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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2A088 it is the complementary color #4D5F77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2A088. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2A088 shade: #B7A083, #C8B296, #D9C4A9, #EAD6BC and #FBE8CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2A088. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2A088 shade: #B2A088, #A18E75, #907C62, #7F6A4F and #6E583C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2A088 shade: #B2A189, #B29689, #B28B89 and #B28989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2A088 shade: #B2A189, #B2AB89, #ADB289, #A2B289 and #97B289

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2A088 shade matches the following richer shades: #B2A189, #C2A37A, #D1A56A, #E1A75A and #F1A94B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2A088 shade: #B2A189, #A29E99, #939CA9, #839AB8 and #7398C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2A088 shade: #B28B89, #B29589, #B2A089, #B2AB89 and #AEB289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2A088 shade: #8D785C, #A28C70, #B2A189, #C2B5A2 and #D3C9BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2A088 shade: #B2A088, #93B289 and #9089B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2A088 shade: #B2A088, #89B2A0 and #A089B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2A088 shade: #B2A088, #93B289, #899BB2 and #A889B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2A088 shade: #B2A088, #89B28C, #899BB2 and #B289AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 24 / 30

HEX #B2A088

RGB 178 160 136

HSL 34.29, 0.21%, 0.62%

LAB 66.81, 2.71, 14.92

 

Complementary color

CMYK 35 / 20 / 0 / 53

HEX #4D5F77

RGB 77 95 119

HSL 214.29, 0.21%, 0.38%

LAB 39.74, -0.47, -15.74

 

CMYK 0 / 13 / 28 / 28

HEX #B7A083

RGB 183 160 131

HSL 33.46, 0.27%, 0.62%

LAB 67.16, 3.96, 18.24

 

CMYK 0 / 11 / 25 / 22

HEX #C8B296

RGB 200 178 150

HSL 33.6, 0.31%, 0.69%

LAB 73.75, 3.53, 17.21

 

CMYK 0 / 10 / 22 / 15

HEX #D9C4A9

RGB 217 196 169

HSL 33.75, 0.39%, 0.76%

LAB 80.23, 3.16, 16.25

 

CMYK 0 / 9 / 20 / 8

HEX #EAD6BC

RGB 234 214 188

HSL 33.91, 0.52%, 0.83%

LAB 86.61, 2.82, 15.35

 

CMYK 0 / 8 / 18 / 2

HEX #FBE8CF

RGB 251 232 207

HSL 34.09, 0.85%, 0.9%

LAB 92.89, 2.52, 14.49

 

CMYK 0 / 10 / 24 / 30

HEX #B2A088

RGB 178 160 136

HSL 34.29, 0.21%, 0.62%

LAB 66.81, 2.71, 14.92

 

CMYK 0 / 12 / 27 / 37

HEX #A18E75

RGB 161 142 117

HSL 34.09, 0.19%, 0.55%

LAB 60.08, 3.12, 15.94

 

CMYK 0 / 14 / 32 / 44

HEX #907C62

RGB 144 124 98

HSL 33.91, 0.19%, 0.47%

LAB 53.2, 3.6, 17.05

 

CMYK 0 / 17 / 38 / 50

HEX #7F6A4F

RGB 127 106 79

HSL 33.75, 0.23%, 0.4%

LAB 46.16, 4.18, 18.28

 

CMYK 0 / 20 / 45 / 57

HEX #6E583C

RGB 110 88 60

HSL 33.6, 0.29%, 0.33%

LAB 38.93, 4.91, 19.64

 

CMYK 0 / 10 / 23 / 30

HEX #B2A189

RGB 178 161 137

HSL 35.12, 0.21%, 0.62%

LAB 67.1, 2.31, 14.76

 

CMYK 0 / 16 / 23 / 30

HEX #B29689

RGB 178 150 137

HSL 19.02, 0.21%, 0.62%

LAB 64.23, 8.36, 10.73

 

CMYK 0 / 22 / 23 / 30

HEX #B28B89

RGB 178 139 137

HSL 2.93, 0.21%, 0.62%

LAB 61.43, 14.49, 6.74

 

CMYK 0 / 23 / 23 / 30

HEX #B28989

RGB 178 137 137

HSL 0, 0.21%, 0.62%

LAB 60.92, 15.61, 6.03

 

CMYK 0 / 10 / 23 / 30

HEX #B2A189

RGB 178 161 137

HSL 35.12, 0.21%, 0.62%

LAB 67.1, 2.31, 14.76

 

CMYK 0 / 4 / 23 / 30

HEX #B2AB89

RGB 178 171 137

HSL 49.76, 0.21%, 0.62%

LAB 69.75, -3.1, 18.45

 

CMYK 3 / 0 / 23 / 30

HEX #ADB289

RGB 173 178 137

HSL 67.32, 0.21%, 0.62%

LAB 71.24, -8.74, 20.42

 

CMYK 9 / 0 / 23 / 30

HEX #A2B289

RGB 162 178 137

HSL 83.41, 0.21%, 0.62%

LAB 70.41, -12.91, 19.15

 

CMYK 15 / 0 / 23 / 30

HEX #97B289

RGB 151 178 137

HSL 99.51, 0.21%, 0.62%

LAB 69.63, -16.97, 17.96

 

CMYK 0 / 10 / 23 / 30

HEX #B2A189

RGB 178 161 137

HSL 35.12, 0.21%, 0.62%

LAB 67.1, 2.31, 14.76

 

CMYK 0 / 16 / 37 / 24

HEX #C2A37A

RGB 194 163 122

HSL 34.17, 0.37%, 0.62%

LAB 68.8, 5.57, 25.55

 

CMYK 0 / 21 / 49 / 18

HEX #D1A56A

RGB 209 165 106

HSL 34.37, 0.53%, 0.62%

LAB 70.53, 8.93, 36.62

 

CMYK 0 / 26 / 60 / 12

HEX #E1A75A

RGB 225 167 90

HSL 34.22, 0.69%, 0.62%

LAB 72.48, 13.19, 47.51

 

CMYK 0 / 30 / 69 / 5

HEX #F1A94B

RGB 241 169 75

HSL 33.98, 0.86%, 0.62%

LAB 74.56, 17.88, 57.37

 

CMYK 0 / 10 / 23 / 30

HEX #B2A189

RGB 178 161 137

HSL 35.12, 0.21%, 0.62%

LAB 67.1, 2.31, 14.76

 

CMYK 0 / 2 / 6 / 36

HEX #A29E99

RGB 162 158 153

HSL 33.33, 0.05%, 0.62%

LAB 65.31, 0.53, 3.11

 

CMYK 13 / 8 / 0 / 34

HEX #939CA9

RGB 147 156 169

HSL 215.45, 0.11%, 0.62%

LAB 64.03, -0.5, -7.87

 

CMYK 29 / 16 / 0 / 28

HEX #839AB8

RGB 131 154 184

HSL 213.96, 0.27%, 0.62%

LAB 62.84, -1.05, -18.21

 

CMYK 43 / 24 / 0 / 22

HEX #7398C8

RGB 115 152 200

HSL 213.88, 0.44%, 0.62%

LAB 61.89, -0.19, -28.74

 

CMYK 0 / 22 / 23 / 30

HEX #B28B89

RGB 178 139 137

HSL 2.93, 0.21%, 0.62%

LAB 61.43, 14.49, 6.74

 

CMYK 0 / 16 / 23 / 30

HEX #B29589

RGB 178 149 137

HSL 17.56, 0.21%, 0.62%

LAB 63.97, 8.92, 10.37

 

CMYK 0 / 10 / 23 / 30

HEX #B2A089

RGB 178 160 137

HSL 33.66, 0.21%, 0.62%

LAB 66.83, 2.86, 14.39

 

CMYK 0 / 4 / 23 / 30

HEX #B2AB89

RGB 178 171 137

HSL 49.76, 0.21%, 0.62%

LAB 69.75, -3.1, 18.45

 

CMYK 2 / 0 / 23 / 30

HEX #AEB289

RGB 174 178 137

HSL 65.85, 0.21%, 0.62%

LAB 71.31, -8.36, 20.54

 

CMYK 0 / 15 / 35 / 45

HEX #8D785C

RGB 141 120 92

HSL 34.29, 0.21%, 0.46%

LAB 51.69, 3.8, 18.41

 

CMYK 0 / 14 / 31 / 36

HEX #A28C70

RGB 162 140 112

HSL 33.6, 0.21%, 0.54%

LAB 59.53, 3.94, 18.03

 

CMYK 0 / 10 / 23 / 30

HEX #B2A189

RGB 178 161 137

HSL 35.12, 0.21%, 0.62%

LAB 67.1, 2.31, 14.76

 

CMYK 0 / 7 / 16 / 24

HEX #C2B5A2

RGB 194 181 162

HSL 35.63, 0.21%, 0.7%

LAB 74.27, 1.45, 11.34

 

CMYK 0 / 5 / 11 / 17

HEX #D3C9BB

RGB 211 201 187

HSL 35, 0.21%, 0.78%

LAB 81.41, 1.1, 8.23

 

CMYK 0 / 10 / 24 / 30

HEX #B2A088

RGB 178 160 136

HSL 34.29, 0.21%, 0.62%

LAB 66.81, 2.71, 14.92

 

CMYK 17 / 0 / 23 / 30

HEX #93B289

RGB 147 178 137

HSL 105.37, 0.21%, 0.62%

LAB 69.36, -18.42, 17.55

 

CMYK 19 / 23 / 0 / 30

HEX #9089B2

RGB 144 137 178

HSL 250.24, 0.21%, 0.62%

LAB 59.01, 11.29, -20.57

 

CMYK 0 / 10 / 24 / 30

HEX #B2A088

RGB 178 160 136

HSL 34.29, 0.21%, 0.62%

LAB 66.81, 2.71, 14.92

 

CMYK 23 / 0 / 10 / 30

HEX #89B2A0

RGB 137 178 160

HSL 153.66, 0.21%, 0.62%

LAB 69.25, -17.54, 4.71

 

CMYK 10 / 23 / 0 / 30

HEX #A089B2

RGB 160 137 178

HSL 273.66, 0.21%, 0.62%

LAB 60.41, 16.59, -18.31

 

CMYK 0 / 10 / 24 / 30

HEX #B2A088

RGB 178 160 136

HSL 34.29, 0.21%, 0.62%

LAB 66.81, 2.71, 14.92

 

CMYK 17 / 0 / 23 / 30

HEX #93B289

RGB 147 178 137

HSL 105.37, 0.21%, 0.62%

LAB 69.36, -18.42, 17.55

 

CMYK 23 / 13 / 0 / 30

HEX #899BB2

RGB 137 155 178

HSL 213.66, 0.21%, 0.62%

LAB 63.32, -1.2, -14.07

 

CMYK 6 / 23 / 0 / 30

HEX #A889B2

RGB 168 137 178

HSL 285.37, 0.21%, 0.62%

LAB 61.16, 19.3, -17.1

 

CMYK 0 / 10 / 24 / 30

HEX #B2A088

RGB 178 160 136

HSL 34.29, 0.21%, 0.62%

LAB 66.81, 2.71, 14.92

 

CMYK 23 / 0 / 21 / 30

HEX #89B28C

RGB 137 178 140

HSL 124.39, 0.21%, 0.62%

LAB 68.79, -21.41, 15.02

 

CMYK 23 / 13 / 0 / 30

HEX #899BB2

RGB 137 155 178

HSL 213.66, 0.21%, 0.62%

LAB 63.32, -1.2, -14.07

 

CMYK 0 / 23 / 2 / 30

HEX #B289AF

RGB 178 137 175

HSL 304.39, 0.21%, 0.62%

LAB 62.04, 22.14, -13.96

 

Description

Color code: HEX #B2A088 | qconv.com Color code: HEX #B2A088 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 160 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 160 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 24 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 24% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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