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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2A641 it is the complementary color #4D59BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2A641. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2A641 shade: #B7A63C, #C8B84F, #D9CA62, #EADC75 and #FBEE88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2A641. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2A641 shade: #B2A641, #A1942E, #90821B, #7F7008 and #6E5E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2A641 shade: #B3A740, #B38840, #B36940, #B34A40 and #B34040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2A641 shade: #B3A740, #A1B340, #82B340, #63B340 and #44B340

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2A641 shade matches the following richer shades: #B3A740, #C7B72D, #DBC619 and #EFD605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2A641 shade: #B3A740, #A09854, #8C8868, #78787C and #646990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2A641 shade: #B36940, #B38740, #B3A640, #A2B340 and #83B340

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2A641 shade: #776F2B, #958B35, #B3A740, #C3B85A and #CEC578

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2A641 shade: #B2A641, #40B34A and #7840B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2A641 shade: #B2A641, #40B3A6 and #A640B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2A641 shade: #B2A641, #40B34A, #404EB3 and #B340AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2A641 shade: #B2A641, #40B36C, #404EB3 and #B34087

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 63 / 30

HEX #B2A641

RGB 178 166 65

HSL 53.63, 0.47%, 0.48%

LAB 67.37, -8.09, 52.23

 

Complementary color

CMYK 59 / 53 / 0 / 25

HEX #4D59BE

RGB 77 89 190

HSL 233.63, 0.47%, 0.52%

LAB 41.91, 26.06, -54.74

 

CMYK 0 / 9 / 67 / 28

HEX #B7A63C

RGB 183 166 60

HSL 51.71, 0.51%, 0.48%

LAB 67.77, -6.23, 54.95

 

CMYK 0 / 8 / 61 / 22

HEX #C8B84F

RGB 200 184 79

HSL 52.07, 0.52%, 0.55%

LAB 74.27, -7.14, 54.07

 

CMYK 0 / 7 / 55 / 15

HEX #D9CA62

RGB 217 202 98

HSL 52.44, 0.61%, 0.62%

LAB 80.67, -7.89, 53

 

CMYK 0 / 6 / 50 / 8

HEX #EADC75

RGB 234 220 117

HSL 52.82, 0.74%, 0.69%

LAB 86.98, -8.53, 51.86

 

CMYK 0 / 5 / 46 / 2

HEX #FBEE88

RGB 251 238 136

HSL 53.22, 0.93%, 0.76%

LAB 93.2, -9.08, 50.69

 

CMYK 0 / 7 / 63 / 30

HEX #B2A641

RGB 178 166 65

HSL 53.63, 0.47%, 0.48%

LAB 67.37, -8.09, 52.23

 

CMYK 0 / 8 / 71 / 37

HEX #A1942E

RGB 161 148 46

HSL 53.22, 0.56%, 0.41%

LAB 60.74, -7.12, 52.91

 

CMYK 0 / 10 / 81 / 44

HEX #90821B

RGB 144 130 27

HSL 52.82, 0.68%, 0.34%

LAB 54, -5.91, 52.89

 

CMYK 0 / 12 / 94 / 50

HEX #7F7008

RGB 127 112 8

HSL 52.44, 0.88%, 0.26%

LAB 47.13, -4.39, 51.46

 

CMYK 0 / 15 / 100 / 57

HEX #6E5E00

RGB 110 94 0

HSL 51.27, 1%, 0.22%

LAB 40.11, -2.47, 47.41

 

CMYK 0 / 7 / 64 / 30

HEX #B3A740

RGB 179 167 64

HSL 53.74, 0.47%, 0.48%

LAB 67.72, -8.25, 53.07

 

CMYK 0 / 24 / 64 / 30

HEX #B38840

RGB 179 136 64

HSL 37.57, 0.47%, 0.48%

LAB 59.49, 8.56, 44.09

 

CMYK 0 / 41 / 64 / 30

HEX #B36940

RGB 179 105 64

HSL 21.39, 0.47%, 0.48%

LAB 51.9, 25.82, 35.35

 

CMYK 0 / 59 / 64 / 30

HEX #B34A40

RGB 179 74 64

HSL 5.22, 0.47%, 0.48%

LAB 45.43, 42.05, 27.51

 

CMYK 0 / 64 / 64 / 30

HEX #B34040

RGB 179 64 64

HSL 0, 0.47%, 0.48%

LAB 43.68, 46.68, 25.33

 

CMYK 0 / 7 / 64 / 30

HEX #B3A740

RGB 179 167 64

HSL 53.74, 0.47%, 0.48%

LAB 67.72, -8.25, 53.07

 

CMYK 10 / 0 / 64 / 30

HEX #A1B340

RGB 161 179 64

HSL 69.39, 0.47%, 0.48%

LAB 69.6, -22.07, 54.63

 

CMYK 27 / 0 / 64 / 30

HEX #82B340

RGB 130 179 64

HSL 85.57, 0.47%, 0.48%

LAB 67.54, -34.48, 51.81

 

CMYK 45 / 0 / 64 / 30

HEX #63B340

RGB 99 179 64

HSL 101.74, 0.47%, 0.48%

LAB 65.95, -45.36, 49.62

 

CMYK 62 / 0 / 64 / 30

HEX #44B340

RGB 68 179 64

HSL 117.91, 0.47%, 0.48%

LAB 64.83, -53.89, 48.07

 

CMYK 0 / 7 / 64 / 30

HEX #B3A740

RGB 179 167 64

HSL 53.74, 0.47%, 0.48%

LAB 67.72, -8.25, 53.07

 

CMYK 0 / 8 / 77 / 22

HEX #C7B72D

RGB 199 183 45

HSL 53.77, 0.63%, 0.48%

LAB 73.67, -8.86, 66.72

 

CMYK 0 / 10 / 89 / 14

HEX #DBC619

RGB 219 198 25

HSL 53.51, 0.8%, 0.48%

LAB 79.34, -8.44, 77.18

 

CMYK 0 / 10 / 98 / 6

HEX #EFD605

RGB 239 214 5

HSL 53.59, 0.96%, 0.48%

LAB 85.23, -8.2, 84.82

 

CMYK 0 / 7 / 64 / 30

HEX #B3A740

RGB 179 167 64

HSL 53.74, 0.47%, 0.48%

LAB 67.72, -8.25, 53.07

 

CMYK 0 / 5 / 48 / 37

HEX #A09854

RGB 160 152 84

HSL 53.68, 0.31%, 0.48%

LAB 62.14, -6.82, 36.63

 

CMYK 0 / 3 / 26 / 45

HEX #8C8868

RGB 140 136 104

HSL 53.33, 0.15%, 0.48%

LAB 56.27, -3.97, 17.76

 

CMYK 3 / 3 / 0 / 51

HEX #78787C

RGB 120 120 124

HSL 240, 0.02%, 0.48%

LAB 50.55, 0.82, -2.19

 

CMYK 31 / 27 / 0 / 44

HEX #646990

RGB 100 105 144

HSL 233.18, 0.18%, 0.48%

LAB 45.4, 7.6, -21.99

 

CMYK 0 / 41 / 64 / 30

HEX #B36940

RGB 179 105 64

HSL 21.39, 0.47%, 0.48%

LAB 51.9, 25.82, 35.35

 

CMYK 0 / 25 / 64 / 30

HEX #B38740

RGB 179 135 64

HSL 37.04, 0.47%, 0.48%

LAB 59.23, 9.12, 43.8

 

CMYK 0 / 7 / 64 / 30

HEX #B3A640

RGB 179 166 64

HSL 53.22, 0.47%, 0.48%

LAB 67.45, -7.72, 52.78

 

CMYK 9 / 0 / 64 / 30

HEX #A2B340

RGB 162 179 64

HSL 68.87, 0.47%, 0.48%

LAB 69.68, -21.66, 54.73

 

CMYK 27 / 0 / 64 / 30

HEX #83B340

RGB 131 179 64

HSL 85.04, 0.47%, 0.48%

LAB 67.6, -34.1, 51.89

 

CMYK 0 / 7 / 64 / 53

HEX #776F2B

RGB 119 111 43

HSL 53.68, 0.47%, 0.32%

LAB 46.26, -6.04, 37.97

 

CMYK 0 / 7 / 64 / 42

HEX #958B35

RGB 149 139 53

HSL 53.75, 0.48%, 0.4%

LAB 57.18, -7.21, 45.9

 

CMYK 0 / 7 / 64 / 30

HEX #B3A740

RGB 179 167 64

HSL 53.74, 0.47%, 0.48%

LAB 67.72, -8.25, 53.07

 

CMYK 0 / 6 / 54 / 24

HEX #C3B85A

RGB 195 184 90

HSL 53.71, 0.47%, 0.56%

LAB 73.95, -8.41, 48.49

 

CMYK 0 / 4 / 42 / 19

HEX #CEC578

RGB 206 197 120

HSL 53.72, 0.47%, 0.64%

LAB 78.7, -7.79, 39.68

 

CMYK 0 / 7 / 63 / 30

HEX #B2A641

RGB 178 166 65

HSL 53.63, 0.47%, 0.48%

LAB 67.37, -8.09, 52.23

 

CMYK 64 / 0 / 59 / 30

HEX #40B34A

RGB 64 179 74

HSL 125.22, 0.47%, 0.48%

LAB 64.82, -53.63, 43.51

 

CMYK 33 / 64 / 0 / 30

HEX #7840B3

RGB 120 64 179

HSL 269.22, 0.47%, 0.48%

LAB 39.44, 46.66, -52.08

 

CMYK 0 / 7 / 63 / 30

HEX #B2A641

RGB 178 166 65

HSL 53.63, 0.47%, 0.48%

LAB 67.37, -8.09, 52.23

 

CMYK 64 / 0 / 7 / 30

HEX #40B3A6

RGB 64 179 166

HSL 173.22, 0.47%, 0.48%

LAB 66.58, -35.1, -2.88

 

CMYK 7 / 64 / 0 / 30

HEX #A640B3

RGB 166 64 179

HSL 293.22, 0.47%, 0.48%

LAB 45.67, 57.47, -41.75

 

CMYK 0 / 7 / 63 / 30

HEX #B2A641

RGB 178 166 65

HSL 53.63, 0.47%, 0.48%

LAB 67.37, -8.09, 52.23

 

CMYK 64 / 0 / 59 / 30

HEX #40B34A

RGB 64 179 74

HSL 125.22, 0.47%, 0.48%

LAB 64.82, -53.63, 43.51

 

CMYK 64 / 56 / 0 / 30

HEX #404EB3

RGB 64 78 179

HSL 232.7, 0.47%, 0.48%

LAB 37.47, 26.98, -55.51

 

CMYK 0 / 64 / 5 / 30

HEX #B340AA

RGB 179 64 170

HSL 304.7, 0.47%, 0.48%

LAB 47.17, 59.12, -33.95

 

CMYK 0 / 7 / 63 / 30

HEX #B2A641

RGB 178 166 65

HSL 53.63, 0.47%, 0.48%

LAB 67.37, -8.09, 52.23

 

CMYK 64 / 0 / 40 / 30

HEX #40B36C

RGB 64 179 108

HSL 142.96, 0.47%, 0.48%

LAB 65.29, -48.39, 26.99

 

CMYK 64 / 56 / 0 / 30

HEX #404EB3

RGB 64 78 179

HSL 232.7, 0.47%, 0.48%

LAB 37.47, 26.98, -55.51

 

CMYK 0 / 64 / 25 / 30

HEX #B34087

RGB 179 64 135

HSL 322.96, 0.47%, 0.48%

LAB 45.63, 53.83, -15.4

 

Description

Color code: HEX #B2A641 | qconv.com Color code: HEX #B2A641 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 166 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 166 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 63 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 63% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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