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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2C00C it is the complementary color #4D3FF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2C00C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2C00C shade: #B7C007, #C8D21A, #D9E42D, #EAF640 and #FBFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2C00C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2C00C shade: #B2C00C, #A1AE00, #909C00, #7F8A00 and #6E7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2C00C shade: #B1BF0C, #BF9D0C, #BF6C0C, #BF3C0C and #BF0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2C00C shade: #B1BF0C, #81BF0C, #50BF0C, #20BF0C and #0CBF28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2C00C shade matches the following richer shades: #B1BF0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2C00C shade: #B1BF0C, #A3AF1C, #959E2D, #878E3D and #7A7D4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2C00C shade: #BF6B0C, #BF9B0C, #B3BF0C, #83BF0C and #54BF0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2C00C shade: #697207, #8D9809, #B1BF0C, #D5E60E and #E2F12C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2C00C shade: #B2C00C, #0CBF3C and #830CBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2C00C shade: #B2C00C, #0CB3BF and #BF0CB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2C00C shade: #B2C00C, #0CBF3C, #180CBF and #BF0C8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2C00C shade: #B2C00C, #0CBF71, #180CBF and #BF0C5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 94 / 25

HEX #B2C00C

RGB 178 192 12

HSL 64.67, 0.88%, 0.4%

LAB 74.31, -23.29, 73.76

 

Complementary color

CMYK 68 / 74 / 0 / 5

HEX #4D3FF3

RGB 77 63 243

HSL 244.67, 0.88%, 0.6%

LAB 40.58, 58.47, -87.27

 

CMYK 5 / 0 / 96 / 25

HEX #B7C007

RGB 183 192 7

HSL 62.92, 0.93%, 0.39%

LAB 74.69, -21.21, 74.74

 

CMYK 5 / 0 / 88 / 18

HEX #C8D21A

RGB 200 210 26

HSL 63.26, 0.78%, 0.46%

LAB 80.99, -22.51, 77.65

 

CMYK 5 / 0 / 80 / 11

HEX #D9E42D

RGB 217 228 45

HSL 63.61, 0.77%, 0.54%

LAB 87.21, -23.62, 79.26

 

CMYK 5 / 0 / 74 / 4

HEX #EAF640

RGB 234 246 64

HSL 63.96, 0.91%, 0.61%

LAB 93.35, -24.57, 79.91

 

CMYK 2 / 0 / 67 / 0

HEX #FBFF53

RGB 251 255 83

HSL 61.4, 1%, 0.66%

LAB 97.09, -21.12, 77.61

 

CMYK 7 / 0 / 94 / 25

HEX #B2C00C

RGB 178 192 12

HSL 64.67, 0.88%, 0.4%

LAB 74.31, -23.29, 73.76

 

CMYK 7 / 0 / 100 / 32

HEX #A1AE00

RGB 161 174 0

HSL 64.48, 1%, 0.34%

LAB 67.91, -21.87, 69.71

 

CMYK 8 / 0 / 100 / 39

HEX #909C00

RGB 144 156 0

HSL 64.62, 1%, 0.31%

LAB 61.4, -20.29, 64.29

 

CMYK 8 / 0 / 100 / 46

HEX #7F8A00

RGB 127 138 0

HSL 64.78, 1%, 0.27%

LAB 54.75, -18.68, 58.76

 

CMYK 8 / 0 / 100 / 53

HEX #6E7800

RGB 110 120 0

HSL 65, 1%, 0.24%

LAB 47.94, -17.03, 53.1

 

CMYK 7 / 0 / 94 / 25

HEX #B1BF0C

RGB 177 191 12

HSL 64.69, 0.88%, 0.4%

LAB 73.96, -23.22, 73.45

 

CMYK 0 / 18 / 94 / 25

HEX #BF9D0C

RGB 191 157 12

HSL 48.6, 0.88%, 0.4%

LAB 65.92, 0.48, 67.87

 

CMYK 0 / 43 / 94 / 25

HEX #BF6C0C

RGB 191 108 12

HSL 32.18, 0.88%, 0.4%

LAB 53.84, 27.29, 59.07

 

CMYK 0 / 69 / 94 / 25

HEX #BF3C0C

RGB 191 60 12

HSL 16.09, 0.88%, 0.4%

LAB 44.71, 50.66, 52.85

 

CMYK 0 / 94 / 94 / 25

HEX #BF0C0C

RGB 191 12 12

HSL 0, 0.88%, 0.4%

LAB 40.19, 63.32, 50.04

 

CMYK 7 / 0 / 94 / 25

HEX #B1BF0C

RGB 177 191 12

HSL 64.69, 0.88%, 0.4%

LAB 73.96, -23.22, 73.45

 

CMYK 32 / 0 / 94 / 25

HEX #81BF0C

RGB 129 191 12

HSL 80.78, 0.88%, 0.4%

LAB 70.84, -42.61, 69.67

 

CMYK 58 / 0 / 94 / 25

HEX #50BF0C

RGB 80 191 12

HSL 97.21, 0.88%, 0.4%

LAB 68.75, -58.27, 67.1

 

CMYK 83 / 0 / 94 / 25

HEX #20BF0C

RGB 32 191 12

HSL 113.3, 0.88%, 0.4%

LAB 67.72, -67.02, 65.83

 

CMYK 94 / 0 / 79 / 25

HEX #0CBF28

RGB 12 191 40

HSL 129.39, 0.88%, 0.4%

LAB 67.65, -67.34, 59.64

 

CMYK 7 / 0 / 94 / 25

HEX #B1BF0C

RGB 177 191 12

HSL 64.69, 0.88%, 0.4%

LAB 73.96, -23.22, 73.45

 

CMYK 7 / 0 / 94 / 25

HEX #B1BF0C

RGB 177 191 12

HSL 64.69, 0.88%, 0.4%

LAB 73.96, -23.22, 73.45

 

CMYK 7 / 0 / 84 / 31

HEX #A3AF1C

RGB 163 175 28

HSL 64.9, 0.72%, 0.4%

LAB 68.41, -20.98, 65.72

 

CMYK 6 / 0 / 72 / 38

HEX #959E2D

RGB 149 158 45

HSL 64.78, 0.56%, 0.4%

LAB 62.54, -17.75, 54.72

 

CMYK 5 / 0 / 57 / 44

HEX #878E3D

RGB 135 142 61

HSL 65.19, 0.4%, 0.4%

LAB 56.91, -14.39, 41.5

 

CMYK 2 / 0 / 38 / 51

HEX #7A7D4E

RGB 122 125 78

HSL 63.83, 0.23%, 0.4%

LAB 51.1, -8.98, 25.27

 

CMYK 0 / 44 / 94 / 25

HEX #BF6B0C

RGB 191 107 12

HSL 31.84, 0.88%, 0.4%

LAB 53.62, 27.83, 58.91

 

CMYK 0 / 19 / 94 / 25

HEX #BF9B0C

RGB 191 155 12

HSL 47.93, 0.88%, 0.4%

LAB 65.39, 1.56, 67.48

 

CMYK 6 / 0 / 94 / 25

HEX #B3BF0C

RGB 179 191 12

HSL 64.02, 0.88%, 0.4%

LAB 74.11, -22.37, 73.63

 

CMYK 31 / 0 / 94 / 25

HEX #83BF0C

RGB 131 191 12

HSL 80.11, 0.88%, 0.4%

LAB 70.95, -41.86, 69.8

 

CMYK 56 / 0 / 94 / 25

HEX #54BF0C

RGB 84 191 12

HSL 95.87, 0.88%, 0.4%

LAB 68.88, -57.22, 67.26

 

CMYK 8 / 0 / 94 / 55

HEX #697207

RGB 105 114 7

HSL 65.05, 0.88%, 0.24%

LAB 45.71, -15.98, 49.7

 

CMYK 7 / 0 / 94 / 40

HEX #8D9809

RGB 141 152 9

HSL 64.62, 0.89%, 0.32%

LAB 60.01, -19.44, 61.83

 

CMYK 7 / 0 / 94 / 25

HEX #B1BF0C

RGB 177 191 12

HSL 64.69, 0.88%, 0.4%

LAB 73.96, -23.22, 73.45

 

CMYK 7 / 0 / 94 / 10

HEX #D5E60E

RGB 213 230 14

HSL 64.72, 0.89%, 0.48%

LAB 87.37, -26.87, 84.71

 

CMYK 6 / 0 / 82 / 5

HEX #E2F12C

RGB 226 241 44

HSL 64.57, 0.88%, 0.56%

LAB 91.35, -26.14, 83.32

 

CMYK 7 / 0 / 94 / 25

HEX #B2C00C

RGB 178 192 12

HSL 64.67, 0.88%, 0.4%

LAB 74.31, -23.29, 73.76

 

CMYK 94 / 0 / 69 / 25

HEX #0CBF3C

RGB 12 191 60

HSL 136.09, 0.88%, 0.4%

LAB 67.77, -65.7, 52.69

 

CMYK 31 / 94 / 0 / 25

HEX #830CBF

RGB 131 12 191

HSL 279.89, 0.88%, 0.4%

LAB 35.69, 69, -65.18

 

CMYK 7 / 0 / 94 / 25

HEX #B2C00C

RGB 178 192 12

HSL 64.67, 0.88%, 0.4%

LAB 74.31, -23.29, 73.76

 

CMYK 94 / 6 / 0 / 25

HEX #0CB3BF

RGB 12 179 191

HSL 184.02, 0.88%, 0.4%

LAB 66.58, -32.73, -16.8

 

CMYK 0 / 94 / 6 / 25

HEX #BF0CB3

RGB 191 12 179

HSL 304.02, 0.88%, 0.4%

LAB 45.07, 76.25, -42.45

 

CMYK 7 / 0 / 94 / 25

HEX #B2C00C

RGB 178 192 12

HSL 64.67, 0.88%, 0.4%

LAB 74.31, -23.29, 73.76

 

CMYK 94 / 0 / 69 / 25

HEX #0CBF3C

RGB 12 191 60

HSL 136.09, 0.88%, 0.4%

LAB 67.77, -65.7, 52.69

 

CMYK 87 / 94 / 0 / 25

HEX #180CBF

RGB 24 12 191

HSL 244.02, 0.88%, 0.4%

LAB 24.38, 61.29, -84.25

 

CMYK 0 / 94 / 25 / 25

HEX #BF0C8F

RGB 191 12 143

HSL 316.09, 0.88%, 0.4%

LAB 43.25, 71.58, -23.75

 

CMYK 7 / 0 / 94 / 25

HEX #B2C00C

RGB 178 192 12

HSL 64.67, 0.88%, 0.4%

LAB 74.31, -23.29, 73.76

 

CMYK 94 / 0 / 41 / 25

HEX #0CBF71

RGB 12 191 113

HSL 153.85, 0.88%, 0.4%

LAB 68.41, -57.95, 28.33

 

CMYK 87 / 94 / 0 / 25

HEX #180CBF

RGB 24 12 191

HSL 244.02, 0.88%, 0.4%

LAB 24.38, 61.29, -84.25

 

CMYK 0 / 94 / 53 / 25

HEX #BF0C5A

RGB 191 12 90

HSL 333.85, 0.88%, 0.4%

LAB 41.34, 66.5, 6.37

 

Description

Color code: HEX #B2C00C | qconv.com Color code: HEX #B2C00C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 192 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 192 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 94 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 94% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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