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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2EC64 it is the complementary color #4D139B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2EC64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2EC64 shade: #B7EC5F, #C8FE72, #D9FF85, #EAFF98 and #FBFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2EC64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2EC64 shade: #B2EC64, #A1DA51, #90C83E, #7FB62B and #6EA418

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2EC64 shade: #B2EB64, #D6EB64, #EBDC64, #EBB864 and #EB9364

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2EC64 shade: #B2EB64, #8DEB64, #69EB64, #64EB84 and #64EBA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2EC64 shade matches the following richer shades: #B2EB64 and #B4F956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2EC64 shade: #B2EB64, #B0DD72, #AECF80, #ACC18E and #A9B39C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2EC64 shade: #EBDC64, #D7EB64, #B3EB64, #8FEB64 and #6BEB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2EC64 shade: #8DE21B, #9FE73F, #B2EB64, #C4F089 and #D6F5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2EC64 shade: #B2EC64, #64EBB8 and #EB64E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2EC64 shade: #B2EC64, #64B3EB and #EB64B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2EC64 shade: #B2EC64, #64EBB8, #9D64EB and #EB6498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2EC64 shade: #B2EC64, #64EBE0, #9D64EB and #EB646F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 58 / 7

HEX #B2EC64

RGB 178 236 100

HSL 85.59, 0.78%, 0.66%

LAB 87.18, -39.36, 58.84

 

Complementary color

CMYK 50 / 88 / 0 / 39

HEX #4D139B

RGB 77 19 155

HSL 265.59, 0.78%, 0.34%

LAB 24.98, 53, -61.44

 

CMYK 22 / 0 / 60 / 7

HEX #B7EC5F

RGB 183 236 95

HSL 82.55, 0.79%, 0.65%

LAB 87.43, -37.95, 61.34

 

CMYK 21 / 0 / 55 / 0

HEX #C8FE72

RGB 200 254 114

HSL 83.14, 0.99%, 0.72%

LAB 93.61, -38.15, 60.43

 

CMYK 15 / 0 / 48 / 0

HEX #D9FF85

RGB 217 255 133

HSL 78.69, 1%, 0.76%

LAB 95.15, -30.56, 53.91

 

CMYK 8 / 0 / 40 / 0

HEX #EAFF98

RGB 234 255 152

HSL 72.23, 1%, 0.8%

LAB 96.52, -22.25, 46.87

 

CMYK 2 / 0 / 33 / 0

HEX #FBFFAB

RGB 251 255 171

HSL 62.86, 1%, 0.84%

LAB 98.02, -13.76, 39.77

 

CMYK 25 / 0 / 58 / 7

HEX #B2EC64

RGB 178 236 100

HSL 85.59, 0.78%, 0.66%

LAB 87.18, -39.36, 58.84

 

CMYK 26 / 0 / 63 / 15

HEX #A1DA51

RGB 161 218 81

HSL 84.96, 0.65%, 0.59%

LAB 80.91, -39.16, 59.68

 

CMYK 28 / 0 / 69 / 22

HEX #90C83E

RGB 144 200 62

HSL 84.35, 0.56%, 0.51%

LAB 74.56, -38.85, 60.25

 

CMYK 30 / 0 / 76 / 29

HEX #7FB62B

RGB 127 182 43

HSL 83.74, 0.62%, 0.44%

LAB 68.13, -38.38, 60.3

 

CMYK 33 / 0 / 85 / 36

HEX #6EA418

RGB 110 164 24

HSL 83.14, 0.74%, 0.37%

LAB 61.6, -37.71, 59.43

 

CMYK 24 / 0 / 57 / 8

HEX #B2EB64

RGB 178 235 100

HSL 85.33, 0.77%, 0.66%

LAB 86.9, -38.92, 58.52

 

CMYK 9 / 0 / 57 / 8

HEX #D6EB64

RGB 214 235 100

HSL 69.33, 0.77%, 0.66%

LAB 89.22, -25.24, 61.77

 

CMYK 0 / 6 / 57 / 8

HEX #EBDC64

RGB 235 220 100

HSL 53.33, 0.77%, 0.66%

LAB 86.88, -9.47, 59.59

 

CMYK 0 / 22 / 57 / 8

HEX #EBB864

RGB 235 184 100

HSL 37.33, 0.77%, 0.66%

LAB 77.79, 9.07, 49.12

 

CMYK 0 / 37 / 57 / 8

HEX #EB9364

RGB 235 147 100

HSL 20.89, 0.77%, 0.66%

LAB 69.08, 28.67, 38.58

 

CMYK 24 / 0 / 57 / 8

HEX #B2EB64

RGB 178 235 100

HSL 85.33, 0.77%, 0.66%

LAB 86.9, -38.92, 58.52

 

CMYK 40 / 0 / 57 / 8

HEX #8DEB64

RGB 141 235 100

HSL 101.78, 0.77%, 0.66%

LAB 85, -51.51, 55.84

 

CMYK 55 / 0 / 57 / 8

HEX #69EB64

RGB 105 235 100

HSL 117.78, 0.77%, 0.66%

LAB 83.62, -61.59, 53.89

 

CMYK 57 / 0 / 44 / 8

HEX #64EB84

RGB 100 235 132

HSL 134.22, 0.77%, 0.66%

LAB 83.86, -58.47, 39.08

 

CMYK 57 / 0 / 29 / 8

HEX #64EBA8

RGB 100 235 168

HSL 150.22, 0.77%, 0.66%

LAB 84.46, -52.08, 21.66

 

CMYK 24 / 0 / 57 / 8

HEX #B2EB64

RGB 178 235 100

HSL 85.33, 0.77%, 0.66%

LAB 86.9, -38.92, 58.52

 

CMYK 28 / 0 / 65 / 2

HEX #B4F956

RGB 180 249 86

HSL 85.4, 0.93%, 0.66%

LAB 90.84, -45.43, 68.62

 

CMYK 24 / 0 / 57 / 8

HEX #B2EB64

RGB 178 235 100

HSL 85.33, 0.77%, 0.66%

LAB 86.9, -38.92, 58.52

 

CMYK 20 / 0 / 48 / 13

HEX #B0DD72

RGB 176 221 114

HSL 85.23, 0.61%, 0.66%

LAB 83, -31.89, 47.49

 

CMYK 16 / 0 / 38 / 19

HEX #AECF80

RGB 174 207 128

HSL 85.06, 0.45%, 0.66%

LAB 79.15, -24.31, 35.7

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18E

RGB 172 193 142

HSL 84.71, 0.29%, 0.66%

LAB 75.37, -16.13, 23.37

 

CMYK 6 / 0 / 13 / 30

HEX #A9B39C

RGB 169 179 156

HSL 86.09, 0.13%, 0.66%

LAB 71.61, -7.72, 10.56

 

CMYK 0 / 6 / 57 / 8

HEX #EBDC64

RGB 235 220 100

HSL 53.33, 0.77%, 0.66%

LAB 86.88, -9.47, 59.59

 

CMYK 9 / 0 / 57 / 8

HEX #D7EB64

RGB 215 235 100

HSL 68.89, 0.77%, 0.66%

LAB 89.29, -24.85, 61.86

 

CMYK 24 / 0 / 57 / 8

HEX #B3EB64

RGB 179 235 100

HSL 84.89, 0.77%, 0.66%

LAB 86.96, -38.55, 58.6

 

CMYK 39 / 0 / 57 / 8

HEX #8FEB64

RGB 143 235 100

HSL 100.89, 0.77%, 0.66%

LAB 85.09, -50.88, 55.96

 

CMYK 54 / 0 / 57 / 8

HEX #6BEB64

RGB 107 235 100

HSL 116.89, 0.77%, 0.66%

LAB 83.69, -61.1, 53.98

 

CMYK 38 / 0 / 88 / 11

HEX #8DE21B

RGB 141 226 27

HSL 85.63, 0.79%, 0.5%

LAB 81.91, -52.47, 76.75

 

CMYK 31 / 0 / 73 / 9

HEX #9FE73F

RGB 159 231 63

HSL 85.71, 0.78%, 0.58%

LAB 84.42, -46.74, 70.04

 

CMYK 24 / 0 / 57 / 8

HEX #B2EB64

RGB 178 235 100

HSL 85.33, 0.77%, 0.66%

LAB 86.9, -38.92, 58.52

 

CMYK 18 / 0 / 43 / 6

HEX #C4F089

RGB 196 240 137

HSL 85.63, 0.77%, 0.74%

LAB 89.8, -30.85, 45.1

 

CMYK 13 / 0 / 29 / 4

HEX #D6F5AE

RGB 214 245 174

HSL 86.2, 0.78%, 0.82%

LAB 92.86, -22, 30.95

 

CMYK 25 / 0 / 58 / 7

HEX #B2EC64

RGB 178 236 100

HSL 85.59, 0.78%, 0.66%

LAB 87.18, -39.36, 58.84

 

CMYK 57 / 0 / 22 / 8

HEX #64EBB8

RGB 100 235 184

HSL 157.33, 0.77%, 0.66%

LAB 84.79, -48.76, 13.81

 

CMYK 0 / 57 / 1 / 8

HEX #EB64E9

RGB 235 100 233

HSL 300.89, 0.77%, 0.66%

LAB 63.88, 68.57, -43.17

 

CMYK 25 / 0 / 58 / 7

HEX #B2EC64

RGB 178 236 100

HSL 85.59, 0.78%, 0.66%

LAB 87.18, -39.36, 58.84

 

CMYK 57 / 24 / 0 / 8

HEX #64B3EB

RGB 100 179 235

HSL 204.89, 0.77%, 0.66%

LAB 70.14, -8.29, -35.34

 

CMYK 0 / 57 / 24 / 8

HEX #EB64B3

RGB 235 100 179

HSL 324.89, 0.77%, 0.66%

LAB 61.68, 60.43, -16.1

 

CMYK 25 / 0 / 58 / 7

HEX #B2EC64

RGB 178 236 100

HSL 85.59, 0.78%, 0.66%

LAB 87.18, -39.36, 58.84

 

CMYK 57 / 0 / 22 / 8

HEX #64EBB8

RGB 100 235 184

HSL 157.33, 0.77%, 0.66%

LAB 84.79, -48.76, 13.81

 

CMYK 33 / 57 / 0 / 8

HEX #9D64EB

RGB 157 100 235

HSL 265.33, 0.77%, 0.66%

LAB 54.32, 49.92, -60.07

 

CMYK 0 / 57 / 35 / 8

HEX #EB6498

RGB 235 100 152

HSL 336.89, 0.77%, 0.66%

LAB 60.82, 57.09, -1.85

 

CMYK 25 / 0 / 58 / 7

HEX #B2EC64

RGB 178 236 100

HSL 85.59, 0.78%, 0.66%

LAB 87.18, -39.36, 58.84

 

CMYK 57 / 0 / 5 / 8

HEX #64EBE0

RGB 100 235 224

HSL 175.11, 0.77%, 0.66%

LAB 85.76, -39.29, -5.77

 

CMYK 33 / 57 / 0 / 8

HEX #9D64EB

RGB 157 100 235

HSL 265.33, 0.77%, 0.66%

LAB 54.32, 49.92, -60.07

 

CMYK 0 / 57 / 53 / 8

HEX #EB646F

RGB 235 100 111

HSL 355.11, 0.77%, 0.66%

LAB 59.82, 53.08, 20.49

 

Description

Color code: HEX #B2EC64 | qconv.com Color code: HEX #B2EC64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 236 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 236 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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