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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2EAE4 it is the complementary color #4D151B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2EAE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2EAE4 shade: #B7EADF, #C8FCF2, #D9FFFF, #EAFFFF and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2EAE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2EAE4 shade: #B2EAE4, #A1D8D1, #90C6BE, #7FB4AB and #6EA298

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2EAE4 shade: #B2EAE4, #B2EAD5, #B2EAC6, #B2EAB7 and #BDEAB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2EAE4 shade: #B2EAE4, #B2E1EA, #B2D2EA, #B2C3EA and #B2B4EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2EAE4 shade matches the following richer shades: #B2EAE4, #ABF2EA and #A3F9F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2EAE4 shade: #B2EAE4, #BAE2DE, #C2DAD7, #CAD2D1 and #D2CACB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2EAE4 shade: #B2EAC6, #B2EAD4, #B2EAE3, #B2E1EA and #B2D3EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2EAE4 shade: #72D8CD, #92E1D8, #B2EAE4, #D3F3EF and #F3FBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2EAE4 shade: #B2EAE4, #B7B2EA and #EACDB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2EAE4 shade: #B2EAE4, #E3B2EA and #EAE3B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2EAE4 shade: #B2EAE4, #B7B2EA, #EAB2B9 and #E5EAB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2EAE4 shade: #B2EAE4, #C8B2EA, #EAB2B9 and #D4EAB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

Complementary color

CMYK 0 / 73 / 65 / 70

HEX #4D151B

RGB 77 21 27

HSL 353.57, 0.57%, 0.19%

LAB 16.47, 26.81, 10.57

 

CMYK 22 / 0 / 5 / 8

HEX #B7EADF

RGB 183 234 223

HSL 167.06, 0.55%, 0.82%

LAB 89.04, -18.48, -0.02

 

CMYK 21 / 0 / 4 / 1

HEX #C8FCF2

RGB 200 252 242

HSL 168.46, 0.9%, 0.89%

LAB 95.29, -18.37, -0.64

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 25 / 0 / 3 / 15

HEX #A1D8D1

RGB 161 216 209

HSL 172.36, 0.41%, 0.74%

LAB 82.54, -19.05, -2.29

 

CMYK 27 / 0 / 4 / 22

HEX #90C6BE

RGB 144 198 190

HSL 171.11, 0.32%, 0.67%

LAB 76.09, -19.18, -1.67

 

CMYK 29 / 0 / 5 / 29

HEX #7FB4AB

RGB 127 180 171

HSL 169.81, 0.26%, 0.6%

LAB 69.54, -19.33, -1.01

 

CMYK 32 / 0 / 6 / 36

HEX #6EA298

RGB 110 162 152

HSL 168.46, 0.22%, 0.53%

LAB 62.86, -19.49, -0.32

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 24 / 0 / 9 / 8

HEX #B2EAD5

RGB 178 234 213

HSL 157.5, 0.57%, 0.81%

LAB 88.5, -22.02, 4.41

 

CMYK 24 / 0 / 15 / 8

HEX #B2EAC6

RGB 178 234 198

HSL 141.43, 0.57%, 0.81%

LAB 88.15, -24.9, 11.74

 

CMYK 24 / 0 / 22 / 8

HEX #B2EAB7

RGB 178 234 183

HSL 125.36, 0.57%, 0.81%

LAB 87.84, -27.59, 19.1

 

CMYK 19 / 0 / 24 / 8

HEX #BDEAB2

RGB 189 234 178

HSL 108.21, 0.57%, 0.81%

LAB 88.39, -24.78, 22.55

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 24 / 4 / 0 / 8

HEX #B2E1EA

RGB 178 225 234

HSL 189.64, 0.57%, 0.81%

LAB 86.63, -13.13, -9.38

 

CMYK 24 / 10 / 0 / 8

HEX #B2D2EA

RGB 178 210 234

HSL 205.71, 0.57%, 0.81%

LAB 82.65, -5.39, -15.33

 

CMYK 24 / 17 / 0 / 8

HEX #B2C3EA

RGB 178 195 234

HSL 221.79, 0.57%, 0.81%

LAB 78.72, 2.58, -21.26

 

CMYK 24 / 23 / 0 / 8

HEX #B2B4EA

RGB 178 180 234

HSL 237.86, 0.57%, 0.81%

LAB 74.86, 10.75, -27.15

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 29 / 0 / 3 / 5

HEX #ABF2EA

RGB 171 242 234

HSL 173.24, 0.73%, 0.81%

LAB 90.83, -23.59, -3.22

 

CMYK 35 / 0 / 4 / 2

HEX #A3F9F0

RGB 163 249 240

HSL 173.72, 0.88%, 0.81%

LAB 92.5, -27.81, -3.92

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 18 / 0 / 2 / 11

HEX #BAE2DE

RGB 186 226 222

HSL 174, 0.41%, 0.81%

LAB 87.05, -13.76, -2.38

 

CMYK 11 / 0 / 1 / 15

HEX #C2DAD7

RGB 194 218 215

HSL 172.5, 0.24%, 0.81%

LAB 85.26, -8.54, -1.25

 

CMYK 4 / 0 / 0 / 18

HEX #CAD2D1

RGB 202 210 209

HSL 172.5, 0.08%, 0.81%

LAB 83.58, -2.89, -0.46

 

CMYK 0 / 4 / 3 / 18

HEX #D2CACB

RGB 210 202 203

HSL 352.5, 0.08%, 0.81%

LAB 81.98, 2.95, 0.48

 

CMYK 24 / 0 / 15 / 8

HEX #B2EAC6

RGB 178 234 198

HSL 141.43, 0.57%, 0.81%

LAB 88.15, -24.9, 11.74

 

CMYK 24 / 0 / 9 / 8

HEX #B2EAD4

RGB 178 234 212

HSL 156.43, 0.57%, 0.81%

LAB 88.48, -22.22, 4.89

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE3

RGB 178 234 227

HSL 172.5, 0.57%, 0.81%

LAB 88.85, -19.15, -2.41

 

CMYK 24 / 4 / 0 / 8

HEX #B2E1EA

RGB 178 225 234

HSL 189.64, 0.57%, 0.81%

LAB 86.63, -13.13, -9.38

 

CMYK 24 / 10 / 0 / 8

HEX #B2D3EA

RGB 178 211 234

HSL 204.64, 0.57%, 0.81%

LAB 82.91, -5.91, -14.93

 

CMYK 47 / 0 / 5 / 15

HEX #72D8CD

RGB 114 216 205

HSL 173.53, 0.57%, 0.65%

LAB 80.23, -32.41, -3.8

 

CMYK 35 / 0 / 4 / 12

HEX #92E1D8

RGB 146 225 216

HSL 173.16, 0.57%, 0.73%

LAB 84.44, -26.18, -3.3

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 13 / 0 / 2 / 5

HEX #D3F3EF

RGB 211 243 239

HSL 172.5, 0.57%, 0.89%

LAB 93.53, -11.11, -1.58

 

CMYK 3 / 0 / 0 / 2

HEX #F3FBFB

RGB 243 251 251

HSL 180, 0.5%, 0.97%

LAB 98.04, -2.62, -0.93

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 22 / 24 / 0 / 8

HEX #B7B2EA

RGB 183 178 234

HSL 245.36, 0.57%, 0.81%

LAB 74.73, 13.36, -27.31

 

CMYK 0 / 12 / 24 / 8

HEX #EACDB2

RGB 234 205 178

HSL 28.93, 0.57%, 0.81%

LAB 84.16, 6.07, 17.18

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 3 / 24 / 0 / 8

HEX #E3B2EA

RGB 227 178 234

HSL 292.5, 0.57%, 0.81%

LAB 78.53, 27.23, -21.17

 

CMYK 0 / 3 / 24 / 8

HEX #EAE3B2

RGB 234 227 178

HSL 52.5, 0.57%, 0.81%

LAB 89.69, -5.26, 24.84

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 22 / 24 / 0 / 8

HEX #B7B2EA

RGB 183 178 234

HSL 245.36, 0.57%, 0.81%

LAB 74.73, 13.36, -27.31

 

CMYK 0 / 24 / 21 / 8

HEX #EAB2B9

RGB 234 178 185

HSL 352.5, 0.57%, 0.81%

LAB 77.78, 21.36, 4.35

 

CMYK 2 / 0 / 24 / 8

HEX #E5EAB2

RGB 229 234 178

HSL 65.36, 0.57%, 0.81%

LAB 91.11, -10.62, 26.71

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE4

RGB 178 234 228

HSL 173.57, 0.57%, 0.81%

LAB 88.88, -18.94, -2.9

 

CMYK 15 / 24 / 0 / 8

HEX #C8B2EA

RGB 200 178 234

HSL 263.57, 0.57%, 0.81%

LAB 76.11, 18.61, -25.08

 

CMYK 0 / 24 / 21 / 8

HEX #EAB2B9

RGB 234 178 185

HSL 352.5, 0.57%, 0.81%

LAB 77.78, 21.36, 4.35

 

CMYK 9 / 0 / 24 / 8

HEX #D4EAB2

RGB 212 234 178

HSL 83.57, 0.57%, 0.81%

LAB 89.89, -16.77, 24.85

 

Description

Color code: HEX #B2EAE4 | qconv.com Color code: HEX #B2EAE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 234 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 234 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 3 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 3% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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