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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2EF89 it is the complementary color #4D1076. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2EF89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2EF89 shade: #B7EF84, #C8FF97, #D9FFAA, #EAFFBD and #FBFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2EF89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2EF89 shade: #B2EF89, #A1DD76, #90CB63, #7FB950 and #6EA73D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2EF89 shade: #B2EF8A, #CDEF8A, #E9EF8A, #EFD98A and #EFBE8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2EF89 shade: #B2EF8A, #97EF8A, #8AEF98, #8AEFB3 and #8AEFCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2EF89 shade matches the following richer shades: #B2EF8A and #B0F97F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2EF89 shade: #B2EF8A, #B4E495, #B7D99F, #B9CEAA and #BBC4B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2EF89 shade: #EAEF8A, #CFEF8A, #B4EF8A, #99EF8A and #8AEF96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2EF89 shade: #83E541, #9BEA66, #B2EF8A, #CAF4AE and #E2F8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2EF89 shade: #B2EF89, #8AEFD9 and #EF8ADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2EF89 shade: #B2EF89, #8AB4EF and #EF8AB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2EF89 shade: #B2EF89, #8AEFD9, #C58AEF and #EF8AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2EF89 shade: #B2EF89, #8AE6EF, #C58AEF and #EF928A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 43 / 6

HEX #B2EF89

RGB 178 239 137

HSL 95.88, 0.76%, 0.74%

LAB 88.45, -36.76, 43.18

 

Complementary color

CMYK 35 / 86 / 0 / 54

HEX #4D1076

RGB 77 16 118

HSL 275.88, 0.76%, 0.26%

LAB 21.04, 44.97, -44.72

 

CMYK 23 / 0 / 45 / 6

HEX #B7EF84

RGB 183 239 132

HSL 91.4, 0.77%, 0.73%

LAB 88.67, -35.62, 45.94

 

CMYK 22 / 0 / 41 / 0

HEX #C8FF97

RGB 200 255 151

HSL 91.73, 1%, 0.8%

LAB 94.33, -34.66, 44.11

 

CMYK 15 / 0 / 33 / 0

HEX #D9FFAA

RGB 217 255 170

HSL 86.82, 1%, 0.83%

LAB 95.65, -26.25, 36.71

 

CMYK 8 / 0 / 26 / 0

HEX #EAFFBD

RGB 234 255 189

HSL 79.09, 1%, 0.87%

LAB 97.1, -17.64, 29.34

 

CMYK 2 / 0 / 18 / 0

HEX #FBFFD0

RGB 251 255 208

HSL 65.11, 1%, 0.91%

LAB 98.66, -8.9, 22.06

 

CMYK 26 / 0 / 43 / 6

HEX #B2EF89

RGB 178 239 137

HSL 95.88, 0.76%, 0.74%

LAB 88.45, -36.76, 43.18

 

CMYK 27 / 0 / 47 / 13

HEX #A1DD76

RGB 161 221 118

HSL 94.95, 0.6%, 0.66%

LAB 82.16, -36.84, 44.33

 

CMYK 29 / 0 / 51 / 20

HEX #90CB63

RGB 144 203 99

HSL 94.04, 0.5%, 0.59%

LAB 75.79, -36.88, 45.49

 

CMYK 31 / 0 / 57 / 27

HEX #7FB950

RGB 127 185 80

HSL 93.14, 0.43%, 0.52%

LAB 69.32, -36.86, 46.6

 

CMYK 34 / 0 / 63 / 35

HEX #6EA73D

RGB 110 167 61

HSL 92.26, 0.46%, 0.45%

LAB 62.75, -36.74, 47.56

 

CMYK 26 / 0 / 42 / 6

HEX #B2EF8A

RGB 178 239 138

HSL 96.24, 0.76%, 0.74%

LAB 88.46, -36.63, 42.71

 

CMYK 14 / 0 / 42 / 6

HEX #CDEF8A

RGB 205 239 138

HSL 80.2, 0.76%, 0.74%

LAB 90.11, -26.97, 45.14

 

CMYK 3 / 0 / 42 / 6

HEX #E9EF8A

RGB 233 239 138

HSL 63.56, 0.76%, 0.74%

LAB 92.08, -16.38, 48.03

 

CMYK 0 / 9 / 42 / 6

HEX #EFD98A

RGB 239 217 138

HSL 46.93, 0.76%, 0.74%

LAB 86.9, -3.04, 41.61

 

CMYK 0 / 21 / 42 / 6

HEX #EFBE8A

RGB 239 190 138

HSL 30.89, 0.76%, 0.74%

LAB 80.19, 10.95, 32.92

 

CMYK 26 / 0 / 42 / 6

HEX #B2EF8A

RGB 178 239 138

HSL 96.24, 0.76%, 0.74%

LAB 88.46, -36.63, 42.71

 

CMYK 37 / 0 / 42 / 6

HEX #97EF8A

RGB 151 239 138

HSL 112.28, 0.76%, 0.74%

LAB 87.07, -45.49, 40.65

 

CMYK 42 / 0 / 36 / 6

HEX #8AEF98

RGB 138 239 152

HSL 128.32, 0.76%, 0.74%

LAB 86.7, -47.26, 33.09

 

CMYK 42 / 0 / 25 / 6

HEX #8AEFB3

RGB 138 239 179

HSL 144.36, 0.76%, 0.74%

LAB 87.19, -42.54, 19.97

 

CMYK 42 / 0 / 14 / 6

HEX #8AEFCE

RGB 138 239 206

HSL 160.4, 0.76%, 0.74%

LAB 87.77, -37.08, 6.76

 

CMYK 26 / 0 / 42 / 6

HEX #B2EF8A

RGB 178 239 138

HSL 96.24, 0.76%, 0.74%

LAB 88.46, -36.63, 42.71

 

CMYK 29 / 0 / 49 / 2

HEX #B0F97F

RGB 176 249 127

HSL 95.9, 0.91%, 0.74%

LAB 91.01, -43.07, 51.12

 

CMYK 26 / 0 / 42 / 6

HEX #B2EF8A

RGB 178 239 138

HSL 96.24, 0.76%, 0.74%

LAB 88.46, -36.63, 42.71

 

CMYK 21 / 0 / 35 / 11

HEX #B4E495

RGB 180 228 149

HSL 96.46, 0.59%, 0.74%

LAB 85.69, -29.39, 33.65

 

CMYK 16 / 0 / 27 / 15

HEX #B7D99F

RGB 183 217 159

HSL 95.17, 0.43%, 0.74%

LAB 83.02, -21.57, 24.97

 

CMYK 10 / 0 / 17 / 19

HEX #B9CEAA

RGB 185 206 170

HSL 95, 0.27%, 0.74%

LAB 80.38, -13.61, 15.56

 

CMYK 5 / 0 / 8 / 23

HEX #BBC4B5

RGB 187 196 181

HSL 96, 0.11%, 0.74%

LAB 78.1, -5.85, 6.45

 

CMYK 2 / 0 / 42 / 6

HEX #EAEF8A

RGB 234 239 138

HSL 62.97, 0.76%, 0.74%

LAB 92.16, -15.99, 48.14

 

CMYK 13 / 0 / 42 / 6

HEX #CFEF8A

RGB 207 239 138

HSL 79.01, 0.76%, 0.74%

LAB 90.24, -26.23, 45.33

 

CMYK 25 / 0 / 42 / 6

HEX #B4EF8A

RGB 180 239 138

HSL 95.05, 0.76%, 0.74%

LAB 88.58, -35.94, 42.88

 

CMYK 36 / 0 / 42 / 6

HEX #99EF8A

RGB 153 239 138

HSL 111.09, 0.76%, 0.74%

LAB 87.16, -44.87, 40.79

 

CMYK 42 / 0 / 37 / 6

HEX #8AEF96

RGB 138 239 150

HSL 127.13, 0.76%, 0.74%

LAB 86.67, -47.57, 34.06

 

CMYK 43 / 0 / 72 / 10

HEX #83E541

RGB 131 229 65

HSL 95.85, 0.76%, 0.58%

LAB 82.51, -55.2, 67.01

 

CMYK 34 / 0 / 56 / 8

HEX #9BEA66

RGB 155 234 102

HSL 95.91, 0.76%, 0.66%

LAB 85.39, -46.35, 55.58

 

CMYK 26 / 0 / 42 / 6

HEX #B2EF8A

RGB 178 239 138

HSL 96.24, 0.76%, 0.74%

LAB 88.46, -36.63, 42.71

 

CMYK 17 / 0 / 29 / 4

HEX #CAF4AE

RGB 202 244 174

HSL 96, 0.76%, 0.82%

LAB 91.83, -25.73, 29.42

 

CMYK 9 / 0 / 15 / 3

HEX #E2F8D2

RGB 226 248 210

HSL 94.74, 0.73%, 0.9%

LAB 95.14, -13.84, 15.85

 

CMYK 26 / 0 / 43 / 6

HEX #B2EF89

RGB 178 239 137

HSL 95.88, 0.76%, 0.74%

LAB 88.45, -36.76, 43.18

 

CMYK 42 / 0 / 9 / 6

HEX #8AEFD9

RGB 138 239 217

HSL 166.93, 0.76%, 0.74%

LAB 88.04, -34.65, 1.4

 

CMYK 0 / 42 / 8 / 6

HEX #EF8ADC

RGB 239 138 220

HSL 311.29, 0.76%, 0.74%

LAB 70.66, 49.59, -25.41

 

CMYK 26 / 0 / 43 / 6

HEX #B2EF89

RGB 178 239 137

HSL 95.88, 0.76%, 0.74%

LAB 88.45, -36.76, 43.18

 

CMYK 42 / 25 / 0 / 6

HEX #8AB4EF

RGB 138 180 239

HSL 215.05, 0.76%, 0.74%

LAB 72.41, 0.9, -33.84

 

CMYK 0 / 42 / 25 / 6

HEX #EF8AB4

RGB 239 138 180

HSL 335.05, 0.76%, 0.74%

LAB 69.34, 43.49, -5.15

 

CMYK 26 / 0 / 43 / 6

HEX #B2EF89

RGB 178 239 137

HSL 95.88, 0.76%, 0.74%

LAB 88.45, -36.76, 43.18

 

CMYK 42 / 0 / 9 / 6

HEX #8AEFD9

RGB 138 239 217

HSL 166.93, 0.76%, 0.74%

LAB 88.04, -34.65, 1.4

 

CMYK 18 / 42 / 0 / 6

HEX #C58AEF

RGB 197 138 239

HSL 275.05, 0.76%, 0.74%

LAB 66.73, 40.72, -42.34

 

CMYK 0 / 42 / 33 / 6

HEX #EF8AA0

RGB 239 138 160

HSL 346.93, 0.76%, 0.74%

LAB 68.8, 40.87, 5.26

 

CMYK 26 / 0 / 43 / 6

HEX #B2EF89

RGB 178 239 137

HSL 95.88, 0.76%, 0.74%

LAB 88.45, -36.76, 43.18

 

CMYK 42 / 4 / 0 / 6

HEX #8AE6EF

RGB 138 230 239

HSL 185.35, 0.76%, 0.74%

LAB 86.12, -25.15, -12.98

 

CMYK 18 / 42 / 0 / 6

HEX #C58AEF

RGB 197 138 239

HSL 275.05, 0.76%, 0.74%

LAB 66.73, 40.72, -42.34

 

CMYK 0 / 39 / 42 / 6

HEX #EF928A

RGB 239 146 138

HSL 4.75, 0.76%, 0.74%

LAB 70, 34.2, 19.22

 

Description

Color code: HEX #B2EF89 | qconv.com Color code: HEX #B2EF89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 239 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 239 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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