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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D59E it is the complementary color #4D2A61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D59E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D59E shade: #B7D599, #C8E7AC, #D9F9BF, #EAFFD2 and #FBFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D59E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D59E shade: #B2D59E, #A1C38B, #90B178, #7F9F65 and #6E8D52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D59E shade: #B2D59E, #C1D59E, #D0D59E, #D5CC9E and #D5BD9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D59E shade: #B2D59E, #A3D59E, #9ED5A8, #9ED5B7 and #9ED5C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D59E shade matches the following richer shades: #B2D59E, #AFE093, #ACEB88 and #A9F77D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D59E shade: #B2D59E, #B5CAA9, #B8BFB4, #BBB4C0 and #BEA9CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D59E shade: #D0D59E, #C1D59E, #B2D59E, #A4D59E and #9ED5A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D59E shade: #84BC64, #9BC981, #B2D59E, #C9E2BB and #E0EED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D59E shade: #B2D59E, #9ED5CC and #D59EC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D59E shade: #B2D59E, #9EB2D5 and #D59EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D59E shade: #B2D59E, #9ED5CC, #C19ED5 and #D59EA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D59E shade: #B2D59E, #9ECED5, #C19ED5 and #D5A59E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

Complementary color

CMYK 21 / 57 / 0 / 62

HEX #4D2A61

RGB 77 42 97

HSL 278.18, 0.4%, 0.27%

LAB 23.99, 27.23, -26.36

 

CMYK 14 / 0 / 28 / 16

HEX #B7D599

RGB 183 213 153

HSL 90, 0.42%, 0.72%

LAB 81.81, -20.5, 26.46

 

CMYK 13 / 0 / 26 / 9

HEX #C8E7AC

RGB 200 231 172

HSL 91.53, 0.55%, 0.79%

LAB 88.17, -20.45, 25.45

 

CMYK 13 / 0 / 23 / 2

HEX #D9F9BF

RGB 217 249 191

HSL 93.1, 0.83%, 0.86%

LAB 94.43, -20.4, 24.48

 

CMYK 8 / 0 / 18 / 0

HEX #EAFFD2

RGB 234 255 210

HSL 88, 1%, 0.91%

LAB 97.5, -14.53, 19.24

 

CMYK 2 / 0 / 10 / 0

HEX #FBFFE5

RGB 251 255 229

HSL 69.23, 1%, 0.95%

LAB 99.1, -5.7, 11.97

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 17 / 0 / 29 / 24

HEX #A1C38B

RGB 161 195 139

HSL 96.43, 0.32%, 0.65%

LAB 75.12, -21.62, 24.5

 

CMYK 19 / 0 / 32 / 31

HEX #90B178

RGB 144 177 120

HSL 94.74, 0.27%, 0.58%

LAB 68.55, -21.72, 25.59

 

CMYK 20 / 0 / 36 / 38

HEX #7F9F65

RGB 127 159 101

HSL 93.1, 0.23%, 0.51%

LAB 61.87, -21.82, 26.75

 

CMYK 22 / 0 / 42 / 45

HEX #6E8D52

RGB 110 141 82

HSL 91.53, 0.26%, 0.44%

LAB 55.05, -21.9, 27.96

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 9 / 0 / 26 / 16

HEX #C1D59E

RGB 193 213 158

HSL 81.82, 0.4%, 0.73%

LAB 82.59, -16.13, 25.02

 

CMYK 2 / 0 / 26 / 16

HEX #D0D59E

RGB 208 213 158

HSL 65.45, 0.4%, 0.73%

LAB 83.69, -10.58, 26.69

 

CMYK 0 / 4 / 26 / 16

HEX #D5CC9E

RGB 213 204 158

HSL 50.18, 0.4%, 0.73%

LAB 81.73, -4.07, 24.1

 

CMYK 0 / 11 / 26 / 16

HEX #D5BD9E

RGB 213 189 158

HSL 33.82, 0.4%, 0.73%

LAB 77.88, 3.78, 18.8

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 23 / 0 / 26 / 16

HEX #A3D59E

RGB 163 213 158

HSL 114.55, 0.4%, 0.73%

LAB 80.65, -26.7, 22.06

 

CMYK 26 / 0 / 21 / 16

HEX #9ED5A8

RGB 158 213 168

HSL 130.91, 0.4%, 0.73%

LAB 80.56, -26.63, 16.62

 

CMYK 26 / 0 / 14 / 16

HEX #9ED5B7

RGB 158 213 183

HSL 147.27, 0.4%, 0.73%

LAB 80.89, -23.82, 9.14

 

CMYK 26 / 0 / 8 / 16

HEX #9ED5C5

RGB 158 213 197

HSL 162.55, 0.4%, 0.73%

LAB 81.23, -21, 2.17

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 22 / 0 / 34 / 12

HEX #AFE093

RGB 175 224 147

HSL 98.18, 0.55%, 0.73%

LAB 84.24, -29.53, 32.71

 

CMYK 27 / 0 / 42 / 8

HEX #ACEB88

RGB 172 235 136

HSL 98.18, 0.71%, 0.73%

LAB 86.98, -37.14, 41.73

 

CMYK 32 / 0 / 49 / 3

HEX #A9F77D

RGB 169 247 125

HSL 98.36, 0.88%, 0.73%

LAB 90.06, -44.78, 50.81

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 10 / 0 / 16 / 21

HEX #B5CAA9

RGB 181 202 169

HSL 98.18, 0.24%, 0.73%

LAB 79, -13.15, 14.11

 

CMYK 4 / 0 / 6 / 25

HEX #B8BFB4

RGB 184 191 180

HSL 98.18, 0.08%, 0.73%

LAB 76.53, -4.45, 4.7

 

CMYK 3 / 6 / 0 / 25

HEX #BBB4C0

RGB 187 180 192

HSL 275, 0.09%, 0.73%

LAB 74.2, 4.71, -5.2

 

CMYK 6 / 17 / 0 / 20

HEX #BEA9CB

RGB 190 169 203

HSL 277.06, 0.25%, 0.73%

LAB 71.98, 13.9, -14.51

 

CMYK 2 / 0 / 26 / 16

HEX #D0D59E

RGB 208 213 158

HSL 65.45, 0.4%, 0.73%

LAB 83.69, -10.58, 26.69

 

CMYK 9 / 0 / 26 / 16

HEX #C1D59E

RGB 193 213 158

HSL 81.82, 0.4%, 0.73%

LAB 82.59, -16.13, 25.02

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 23 / 0 / 26 / 16

HEX #A4D59E

RGB 164 213 158

HSL 113.45, 0.4%, 0.73%

LAB 80.71, -26.36, 22.15

 

CMYK 26 / 0 / 22 / 16

HEX #9ED5A7

RGB 158 213 167

HSL 129.82, 0.4%, 0.73%

LAB 80.54, -26.81, 17.12

 

CMYK 30 / 0 / 47 / 26

HEX #84BC64

RGB 132 188 100

HSL 98.18, 0.4%, 0.56%

LAB 70.73, -34.15, 38.65

 

CMYK 23 / 0 / 36 / 21

HEX #9BC981

RGB 155 201 129

HSL 98.33, 0.4%, 0.65%

LAB 76.27, -28.19, 31.21

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 11 / 0 / 17 / 11

HEX #C9E2BB

RGB 201 226 187

HSL 98.46, 0.4%, 0.81%

LAB 87.19, -15.27, 16.33

 

CMYK 6 / 0 / 9 / 7

HEX #E0EED8

RGB 224 238 216

HSL 98.18, 0.39%, 0.89%

LAB 92.55, -8.54, 9.05

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 26 / 0 / 4 / 16

HEX #9ED5CC

RGB 158 213 204

HSL 170.18, 0.4%, 0.73%

LAB 81.41, -19.52, -1.3

 

CMYK 0 / 26 / 6 / 16

HEX #D59EC8

RGB 213 158 200

HSL 314.18, 0.4%, 0.73%

LAB 71.4, 27.16, -13.52

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 26 / 16 / 0 / 16

HEX #9EB2D5

RGB 158 178 213

HSL 218.18, 0.4%, 0.73%

LAB 72.17, 0.88, -19.94

 

CMYK 0 / 26 / 16 / 16

HEX #D59EB2

RGB 213 158 178

HSL 338.18, 0.4%, 0.73%

LAB 70.74, 23.46, -2.32

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 26 / 0 / 4 / 16

HEX #9ED5CC

RGB 158 213 204

HSL 170.18, 0.4%, 0.73%

LAB 81.41, -19.52, -1.3

 

CMYK 9 / 26 / 0 / 16

HEX #C19ED5

RGB 193 158 213

HSL 278.18, 0.4%, 0.73%

LAB 69.89, 22.99, -23.16

 

CMYK 0 / 26 / 22 / 16

HEX #D59EA7

RGB 213 158 167

HSL 350.18, 0.4%, 0.73%

LAB 70.45, 21.76, 3.36

 

CMYK 16 / 0 / 26 / 16

HEX #B2D59E

RGB 178 213 158

HSL 98.18, 0.4%, 0.73%

LAB 81.58, -21.52, 23.47

 

CMYK 26 / 3 / 0 / 16

HEX #9ECED5

RGB 158 206 213

HSL 187.64, 0.4%, 0.73%

LAB 79.74, -13.98, -8.58

 

CMYK 9 / 26 / 0 / 16

HEX #C19ED5

RGB 193 158 213

HSL 278.18, 0.4%, 0.73%

LAB 69.89, 22.99, -23.16

 

CMYK 0 / 23 / 26 / 16

HEX #D5A59E

RGB 213 165 158

HSL 7.64, 0.4%, 0.73%

LAB 71.91, 16.65, 10.43

 

Description

Color code: HEX #B2D59E | qconv.com Color code: HEX #B2D59E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 213 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 213 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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