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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B30FC1 it is the complementary color #4CF03E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B30FC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B30FC1 shade: #B80FBC, #C921CF, #DA33E2, #EB45F5 and #FC57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B30FC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B30FC1 shade: #B30FC1, #A200AE, #91009B, #800088 and #6F0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B30FC1 shade: #B40EC2, #C20EA0, #C20E6F, #C20E3F and #C20E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B30FC1 shade: #B40EC2, #830EC2, #530EC2, #220EC2 and #0E0EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B30FC1 shade matches the following richer shades: #B40EC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B30FC1 shade: #B40EC2, #A61FB1, #9730A0, #89418F and #7B527E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B30FC1 shade: #530EC2, #830EC2, #B30EC2, #C20EA1 and #C20E71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B30FC1 shade: #6D0875, #900B9C, #B40EC2, #D711E8 and #E033EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B30FC1 shade: #B30FC1, #C2230E and #0EC26B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B30FC1 shade: #B30FC1, #C2B30E and #0EC2B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B30FC1 shade: #B30FC1, #C2230E, #1DC20E and #0EADC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B30FC1 shade: #B30FC1, #C2590E, #1DC20E and #0E77C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 92 / 0 / 24

HEX #B30FC1

RGB 179 15 193

HSL 295.28, 0.86%, 0.41%

LAB 43.91, 75.99, -52.65

 

Complementary color

CMYK 68 / 0 / 74 / 6

HEX #4CF03E

RGB 76 240 62

HSL 115.28, 0.86%, 0.59%

LAB 84.07, -72.93, 69

 

CMYK 2 / 92 / 0 / 26

HEX #B80FBC

RGB 184 15 188

HSL 298.61, 0.85%, 0.4%

LAB 44.47, 76.04, -48.79

 

CMYK 3 / 84 / 0 / 19

HEX #C921CF

RGB 201 33 207

HSL 297.93, 0.73%, 0.47%

LAB 49.51, 79.04, -51.58

 

CMYK 4 / 77 / 0 / 11

HEX #DA33E2

RGB 218 51 226

HSL 297.26, 0.75%, 0.54%

LAB 54.83, 80.98, -53.75

 

CMYK 4 / 72 / 0 / 4

HEX #EB45F5

RGB 235 69 245

HSL 296.59, 0.9%, 0.62%

LAB 60.35, 82.12, -55.44

 

CMYK 1 / 66 / 0 / 0

HEX #FC57FF

RGB 252 87 255

HSL 298.93, 1%, 0.67%

LAB 65.54, 81.24, -52.56

 

CMYK 7 / 92 / 0 / 24

HEX #B30FC1

RGB 179 15 193

HSL 295.28, 0.86%, 0.41%

LAB 43.91, 75.99, -52.65

 

CMYK 7 / 100 / 0 / 32

HEX #A200AE

RGB 162 0 174

HSL 295.86, 1%, 0.34%

LAB 39.13, 71.84, -49.28

 

CMYK 6 / 100 / 0 / 39

HEX #91009B

RGB 145 0 155

HSL 296.13, 1%, 0.3%

LAB 34.77, 66.1, -45.01

 

CMYK 6 / 100 / 0 / 47

HEX #800088

RGB 128 0 136

HSL 296.47, 1%, 0.27%

LAB 30.32, 60.23, -40.65

 

CMYK 5 / 100 / 0 / 54

HEX #6F0075

RGB 111 0 117

HSL 296.92, 1%, 0.23%

LAB 25.75, 54.21, -36.16

 

CMYK 7 / 93 / 0 / 24

HEX #B40EC2

RGB 180 14 194

HSL 295.33, 0.87%, 0.41%

LAB 44.11, 76.43, -52.91

 

CMYK 0 / 93 / 18 / 24

HEX #C20EA0

RGB 194 14 160

HSL 311.33, 0.87%, 0.41%

LAB 44.69, 74.04, -31.72

 

CMYK 0 / 93 / 43 / 24

HEX #C20E6F

RGB 194 14 111

HSL 327.67, 0.87%, 0.41%

LAB 42.66, 68.69, -4.85

 

CMYK 0 / 93 / 68 / 24

HEX #C20E3F

RGB 194 14 63

HSL 343.67, 0.87%, 0.41%

LAB 41.44, 65.35, 23.71

 

CMYK 0 / 93 / 93 / 24

HEX #C20E0E

RGB 194 14 14

HSL 0, 0.87%, 0.41%

LAB 40.92, 63.88, 50.08

 

CMYK 7 / 93 / 0 / 24

HEX #B40EC2

RGB 180 14 194

HSL 295.33, 0.87%, 0.41%

LAB 44.11, 76.43, -52.91

 

CMYK 32 / 93 / 0 / 24

HEX #830EC2

RGB 131 14 194

HSL 279, 0.87%, 0.41%

LAB 36.05, 69.3, -66.36

 

CMYK 57 / 93 / 0 / 24

HEX #530EC2

RGB 83 14 194

HSL 263, 0.87%, 0.41%

LAB 29.53, 64.37, -77.32

 

CMYK 82 / 93 / 0 / 24

HEX #220EC2

RGB 34 14 194

HSL 246.67, 0.87%, 0.41%

LAB 25.41, 61.84, -84.29

 

CMYK 93 / 93 / 0 / 24

HEX #0E0EC2

RGB 14 14 194

HSL 240, 0.87%, 0.41%

LAB 24.65, 61.43, -85.58

 

CMYK 7 / 93 / 0 / 24

HEX #B40EC2

RGB 180 14 194

HSL 295.33, 0.87%, 0.41%

LAB 44.11, 76.43, -52.91

 

CMYK 7 / 93 / 0 / 24

HEX #B40EC2

RGB 180 14 194

HSL 295.33, 0.87%, 0.41%

LAB 44.11, 76.43, -52.91

 

CMYK 6 / 82 / 0 / 31

HEX #A61FB1

RGB 166 31 177

HSL 295.48, 0.7%, 0.41%

LAB 41.63, 68.3, -47.02

 

CMYK 6 / 70 / 0 / 37

HEX #9730A0

RGB 151 48 160

HSL 295.18, 0.54%, 0.41%

LAB 39.97, 56.97, -39.67

 

CMYK 4 / 55 / 0 / 44

HEX #89418F

RGB 137 65 143

HSL 295.38, 0.38%, 0.41%

LAB 39.72, 42.45, -29.93

 

CMYK 2 / 35 / 0 / 51

HEX #7B527E

RGB 123 82 126

HSL 295.91, 0.21%, 0.41%

LAB 40.82, 25, -17.99

 

CMYK 57 / 93 / 0 / 24

HEX #530EC2

RGB 83 14 194

HSL 263, 0.87%, 0.41%

LAB 29.53, 64.37, -77.32

 

CMYK 32 / 93 / 0 / 24

HEX #830EC2

RGB 131 14 194

HSL 279, 0.87%, 0.41%

LAB 36.05, 69.3, -66.36

 

CMYK 8 / 93 / 0 / 24

HEX #B30EC2

RGB 179 14 194

HSL 295, 0.87%, 0.41%

LAB 43.93, 76.27, -53.2

 

CMYK 0 / 93 / 17 / 24

HEX #C20EA1

RGB 194 14 161

HSL 311, 0.87%, 0.41%

LAB 44.74, 74.17, -32.24

 

CMYK 0 / 93 / 42 / 24

HEX #C20E71

RGB 194 14 113

HSL 327, 0.87%, 0.41%

LAB 42.73, 68.87, -6

 

CMYK 7 / 93 / 0 / 54

HEX #6D0875

RGB 109 8 117

HSL 295.6, 0.87%, 0.25%

LAB 25.89, 52.33, -35.96

 

CMYK 8 / 93 / 0 / 39

HEX #900B9C

RGB 144 11 156

HSL 295.03, 0.87%, 0.33%

LAB 35.14, 64.67, -45.04

 

CMYK 7 / 93 / 0 / 24

HEX #B40EC2

RGB 180 14 194

HSL 295.33, 0.87%, 0.41%

LAB 44.11, 76.43, -52.91

 

CMYK 7 / 93 / 0 / 9

HEX #D711E8

RGB 215 17 232

HSL 295.26, 0.86%, 0.49%

LAB 52.59, 87.56, -60.75

 

CMYK 6 / 79 / 0 / 6

HEX #E033EF

RGB 224 51 239

HSL 295.21, 0.85%, 0.57%

LAB 56.53, 84.16, -58.28

 

CMYK 7 / 92 / 0 / 24

HEX #B30FC1

RGB 179 15 193

HSL 295.28, 0.86%, 0.41%

LAB 43.91, 75.99, -52.65

 

CMYK 0 / 82 / 93 / 24

HEX #C2230E

RGB 194 35 14

HSL 7, 0.87%, 0.41%

LAB 42.31, 59.91, 50.96

 

CMYK 93 / 0 / 45 / 24

HEX #0EC26B

RGB 14 194 107

HSL 151, 0.87%, 0.41%

LAB 69.28, -60.02, 32.57

 

CMYK 7 / 92 / 0 / 24

HEX #B30FC1

RGB 179 15 193

HSL 295.28, 0.86%, 0.41%

LAB 43.91, 75.99, -52.65

 

CMYK 0 / 8 / 93 / 24

HEX #C2B30E

RGB 194 179 14

HSL 55, 0.87%, 0.41%

LAB 72.06, -9.77, 72.35

 

CMYK 93 / 0 / 8 / 24

HEX #0EC2B3

RGB 14 194 179

HSL 175, 0.87%, 0.41%

LAB 70.82, -43.1, -3.87

 

CMYK 7 / 92 / 0 / 24

HEX #B30FC1

RGB 179 15 193

HSL 295.28, 0.86%, 0.41%

LAB 43.91, 75.99, -52.65

 

CMYK 0 / 82 / 93 / 24

HEX #C2230E

RGB 194 35 14

HSL 7, 0.87%, 0.41%

LAB 42.31, 59.91, 50.96

 

CMYK 85 / 0 / 93 / 24

HEX #1DC20E

RGB 29 194 14

HSL 115, 0.87%, 0.41%

LAB 68.66, -68.13, 66.34

 

CMYK 93 / 11 / 0 / 24

HEX #0EADC2

RGB 14 173 194

HSL 187, 0.87%, 0.41%

LAB 64.86, -28.78, -21.07

 

CMYK 7 / 92 / 0 / 24

HEX #B30FC1

RGB 179 15 193

HSL 295.28, 0.86%, 0.41%

LAB 43.91, 75.99, -52.65

 

CMYK 0 / 54 / 93 / 24

HEX #C2590E

RGB 194 89 14

HSL 25, 0.87%, 0.41%

LAB 50.27, 38.51, 56.3

 

CMYK 85 / 0 / 93 / 24

HEX #1DC20E

RGB 29 194 14

HSL 115, 0.87%, 0.41%

LAB 68.66, -68.13, 66.34

 

CMYK 93 / 39 / 0 / 24

HEX #0E77C2

RGB 14 119 194

HSL 205, 0.87%, 0.41%

LAB 48.49, 1.04, -46.62

 

Description

Color code: HEX #B30FC1 | qconv.com Color code: HEX #B30FC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 15 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 15 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 92 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 92% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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