68, 18.42, 4.24

 

CMYK 0 / 26 / 16 / 30

HEX #B28496

RGB 178 132 150

HSL 336.52, 0.23%, 0.61%

LAB 60.04, 20.49, -2.69

 

CMYK 0 / 26 / 9 / 30

HEX #B284A2

RGB 178 132 162

HSL 320.87, 0.23%, 0.61%

LAB 60.41, 22.56, -9.02

 

CMYK 0 / 26 / 2 / 30

HEX #B284AE

RGB 178 132 174

HSL 305.22, 0.23%, 0.61%

LAB 60.8, 24.76, -15.27

 

CMYK 5 / 26 / 0 / 30

HEX #A984B2

RGB 169 132 178

HSL 288.26, 0.23%, 0.61%

LAB 60.03, 22.48, -18.81

 

CMYK 0 / 26 / 23 / 30

HEX #B28489

RGB 178 132 137

HSL 353.48, 0.23%, 0.61%

LAB 59.68, 18.42, 4.24

 

CMYK 0 / 40 / 36 / 24

HEX #C2747D

RGB 194 116 125

HSL 353.08, 0.39%, 0.61%

LAB 57.5, 31.72, 8.28

 

CMYK 0 / 52 / 47 / 18

HEX #D26470

RGB 210 100 112

HSL 353.45, 0.55%, 0.61%

LAB 56.07, 44.48, 14.17

 

CMYK 0 / 63 / 56 / 11

HEX #E25464

RGB 226 84 100

HSL 353.24, 0.71%, 0.61%

LAB 55.51, 56.3, 20.84

 

CMYK 0 / 72 / 64 / 5

HEX #F24457

RGB 242 68 87

HSL 353.45, 0.87%, 0.61%

LAB 55.79, 66.53, 29.34

 

CMYK 0 / 26 / 23 / 30

HEX #B28489

RGB 178 132 137

HSL 353.48, 0.23%, 0.61%

LAB 59.68, 18.42, 4.24

 

CMYK 0 / 9 / 7 / 36

HEX #A29496

RGB 162 148 150

HSL 351.43, 0.07%, 0.61%

LAB 62.56, 5.53, 0.81

 

CMYK 11 / 0 / 1 / 36

HEX #92A4A2

RGB 146 164 162

HSL 173.33, 0.09%, 0.61%

LAB 65.96, -6.7, -1.12

 

CMYK 28 / 0 / 3 / 29

HEX #82B4AF

RGB 130 180 175

HSL 174, 0.25%, 0.61%

LAB 69.81, -17.52, -2.79

 

CMYK 42 / 0 / 5 / 23

HEX #72C5BB

RGB 114 197 187

HSL 172.77, 0.42%, 0.61%

LAB 74.25, -27.67, -2.91

 

CMYK 0 / 26 / 9 / 30

HEX #B284A2

RGB 178 132 162

HSL 320.87, 0.23%, 0.61%

LAB 60.41, 22.56, -9.02

 

CMYK 0 / 26 / 16 / 30

HEX #B28496

RGB 178 132 150

HSL 336.52, 0.23%, 0.61%

LAB 60.04, 20.49, -2.69

 

CMYK 0 / 26 / 22 / 30

HEX #B2848A

RGB 178 132 138

HSL 352.17, 0.23%, 0.61%

LAB 59.71, 18.57, 3.71

 

CMYK 0 / 22 / 26 / 30

HEX #B28B84

RGB 178 139 132

HSL 9.13, 0.23%, 0.61%

LAB 61.3, 13.75, 9.41

 

CMYK 0 / 15 / 26 / 30

HEX #B29784

RGB 178 151 132

HSL 24.78, 0.23%, 0.61%

LAB 64.37, 7.07, 13.74

 

CMYK 0 / 37 / 34 / 45

HEX #8C585D

RGB 140 88 93

HSL 354.23, 0.23%, 0.45%

LAB 43.28, 22.17, 6.12

 

CMYK 0 / 34 / 30 / 36

HEX #A26B71

RGB 162 107 113

HSL 353.45, 0.23%, 0.53%

LAB 51.14, 22.81, 5.7

 

CMYK 0 / 26 / 23 / 30

HEX #B28489

RGB 178 132 137

HSL 353.48, 0.23%, 0.61%

LAB 59.68, 18.42, 4.24

 

CMYK 0 / 19 / 16 / 24

HEX #C29EA2

RGB 194 158 162

HSL 353.33, 0.23%, 0.69%

LAB 68.41, 13.94, 2.94

 

CMYK 0 / 13 / 11 / 18

HEX #D2B7BA

RGB 210 183 186

HSL 353.33, 0.23%, 0.77%

LAB 76.75, 10.14, 2.03

 

CMYK 0 / 25 / 22 / 30

HEX #B2858A

RGB 178 133 138

HSL 353.33, 0.23%, 0.61%

LAB 59.96, 18.01, 4.06

 

CMYK 2 / 0 / 26 / 30

HEX #AEB284

RGB 174 178 132

HSL 65.22, 0.23%, 0.61%

LAB 71.22, -9.09, 23.11

 

CMYK 26 / 12 / 0 / 30

HEX #849CB2

RGB 132 156 178

HSL 208.7, 0.23%, 0.61%

LAB 63.26, -3.33, -14.2

 

CMYK 0 / 25 / 22 / 30

HEX #B2858A

RGB 178 133 138

HSL 353.33, 0.23%, 0.61%

LAB 59.96, 18.01, 4.06

 

CMYK 22 / 0 / 26 / 30

HEX #8AB284

RGB 138 178 132

HSL 112.17, 0.23%, 0.61%

LAB 68.69, -22.46, 19.24

 

CMYK 26 / 22 / 0 / 30

HEX #848AB2

RGB 132 138 178

HSL 232.17, 0.23%, 0.61%

LAB 58.32, 6.88, -21.71

 

CMYK 0 / 25 / 22 / 30

HEX #B2858A

RGB 178 133 138

HSL 353.33, 0.23%, 0.61%

LAB 59.96, 18.01, 4.06

 

CMYK 2 / 0 / 26 / 30

HEX #AEB284

RGB 174 178 132

HSL 65.22, 0.23%, 0.61%

LAB 71.22, -9.09, 23.11

 

CMYK 26 / 0 / 3 / 30

HEX #84B2AD

RGB 132 178 173

HSL 173.48, 0.23%, 0.61%

LAB 69.3, -16.33, -2.42

 

CMYK 24 / 26 / 0 / 30

HEX #8884B2

RGB 136 132 178

HSL 245.22, 0.23%, 0.61%

LAB 57.03, 11.62, -23.66

 

CMYK 0 / 25 / 22 / 30

HEX #B2858A

RGB 178 133 138

HSL 353.33, 0.23%, 0.61%

LAB 59.96, 18.01, 4.06

 

CMYK 10 / 0 / 26 / 30

HEX #A0B284

RGB 160 178 132

HSL 83.48, 0.23%, 0.61%

LAB 70.16, -14.44, 21.5

 

CMYK 26 / 0 / 3 / 30

HEX #84B2AD

RGB 132 178 173

HSL 173.48, 0.23%, 0.61%

LAB 69.3, -16.33, -2.42

 

CMYK 16 / 26 / 0 / 30

HEX #9684B2

RGB 150 132 178

HSL 263.48, 0.23%, 0.61%

LAB 58.23, 16.14, -21.72

 

Description

Color code: HEX #B2858A | qconv.com Color code: HEX #B2858A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 133 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 133 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 22 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 22% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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