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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2F6BB it is the complementary color #4D0944. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2F6BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2F6BB shade: #B7F6B6, #C8FFC9, #D9FFDC, #EAFFEF and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2F6BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2F6BB shade: #B2F6BB, #A1E4A8, #90D295, #7FC082 and #6EAE6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2F6BB shade: #B1F5BA, #BAF5B1, #CDF5B1, #DFF5B1 and #F2F5B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2F6BB shade: #B1F5BA, #B1F5CC, #B1F5DF, #B1F5F1 and #B1E7F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2F6BB shade matches the following richer shades: #B1F5BA and #AAFCB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2F6BB shade: #B1F5BA, #B8EEBF, #BFE7C4, #C6E0C9 and #CDD9CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2F6BB shade: #CDF5B1, #BBF5B1, #B1F5B9, #B1F5CB and #B1F5DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2F6BB shade: #67ED79, #8CF199, #B1F5BA, #D6FADB and #FBFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2F6BB shade: #B2F6BB, #B1E0F5 and #F5B1C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2F6BB shade: #B2F6BB, #B9B1F5 and #F5B9B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2F6BB shade: #B2F6BB, #B1E0F5, #F5B1ED and #F5C7B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2F6BB shade: #B2F6BB, #B1CBF5, #F5B1ED and #F5DBB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 24 / 4

HEX #B2F6BB

RGB 178 246 187

HSL 127.94, 0.79%, 0.83%

LAB 91.22, -32.55, 21.73

 

Complementary color

CMYK 0 / 88 / 12 / 70

HEX #4D0944

RGB 77 9 68

HSL 307.94, 0.79%, 0.17%

LAB 16.46, 36.89, -18.73

 

CMYK 26 / 0 / 26 / 4

HEX #B7F6B6

RGB 183 246 182

HSL 119.06, 0.78%, 0.84%

LAB 91.4, -31.79, 24.58

 

CMYK 22 / 0 / 21 / 0

HEX #C8FFC9

RGB 200 255 201

HSL 121.09, 1%, 0.89%

LAB 95.17, -27.38, 20.25

 

CMYK 15 / 0 / 14 / 0

HEX #D9FFDC

RGB 217 255 220

HSL 124.74, 1%, 0.93%

LAB 96.59, -18.6, 12.69

 

CMYK 8 / 0 / 6 / 0

HEX #EAFFEF

RGB 234 255 239

HSL 134.29, 1%, 0.96%

LAB 98.13, -9.71, 5.3

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 28 / 0 / 24 / 4

HEX #B2F6BB

RGB 178 246 187

HSL 127.94, 0.79%, 0.83%

LAB 91.22, -32.55, 21.73

 

CMYK 29 / 0 / 26 / 11

HEX #A1E4A8

RGB 161 228 168

HSL 126.27, 0.55%, 0.76%

LAB 84.94, -32.79, 22.72

 

CMYK 31 / 0 / 29 / 18

HEX #90D295

RGB 144 210 149

HSL 124.55, 0.42%, 0.69%

LAB 78.57, -33.04, 23.76

 

CMYK 34 / 0 / 32 / 25

HEX #7FC082

RGB 127 192 130

HSL 122.77, 0.34%, 0.63%

LAB 72.11, -33.29, 24.87

 

CMYK 37 / 0 / 36 / 32

HEX #6EAE6F

RGB 110 174 111

HSL 120.94, 0.28%, 0.56%

LAB 65.54, -33.54, 26.04

 

CMYK 28 / 0 / 24 / 4

HEX #B1F5BA

RGB 177 245 186

HSL 127.94, 0.77%, 0.83%

LAB 90.87, -32.57, 21.76

 

CMYK 24 / 0 / 28 / 4

HEX #BAF5B1

RGB 186 245 177

HSL 112.06, 0.77%, 0.83%

LAB 91.2, -31.15, 26.88

 

CMYK 16 / 0 / 28 / 4

HEX #CDF5B1

RGB 205 245 177

HSL 95.29, 0.77%, 0.83%

LAB 92.34, -24.72, 28.62

 

CMYK 9 / 0 / 28 / 4

HEX #DFF5B1

RGB 223 245 177

HSL 79.41, 0.77%, 0.83%

LAB 93.52, -18.37, 30.43

 

CMYK 1 / 0 / 28 / 4

HEX #F2F5B1

RGB 242 245 177

HSL 62.65, 0.77%, 0.83%

LAB 94.89, -11.45, 32.5

 

CMYK 28 / 0 / 24 / 4

HEX #B1F5BA

RGB 177 245 186

HSL 127.94, 0.77%, 0.83%

LAB 90.87, -32.57, 21.76

 

CMYK 28 / 0 / 17 / 4

HEX #B1F5CC

RGB 177 245 204

HSL 143.82, 0.77%, 0.83%

LAB 91.24, -29.35, 13

 

CMYK 28 / 0 / 9 / 4

HEX #B1F5DF

RGB 177 245 223

HSL 160.59, 0.77%, 0.83%

LAB 91.68, -25.64, 3.78

 

CMYK 28 / 0 / 2 / 4

HEX #B1F5F1

RGB 177 245 241

HSL 176.47, 0.77%, 0.83%

LAB 92.13, -21.85, -4.9

 

CMYK 28 / 6 / 0 / 4

HEX #B1E7F5

RGB 177 231 245

HSL 192.35, 0.77%, 0.83%

LAB 88.49, -14.01, -12.39

 

CMYK 28 / 0 / 24 / 4

HEX #B1F5BA

RGB 177 245 186

HSL 127.94, 0.77%, 0.83%

LAB 90.87, -32.57, 21.76

 

CMYK 33 / 0 / 28 / 1

HEX #AAFCB5

RGB 170 252 181

HSL 128.05, 0.93%, 0.83%

LAB 92.36, -38.78, 26.29

 

CMYK 28 / 0 / 24 / 4

HEX #B1F5BA

RGB 177 245 186

HSL 127.94, 0.77%, 0.83%

LAB 90.87, -32.57, 21.76

 

CMYK 23 / 0 / 20 / 7

HEX #B8EEBF

RGB 184 238 191

HSL 127.78, 0.61%, 0.83%

LAB 89.44, -26.17, 17.25

 

CMYK 17 / 0 / 15 / 9

HEX #BFE7C4

RGB 191 231 196

HSL 127.5, 0.45%, 0.83%

LAB 88.07, -19.6, 12.78

 

CMYK 12 / 0 / 10 / 12

HEX #C6E0C9

RGB 198 224 201

HSL 126.92, 0.3%, 0.83%

LAB 86.77, -12.89, 8.36

 

CMYK 6 / 0 / 5 / 15

HEX #CDD9CF

RGB 205 217 207

HSL 130, 0.14%, 0.83%

LAB 85.56, -5.87, 3.52

 

CMYK 16 / 0 / 28 / 4

HEX #CDF5B1

RGB 205 245 177

HSL 95.29, 0.77%, 0.83%

LAB 92.34, -24.72, 28.62

 

CMYK 24 / 0 / 28 / 4

HEX #BBF5B1

RGB 187 245 177

HSL 111.18, 0.77%, 0.83%

LAB 91.25, -30.82, 26.97

 

CMYK 28 / 0 / 24 / 4

HEX #B1F5B9

RGB 177 245 185

HSL 127.06, 0.77%, 0.83%

LAB 90.85, -32.74, 22.24

 

CMYK 28 / 0 / 17 / 4

HEX #B1F5CB

RGB 177 245 203

HSL 142.94, 0.77%, 0.83%

LAB 91.22, -29.53, 13.49

 

CMYK 28 / 0 / 10 / 4

HEX #B1F5DD

RGB 177 245 221

HSL 158.82, 0.77%, 0.83%

LAB 91.63, -26.04, 4.75

 

CMYK 57 / 0 / 49 / 7

HEX #67ED79

RGB 103 237 121

HSL 128.06, 0.79%, 0.67%

LAB 84.4, -60.16, 45.12

 

CMYK 42 / 0 / 37 / 5

HEX #8CF199

RGB 140 241 153

HSL 127.72, 0.78%, 0.75%

LAB 87.38, -47.38, 33.5

 

CMYK 28 / 0 / 24 / 4

HEX #B1F5BA

RGB 177 245 186

HSL 127.94, 0.77%, 0.83%

LAB 90.87, -32.57, 21.76

 

CMYK 14 / 0 / 12 / 2

HEX #D6FADB

RGB 214 250 219

HSL 128.33, 0.78%, 0.91%

LAB 95.07, -17.32, 11.01

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFB

RGB 251 254 251

HSL 120, 0.6%, 0.99%

LAB 99.36, -1.51, 1.07

 

CMYK 28 / 0 / 24 / 4

HEX #B2F6BB

RGB 178 246 187

HSL 127.94, 0.79%, 0.83%

LAB 91.22, -32.55, 21.73

 

CMYK 28 / 9 / 0 / 4

HEX #B1E0F5

RGB 177 224 245

HSL 198.53, 0.77%, 0.83%

LAB 86.63, -10.44, -15.18

 

CMYK 0 / 28 / 20 / 4

HEX #F5B1C4

RGB 245 177 196

HSL 343.24, 0.77%, 0.83%

LAB 78.95, 27.47, 0.22

 

CMYK 28 / 0 / 24 / 4

HEX #B2F6BB

RGB 178 246 187

HSL 127.94, 0.79%, 0.83%

LAB 91.22, -32.55, 21.73

 

CMYK 24 / 28 / 0 / 4

HEX #B9B1F5

RGB 185 177 245

HSL 247.06, 0.77%, 0.83%

LAB 75.05, 17.05, -32.76

 

CMYK 0 / 24 / 28 / 4

HEX #F5B9B1

RGB 245 185 177

HSL 7.06, 0.77%, 0.83%

LAB 80.34, 20.56, 12.49

 

CMYK 28 / 0 / 24 / 4

HEX #B2F6BB

RGB 178 246 187

HSL 127.94, 0.79%, 0.83%

LAB 91.22, -32.55, 21.73

 

CMYK 28 / 9 / 0 / 4

HEX #B1E0F5

RGB 177 224 245

HSL 198.53, 0.77%, 0.83%

LAB 86.63, -10.44, -15.18

 

CMYK 0 / 28 / 3 / 4

HEX #F5B1ED

RGB 245 177 237

HSL 307.06, 0.77%, 0.83%

LAB 80.16, 34.15, -20.14

 

CMYK 0 / 19 / 28 / 4

HEX #F5C7B1

RGB 245 199 177

HSL 19.41, 0.77%, 0.83%

LAB 83.67, 13.19, 17.18

 

CMYK 28 / 0 / 24 / 4

HEX #B2F6BB

RGB 178 246 187

HSL 127.94, 0.79%, 0.83%

LAB 91.22, -32.55, 21.73

 

CMYK 28 / 17 / 0 / 4

HEX #B1CBF5

RGB 177 203 245

HSL 217.06, 0.77%, 0.83%

LAB 81.1, 0.56, -23.53

 

CMYK 0 / 28 / 3 / 4

HEX #F5B1ED

RGB 245 177 237

HSL 307.06, 0.77%, 0.83%

LAB 80.16, 34.15, -20.14

 

CMYK 0 / 11 / 28 / 4

HEX #F5DBB1

RGB 245 219 177

HSL 37.06, 0.77%, 0.83%

LAB 88.57, 2.79, 23.96

 

Description

Color code: HEX #B2F6BB | qconv.com Color code: HEX #B2F6BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 246 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 246 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 24 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 24% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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