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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2BBD6 it is the complementary color #4D4429. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2BBD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2BBD6 shade: #B7BBD1, #C8CDE4, #D9DFF7, #EAF1FF and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2BBD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2BBD6 shade: #B2BBD6, #A1A9C3, #9097B0, #7F859D and #6E738A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2BBD6 shade: #B2BBD6, #B2B2D6, #BCB2D6, #C6B2D6 and #D0B2D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2BBD6 shade: #B2BBD6 and #B2B2D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2BBD6 shade matches the following richer shades: #B2BBD6, #A8B6E0, #9FB1E9, #95ADF3 and #8CA8FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2BBD6 shade: #B2BBD6, #BBC0CD, #C5C4C3, #CEC9BA and #D8CEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2BBD6 shade: #B2CED6, #B2C4D6, #B2BBD6, #B2B2D6 and #BCB2D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2BBD6 shade: #7C8BBA, #97A3C8, #B2BBD6, #CDD3E4 and #E8EAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2BBD6 shade: #B2BBD6, #D4B2D6 and #C9D6B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2BBD6 shade: #B2BBD6, #D6B2BB and #BBD6B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2BBD6 shade: #B2BBD6, #D4B2D6, #D6CDB2 and #B3D6B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2BBD6 shade: #B2BBD6, #D6B2CD, #D6CDB2 and #B2D6BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

Complementary color

CMYK 0 / 12 / 47 / 70

HEX #4D4429

RGB 77 68 41

HSL 45, 0.31%, 0.23%

LAB 29.09, -0.62, 17.74

 

CMYK 12 / 11 / 0 / 18

HEX #B7BBD1

RGB 183 187 209

HSL 230.77, 0.22%, 0.77%

LAB 76.2, 2.98, -11.52

 

CMYK 12 / 10 / 0 / 11

HEX #C8CDE4

RGB 200 205 228

HSL 229.29, 0.34%, 0.84%

LAB 82.67, 2.79, -11.94

 

CMYK 12 / 10 / 0 / 3

HEX #D9DFF7

RGB 217 223 247

HSL 228, 0.65%, 0.91%

LAB 89.04, 2.61, -12.36

 

CMYK 8 / 5 / 0 / 0

HEX #EAF1FF

RGB 234 241 255

HSL 220, 1%, 0.96%

LAB 95, 0.29, -7.53

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 17 / 13 / 0 / 24

HEX #A1A9C3

RGB 161 169 195

HSL 225.88, 0.22%, 0.7%

LAB 69.39, 2.63, -14.23

 

CMYK 18 / 14 / 0 / 31

HEX #9097B0

RGB 144 151 176

HSL 226.88, 0.17%, 0.63%

LAB 62.67, 2.85, -13.87

 

CMYK 19 / 15 / 0 / 38

HEX #7F859D

RGB 127 133 157

HSL 228, 0.13%, 0.56%

LAB 55.81, 3.08, -13.53

 

CMYK 20 / 17 / 0 / 46

HEX #6E738A

RGB 110 115 138

HSL 229.29, 0.11%, 0.49%

LAB 48.77, 3.33, -13.19

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 17 / 17 / 0 / 16

HEX #B2B2D6

RGB 178 178 214

HSL 240, 0.31%, 0.77%

LAB 73.65, 7.33, -18.11

 

CMYK 12 / 17 / 0 / 16

HEX #BCB2D6

RGB 188 178 214

HSL 256.67, 0.31%, 0.77%

LAB 74.44, 10.55, -16.85

 

CMYK 7 / 17 / 0 / 16

HEX #C6B2D6

RGB 198 178 214

HSL 273.33, 0.31%, 0.77%

LAB 75.27, 13.83, -15.52

 

CMYK 3 / 17 / 0 / 16

HEX #D0B2D6

RGB 208 178 214

HSL 290, 0.31%, 0.77%

LAB 76.13, 17.17, -14.12

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 17 / 17 / 0 / 16

HEX #B2B2D6

RGB 178 178 214

HSL 240, 0.31%, 0.77%

LAB 73.65, 7.33, -18.11

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 25 / 19 / 0 / 12

HEX #A8B6E0

RGB 168 182 224

HSL 225, 0.47%, 0.77%

LAB 74.29, 4.31, -22.65

 

CMYK 32 / 24 / 0 / 9

HEX #9FB1E9

RGB 159 177 233

HSL 225.41, 0.63%, 0.77%

LAB 72.69, 6.61, -30.04

 

CMYK 39 / 29 / 0 / 5

HEX #95ADF3

RGB 149 173 243

HSL 224.68, 0.8%, 0.77%

LAB 71.38, 8.71, -37.56

 

CMYK 44 / 33 / 0 / 1

HEX #8CA8FC

RGB 140 168 252

HSL 225, 0.95%, 0.77%

LAB 69.9, 11.75, -44.8

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 9 / 6 / 0 / 20

HEX #BBC0CD

RGB 187 192 205

HSL 223.33, 0.15%, 0.77%

LAB 77.68, 0.8, -7.12

 

CMYK 0 / 1 / 1 / 23

HEX #C5C4C3

RGB 197 196 195

HSL 30, 0.02%, 0.77%

LAB 79.21, 0.17, 0.61

 

CMYK 0 / 2 / 10 / 19

HEX #CEC9BA

RGB 206 201 186

HSL 45, 0.17%, 0.77%

LAB 80.98, -0.86, 8.1

 

CMYK 0 / 5 / 19 / 15

HEX #D8CEB0

RGB 216 206 176

HSL 45, 0.34%, 0.77%

LAB 82.85, -1.42, 16.18

 

CMYK 17 / 4 / 0 / 16

HEX #B2CED6

RGB 178 206 214

HSL 193.33, 0.31%, 0.77%

LAB 81, -7.66, -7.12

 

CMYK 17 / 8 / 0 / 16

HEX #B2C4D6

RGB 178 196 214

HSL 210, 0.31%, 0.77%

LAB 78.34, -2.39, -11.06

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 17 / 17 / 0 / 16

HEX #B2B2D6

RGB 178 178 214

HSL 240, 0.31%, 0.77%

LAB 73.65, 7.33, -18.11

 

CMYK 12 / 17 / 0 / 16

HEX #BCB2D6

RGB 188 178 214

HSL 256.67, 0.31%, 0.77%

LAB 74.44, 10.55, -16.85

 

CMYK 33 / 25 / 0 / 27

HEX #7C8BBA

RGB 124 139 186

HSL 225.48, 0.31%, 0.61%

LAB 58.32, 5.93, -26.31

 

CMYK 25 / 19 / 0 / 22

HEX #97A3C8

RGB 151 163 200

HSL 225.31, 0.31%, 0.69%

LAB 67.23, 3.94, -20.33

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 10 / 7 / 0 / 11

HEX #CDD3E4

RGB 205 211 228

HSL 224.35, 0.3%, 0.85%

LAB 84.57, 1.24, -9.07

 

CMYK 5 / 4 / 0 / 5

HEX #E8EAF3

RGB 232 234 243

HSL 229.09, 0.31%, 0.93%

LAB 92.78, 0.98, -4.59

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 1 / 17 / 0 / 16

HEX #D4B2D6

RGB 212 178 214

HSL 296.67, 0.31%, 0.77%

LAB 76.49, 18.51, -13.55

 

CMYK 6 / 0 / 17 / 16

HEX #C9D6B2

RGB 201 214 178

HSL 81.67, 0.31%, 0.77%

LAB 83.82, -10.68, 16.32

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 0 / 17 / 13 / 16

HEX #D6B2BB

RGB 214 178 187

HSL 345, 0.31%, 0.77%

LAB 75.9, 14.44, 0.3

 

CMYK 13 / 0 / 17 / 16

HEX #BBD6B2

RGB 187 214 178

HSL 105, 0.31%, 0.77%

LAB 82.85, -15.61, 14.81

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 1 / 17 / 0 / 16

HEX #D4B2D6

RGB 212 178 214

HSL 296.67, 0.31%, 0.77%

LAB 76.49, 18.51, -13.55

 

CMYK 0 / 4 / 17 / 16

HEX #D6CDB2

RGB 214 205 178

HSL 45, 0.31%, 0.77%

LAB 82.47, -1.33, 14.57

 

CMYK 16 / 0 / 17 / 16

HEX #B3D6B2

RGB 179 214 178

HSL 118.33, 0.31%, 0.77%

LAB 82.32, -18.36, 13.99

 

CMYK 17 / 13 / 0 / 16

HEX #B2BBD6

RGB 178 187 214

HSL 225, 0.31%, 0.77%

LAB 75.98, 2.43, -14.59

 

CMYK 0 / 17 / 4 / 16

HEX #D6B2CD

RGB 214 178 205

HSL 315, 0.31%, 0.77%

LAB 76.4, 17.54, -8.77

 

CMYK 0 / 4 / 17 / 16

HEX #D6CDB2

RGB 214 205 178

HSL 45, 0.31%, 0.77%

LAB 82.47, -1.33, 14.57

 

CMYK 17 / 0 / 13 / 16

HEX #B2D6BB

RGB 178 214 187

HSL 135, 0.31%, 0.77%

LAB 82.46, -17.09, 9.41

 

Description

Color code: HEX #B2BBD6 | qconv.com Color code: HEX #B2BBD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 187 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 187 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 13 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 13% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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