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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2C04D it is the complementary color #4D3FB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2C04D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2C04D shade: #B7C048, #C8D25B, #D9E46E, #EAF681 and #FBFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2C04D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2C04D shade: #B2C04D, #A1AE3A, #909C27, #7F8A14 and #6E7801

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2C04D shade: #B2C04D, #C0AF4D, #C0904D, #C0714D and #C0524D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2C04D shade: #B2C04D, #93C04D, #74C04D, #55C04D and #4DC064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2C04D shade matches the following richer shades: #B2C04D, #C1D43A, #D0E726 and #DEFA13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2C04D shade: #B2C04D, #A4AD61, #959974, #868687 and #77739B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2C04D shade: #C0904D, #C0AF4D, #B3C04D, #94C04D and #75C04D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2C04D shade: #7F8A30, #9CA93B, #B2C04D, #BFCB6C and #CCD68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2C04D shade: #B2C04D, #4DC072 and #A04DC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2C04D shade: #B2C04D, #4DB3C0 and #C04DB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2C04D shade: #B2C04D, #4DC072, #5B4DC0 and #C04D9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2C04D shade: #B2C04D, #4DC094, #5B4DC0 and #C04D79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

Complementary color

CMYK 57 / 65 / 0 / 30

HEX #4D3FB2

RGB 77 63 178

HSL 247.3, 0.48%, 0.47%

LAB 34.7, 38.26, -59.39

 

CMYK 5 / 0 / 63 / 25

HEX #B7C048

RGB 183 192 72

HSL 64.5, 0.49%, 0.52%

LAB 74.97, -18.85, 57.47

 

CMYK 5 / 0 / 57 / 18

HEX #C8D25B

RGB 200 210 91

HSL 65.04, 0.57%, 0.59%

LAB 81.36, -19.42, 56.61

 

CMYK 5 / 0 / 52 / 11

HEX #D9E46E

RGB 217 228 110

HSL 65.59, 0.69%, 0.66%

LAB 87.66, -19.88, 55.6

 

CMYK 5 / 0 / 48 / 4

HEX #EAF681

RGB 234 246 129

HSL 66.15, 0.87%, 0.74%

LAB 93.88, -20.26, 54.51

 

CMYK 2 / 0 / 42 / 0

HEX #FBFF94

RGB 251 255 148

HSL 62.24, 1%, 0.79%

LAB 97.7, -16.26, 50.53

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 7 / 0 / 67 / 32

HEX #A1AE3A

RGB 161 174 58

HSL 66.72, 0.5%, 0.45%

LAB 68.13, -19.97, 55.57

 

CMYK 8 / 0 / 75 / 39

HEX #909C27

RGB 144 156 39

HSL 66.15, 0.6%, 0.38%

LAB 61.53, -19.21, 55.79

 

CMYK 8 / 0 / 86 / 46

HEX #7F8A14

RGB 127 138 20

HSL 65.59, 0.75%, 0.31%

LAB 54.8, -18.23, 55.02

 

CMYK 8 / 0 / 99 / 53

HEX #6E7801

RGB 110 120 1

HSL 65.04, 0.98%, 0.24%

LAB 47.94, -17, 52.89

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 0 / 9 / 60 / 25

HEX #C0AF4D

RGB 192 175 77

HSL 51.13, 0.48%, 0.53%

LAB 71.15, -5.98, 51.32

 

CMYK 0 / 25 / 60 / 25

HEX #C0904D

RGB 192 144 77

HSL 34.96, 0.48%, 0.53%

LAB 63.08, 10.72, 42.1

 

CMYK 0 / 41 / 60 / 25

HEX #C0714D

RGB 192 113 77

HSL 18.78, 0.48%, 0.53%

LAB 55.64, 27.76, 33.16

 

CMYK 0 / 57 / 60 / 25

HEX #C0524D

RGB 192 82 77

HSL 2.61, 0.48%, 0.53%

LAB 49.22, 43.83, 25.09

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 23 / 0 / 60 / 25

HEX #93C04D

RGB 147 192 77

HSL 83.48, 0.48%, 0.53%

LAB 72.52, -32.92, 51.92

 

CMYK 40 / 0 / 60 / 25

HEX #74C04D

RGB 116 192 77

HSL 99.65, 0.48%, 0.53%

LAB 70.84, -44.02, 49.56

 

CMYK 56 / 0 / 60 / 25

HEX #55C04D

RGB 85 192 77

HSL 115.83, 0.48%, 0.53%

LAB 69.59, -53.17, 47.81

 

CMYK 60 / 0 / 48 / 25

HEX #4DC064

RGB 77 192 100

HSL 132, 0.48%, 0.53%

LAB 69.61, -52.06, 36.75

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 9 / 0 / 73 / 17

HEX #C1D43A

RGB 193 212 58

HSL 67.4, 0.64%, 0.53%

LAB 81.14, -25.31, 69.26

 

CMYK 10 / 0 / 84 / 9

HEX #D0E726

RGB 208 231 38

HSL 67.15, 0.8%, 0.53%

LAB 87.34, -28.93, 80.75

 

CMYK 11 / 0 / 92 / 2

HEX #DEFA13

RGB 222 250 19

HSL 67.27, 0.96%, 0.53%

LAB 93.43, -32.45, 89.13

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 5 / 0 / 44 / 32

HEX #A4AD61

RGB 164 173 97

HSL 67.11, 0.32%, 0.53%

LAB 68.49, -14.87, 37.85

 

CMYK 3 / 0 / 24 / 40

HEX #959974

RGB 149 153 116

HSL 66.49, 0.15%, 0.53%

LAB 62.03, -7.89, 19.02

 

CMYK 1 / 1 / 0 / 47

HEX #868687

RGB 134 134 135

HSL 240, 0%, 0.53%

LAB 55.96, 0.2, -0.54

 

CMYK 23 / 26 / 0 / 39

HEX #77739B

RGB 119 115 155

HSL 246, 0.17%, 0.53%

LAB 50.16, 10.52, -21.03

 

CMYK 0 / 25 / 60 / 25

HEX #C0904D

RGB 192 144 77

HSL 34.96, 0.48%, 0.53%

LAB 63.08, 10.72, 42.1

 

CMYK 0 / 9 / 60 / 25

HEX #C0AF4D

RGB 192 175 77

HSL 51.13, 0.48%, 0.53%

LAB 71.15, -5.98, 51.32

 

CMYK 7 / 0 / 60 / 25

HEX #B3C04D

RGB 179 192 77

HSL 66.78, 0.48%, 0.53%

LAB 74.71, -20.15, 54.96

 

CMYK 23 / 0 / 60 / 25

HEX #94C04D

RGB 148 192 77

HSL 82.96, 0.48%, 0.53%

LAB 72.58, -32.53, 52

 

CMYK 39 / 0 / 60 / 25

HEX #75C04D

RGB 117 192 77

HSL 99.13, 0.48%, 0.53%

LAB 70.88, -43.69, 49.63

 

CMYK 8 / 0 / 65 / 46

HEX #7F8A30

RGB 127 138 48

HSL 67.33, 0.48%, 0.36%

LAB 54.97, -16.8, 45.22

 

CMYK 8 / 0 / 65 / 34

HEX #9CA93B

RGB 156 169 59

HSL 67.09, 0.48%, 0.45%

LAB 66.34, -19.5, 53.17

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 6 / 0 / 47 / 20

HEX #BFCB6C

RGB 191 203 108

HSL 67.58, 0.48%, 0.61%

LAB 78.97, -18.06, 45.71

 

CMYK 5 / 0 / 36 / 16

HEX #CCD68A

RGB 204 214 138

HSL 67.89, 0.48%, 0.69%

LAB 83.32, -15.17, 36.44

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 60 / 0 / 41 / 25

HEX #4DC072

RGB 77 192 114

HSL 139.3, 0.48%, 0.53%

LAB 69.82, -49.77, 29.86

 

CMYK 17 / 60 / 0 / 25

HEX #A04DC0

RGB 160 77 192

HSL 283.3, 0.48%, 0.53%

LAB 47.74, 52.6, -46.11

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 60 / 7 / 0 / 25

HEX #4DB3C0

RGB 77 179 192

HSL 186.78, 0.48%, 0.53%

LAB 67.74, -25.54, -15.49

 

CMYK 0 / 60 / 7 / 25

HEX #C04DB3

RGB 192 77 179

HSL 306.78, 0.48%, 0.53%

LAB 51.57, 58.47, -32.19

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 60 / 0 / 41 / 25

HEX #4DC072

RGB 77 192 114

HSL 139.3, 0.48%, 0.53%

LAB 69.82, -49.77, 29.86

 

CMYK 53 / 60 / 0 / 25

HEX #5B4DC0

RGB 91 77 192

HSL 247.3, 0.48%, 0.53%

LAB 40.14, 36.83, -58.71

 

CMYK 0 / 60 / 19 / 25

HEX #C04D9C

RGB 192 77 156

HSL 318.78, 0.48%, 0.53%

LAB 50.59, 54.9, -20.21

 

CMYK 7 / 0 / 60 / 25

HEX #B2C04D

RGB 178 192 77

HSL 67.3, 0.48%, 0.53%

LAB 74.64, -20.56, 54.85

 

CMYK 60 / 0 / 23 / 25

HEX #4DC094

RGB 77 192 148

HSL 157.04, 0.48%, 0.53%

LAB 70.47, -42.98, 12.63

 

CMYK 53 / 60 / 0 / 25

HEX #5B4DC0

RGB 91 77 192

HSL 247.3, 0.48%, 0.53%

LAB 40.14, 36.83, -58.71

 

CMYK 0 / 60 / 37 / 25

HEX #C04D79

RGB 192 77 121

HSL 337.04, 0.48%, 0.53%

LAB 49.37, 50.31, -1.13

 

Description

Color code: HEX #B2C04D | qconv.com Color code: HEX #B2C04D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 192 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 192 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 60 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 60% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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