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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2AD42 it is the complementary color #4D52BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2AD42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2AD42 shade: #B7AD3D, #C8BF50, #D9D163, #EAE376 and #FBF589

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2AD42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2AD42 shade: #B2AD42, #A19B2F, #90891C, #7F7709 and #6E6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2AD42 shade: #B2AD42, #B28F42, #B27042, #B25242 and #B24242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2AD42 shade: #B2AD42, #99B242, #7BB242, #5CB242 and #42B245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2AD42 shade matches the following richer shades: #B2AD42, #C6BF2E, #DAD11A and #EEE306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2AD42 shade: #B2AD42, #9E9B55, #8B8969, #77777D and #636591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2AD42 shade: #B27142, #B28F42, #B2AD42, #9AB242 and #7CB242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2AD42 shade: #76732B, #949036, #B2AD42, #C2BD5B and #CDC979

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2AD42 shade: #B2AD42, #42B252 and #8042B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2AD42 shade: #B2AD42, #42B2AD and #AD42B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2AD42 shade: #B2AD42, #42B252, #4247B2 and #B242A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2AD42 shade: #B2AD42, #42B274, #4247B2 and #B24280

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

Complementary color

CMYK 59 / 57 / 0 / 26

HEX #4D52BD

RGB 77 82 189

HSL 237.32, 0.46%, 0.52%

LAB 40.06, 30.14, -57.15

 

CMYK 0 / 5 / 67 / 28

HEX #B7AD3D

RGB 183 173 61

HSL 55.08, 0.5%, 0.48%

LAB 69.68, -9.84, 56.5

 

CMYK 0 / 5 / 60 / 22

HEX #C8BF50

RGB 200 191 80

HSL 55.5, 0.52%, 0.55%

LAB 76.14, -10.68, 55.69

 

CMYK 0 / 4 / 54 / 15

HEX #D9D163

RGB 217 209 99

HSL 55.93, 0.61%, 0.62%

LAB 82.51, -11.37, 54.67

 

CMYK 0 / 3 / 50 / 8

HEX #EAE376

RGB 234 227 118

HSL 56.38, 0.73%, 0.69%

LAB 88.8, -11.95, 53.56

 

CMYK 0 / 2 / 45 / 2

HEX #FBF589

RGB 251 245 137

HSL 56.84, 0.93%, 0.76%

LAB 95, -12.44, 52.42

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 0 / 4 / 71 / 37

HEX #A19B2F

RGB 161 155 47

HSL 56.84, 0.55%, 0.41%

LAB 62.7, -10.8, 54.45

 

CMYK 0 / 5 / 81 / 44

HEX #90891C

RGB 144 137 28

HSL 56.38, 0.67%, 0.34%

LAB 55.99, -9.69, 54.35

 

CMYK 0 / 6 / 93 / 50

HEX #7F7709

RGB 127 119 9

HSL 55.93, 0.87%, 0.27%

LAB 49.16, -8.29, 52.84

 

CMYK 0 / 8 / 100 / 57

HEX #6E6500

RGB 110 101 0

HSL 55.09, 1%, 0.22%

LAB 42.19, -6.53, 48.89

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 0 / 20 / 63 / 30

HEX #B28F42

RGB 178 143 66

HSL 41.25, 0.46%, 0.48%

LAB 61.22, 4.39, 45.03

 

CMYK 0 / 37 / 63 / 30

HEX #B27042

RGB 178 112 66

HSL 24.64, 0.46%, 0.48%

LAB 53.43, 21.66, 36.06

 

CMYK 0 / 54 / 63 / 30

HEX #B25242

RGB 178 82 66

HSL 8.57, 0.46%, 0.48%

LAB 46.83, 37.83, 28.05

 

CMYK 0 / 63 / 63 / 30

HEX #B24242

RGB 178 66 66

HSL 0, 0.46%, 0.48%

LAB 43.88, 45.56, 24.33

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 14 / 0 / 63 / 30

HEX #99B242

RGB 153 178 66

HSL 73.39, 0.46%, 0.48%

LAB 68.76, -24.74, 52.7

 

CMYK 31 / 0 / 63 / 30

HEX #7BB242

RGB 123 178 66

HSL 89.46, 0.46%, 0.48%

LAB 66.86, -36.48, 50.09

 

CMYK 48 / 0 / 63 / 30

HEX #5CB242

RGB 92 178 66

HSL 106.07, 0.46%, 0.48%

LAB 65.36, -46.92, 48.01

 

CMYK 63 / 0 / 61 / 30

HEX #42B245

RGB 66 178 69

HSL 121.61, 0.46%, 0.48%

LAB 64.51, -53.42, 45.46

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 0 / 4 / 77 / 22

HEX #C6BF2E

RGB 198 191 46

HSL 57.24, 0.62%, 0.48%

LAB 75.74, -13.35, 68.25

 

CMYK 0 / 4 / 88 / 15

HEX #DAD11A

RGB 218 209 26

HSL 57.19, 0.79%, 0.48%

LAB 82.15, -14.4, 79.19

 

CMYK 0 / 5 / 97 / 7

HEX #EEE306

RGB 238 227 6

HSL 57.16, 0.95%, 0.48%

LAB 88.51, -15.07, 87.1

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 0 / 2 / 46 / 38

HEX #9E9B55

RGB 158 155 85

HSL 57.53, 0.3%, 0.48%

LAB 62.82, -9.18, 36.9

 

CMYK 0 / 1 / 24 / 45

HEX #8B8969

RGB 139 137 105

HSL 56.47, 0.14%, 0.48%

LAB 56.49, -4.78, 17.48

 

CMYK 5 / 5 / 0 / 51

HEX #77777D

RGB 119 119 125

HSL 240, 0.02%, 0.48%

LAB 50.21, 1.24, -3.29

 

CMYK 32 / 30 / 0 / 43

HEX #636591

RGB 99 101 145

HSL 237.39, 0.19%, 0.48%

LAB 44.24, 10.01, -24.38

 

CMYK 0 / 37 / 63 / 30

HEX #B27142

RGB 178 113 66

HSL 25.18, 0.46%, 0.48%

LAB 53.67, 21.1, 36.34

 

CMYK 0 / 20 / 63 / 30

HEX #B28F42

RGB 178 143 66

HSL 41.25, 0.46%, 0.48%

LAB 61.22, 4.39, 45.03

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 13 / 0 / 63 / 30

HEX #9AB242

RGB 154 178 66

HSL 72.86, 0.46%, 0.48%

LAB 68.83, -24.33, 52.8

 

CMYK 30 / 0 / 63 / 30

HEX #7CB242

RGB 124 178 66

HSL 88.93, 0.46%, 0.48%

LAB 66.91, -36.11, 50.16

 

CMYK 0 / 3 / 64 / 54

HEX #76732B

RGB 118 115 43

HSL 57.6, 0.47%, 0.32%

LAB 47.35, -8.76, 39.12

 

CMYK 0 / 3 / 64 / 42

HEX #949036

RGB 148 144 54

HSL 57.45, 0.47%, 0.4%

LAB 58.52, -10.29, 46.85

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 0 / 3 / 53 / 24

HEX #C2BD5B

RGB 194 189 91

HSL 57.09, 0.46%, 0.56%

LAB 75.21, -11.32, 49.46

 

CMYK 0 / 2 / 41 / 20

HEX #CDC979

RGB 205 201 121

HSL 57.14, 0.46%, 0.64%

LAB 79.69, -10.14, 40.4

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 63 / 0 / 54 / 30

HEX #42B252

RGB 66 178 82

HSL 128.57, 0.46%, 0.48%

LAB 64.65, -51.78, 39.49

 

CMYK 28 / 63 / 0 / 30

HEX #8042B2

RGB 128 66 178

HSL 273.21, 0.46%, 0.48%

LAB 40.74, 47.22, -49.35

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 63 / 0 / 3 / 30

HEX #42B2AD

RGB 66 178 173

HSL 177.32, 0.46%, 0.48%

LAB 66.53, -32.38, -6.82

 

CMYK 3 / 63 / 0 / 30

HEX #AD42B2

RGB 173 66 178

HSL 297.32, 0.46%, 0.48%

LAB 46.97, 58.15, -39.04

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 63 / 0 / 54 / 30

HEX #42B252

RGB 66 178 82

HSL 128.57, 0.46%, 0.48%

LAB 64.65, -51.78, 39.49

 

CMYK 63 / 60 / 0 / 30

HEX #4247B2

RGB 66 71 178

HSL 237.32, 0.46%, 0.48%

LAB 35.75, 31.45, -57.71

 

CMYK 0 / 63 / 10 / 30

HEX #B242A1

RGB 178 66 161

HSL 309.11, 0.46%, 0.48%

LAB 46.89, 56.56, -29.08

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 63 / 0 / 35 / 30

HEX #42B274

RGB 66 178 116

HSL 146.79, 0.46%, 0.48%

LAB 65.17, -46.07, 22.56

 

CMYK 63 / 60 / 0 / 30

HEX #4247B2

RGB 66 71 178

HSL 237.32, 0.46%, 0.48%

LAB 35.75, 31.45, -57.71

 

CMYK 0 / 63 / 28 / 30

HEX #B24280

RGB 178 66 128

HSL 326.79, 0.46%, 0.48%

LAB 45.52, 51.73, -11.33

 

Description

Color code: HEX #B2AD42 | qconv.com Color code: HEX #B2AD42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 173 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 173 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 63 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 63% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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