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Color name
HEX #B2A114

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2A114 it is the complementary color #4D5EEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2A114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2A114 shade: #B7A10F, #C8B322, #D9C535, #EAD748 and #FBE95B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2A114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2A114 shade: #B2A114, #A18F01, #907D00, #7F6B00 and #6E5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2A114 shade: #B3A113, #B37613, #B34C13, #B32113 and #B31313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2A114 shade: #B3A113, #99B313, #6EB313, #43B313 and #18B313

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2A114 shade matches the following richer shades: #B3A113 and #C3AE03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2A114 shade: #B3A113, #A29523, #928834, #827B44 and #726F54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2A114 shade: #B34B13, #B37613, #B3A013, #9BB313 and #70B313

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2A114 shade: #685E0B, #8D800F, #B3A113, #D8C318 and #E8D431

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2A114 shade: #B2A114, #13B321 and #6013B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2A114 shade: #B2A114, #13B3A0 and #A013B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2A114 shade: #B2A114, #13B321, #1326B3 and #B313A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2A114 shade: #B2A114, #13B350, #1326B3 and #B31376

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 89 / 30

HEX #B2A114

RGB 178 161 20

HSL 53.54, 0.8%, 0.39%

LAB 65.75, -7.36, 65.82

 

Complementary color

CMYK 67 / 60 / 0 / 8

HEX #4D5EEB

RGB 77 94 235

HSL 233.54, 0.8%, 0.61%

LAB 46.42, 38.21, -73.18

 

CMYK 0 / 12 / 92 / 28

HEX #B7A10F

RGB 183 161 15

HSL 52.14, 0.85%, 0.39%

LAB 66.21, -5.21, 67.29

 

CMYK 0 / 11 / 83 / 22

HEX #C8B322

RGB 200 179 34

HSL 52.41, 0.71%, 0.46%

LAB 72.65, -6.71, 69.05

 

CMYK 0 / 9 / 76 / 15

HEX #D9C535

RGB 217 197 53

HSL 52.68, 0.68%, 0.53%

LAB 79.01, -7.99, 69.6

 

CMYK 0 / 8 / 69 / 8

HEX #EAD748

RGB 234 215 72

HSL 52.96, 0.79%, 0.6%

LAB 85.28, -9.07, 69.42

 

CMYK 0 / 7 / 64 / 2

HEX #FBE95B

RGB 251 233 91

HSL 53.25, 0.95%, 0.67%

LAB 91.48, -10, 68.81

 

CMYK 0 / 10 / 89 / 30

HEX #B2A114

RGB 178 161 20

HSL 53.54, 0.8%, 0.39%

LAB 65.75, -7.36, 65.82

 

CMYK 0 / 11 / 99 / 37

HEX #A18F01

RGB 161 143 1

HSL 53.25, 0.99%, 0.32%

LAB 59.18, -5.74, 63.19

 

CMYK 0 / 13 / 100 / 44

HEX #907D00

RGB 144 125 0

HSL 52.08, 1%, 0.28%

LAB 52.51, -3.77, 57.82

 

CMYK 0 / 16 / 100 / 50

HEX #7F6B00

RGB 127 107 0

HSL 50.55, 1%, 0.25%

LAB 45.67, -1.7, 52.17

 

CMYK 0 / 19 / 100 / 57

HEX #6E5900

RGB 110 89 0

HSL 48.55, 1%, 0.22%

LAB 38.66, 0.48, 46.38

 

CMYK 0 / 10 / 89 / 30

HEX #B3A113

RGB 179 161 19

HSL 53.25, 0.81%, 0.39%

LAB 65.84, -6.93, 66.13

 

CMYK 0 / 34 / 89 / 30

HEX #B37613

RGB 179 118 19

HSL 37.13, 0.81%, 0.39%

LAB 54.64, 16.65, 57.32

 

CMYK 0 / 58 / 89 / 30

HEX #B34C13

RGB 179 76 19

HSL 21.38, 0.81%, 0.39%

LAB 45.36, 39.19, 50.1

 

CMYK 0 / 82 / 89 / 30

HEX #B32113

RGB 179 33 19

HSL 5.25, 0.81%, 0.39%

LAB 39.1, 56.13, 45.31

 

CMYK 0 / 89 / 89 / 30

HEX #B31313

RGB 179 19 19

HSL 0, 0.81%, 0.39%

LAB 38.02, 59.23, 44.49

 

CMYK 0 / 10 / 89 / 30

HEX #B3A113

RGB 179 161 19

HSL 53.25, 0.81%, 0.39%

LAB 65.84, -6.93, 66.13

 

CMYK 15 / 0 / 89 / 30

HEX #99B313

RGB 153 179 19

HSL 69.75, 0.81%, 0.39%

LAB 68.79, -27.44, 67.6

 

CMYK 39 / 0 / 89 / 30

HEX #6EB313

RGB 110 179 19

HSL 85.88, 0.81%, 0.39%

LAB 66.21, -44.3, 64.42

 

CMYK 63 / 0 / 89 / 30

HEX #43B313

RGB 67 179 19

HSL 102, 0.81%, 0.39%

LAB 64.55, -57.15, 62.35

 

CMYK 87 / 0 / 89 / 30

HEX #18B313

RGB 24 179 19

HSL 118.13, 0.81%, 0.39%

LAB 63.74, -64.14, 61.33

 

CMYK 0 / 10 / 89 / 30

HEX #B3A113

RGB 179 161 19

HSL 53.25, 0.81%, 0.39%

LAB 65.84, -6.93, 66.13

 

CMYK 0 / 11 / 98 / 24

HEX #C3AE03

RGB 195 174 3

HSL 53.44, 0.97%, 0.39%

LAB 70.79, -6.85, 72.75

 

CMYK 0 / 10 / 89 / 30

HEX #B3A113

RGB 179 161 19

HSL 53.25, 0.81%, 0.39%

LAB 65.84, -6.93, 66.13

 

CMYK 0 / 8 / 78 / 36

HEX #A29523

RGB 162 149 35

HSL 53.86, 0.64%, 0.39%

LAB 61.04, -7.71, 57.25

 

CMYK 0 / 7 / 64 / 43

HEX #928834

RGB 146 136 52

HSL 53.62, 0.47%, 0.39%

LAB 56.05, -6.98, 45.06

 

CMYK 0 / 5 / 48 / 49

HEX #827B44

RGB 130 123 68

HSL 53.23, 0.31%, 0.39%

LAB 51.07, -5.56, 30.88

 

CMYK 0 / 3 / 26 / 55

HEX #726F54

RGB 114 111 84

HSL 54, 0.15%, 0.39%

LAB 46.43, -3.62, 15.49

 

CMYK 0 / 58 / 89 / 30

HEX #B34B13

RGB 179 75 19

HSL 21, 0.81%, 0.39%

LAB 45.17, 39.68, 49.96

 

CMYK 0 / 34 / 89 / 30

HEX #B37613

RGB 179 118 19

HSL 37.13, 0.81%, 0.39%

LAB 54.64, 16.65, 57.32

 

CMYK 0 / 11 / 89 / 30

HEX #B3A013

RGB 179 160 19

HSL 52.88, 0.81%, 0.39%

LAB 65.57, -6.4, 65.91

 

CMYK 13 / 0 / 89 / 30

HEX #9BB313

RGB 155 179 19

HSL 69, 0.81%, 0.39%

LAB 68.94, -26.6, 67.78

 

CMYK 37 / 0 / 89 / 30

HEX #70B313

RGB 112 179 19

HSL 85.13, 0.81%, 0.39%

LAB 66.31, -43.59, 64.55

 

CMYK 0 / 10 / 89 / 59

HEX #685E0B

RGB 104 94 11

HSL 53.55, 0.81%, 0.23%

LAB 39.53, -5.14, 43.7

 

CMYK 0 / 9 / 89 / 45

HEX #8D800F

RGB 141 128 15

HSL 53.81, 0.81%, 0.31%

LAB 53.1, -6.56, 55.29

 

CMYK 0 / 10 / 89 / 30

HEX #B3A113

RGB 179 161 19

HSL 53.25, 0.81%, 0.39%

LAB 65.84, -6.93, 66.13

 

CMYK 0 / 10 / 89 / 15

HEX #D8C318

RGB 216 195 24

HSL 53.44, 0.8%, 0.47%

LAB 78.28, -8.23, 76.42

 

CMYK 0 / 9 / 79 / 9

HEX #E8D431

RGB 232 212 49

HSL 53.44, 0.8%, 0.55%

LAB 84.21, -9.35, 76.02

 

CMYK 0 / 10 / 89 / 30

HEX #B2A114

RGB 178 161 20

HSL 53.54, 0.8%, 0.39%

LAB 65.75, -7.36, 65.82

 

CMYK 89 / 0 / 82 / 30

HEX #13B321

RGB 19 179 33

HSL 125.25, 0.81%, 0.39%

LAB 63.74, -63.89, 58.02

 

CMYK 46 / 89 / 0 / 30

HEX #6013B3

RGB 96 19 179

HSL 268.88, 0.81%, 0.39%

LAB 29.93, 60.92, -67.72

 

CMYK 0 / 10 / 89 / 30

HEX #B2A114

RGB 178 161 20

HSL 53.54, 0.8%, 0.39%

LAB 65.75, -7.36, 65.82

 

CMYK 89 / 0 / 11 / 30

HEX #13B3A0

RGB 19 179 160

HSL 172.88, 0.81%, 0.39%

LAB 65.68, -41.71, -0.96

 

CMYK 11 / 89 / 0 / 30

HEX #A013B3

RGB 160 19 179

HSL 292.88, 0.81%, 0.39%

LAB 39.91, 70, -51.03

 

CMYK 0 / 10 / 89 / 30

HEX #B2A114

RGB 178 161 20

HSL 53.54, 0.8%, 0.39%

LAB 65.75, -7.36, 65.82

 

CMYK 89 / 0 / 82 / 30

HEX #13B321

RGB 19 179 33

HSL 125.25, 0.81%, 0.39%

LAB 63.74, -63.89, 58.02

 

CMYK 89 / 79 / 0 / 30

HEX #1326B3

RGB 19 38 179

HSL 232.88, 0.81%, 0.39%

LAB 26.1, 47.27, -74.26

 

CMYK 0 / 89 / 8 / 30

HEX #B313A5

RGB 179 19 165

HSL 305.25, 0.81%, 0.39%

LAB 42.41, 71.2, -38.5

 

CMYK 0 / 10 / 89 / 30

HEX #B2A114

RGB 178 161 20

HSL 53.54, 0.8%, 0.39%

LAB 65.75, -7.36, 65.82

 

CMYK 89 / 0 / 55 / 30

HEX #13B350

RGB 19 179 80

HSL 142.88, 0.81%, 0.39%

LAB 64.13, -59.11, 39.64

 

CMYK 89 / 79 / 0 / 30

HEX #1326B3

RGB 19 38 179

HSL 232.88, 0.81%, 0.39%

LAB 26.1, 47.27, -74.26

 

CMYK 0 / 89 / 34 / 30

HEX #B31376

RGB 179 19 118

HSL 322.88, 0.81%, 0.39%

LAB 40.18, 65.29, -13.25

 

Description

Color code: HEX #B2A114 | qconv.com Color code: HEX #B2A114 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 161 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 161 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 89% 30% C M Y K

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Provide designers and agencies with accurate color values.

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