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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B29ACA it is the complementary color #4D6535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B29ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B29ACA shade: #B79AC5, #C8ACD8, #D9BEEB, #EAD0FE and #FBE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B29ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B29ACA shade: #B29ACA, #A188B7, #9076A4, #7F6491 and #6E527E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B29ACA shade: #B29ACA, #BF9ACA, #CA9AC8, #CA9ABB and #CA9AAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B29ACA shade: #B29ACA, #A59ACA and #9A9ACA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B29ACA shade matches the following richer shades: #B29ACA, #B28ED6, #B282E2, #B275EF and #B269FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B29ACA shade: #B29ACA, #B2A7BD, #B2B3B1, #B2BFA5 and #B2CC98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B29ACA shade: #9A9CCA, #A59ACA, #B29ACA, #BF9ACA and #CA9AC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B29ACA shade: #8964AD, #9D7FBB, #B29ACA, #C7B5D8 and #DBD0E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B29ACA shade: #B29ACA, #CA9AA9 and #9ACA9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B29ACA shade: #B29ACA, #CAB29A and #9ACAB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B29ACA shade: #B29ACA, #CA9AA9, #B2CA9A and #9ACABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B29ACA shade: #B29ACA, #CA9A9A, #B2CA9A and #9ACACA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

Complementary color

CMYK 24 / 0 / 48 / 60

HEX #4D6535

RGB 77 101 53

HSL 90, 0.31%, 0.3%

LAB 39.82, -18.27, 24.25

 

CMYK 7 / 22 / 0 / 23

HEX #B79AC5

RGB 183 154 197

HSL 280.47, 0.27%, 0.69%

LAB 67.43, 18.66, -18.12

 

CMYK 7 / 20 / 0 / 15

HEX #C8ACD8

RGB 200 172 216

HSL 278.18, 0.36%, 0.76%

LAB 74.02, 18.17, -18.46

 

CMYK 8 / 19 / 0 / 8

HEX #D9BEEB

RGB 217 190 235

HSL 276, 0.53%, 0.83%

LAB 80.5, 17.73, -18.81

 

CMYK 8 / 18 / 0 / 0

HEX #EAD0FE

RGB 234 208 254

HSL 273.91, 0.96%, 0.91%

LAB 86.88, 17.31, -19.15

 

CMYK 2 / 11 / 0 / 0

HEX #FBE2FF

RGB 251 226 255

HSL 291.72, 1%, 0.94%

LAB 92.63, 13.55, -10.91

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 12 / 26 / 0 / 28

HEX #A188B7

RGB 161 136 183

HSL 271.91, 0.25%, 0.63%

LAB 60.43, 18.57, -21.1

 

CMYK 12 / 28 / 0 / 36

HEX #9076A4

RGB 144 118 164

HSL 273.91, 0.2%, 0.55%

LAB 53.56, 19.15, -20.85

 

CMYK 12 / 31 / 0 / 43

HEX #7F6491

RGB 127 100 145

HSL 276, 0.18%, 0.48%

LAB 46.54, 19.78, -20.62

 

CMYK 13 / 35 / 0 / 51

HEX #6E527E

RGB 110 82 126

HSL 278.18, 0.21%, 0.41%

LAB 39.34, 20.5, -20.4

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 5 / 24 / 0 / 21

HEX #BF9ACA

RGB 191 154 202

HSL 286.25, 0.31%, 0.7%

LAB 68.35, 22.33, -19.44

 

CMYK 0 / 24 / 1 / 21

HEX #CA9AC8

RGB 202 154 200

HSL 302.5, 0.31%, 0.7%

LAB 69.35, 25.62, -16.71

 

CMYK 0 / 24 / 7 / 21

HEX #CA9ABB

RGB 202 154 187

HSL 318.75, 0.31%, 0.7%

LAB 68.94, 23.25, -10.11

 

CMYK 0 / 24 / 14 / 21

HEX #CA9AAE

RGB 202 154 174

HSL 335, 0.31%, 0.7%

LAB 68.55, 21.03, -3.44

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 18 / 24 / 0 / 21

HEX #A59ACA

RGB 165 154 202

HSL 253.75, 0.31%, 0.7%

LAB 66.04, 13.86, -23.17

 

CMYK 24 / 24 / 0 / 21

HEX #9A9ACA

RGB 154 154 202

HSL 240, 0.31%, 0.7%

LAB 65.16, 10.41, -24.6

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 17 / 34 / 0 / 16

HEX #B28ED6

RGB 178 142 214

HSL 270, 0.47%, 0.7%

LAB 64.7, 27.4, -31.82

 

CMYK 21 / 42 / 0 / 11

HEX #B282E2

RGB 178 130 226

HSL 270, 0.62%, 0.7%

LAB 62.44, 36.81, -42.02

 

CMYK 26 / 51 / 0 / 6

HEX #B275EF

RGB 178 117 239

HSL 270, 0.79%, 0.7%

LAB 60.27, 46.9, -52.68

 

CMYK 29 / 58 / 0 / 2

HEX #B269FB

RGB 178 105 251

HSL 270, 0.95%, 0.7%

LAB 58.54, 55.96, -62.08

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 6 / 12 / 0 / 26

HEX #B2A7BD

RGB 178 167 189

HSL 270, 0.14%, 0.7%

LAB 70.02, 8.13, -9.84

 

CMYK 1 / 0 / 1 / 30

HEX #B2B3B1

RGB 178 179 177

HSL 90, 0.01%, 0.7%

LAB 72.81, -0.72, 0.89

 

CMYK 7 / 0 / 14 / 25

HEX #B2BFA5

RGB 178 191 165

HSL 90, 0.17%, 0.7%

LAB 75.73, -9.22, 11.6

 

CMYK 13 / 0 / 25 / 20

HEX #B2CC98

RGB 178 204 152

HSL 90, 0.34%, 0.7%

LAB 78.99, -17.98, 23.09

 

CMYK 24 / 23 / 0 / 21

HEX #9A9CCA

RGB 154 156 202

HSL 237.5, 0.31%, 0.7%

LAB 65.68, 9.28, -23.8

 

CMYK 18 / 24 / 0 / 21

HEX #A59ACA

RGB 165 154 202

HSL 253.75, 0.31%, 0.7%

LAB 66.04, 13.86, -23.17

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 5 / 24 / 0 / 21

HEX #BF9ACA

RGB 191 154 202

HSL 286.25, 0.31%, 0.7%

LAB 68.35, 22.33, -19.44

 

CMYK 0 / 24 / 1 / 21

HEX #CA9AC8

RGB 202 154 200

HSL 302.5, 0.31%, 0.7%

LAB 69.35, 25.62, -16.71

 

CMYK 21 / 42 / 0 / 32

HEX #8964AD

RGB 137 100 173

HSL 270.41, 0.31%, 0.54%

LAB 48.82, 29.52, -33.5

 

CMYK 16 / 32 / 0 / 27

HEX #9D7FBB

RGB 157 127 187

HSL 270, 0.31%, 0.62%

LAB 57.98, 23.32, -27.18

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 8 / 16 / 0 / 15

HEX #C7B5D8

RGB 199 181 216

HSL 270.86, 0.31%, 0.78%

LAB 76.16, 12.93, -15.25

 

CMYK 5 / 10 / 0 / 10

HEX #DBD0E6

RGB 219 208 230

HSL 270, 0.31%, 0.86%

LAB 84.94, 7.8, -9.47

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 0 / 24 / 16 / 21

HEX #CA9AA9

RGB 202 154 169

HSL 341.25, 0.31%, 0.7%

LAB 68.41, 20.22, -0.86

 

CMYK 24 / 0 / 21 / 21

HEX #9ACA9F

RGB 154 202 159

HSL 126.25, 0.31%, 0.7%

LAB 77.05, -24.19, 16.46

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 0 / 12 / 24 / 21

HEX #CAB29A

RGB 202 178 154

HSL 30, 0.31%, 0.7%

LAB 74.02, 4.87, 15.43

 

CMYK 24 / 0 / 12 / 21

HEX #9ACAB2

RGB 154 202 178

HSL 150, 0.31%, 0.7%

LAB 77.48, -20.62, 6.88

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 0 / 24 / 16 / 21

HEX #CA9AA9

RGB 202 154 169

HSL 341.25, 0.31%, 0.7%

LAB 68.41, 20.22, -0.86

 

CMYK 12 / 0 / 24 / 21

HEX #B2CA9A

RGB 178 202 154

HSL 90, 0.31%, 0.7%

LAB 78.48, -16.66, 21.34

 

CMYK 24 / 0 / 7 / 21

HEX #9ACABB

RGB 154 202 187

HSL 161.25, 0.31%, 0.7%

LAB 77.7, -18.79, 2.36

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 0 / 24 / 24 / 21

HEX #CA9A9A

RGB 202 154 154

HSL 0, 0.31%, 0.7%

LAB 68.02, 17.91, 6.94

 

CMYK 12 / 0 / 24 / 21

HEX #B2CA9A

RGB 178 202 154

HSL 90, 0.31%, 0.7%

LAB 78.48, -16.66, 21.34

 

CMYK 24 / 0 / 0 / 21

HEX #9ACACA

RGB 154 202 202

HSL 180, 0.31%, 0.7%

LAB 78.1, -15.58, -5.13

 

Description

Color code: HEX #B29ACA | qconv.com Color code: HEX #B29ACA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 154 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 154 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 24 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 24% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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