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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2EC97 it is the complementary color #4D1368. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2EC97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2EC97 shade: #B7EC92, #C8FEA5, #D9FFB8, #EAFFCB and #FBFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2EC97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2EC97 shade: #B2EC97, #A1DA84, #90C871, #7FB65E and #6EA44B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2EC97 shade: #B2EC97, #C9EC97, #DFEC97, #ECE197 and #ECCA97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2EC97 shade: #B2EC97, #9BEC97, #97ECAA, #97ECC1 and #97ECD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2EC97 shade matches the following richer shades: #B2EC97 and #AEF58D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2EC97 shade: #B2EC97, #B6E2A1, #B9D8AB, #BDCEB5 and #C0C4BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2EC97 shade: #E0EC97, #CAEC97, #B3EC97, #9DEC97 and #97ECA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2EC97 shade: #7EDF51, #98E574, #B2EC97, #CCF2BA and #E6F8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2EC97 shade: #B2EC97, #97ECE0 and #EC97D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2EC97 shade: #B2EC97, #97B3EC and #EC97B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2EC97 shade: #B2EC97, #97ECE0, #CF97EC and #EC97A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2EC97 shade: #B2EC97, #97DDEC, #CF97EC and #ECA597

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

Complementary color

CMYK 26 / 82 / 0 / 59

HEX #4D1368

RGB 77 19 104

HSL 280.94, 0.69%, 0.24%

LAB 20.22, 40.66, -36.99

 

CMYK 22 / 0 / 38 / 7

HEX #B7EC92

RGB 183 236 146

HSL 95.33, 0.7%, 0.75%

LAB 88.03, -32.49, 38.27

 

CMYK 21 / 0 / 35 / 0

HEX #C8FEA5

RGB 200 254 165

HSL 96.4, 0.98%, 0.82%

LAB 94.26, -32.38, 37.16

 

CMYK 15 / 0 / 28 / 0

HEX #D9FFB8

RGB 217 255 184

HSL 92.11, 1%, 0.86%

LAB 95.89, -24.32, 30.02

 

CMYK 8 / 0 / 20 / 0

HEX #EAFFCB

RGB 234 255 203

HSL 84.23, 1%, 0.9%

LAB 97.36, -15.61, 22.61

 

CMYK 2 / 0 / 13 / 0

HEX #FBFFDE

RGB 251 255 222

HSL 67.27, 1%, 0.94%

LAB 98.95, -6.8, 15.33

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 26 / 0 / 39 / 15

HEX #A1DA84

RGB 161 218 132

HSL 99.77, 0.54%, 0.69%

LAB 81.5, -33.68, 36.57

 

CMYK 28 / 0 / 44 / 22

HEX #90C871

RGB 144 200 113

HSL 98.62, 0.44%, 0.61%

LAB 75.1, -33.8, 37.75

 

CMYK 30 / 0 / 48 / 29

HEX #7FB65E

RGB 127 182 94

HSL 97.5, 0.38%, 0.54%

LAB 68.59, -33.9, 38.95

 

CMYK 33 / 0 / 54 / 36

HEX #6EA44B

RGB 110 164 75

HSL 96.4, 0.37%, 0.47%

LAB 61.98, -33.95, 40.14

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 15 / 0 / 36 / 7

HEX #C9EC97

RGB 201 236 151

HSL 84.71, 0.69%, 0.76%

LAB 89.23, -25.43, 37.54

 

CMYK 6 / 0 / 36 / 7

HEX #DFEC97

RGB 223 236 151

HSL 69.18, 0.69%, 0.76%

LAB 90.74, -17.3, 39.8

 

CMYK 0 / 5 / 36 / 7

HEX #ECE197

RGB 236 225 151

HSL 52.24, 0.69%, 0.76%

LAB 88.88, -6.87, 37.58

 

CMYK 0 / 14 / 36 / 7

HEX #ECCA97

RGB 236 202 151

HSL 36, 0.69%, 0.76%

LAB 83.08, 4.93, 29.92

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 34 / 0 / 36 / 7

HEX #9BEC97

RGB 155 236 151

HSL 117.18, 0.69%, 0.76%

LAB 86.6, -41.05, 33.6

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAA

RGB 151 236 170

HSL 133.41, 0.69%, 0.76%

LAB 86.74, -39.17, 24.07

 

CMYK 36 / 0 / 18 / 7

HEX #97ECC1

RGB 151 236 193

HSL 149.65, 0.69%, 0.76%

LAB 87.2, -34.9, 12.81

 

CMYK 36 / 0 / 9 / 7

HEX #97ECD7

RGB 151 236 215

HSL 165.18, 0.69%, 0.76%

LAB 87.72, -30.34, 2.04

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 29 / 0 / 42 / 4

HEX #AEF58D

RGB 174 245 141

HSL 100.96, 0.84%, 0.76%

LAB 89.96, -40.3, 43.11

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 19 / 0 / 29 / 11

HEX #B6E2A1

RGB 182 226 161

HSL 100.62, 0.53%, 0.76%

LAB 85.46, -25.98, 27.24

 

CMYK 14 / 0 / 21 / 15

HEX #B9D8AB

RGB 185 216 171

HSL 101.33, 0.37%, 0.76%

LAB 83.11, -18.48, 18.84

 

CMYK 8 / 0 / 12 / 19

HEX #BDCEB5

RGB 189 206 181

HSL 100.8, 0.2%, 0.76%

LAB 80.9, -10.33, 10.49

 

CMYK 2 / 0 / 3 / 23

HEX #C0C4BF

RGB 192 196 191

HSL 108, 0.04%, 0.76%

LAB 78.72, -2.3, 2.01

 

CMYK 5 / 0 / 36 / 7

HEX #E0EC97

RGB 224 236 151

HSL 68.47, 0.69%, 0.76%

LAB 90.81, -16.92, 39.91

 

CMYK 14 / 0 / 36 / 7

HEX #CAEC97

RGB 202 236 151

HSL 84, 0.69%, 0.76%

LAB 89.29, -25.07, 37.64

 

CMYK 24 / 0 / 36 / 7

HEX #B3EC97

RGB 179 236 151

HSL 100.24, 0.69%, 0.76%

LAB 87.88, -33.19, 35.52

 

CMYK 33 / 0 / 36 / 7

HEX #9DEC97

RGB 157 236 151

HSL 115.76, 0.69%, 0.76%

LAB 86.7, -40.43, 33.75

 

CMYK 36 / 0 / 29 / 7

HEX #97ECA8

RGB 151 236 168

HSL 132, 0.69%, 0.76%

LAB 86.7, -39.52, 25.05

 

CMYK 43 / 0 / 64 / 13

HEX #7EDF51

RGB 126 223 81

HSL 100.99, 0.69%, 0.6%

LAB 80.63, -53.16, 58.87

 

CMYK 34 / 0 / 49 / 10

HEX #98E574

RGB 152 229 116

HSL 100.88, 0.68%, 0.68%

LAB 83.95, -43.69, 47.39

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 16 / 0 / 23 / 5

HEX #CCF2BA

RGB 204 242 186

HSL 100.71, 0.68%, 0.84%

LAB 91.63, -22.26, 23.06

 

CMYK 7 / 0 / 11 / 3

HEX #E6F8DD

RGB 230 248 221

HSL 100, 0.66%, 0.92%

LAB 95.65, -10.66, 10.96

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 36 / 0 / 5 / 7

HEX #97ECE0

RGB 151 236 224

HSL 171.53, 0.69%, 0.76%

LAB 87.95, -28.34, -2.34

 

CMYK 0 / 36 / 10 / 7

HEX #EC97D5

RGB 236 151 213

HSL 316.24, 0.69%, 0.76%

LAB 72.74, 40.79, -18.42

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 36 / 24 / 0 / 7

HEX #97B3EC

RGB 151 179 236

HSL 220.24, 0.69%, 0.76%

LAB 72.81, 4.06, -31.54

 

CMYK 0 / 36 / 24 / 7

HEX #EC97B3

RGB 236 151 179

HSL 340.24, 0.69%, 0.76%

LAB 71.7, 35.56, -1.16

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 36 / 0 / 5 / 7

HEX #97ECE0

RGB 151 236 224

HSL 171.53, 0.69%, 0.76%

LAB 87.95, -28.34, -2.34

 

CMYK 12 / 36 / 0 / 7

HEX #CF97EC

RGB 207 151 236

HSL 279.53, 0.69%, 0.76%

LAB 70.49, 35.96, -34.75

 

CMYK 0 / 36 / 31 / 7

HEX #EC97A2

RGB 236 151 162

HSL 352.24, 0.69%, 0.76%

LAB 71.27, 33.27, 7.64

 

CMYK 25 / 0 / 36 / 7

HEX #B2EC97

RGB 178 236 151

HSL 100.94, 0.69%, 0.76%

LAB 87.82, -33.53, 35.43

 

CMYK 36 / 6 / 0 / 7

HEX #97DDEC

RGB 151 221 236

HSL 190.59, 0.69%, 0.76%

LAB 84.15, -18.17, -14.29

 

CMYK 12 / 36 / 0 / 7

HEX #CF97EC

RGB 207 151 236

HSL 279.53, 0.69%, 0.76%

LAB 70.49, 35.96, -34.75

 

CMYK 0 / 30 / 36 / 7

HEX #ECA597

RGB 236 165 151

HSL 9.88, 0.69%, 0.76%

LAB 74.18, 24.49, 17.8

 

Description

Color code: HEX #B2EC97 | qconv.com Color code: HEX #B2EC97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 236 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 236 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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