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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D70F it is the complementary color #4D28F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D70F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D70F shade: #B7D70A, #C8E91D, #D9FB30, #EAFF43 and #FBFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D70F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D70F shade: #B2D70F, #A1C500, #90B300, #7FA100 and #6E8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D70F shade: #B1D60E, #D6C50E, #D68F0E, #D6590E and #D6240E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D70F shade: #B1D60E, #7BD60E, #45D60E, #10D60E and #0ED643

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D70F shade matches the following richer shades: #B1D60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D70F shade: #B1D60E, #A5C421, #9AB134, #8E9E46 and #828C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D70F shade: #D6900E, #D6C50E, #B1D60E, #7CD60E and #47D60E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D70F shade: #718909, #91B00C, #B1D60E, #C8EF1F and #D2F245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D70F shade: #B2D70F, #0ED65B and #AB0ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D70F shade: #B2D70F, #0EB1D6 and #D60EB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D70F shade: #B2D70F, #0ED65B, #330ED6 and #D60E8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D70F shade: #B2D70F, #0ED697, #330ED6 and #D60E4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 93 / 16

HEX #B2D70F

RGB 178 215 15

HSL 71.1, 0.87%, 0.45%

LAB 80.79, -34.14, 78.45

 

Complementary color

CMYK 68 / 83 / 0 / 6

HEX #4D28F0

RGB 77 40 240

HSL 251.1, 0.87%, 0.55%

LAB 36.72, 67.9, -91.97

 

CMYK 15 / 0 / 95 / 16

HEX #B7D70A

RGB 183 215 10

HSL 69.37, 0.91%, 0.44%

LAB 81.12, -32.18, 79.36

 

CMYK 14 / 0 / 88 / 9

HEX #C8E91D

RGB 200 233 29

HSL 69.71, 0.82%, 0.51%

LAB 87.31, -33.3, 82.25

 

CMYK 14 / 0 / 81 / 2

HEX #D9FB30

RGB 217 251 48

HSL 70.05, 0.96%, 0.59%

LAB 93.43, -34.26, 83.92

 

CMYK 8 / 0 / 74 / 0

HEX #EAFF43

RGB 234 255 67

HSL 66.7, 1%, 0.63%

LAB 95.75, -28.66, 81.23

 

CMYK 2 / 0 / 66 / 0

HEX #FBFF56

RGB 251 255 86

HSL 61.42, 1%, 0.67%

LAB 97.11, -20.97, 76.55

 

CMYK 17 / 0 / 93 / 16

HEX #B2D70F

RGB 178 215 15

HSL 71.1, 0.87%, 0.45%

LAB 80.79, -34.14, 78.45

 

CMYK 18 / 0 / 100 / 23

HEX #A1C500

RGB 161 197 0

HSL 70.96, 1%, 0.39%

LAB 74.51, -32.92, 74.65

 

CMYK 20 / 0 / 100 / 30

HEX #90B300

RGB 144 179 0

HSL 71.73, 1%, 0.35%

LAB 68.15, -31.51, 69.35

 

CMYK 21 / 0 / 100 / 37

HEX #7FA100

RGB 127 161 0

HSL 72.67, 1%, 0.32%

LAB 61.66, -30.08, 63.94

 

CMYK 23 / 0 / 100 / 44

HEX #6E8F00

RGB 110 143 0

HSL 73.85, 1%, 0.28%

LAB 55.03, -28.64, 58.42

 

CMYK 17 / 0 / 93 / 16

HEX #B1D60E

RGB 177 214 14

HSL 71.1, 0.88%, 0.45%

LAB 80.44, -34.09, 78.26

 

CMYK 0 / 8 / 93 / 16

HEX #D6C50E

RGB 214 197 14

HSL 54.9, 0.88%, 0.45%

LAB 78.61, -10.26, 78.09

 

CMYK 0 / 33 / 93 / 16

HEX #D68F0E

RGB 214 143 14

HSL 38.7, 0.88%, 0.45%

LAB 64.94, 18.27, 67.98

 

CMYK 0 / 58 / 93 / 16

HEX #D6590E

RGB 214 89 14

HSL 22.5, 0.88%, 0.45%

LAB 53.46, 46.18, 59.99

 

CMYK 0 / 83 / 93 / 16

HEX #D6240E

RGB 214 36 14

HSL 6.6, 0.88%, 0.45%

LAB 46.43, 65.33, 55.53

 

CMYK 17 / 0 / 93 / 16

HEX #B1D60E

RGB 177 214 14

HSL 71.1, 0.88%, 0.45%

LAB 80.44, -34.09, 78.26

 

CMYK 43 / 0 / 93 / 16

HEX #7BD60E

RGB 123 214 14

HSL 87.3, 0.88%, 0.45%

LAB 77.48, -54.04, 74.65

 

CMYK 68 / 0 / 93 / 16

HEX #45D60E

RGB 69 214 14

HSL 103.5, 0.88%, 0.45%

LAB 75.69, -68.26, 72.46

 

CMYK 93 / 0 / 93 / 16

HEX #10D60E

RGB 16 214 14

HSL 119.4, 0.88%, 0.45%

LAB 74.97, -74.61, 71.56

 

CMYK 93 / 0 / 69 / 16

HEX #0ED643

RGB 14 214 67

HSL 135.9, 0.88%, 0.45%

LAB 75.2, -71.7, 57.86

 

CMYK 17 / 0 / 93 / 16

HEX #B1D60E

RGB 177 214 14

HSL 71.1, 0.88%, 0.45%

LAB 80.44, -34.09, 78.26

 

CMYK 17 / 0 / 93 / 16

HEX #B1D60E

RGB 177 214 14

HSL 71.1, 0.88%, 0.45%

LAB 80.44, -34.09, 78.26

 

CMYK 16 / 0 / 83 / 23

HEX #A5C421

RGB 165 196 33

HSL 71.41, 0.71%, 0.45%

LAB 74.56, -30.18, 69.83

 

CMYK 13 / 0 / 71 / 31

HEX #9AB134

RGB 154 177 52

HSL 71.04, 0.55%, 0.45%

LAB 68.43, -24.76, 58.04

 

CMYK 10 / 0 / 56 / 38

HEX #8E9E46

RGB 142 158 70

HSL 70.91, 0.39%, 0.45%

LAB 62.21, -18.95, 43.36

 

CMYK 7 / 0 / 36 / 45

HEX #828C59

RGB 130 140 89

HSL 71.76, 0.22%, 0.45%

LAB 56.31, -12.38, 26.06

 

CMYK 0 / 33 / 93 / 16

HEX #D6900E

RGB 214 144 14

HSL 39, 0.88%, 0.45%

LAB 65.18, 17.73, 68.16

 

CMYK 0 / 8 / 93 / 16

HEX #D6C50E

RGB 214 197 14

HSL 54.9, 0.88%, 0.45%

LAB 78.61, -10.26, 78.09

 

CMYK 17 / 0 / 93 / 16

HEX #B1D60E

RGB 177 214 14

HSL 71.1, 0.88%, 0.45%

LAB 80.44, -34.09, 78.26

 

CMYK 42 / 0 / 93 / 16

HEX #7CD60E

RGB 124 214 14

HSL 87, 0.88%, 0.45%

LAB 77.53, -53.71, 74.71

 

CMYK 67 / 0 / 93 / 16

HEX #47D60E

RGB 71 214 14

HSL 102.9, 0.88%, 0.45%

LAB 75.74, -67.87, 72.51

 

CMYK 18 / 0 / 93 / 46

HEX #718909

RGB 113 137 9

HSL 71.25, 0.88%, 0.29%

LAB 53.41, -24.22, 55.71

 

CMYK 18 / 0 / 93 / 31

HEX #91B00C

RGB 145 176 12

HSL 71.34, 0.87%, 0.37%

LAB 67.35, -29.5, 67.3

 

CMYK 17 / 0 / 93 / 16

HEX #B1D60E

RGB 177 214 14

HSL 71.1, 0.88%, 0.45%

LAB 80.44, -34.09, 78.26

 

CMYK 16 / 0 / 87 / 6

HEX #C8EF1F

RGB 200 239 31

HSL 71.25, 0.87%, 0.53%

LAB 88.98, -35.99, 83.26

 

CMYK 13 / 0 / 71 / 5

HEX #D2F245

RGB 210 242 69

HSL 71.1, 0.87%, 0.61%

LAB 90.61, -32.05, 75.11

 

CMYK 17 / 0 / 93 / 16

HEX #B2D70F

RGB 178 215 15

HSL 71.1, 0.87%, 0.45%

LAB 80.79, -34.14, 78.45

 

CMYK 93 / 0 / 57 / 16

HEX #0ED65B

RGB 14 214 91

HSL 143.1, 0.88%, 0.45%

LAB 75.42, -68.97, 47.91

 

CMYK 20 / 93 / 0 / 16

HEX #AB0ED6

RGB 171 14 214

HSL 287.1, 0.88%, 0.45%

LAB 43.98, 78.4, -64.77

 

CMYK 17 / 0 / 93 / 16

HEX #B2D70F

RGB 178 215 15

HSL 71.1, 0.87%, 0.45%

LAB 80.79, -34.14, 78.45

 

CMYK 93 / 17 / 0 / 16

HEX #0EB1D6

RGB 14 177 214

HSL 191.1, 0.88%, 0.45%

LAB 66.82, -24.12, -29.13

 

CMYK 0 / 93 / 17 / 16

HEX #D60EB1

RGB 214 14 177

HSL 311.1, 0.88%, 0.45%

LAB 49.23, 79.99, -34.42

 

CMYK 17 / 0 / 93 / 16

HEX #B2D70F

RGB 178 215 15

HSL 71.1, 0.87%, 0.45%

LAB 80.79, -34.14, 78.45

 

CMYK 93 / 0 / 57 / 16

HEX #0ED65B

RGB 14 214 91

HSL 143.1, 0.88%, 0.45%

LAB 75.42, -68.97, 47.91

 

CMYK 76 / 93 / 0 / 16

HEX #330ED6

RGB 51 14 214

HSL 251.1, 0.88%, 0.45%

LAB 29.09, 67.55, -89.82

 

CMYK 0 / 93 / 36 / 16

HEX #D60E8A

RGB 214 14 138

HSL 322.8, 0.88%, 0.45%

LAB 47.55, 75.62, -13.72

 

CMYK 17 / 0 / 93 / 16

HEX #B2D70F

RGB 178 215 15

HSL 71.1, 0.87%, 0.45%

LAB 80.79, -34.14, 78.45

 

CMYK 93 / 0 / 29 / 16

HEX #0ED697

RGB 14 214 151

HSL 161.1, 0.88%, 0.45%

LAB 76.33, -58.23, 19.07

 

CMYK 76 / 93 / 0 / 16

HEX #330ED6

RGB 51 14 214

HSL 251.1, 0.88%, 0.45%

LAB 29.09, 67.55, -89.82

 

CMYK 0 / 93 / 64 / 16

HEX #D60E4E

RGB 214 14 78

HSL 340.8, 0.88%, 0.45%

LAB 45.85, 71.02, 20.86

 

Description

Color code: HEX #B2D70F | qconv.com Color code: HEX #B2D70F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 215 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 215 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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