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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2CD54 it is the complementary color #4D32AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2CD54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2CD54 shade: #B7CD4F, #C8DF62, #D9F175, #EAFF88 and #FBFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2CD54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2CD54 shade: #B2CD54, #A1BB41, #90A92E, #7F971B and #6E8508

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2CD54 shade: #B2CD55, #CDC855, #CDA755, #CD8655 and #CD6655

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2CD54 shade: #B2CD55, #92CD55, #71CD55, #55CD58 and #55CD79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2CD54 shade matches the following richer shades: #B2CD55, #BCDF43 and #C6F131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2CD54 shade: #B2CD55, #A8BB66, #9FAA78, #95988A and #8B869C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2CD54 shade: #CDA755, #CDC755, #B3CD55, #93CD55 and #73CD55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2CD54 shade: #87A12E, #A2C138, #B2CD55, #C1D675 and #CFE094

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2CD54 shade: #B2CD54, #55CD87 and #B755CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2CD54 shade: #B2CD54, #55B3CD and #CD55B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2CD54 shade: #B2CD54, #55CD87, #6F55CD and #CD559B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2CD54 shade: #B2CD54, #55CDAB, #6F55CD and #CD5577

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 59 / 20

HEX #B2CD54

RGB 178 205 84

HSL 73.39, 0.55%, 0.57%

LAB 78.33, -26.37, 55.87

 

Complementary color

CMYK 55 / 71 / 0 / 33

HEX #4D32AB

RGB 77 50 171

HSL 253.39, 0.55%, 0.43%

LAB 31.35, 43.6, -60.69

 

CMYK 11 / 0 / 61 / 20

HEX #B7CD4F

RGB 183 205 79

HSL 70.48, 0.56%, 0.56%

LAB 78.63, -24.75, 58.46

 

CMYK 10 / 0 / 56 / 13

HEX #C8DF62

RGB 200 223 98

HSL 71.04, 0.66%, 0.63%

LAB 84.96, -25.17, 57.58

 

CMYK 10 / 0 / 51 / 5

HEX #D9F175

RGB 217 241 117

HSL 71.61, 0.82%, 0.7%

LAB 91.21, -25.51, 56.56

 

CMYK 8 / 0 / 47 / 0

HEX #EAFF88

RGB 234 255 136

HSL 70.59, 1%, 0.77%

LAB 96.32, -23.9, 54.21

 

CMYK 2 / 0 / 39 / 0

HEX #FBFF9B

RGB 251 255 155

HSL 62.4, 1%, 0.8%

LAB 97.79, -15.54, 47.29

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD54

RGB 178 205 84

HSL 73.39, 0.55%, 0.57%

LAB 78.33, -26.37, 55.87

 

CMYK 14 / 0 / 65 / 27

HEX #A1BB41

RGB 161 187 65

HSL 72.79, 0.48%, 0.49%

LAB 71.89, -25.93, 56.63

 

CMYK 15 / 0 / 73 / 34

HEX #90A92E

RGB 144 169 46

HSL 72.2, 0.57%, 0.42%

LAB 65.36, -25.35, 56.98

 

CMYK 16 / 0 / 82 / 41

HEX #7F971B

RGB 127 151 27

HSL 71.61, 0.7%, 0.35%

LAB 58.72, -24.58, 56.54

 

CMYK 17 / 0 / 94 / 48

HEX #6E8508

RGB 110 133 8

HSL 71.04, 0.89%, 0.28%

LAB 51.96, -23.56, 54.64

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD55

RGB 178 205 85

HSL 73.5, 0.55%, 0.57%

LAB 78.34, -26.29, 55.44

 

CMYK 0 / 2 / 59 / 20

HEX #CDC855

RGB 205 200 85

HSL 57.5, 0.55%, 0.57%

LAB 79.01, -12.82, 56.76

 

CMYK 0 / 19 / 59 / 20

HEX #CDA755

RGB 205 167 85

HSL 41, 0.55%, 0.57%

LAB 70.37, 4.4, 46.97

 

CMYK 0 / 35 / 59 / 20

HEX #CD8655

RGB 205 134 85

HSL 24.5, 0.55%, 0.57%

LAB 62.24, 22.3, 37.3

 

CMYK 0 / 50 / 59 / 20

HEX #CD6655

RGB 205 102 85

HSL 8.5, 0.55%, 0.57%

LAB 55.21, 39.31, 28.53

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD55

RGB 178 205 85

HSL 73.5, 0.55%, 0.57%

LAB 78.34, -26.29, 55.44

 

CMYK 29 / 0 / 59 / 20

HEX #92CD55

RGB 146 205 85

HSL 89.5, 0.55%, 0.57%

LAB 76.33, -38.49, 52.64

 

CMYK 45 / 0 / 59 / 20

HEX #71CD55

RGB 113 205 85

HSL 106, 0.55%, 0.57%

LAB 74.72, -49.53, 50.36

 

CMYK 59 / 0 / 57 / 20

HEX #55CD58

RGB 85 205 88

HSL 121.5, 0.55%, 0.57%

LAB 73.74, -56.75, 47.6

 

CMYK 59 / 0 / 41 / 20

HEX #55CD79

RGB 85 205 121

HSL 138, 0.55%, 0.57%

LAB 74.17, -51.96, 31.99

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD55

RGB 178 205 85

HSL 73.5, 0.55%, 0.57%

LAB 78.34, -26.29, 55.44

 

CMYK 16 / 0 / 70 / 13

HEX #BCDF43

RGB 188 223 67

HSL 73.46, 0.71%, 0.57%

LAB 83.9, -32.04, 68.71

 

CMYK 18 / 0 / 80 / 5

HEX #C6F131

RGB 198 241 49

HSL 73.44, 0.87%, 0.57%

LAB 89.46, -37.15, 79.7

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD55

RGB 178 205 85

HSL 73.5, 0.55%, 0.57%

LAB 78.34, -26.29, 55.44

 

CMYK 10 / 0 / 45 / 27

HEX #A8BB66

RGB 168 187 102

HSL 73.41, 0.38%, 0.57%

LAB 72.78, -19.83, 40.7

 

CMYK 6 / 0 / 29 / 33

HEX #9FAA78

RGB 159 170 120

HSL 73.2, 0.23%, 0.57%

LAB 67.63, -12.42, 24.55

 

CMYK 2 / 0 / 9 / 40

HEX #95988A

RGB 149 152 138

HSL 72.86, 0.06%, 0.57%

LAB 62.24, -3.71, 6.99

 

CMYK 11 / 14 / 0 / 39

HEX #8B869C

RGB 139 134 156

HSL 253.64, 0.1%, 0.57%

LAB 57.02, 6.37, -11.03

 

CMYK 0 / 19 / 59 / 20

HEX #CDA755

RGB 205 167 85

HSL 41, 0.55%, 0.57%

LAB 70.37, 4.4, 46.97

 

CMYK 0 / 3 / 59 / 20

HEX #CDC755

RGB 205 199 85

HSL 57, 0.55%, 0.57%

LAB 78.74, -12.31, 56.46

 

CMYK 13 / 0 / 59 / 20

HEX #B3CD55

RGB 179 205 85

HSL 73, 0.55%, 0.57%

LAB 78.4, -25.89, 55.54

 

CMYK 28 / 0 / 59 / 20

HEX #93CD55

RGB 147 205 85

HSL 89, 0.55%, 0.57%

LAB 76.39, -38.13, 52.72

 

CMYK 44 / 0 / 59 / 20

HEX #73CD55

RGB 115 205 85

HSL 105, 0.55%, 0.57%

LAB 74.8, -48.92, 50.48

 

CMYK 16 / 0 / 71 / 37

HEX #87A12E

RGB 135 161 46

HSL 73.57, 0.56%, 0.41%

LAB 62.37, -25.19, 53.83

 

CMYK 16 / 0 / 71 / 24

HEX #A2C138

RGB 162 193 56

HSL 73.58, 0.55%, 0.49%

LAB 73.61, -28.97, 61.89

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD55

RGB 178 205 85

HSL 73.5, 0.55%, 0.57%

LAB 78.34, -26.29, 55.44

 

CMYK 10 / 0 / 45 / 16

HEX #C1D675

RGB 193 214 117

HSL 72.99, 0.54%, 0.65%

LAB 82.23, -21.79, 45.35

 

CMYK 8 / 0 / 34 / 12

HEX #CFE094

RGB 207 224 148

HSL 73.42, 0.55%, 0.73%

LAB 86.36, -17.77, 35.38

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD54

RGB 178 205 84

HSL 73.39, 0.55%, 0.57%

LAB 78.33, -26.37, 55.87

 

CMYK 59 / 0 / 34 / 20

HEX #55CD87

RGB 85 205 135

HSL 145, 0.55%, 0.57%

LAB 74.41, -49.45, 25.04

 

CMYK 11 / 59 / 0 / 20

HEX #B755CD

RGB 183 85 205

HSL 289, 0.55%, 0.57%

LAB 52.92, 57.16, -45.16

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD54

RGB 178 205 84

HSL 73.39, 0.55%, 0.57%

LAB 78.33, -26.37, 55.87

 

CMYK 59 / 13 / 0 / 20

HEX #55B3CD

RGB 85 179 205

HSL 193, 0.55%, 0.57%

LAB 68.45, -20.24, -21.57

 

CMYK 0 / 59 / 13 / 20

HEX #CD55B3

RGB 205 85 179

HSL 313, 0.55%, 0.57%

LAB 54.79, 58.49, -27.04

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD54

RGB 178 205 84

HSL 73.39, 0.55%, 0.57%

LAB 78.33, -26.37, 55.87

 

CMYK 59 / 0 / 34 / 20

HEX #55CD87

RGB 85 205 135

HSL 145, 0.55%, 0.57%

LAB 74.41, -49.45, 25.04

 

CMYK 46 / 59 / 0 / 20

HEX #6F55CD

RGB 111 85 205

HSL 253, 0.55%, 0.57%

LAB 44.64, 40.05, -58.89

 

CMYK 0 / 59 / 24 / 20

HEX #CD559B

RGB 205 85 155

HSL 325, 0.55%, 0.57%

LAB 53.86, 55, -14.46

 

CMYK 13 / 0 / 59 / 20

HEX #B2CD54

RGB 178 205 84

HSL 73.39, 0.55%, 0.57%

LAB 78.33, -26.37, 55.87

 

CMYK 59 / 0 / 17 / 20

HEX #55CDAB

RGB 85 205 171

HSL 163, 0.55%, 0.57%

LAB 75.16, -41.77, 6.93

 

CMYK 46 / 59 / 0 / 20

HEX #6F55CD

RGB 111 85 205

HSL 253, 0.55%, 0.57%

LAB 44.64, 40.05, -58.89

 

CMYK 0 / 59 / 42 / 20

HEX #CD5577

RGB 205 85 119

HSL 343, 0.55%, 0.57%

LAB 52.74, 50.66, 5.21

 

Description

Color code: HEX #B2CD54 | qconv.com Color code: HEX #B2CD54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 205 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 205 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 59 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 59% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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