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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B28E9B it is the complementary color #4D7164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B28E9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B28E9B shade: #B78E96, #C8A0A9, #D9B2BC, #EAC4CF and #FBD6E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B28E9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B28E9B shade: #B28E9B, #A17C88, #906A75, #7F5862 and #6E464F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B28E9B shade: #B28E9B, #B28E92 and #B28E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B28E9B shade: #B28E9B, #B28EA5, #B28EAF, #AC8EB2 and #A28EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B28E9B shade matches the following richer shades: #B28E9B, #C17F97, #D17093, #E0608E and #EF518A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B28E9B shade: #B28E9B, #A39D9F, #94ADA4, #84BCA8 and #75CBAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B28E9B shade: #B28EAE, #B28EA5, #B28E9B, #B28E92 and #B2948E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B28E9B shade: #8E6071, #A17685, #B28E9B, #C3A7B1 and #D3BFC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B28E9B shade: #B28E9B, #B2AC8E and #8EAAB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B28E9B shade: #B28E9B, #9BB28E and #8E9BB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B28E9B shade: #B28E9B, #B2AC8E, #8EB2A5 and #8E94B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B28E9B shade: #B28E9B, #ADB28E, #8EB2A5 and #938EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

Complementary color

CMYK 32 / 0 / 12 / 56

HEX #4D7164

RGB 77 113 100

HSL 158.33, 0.19%, 0.37%

LAB 44.67, -15.91, 3.12

 

CMYK 0 / 22 / 18 / 28

HEX #B78E96

RGB 183 142 150

HSL 348.29, 0.22%, 0.64%

LAB 63.02, 16.76, 1.73

 

CMYK 0 / 20 / 16 / 22

HEX #C8A0A9

RGB 200 160 169

HSL 346.5, 0.27%, 0.71%

LAB 69.67, 16.19, 0.96

 

CMYK 0 / 18 / 13 / 15

HEX #D9B2BC

RGB 217 178 188

HSL 344.62, 0.34%, 0.77%

LAB 76.21, 15.68, 0.23

 

CMYK 0 / 16 / 12 / 8

HEX #EAC4CF

RGB 234 196 207

HSL 342.63, 0.48%, 0.84%

LAB 82.63, 15.22, -0.45

 

CMYK 0 / 15 / 10 / 2

HEX #FBD6E2

RGB 251 214 226

HSL 340.54, 0.82%, 0.91%

LAB 88.97, 14.79, -1.11

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 0 / 23 / 16 / 37

HEX #A17C88

RGB 161 124 136

HSL 340.54, 0.16%, 0.56%

LAB 55.86, 16.3, -0.97

 

CMYK 0 / 26 / 19 / 44

HEX #906A75

RGB 144 106 117

HSL 342.63, 0.15%, 0.49%

LAB 48.91, 16.94, -0.17

 

CMYK 0 / 31 / 23 / 50

HEX #7F5862

RGB 127 88 98

HSL 344.62, 0.18%, 0.42%

LAB 41.8, 17.69, 0.72

 

CMYK 0 / 36 / 28 / 57

HEX #6E464F

RGB 110 70 79

HSL 346.5, 0.22%, 0.35%

LAB 34.52, 18.54, 1.75

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 0 / 20 / 18 / 30

HEX #B28E92

RGB 178 142 146

HSL 353.33, 0.19%, 0.63%

LAB 62.41, 14.23, 3.05

 

CMYK 0 / 20 / 20 / 30

HEX #B28E8E

RGB 178 142 142

HSL 0, 0.19%, 0.63%

LAB 62.31, 13.59, 5.17

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 0 / 20 / 7 / 30

HEX #B28EA5

RGB 178 142 165

HSL 321.67, 0.19%, 0.63%

LAB 62.95, 17.48, -6.94

 

CMYK 0 / 20 / 2 / 30

HEX #B28EAF

RGB 178 142 175

HSL 305, 0.19%, 0.63%

LAB 63.27, 19.33, -12.12

 

CMYK 3 / 20 / 0 / 30

HEX #AC8EB2

RGB 172 142 178

HSL 290, 0.19%, 0.63%

LAB 62.79, 17.84, -14.6

 

CMYK 9 / 20 / 0 / 30

HEX #A28EB2

RGB 162 142 178

HSL 273.33, 0.19%, 0.63%

LAB 61.86, 14.42, -16.08

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 0 / 34 / 22 / 24

HEX #C17F97

RGB 193 127 151

HSL 338.18, 0.35%, 0.63%

LAB 60.56, 28.95, -2.31

 

CMYK 0 / 46 / 30 / 18

HEX #D17093

RGB 209 112 147

HSL 338.35, 0.51%, 0.63%

LAB 59.21, 42.09, -1.76

 

CMYK 0 / 57 / 37 / 12

HEX #E0608E

RGB 224 96 142

HSL 338.44, 0.67%, 0.63%

LAB 58.19, 54.28, -0.08

 

CMYK 0 / 66 / 42 / 6

HEX #EF518A

RGB 239 81 138

HSL 338.35, 0.83%, 0.63%

LAB 58.1, 64.8, 2.42

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 0 / 4 / 2 / 36

HEX #A39D9F

RGB 163 157 159

HSL 340, 0.03%, 0.63%

LAB 65.28, 2.55, -0.27

 

CMYK 14 / 0 / 5 / 32

HEX #94ADA4

RGB 148 173 164

HSL 158.4, 0.13%, 0.63%

LAB 68.65, -10.44, 1.72

 

CMYK 30 / 0 / 11 / 26

HEX #84BCA8

RGB 132 188 168

HSL 158.57, 0.29%, 0.63%

LAB 72.03, -22.53, 4.29

 

CMYK 42 / 0 / 15 / 20

HEX #75CBAC

RGB 117 203 172

HSL 158.37, 0.45%, 0.63%

LAB 75.74, -33.22, 7.38

 

CMYK 0 / 20 / 2 / 30

HEX #B28EAE

RGB 178 142 174

HSL 306.67, 0.19%, 0.63%

LAB 63.23, 19.14, -11.61

 

CMYK 0 / 20 / 7 / 30

HEX #B28EA5

RGB 178 142 165

HSL 321.67, 0.19%, 0.63%

LAB 62.95, 17.48, -6.94

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 0 / 20 / 18 / 30

HEX #B28E92

RGB 178 142 146

HSL 353.33, 0.19%, 0.63%

LAB 62.41, 14.23, 3.05

 

CMYK 0 / 17 / 20 / 30

HEX #B2948E

RGB 178 148 142

HSL 10, 0.19%, 0.63%

LAB 63.83, 10.24, 7.36

 

CMYK 0 / 32 / 20 / 44

HEX #8E6071

RGB 142 96 113

HSL 337.83, 0.19%, 0.47%

LAB 46.05, 21.34, -1.98

 

CMYK 0 / 27 / 17 / 37

HEX #A17685

RGB 161 118 133

HSL 339.07, 0.19%, 0.55%

LAB 54.27, 19.22, -1.55

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 0 / 14 / 9 / 24

HEX #C3A7B1

RGB 195 167 177

HSL 338.57, 0.19%, 0.71%

LAB 71.16, 11.88, -1.36

 

CMYK 0 / 9 / 6 / 17

HEX #D3BFC7

RGB 211 191 199

HSL 336, 0.19%, 0.79%

LAB 79.18, 8.44, -1.45

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 0 / 3 / 20 / 30

HEX #B2AC8E

RGB 178 172 142

HSL 50, 0.19%, 0.63%

LAB 70.12, -2.89, 16.23

 

CMYK 20 / 4 / 0 / 30

HEX #8EAAB2

RGB 142 170 178

HSL 193.33, 0.19%, 0.63%

LAB 67.81, -7.83, -7.32

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 13 / 0 / 20 / 30

HEX #9BB28E

RGB 155 178 142

HSL 98.33, 0.19%, 0.63%

LAB 70.01, -14.68, 15.81

 

CMYK 20 / 13 / 0 / 30

HEX #8E9BB2

RGB 142 155 178

HSL 218.33, 0.19%, 0.63%

LAB 63.68, 0.41, -13.5

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 0 / 3 / 20 / 30

HEX #B2AC8E

RGB 178 172 142

HSL 50, 0.19%, 0.63%

LAB 70.12, -2.89, 16.23

 

CMYK 20 / 0 / 7 / 30

HEX #8EB2A5

RGB 142 178 165

HSL 158.33, 0.19%, 0.63%

LAB 69.69, -14.87, 2.62

 

CMYK 20 / 17 / 0 / 30

HEX #8E94B2

RGB 142 148 178

HSL 230, 0.19%, 0.63%

LAB 61.78, 4.35, -16.37

 

CMYK 0 / 20 / 13 / 30

HEX #B28E9B

RGB 178 142 155

HSL 338.33, 0.19%, 0.63%

LAB 62.66, 15.72, -1.7

 

CMYK 3 / 0 / 20 / 30

HEX #ADB28E

RGB 173 178 142

HSL 68.33, 0.19%, 0.63%

LAB 71.34, -7.99, 17.85

 

CMYK 20 / 0 / 7 / 30

HEX #8EB2A5

RGB 142 178 165

HSL 158.33, 0.19%, 0.63%

LAB 69.69, -14.87, 2.62

 

CMYK 17 / 20 / 0 / 30

HEX #938EB2

RGB 147 142 178

HSL 248.33, 0.19%, 0.63%

LAB 60.57, 9.4, -18.16

 

Description

Color code: HEX #B28E9B | qconv.com Color code: HEX #B28E9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 142 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 142 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 13 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 13% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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