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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B314BC it is the complementary color #4CEB43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B314BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B314BC shade: #B814B7, #C926CA, #DA38DD, #EB4AF0 and #FC5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B314BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B314BC shade: #B314BC, #A202A9, #910096, #800083 and #6F0070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B314BC shade: #B413BD, #BD1398, #BD136A, #BD133D and #BD1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B314BC shade: #B413BD, #8613BD, #5813BD, #2B13BD and #1313BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B314BC shade matches the following richer shades: #B413BD and #C302CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B314BC shade: #B413BD, #A524AC, #95359B, #86468A and #775779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B314BC shade: #5713BD, #8413BD, #B113BD, #BD139B and #BD136E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B314BC shade: #6D0C72, #900F97, #B413BD, #D717E2 and #E039EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B314BC shade: #B314BC, #BD2A13 and #13BD6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B314BC shade: #B314BC, #BDB113 and #13BDB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B314BC shade: #B314BC, #BD2A13, #1FBD13 and #13A6BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B314BC shade: #B314BC, #BD5D13, #1FBD13 and #1373BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 89 / 0 / 26

HEX #B314BC

RGB 179 20 188

HSL 296.79, 0.81%, 0.41%

LAB 43.82, 74.52, -49.87

 

Complementary color

CMYK 68 / 0 / 71 / 8

HEX #4CEB43

RGB 76 235 67

HSL 116.79, 0.81%, 0.59%

LAB 82.57, -70.98, 65.8

 

CMYK 0 / 89 / 1 / 28

HEX #B814B7

RGB 184 20 183

HSL 300.37, 0.8%, 0.4%

LAB 44.39, 74.61, -45.97

 

CMYK 0 / 81 / 0 / 21

HEX #C926CA

RGB 201 38 202

HSL 299.63, 0.68%, 0.47%

LAB 49.58, 77.22, -48.59

 

CMYK 1 / 75 / 0 / 13

HEX #DA38DD

RGB 218 56 221

HSL 298.91, 0.71%, 0.54%

LAB 55.03, 78.82, -50.61

 

CMYK 2 / 69 / 0 / 6

HEX #EB4AF0

RGB 235 74 240

HSL 298.19, 0.85%, 0.62%

LAB 60.65, 79.7, -52.18

 

CMYK 1 / 64 / 0 / 0

HEX #FC5CFF

RGB 252 92 255

HSL 298.9, 1%, 0.68%

LAB 66.19, 79.42, -51.53

 

CMYK 5 / 89 / 0 / 26

HEX #B314BC

RGB 179 20 188

HSL 296.79, 0.81%, 0.41%

LAB 43.82, 74.52, -49.87

 

CMYK 4 / 99 / 0 / 34

HEX #A202A9

RGB 162 2 169

HSL 297.49, 0.98%, 0.34%

LAB 38.88, 70.83, -46.7

 

CMYK 3 / 100 / 0 / 41

HEX #910096

RGB 145 0 150

HSL 298, 1%, 0.29%

LAB 34.44, 65.3, -42.5

 

CMYK 2 / 100 / 0 / 49

HEX #800083

RGB 128 0 131

HSL 298.63, 1%, 0.26%

LAB 29.98, 59.42, -38.06

 

CMYK 1 / 100 / 0 / 56

HEX #6F0070

RGB 111 0 112

HSL 299.46, 1%, 0.22%

LAB 25.41, 53.39, -33.5

 

CMYK 5 / 90 / 0 / 26

HEX #B413BD

RGB 180 19 189

HSL 296.82, 0.82%, 0.41%

LAB 44.01, 74.99, -50.14

 

CMYK 0 / 90 / 20 / 26

HEX #BD1398

RGB 189 19 152

HSL 313.06, 0.82%, 0.41%

LAB 43.58, 71.4, -28.71

 

CMYK 0 / 90 / 44 / 26

HEX #BD136A

RGB 189 19 106

HSL 329.29, 0.82%, 0.41%

LAB 41.73, 66.41, -3.21

 

CMYK 0 / 90 / 68 / 26

HEX #BD133D

RGB 189 19 61

HSL 345.18, 0.82%, 0.41%

LAB 40.61, 63.28, 23.69

 

CMYK 0 / 90 / 90 / 26

HEX #BD1313

RGB 189 19 19

HSL 0, 0.82%, 0.41%

LAB 40.13, 61.92, 47

 

CMYK 5 / 90 / 0 / 26

HEX #B413BD

RGB 180 19 189

HSL 296.82, 0.82%, 0.41%

LAB 44.01, 74.99, -50.14

 

CMYK 29 / 90 / 0 / 26

HEX #8613BD

RGB 134 19 189

HSL 280.59, 0.82%, 0.41%

LAB 36.38, 67.84, -62.85

 

CMYK 53 / 90 / 0 / 26

HEX #5813BD

RGB 88 19 189

HSL 264.35, 0.82%, 0.41%

LAB 29.95, 62.46, -73.66

 

CMYK 77 / 90 / 0 / 26

HEX #2B13BD

RGB 43 19 189

HSL 248.47, 0.82%, 0.41%

LAB 25.72, 59.42, -80.8

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 5 / 90 / 0 / 26

HEX #B413BD

RGB 180 19 189

HSL 296.82, 0.82%, 0.41%

LAB 44.01, 74.99, -50.14

 

CMYK 5 / 99 / 0 / 19

HEX #C302CE

RGB 195 2 206

HSL 296.76, 0.98%, 0.41%

LAB 47.11, 81.76, -54.91

 

CMYK 5 / 90 / 0 / 26

HEX #B413BD

RGB 180 19 189

HSL 296.82, 0.82%, 0.41%

LAB 44.01, 74.99, -50.14

 

CMYK 4 / 79 / 0 / 33

HEX #A524AC

RGB 165 36 172

HSL 296.91, 0.65%, 0.41%

LAB 41.59, 65.99, -44.12

 

CMYK 4 / 66 / 0 / 39

HEX #95359B

RGB 149 53 155

HSL 296.47, 0.49%, 0.41%

LAB 40.09, 53.57, -36.49

 

CMYK 3 / 49 / 0 / 46

HEX #86468A

RGB 134 70 138

HSL 296.47, 0.33%, 0.41%

LAB 40.05, 37.92, -26.39

 

CMYK 2 / 28 / 0 / 53

HEX #775779

RGB 119 87 121

HSL 296.47, 0.16%, 0.41%

LAB 41.4, 19.53, -14.08

 

CMYK 54 / 90 / 0 / 26

HEX #5713BD

RGB 87 19 189

HSL 264, 0.82%, 0.41%

LAB 29.83, 62.36, -73.87

 

CMYK 30 / 90 / 0 / 26

HEX #8413BD

RGB 132 19 189

HSL 279.88, 0.82%, 0.41%

LAB 36.07, 67.57, -63.37

 

CMYK 6 / 90 / 0 / 26

HEX #B113BD

RGB 177 19 189

HSL 295.76, 0.82%, 0.41%

LAB 43.49, 74.49, -51.01

 

CMYK 0 / 90 / 18 / 26

HEX #BD139B

RGB 189 19 155

HSL 312, 0.82%, 0.41%

LAB 43.73, 71.78, -30.29

 

CMYK 0 / 90 / 42 / 26

HEX #BD136E

RGB 189 19 110

HSL 327.88, 0.82%, 0.41%

LAB 41.86, 66.78, -5.52

 

CMYK 4 / 89 / 0 / 55

HEX #6D0C72

RGB 109 12 114

HSL 297.06, 0.81%, 0.25%

LAB 25.95, 51.03, -33.94

 

CMYK 5 / 90 / 0 / 41

HEX #900F97

RGB 144 15 151

HSL 296.91, 0.82%, 0.33%

LAB 35.01, 63.25, -42.2

 

CMYK 5 / 90 / 0 / 26

HEX #B413BD

RGB 180 19 189

HSL 296.82, 0.82%, 0.41%

LAB 44.01, 74.99, -50.14

 

CMYK 5 / 90 / 0 / 11

HEX #D717E2

RGB 215 23 226

HSL 296.75, 0.82%, 0.49%

LAB 52.45, 85.95, -57.58

 

CMYK 4 / 76 / 0 / 8

HEX #E039EA

RGB 224 57 234

HSL 296.61, 0.81%, 0.57%

LAB 56.8, 81.77, -55.06

 

CMYK 5 / 89 / 0 / 26

HEX #B314BC

RGB 179 20 188

HSL 296.79, 0.81%, 0.41%

LAB 43.82, 74.52, -49.87

 

CMYK 0 / 78 / 90 / 26

HEX #BD2A13

RGB 189 42 19

HSL 8.12, 0.82%, 0.41%

LAB 42.03, 56.53, 48.39

 

CMYK 90 / 0 / 42 / 26

HEX #13BD6E

RGB 19 189 110

HSL 152.12, 0.82%, 0.41%

LAB 67.77, -57.46, 29.06

 

CMYK 5 / 89 / 0 / 26

HEX #B314BC

RGB 179 20 188

HSL 296.79, 0.81%, 0.41%

LAB 43.82, 74.52, -49.87

 

CMYK 0 / 6 / 90 / 26

HEX #BDB113

RGB 189 177 19

HSL 55.76, 0.82%, 0.41%

LAB 71.08, -10.85, 70.63

 

CMYK 90 / 0 / 6 / 26

HEX #13BDB1

RGB 19 189 177

HSL 175.76, 0.82%, 0.41%

LAB 69.26, -41.27, -5.07

 

CMYK 5 / 89 / 0 / 26

HEX #B314BC

RGB 179 20 188

HSL 296.79, 0.81%, 0.41%

LAB 43.82, 74.52, -49.87

 

CMYK 0 / 78 / 90 / 26

HEX #BD2A13

RGB 189 42 19

HSL 8.12, 0.82%, 0.41%

LAB 42.03, 56.53, 48.39

 

CMYK 84 / 0 / 90 / 26

HEX #1FBD13

RGB 31 189 19

HSL 115.76, 0.82%, 0.41%

LAB 67.08, -66.35, 64.23

 

CMYK 90 / 12 / 0 / 26

HEX #13A6BD

RGB 19 166 189

HSL 188.12, 0.82%, 0.41%

LAB 62.58, -26.72, -21.77

 

CMYK 5 / 89 / 0 / 26

HEX #B314BC

RGB 179 20 188

HSL 296.79, 0.81%, 0.41%

LAB 43.82, 74.52, -49.87

 

CMYK 0 / 51 / 90 / 26

HEX #BD5D13

RGB 189 93 19

HSL 26.12, 0.82%, 0.41%

LAB 50.33, 34.54, 54.59

 

CMYK 84 / 0 / 90 / 26

HEX #1FBD13

RGB 31 189 19

HSL 115.76, 0.82%, 0.41%

LAB 67.08, -66.35, 64.23

 

CMYK 90 / 39 / 0 / 26

HEX #1373BD

RGB 19 115 189

HSL 206.12, 0.82%, 0.41%

LAB 47.07, 1.81, -45.99

 

Description

Color code: HEX #B314BC | qconv.com Color code: HEX #B314BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 20 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 20 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 89 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 89% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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