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Color name
HEX #B2A228

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2A228 it is the complementary color #4D5DD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2A228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2A228 shade: #B7A223, #C8B436, #D9C649, #EAD85C and #FBEA6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2A228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2A228 shade: #B2A228, #A19015, #907E02, #7F6C00 and #6E5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2A228 shade: #B2A228, #B27D28, #B25828, #B23228 and #B22828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2A228 shade: #B2A228, #9DB228, #78B228, #52B228 and #2DB228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2A228 shade matches the following richer shades: #B2A228, #C4B016 and #D6BD05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2A228 shade: #B2A228, #A0953A, #8F874C, #7D795D and #6B6C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2A228 shade: #B25828, #B27D28, #B2A228, #9EB228 and #79B228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2A228 shade: #6F6519, #918420, #B2A228, #D0BE33 and #D8C955

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2A228 shade: #B2A228, #28B234 and #6B28B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2A228 shade: #B2A228, #28B2A2 and #A228B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2A228 shade: #B2A228, #28B234, #2838B2 and #B228A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2A228 shade: #B2A228, #28B25D, #2838B2 and #B2287D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

Complementary color

CMYK 64 / 57 / 0 / 16

HEX #4D5DD7

RGB 77 93 215

HSL 233.04, 0.63%, 0.57%

LAB 44.68, 32.04, -64.68

 

CMYK 0 / 11 / 81 / 28

HEX #B7A223

RGB 183 162 35

HSL 51.49, 0.68%, 0.43%

LAB 66.54, -5.25, 62.89

 

CMYK 0 / 10 / 73 / 22

HEX #C8B436

RGB 200 180 54

HSL 51.78, 0.57%, 0.5%

LAB 73.02, -6.49, 63.06

 

CMYK 0 / 9 / 66 / 15

HEX #D9C649

RGB 217 198 73

HSL 52.08, 0.65%, 0.57%

LAB 79.4, -7.54, 62.57

 

CMYK 0 / 8 / 61 / 8

HEX #EAD85C

RGB 234 216 92

HSL 52.39, 0.77%, 0.64%

LAB 85.69, -8.42, 61.75

 

CMYK 0 / 7 / 56 / 2

HEX #FBEA6F

RGB 251 234 111

HSL 52.71, 0.95%, 0.71%

LAB 91.91, -9.18, 60.75

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 0 / 11 / 87 / 37

HEX #A19015

RGB 161 144 21

HSL 52.71, 0.77%, 0.36%

LAB 59.51, -5.92, 59.9

 

CMYK 0 / 13 / 99 / 44

HEX #907E02

RGB 144 126 2

HSL 52.39, 0.97%, 0.29%

LAB 52.79, -4.3, 57.65

 

CMYK 0 / 15 / 100 / 50

HEX #7F6C00

RGB 127 108 0

HSL 51.02, 1%, 0.25%

LAB 45.96, -2.28, 52.37

 

CMYK 0 / 18 / 100 / 57

HEX #6E5A00

RGB 110 90 0

HSL 49.09, 1%, 0.22%

LAB 38.95, -0.11, 46.58

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 0 / 30 / 78 / 30

HEX #B27D28

RGB 178 125 40

HSL 36.96, 0.63%, 0.43%

LAB 56.37, 12.94, 51.66

 

CMYK 0 / 51 / 78 / 30

HEX #B25828

RGB 178 88 40

HSL 20.87, 0.63%, 0.43%

LAB 47.75, 33.29, 43.21

 

CMYK 0 / 72 / 78 / 30

HEX #B23228

RGB 178 50 40

HSL 4.35, 0.63%, 0.43%

LAB 41.06, 50.89, 36.29

 

CMYK 0 / 78 / 78 / 30

HEX #B22828

RGB 178 40 40

HSL 0, 0.63%, 0.43%

LAB 39.81, 54.35, 34.96

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 12 / 0 / 78 / 30

HEX #9DB228

RGB 157 178 40

HSL 69.13, 0.63%, 0.43%

LAB 68.87, -24.6, 62.65

 

CMYK 33 / 0 / 78 / 30

HEX #78B228

RGB 120 178 40

HSL 85.22, 0.63%, 0.43%

LAB 66.51, -39.4, 59.6

 

CMYK 54 / 0 / 78 / 30

HEX #52B228

RGB 82 178 40

HSL 101.74, 0.63%, 0.43%

LAB 64.79, -51.93, 57.36

 

CMYK 75 / 0 / 78 / 30

HEX #2DB228

RGB 45 178 40

HSL 117.83, 0.63%, 0.43%

LAB 63.8, -60.12, 56.06

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 0 / 10 / 89 / 23

HEX #C4B016

RGB 196 176 22

HSL 53.1, 0.8%, 0.43%

LAB 71.45, -7.19, 70.64

 

CMYK 0 / 12 / 98 / 16

HEX #D6BD05

RGB 214 189 5

HSL 52.82, 0.95%, 0.43%

LAB 76.5, -6.26, 77.47

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 0 / 7 / 64 / 37

HEX #A0953A

RGB 160 149 58

HSL 53.53, 0.47%, 0.43%

LAB 61.02, -7.38, 48.06

 

CMYK 0 / 6 / 47 / 44

HEX #8F874C

RGB 143 135 76

HSL 52.84, 0.31%, 0.43%

LAB 55.78, -5.69, 32.66

 

CMYK 0 / 3 / 26 / 51

HEX #7D795D

RGB 125 121 93

HSL 52.5, 0.15%, 0.43%

LAB 50.48, -3.36, 15.94

 

CMYK 4 / 3 / 0 / 56

HEX #6B6C6F

RGB 107 108 111

HSL 225, 0.02%, 0.43%

LAB 45.63, 0.24, -1.81

 

CMYK 0 / 51 / 78 / 30

HEX #B25828

RGB 178 88 40

HSL 20.87, 0.63%, 0.43%

LAB 47.75, 33.29, 43.21

 

CMYK 0 / 30 / 78 / 30

HEX #B27D28

RGB 178 125 40

HSL 36.96, 0.63%, 0.43%

LAB 56.37, 12.94, 51.66

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 11 / 0 / 78 / 30

HEX #9EB228

RGB 158 178 40

HSL 68.7, 0.63%, 0.43%

LAB 68.94, -24.17, 62.74

 

CMYK 32 / 0 / 78 / 30

HEX #79B228

RGB 121 178 40

HSL 84.78, 0.63%, 0.43%

LAB 66.56, -39.03, 59.67

 

CMYK 0 / 9 / 77 / 56

HEX #6F6519

RGB 111 101 25

HSL 53.02, 0.63%, 0.27%

LAB 42.39, -5.23, 41.77

 

CMYK 0 / 9 / 78 / 43

HEX #918420

RGB 145 132 32

HSL 53.1, 0.64%, 0.35%

LAB 54.69, -6.35, 51.86

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 0 / 9 / 75 / 18

HEX #D0BE33

RGB 208 190 51

HSL 53.12, 0.63%, 0.51%

LAB 76.36, -8.34, 67.52

 

CMYK 0 / 7 / 61 / 15

HEX #D8C955

RGB 216 201 85

HSL 53.13, 0.63%, 0.59%

LAB 80.2, -8.75, 58.32

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 78 / 0 / 71 / 30

HEX #28B234

RGB 40 178 52

HSL 125.22, 0.63%, 0.43%

LAB 63.79, -59.92, 51.71

 

CMYK 40 / 78 / 0 / 30

HEX #6B28B2

RGB 107 40 178

HSL 269.13, 0.63%, 0.43%

LAB 33.68, 55.19, -60.9

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 78 / 0 / 9 / 30

HEX #28B2A2

RGB 40 178 162

HSL 173.04, 0.63%, 0.43%

LAB 65.67, -39.03, -2.06

 

CMYK 9 / 78 / 0 / 30

HEX #A228B2

RGB 162 40 178

HSL 293.04, 0.63%, 0.43%

LAB 41.87, 65.26, -47.27

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 78 / 0 / 71 / 30

HEX #28B234

RGB 40 178 52

HSL 125.22, 0.63%, 0.43%

LAB 63.79, -59.92, 51.71

 

CMYK 78 / 69 / 0 / 30

HEX #2838B2

RGB 40 56 178

HSL 233.04, 0.63%, 0.43%

LAB 30.63, 37.6, -66.15

 

CMYK 0 / 78 / 6 / 30

HEX #B228A7

RGB 178 40 167

HSL 304.78, 0.63%, 0.43%

LAB 43.91, 66.75, -37.33

 

CMYK 0 / 9 / 78 / 30

HEX #B2A228

RGB 178 162 40

HSL 53.04, 0.63%, 0.43%

LAB 66.1, -7.29, 60.75

 

CMYK 78 / 0 / 48 / 30

HEX #28B25D

RGB 40 178 93

HSL 143.04, 0.63%, 0.43%

LAB 64.23, -54.63, 33.33

 

CMYK 78 / 69 / 0 / 30

HEX #2838B2

RGB 40 56 178

HSL 233.04, 0.63%, 0.43%

LAB 30.63, 37.6, -66.15

 

CMYK 0 / 78 / 30 / 30

HEX #B2287D

RGB 178 40 125

HSL 323.04, 0.63%, 0.43%

LAB 41.94, 61.01, -14.92

 

Description

Color code: HEX #B2A228 | qconv.com Color code: HEX #B2A228 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 162 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 162 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 78 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 78% 30% C M Y K

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Provide designers and agencies with accurate color values.

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