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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B31CC0 it is the complementary color #4CE33F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B31CC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B31CC0 shade: #B81CBB, #C92ECE, #DA40E1, #EB52F4 and #FC64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B31CC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B31CC0 shade: #B31CC0, #A20AAD, #91009A, #800087 and #6F0074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B31CC0 shade: #B21BBF, #BF1BA0, #BF1B74, #BF1B47 and #BF1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B31CC0 shade: #B21BBF, #861BBF, #5A1BBF, #2D1BBF and #1B1BBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B31CC0 shade matches the following richer shades: #B21BBF and #C109D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B31CC0 shade: #B21BBF, #A32DAE, #943E9C, #86508A and #776278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B31CC0 shade: #5A1BBF, #861BBF, #B21BBF, #BF1BA1 and #BF1B75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B31CC0 shade: #6F1177, #91169B, #B21BBF, #D024DF and #D848E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B31CC0 shade: #B31CC0, #BF2E1B and #1BBF70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B31CC0 shade: #B31CC0, #BFB21B and #1BBFB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B31CC0 shade: #B31CC0, #BF2E1B, #29BF1B and #1BACBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B31CC0 shade: #B31CC0, #BF5F1B, #29BF1B and #1B7BBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 85 / 0 / 25

HEX #B31CC0

RGB 179 28 192

HSL 295.24, 0.75%, 0.43%

LAB 44.55, 73.76, -51.04

 

Complementary color

CMYK 67 / 0 / 72 / 11

HEX #4CE33F

RGB 76 227 63

HSL 115.24, 0.75%, 0.57%

LAB 80.09, -68.71, 64.67

 

CMYK 2 / 85 / 0 / 27

HEX #B81CBB

RGB 184 28 187

HSL 298.87, 0.74%, 0.42%

LAB 45.09, 73.86, -47.19

 

CMYK 2 / 78 / 0 / 19

HEX #C92ECE

RGB 201 46 206

HSL 298.13, 0.63%, 0.49%

LAB 50.49, 75.88, -49.45

 

CMYK 3 / 72 / 0 / 12

HEX #DA40E1

RGB 218 64 225

HSL 297.39, 0.73%, 0.57%

LAB 56.1, 77.02, -51.17

 

CMYK 4 / 66 / 0 / 4

HEX #EB52F4

RGB 235 82 244

HSL 296.67, 0.88%, 0.64%

LAB 61.85, 77.55, -52.49

 

CMYK 1 / 61 / 0 / 0

HEX #FC64FF

RGB 252 100 255

HSL 298.84, 1%, 0.7%

LAB 67.3, 76.33, -49.78

 

CMYK 7 / 85 / 0 / 25

HEX #B31CC0

RGB 179 28 192

HSL 295.24, 0.75%, 0.43%

LAB 44.55, 73.76, -51.04

 

CMYK 6 / 94 / 0 / 32

HEX #A20AAD

RGB 162 10 173

HSL 295.95, 0.89%, 0.36%

LAB 39.44, 70.58, -48.2

 

CMYK 6 / 100 / 0 / 40

HEX #91009A

RGB 145 0 154

HSL 296.49, 1%, 0.3%

LAB 34.71, 65.94, -44.51

 

CMYK 5 / 100 / 0 / 47

HEX #800087

RGB 128 0 135

HSL 296.89, 1%, 0.26%

LAB 30.25, 60.06, -40.13

 

CMYK 4 / 100 / 0 / 55

HEX #6F0074

RGB 111 0 116

HSL 297.41, 1%, 0.23%

LAB 25.68, 54.05, -35.63

 

CMYK 7 / 86 / 0 / 25

HEX #B21BBF

RGB 178 27 191

HSL 295.24, 0.75%, 0.43%

LAB 44.25, 73.62, -50.95

 

CMYK 0 / 86 / 16 / 25

HEX #BF1BA0

RGB 191 27 160

HSL 311.34, 0.75%, 0.43%

LAB 44.8, 71.51, -31.59

 

CMYK 0 / 86 / 39 / 25

HEX #BF1B74

RGB 191 27 116

HSL 327.44, 0.75%, 0.43%

LAB 42.95, 66.41, -7.6

 

CMYK 0 / 86 / 63 / 25

HEX #BF1B47

RGB 191 27 71

HSL 343.9, 0.75%, 0.43%

LAB 41.71, 62.88, 18.91

 

CMYK 0 / 86 / 86 / 25

HEX #BF1B1B

RGB 191 27 27

HSL 0, 0.75%, 0.43%

LAB 41.12, 61.14, 44.19

 

CMYK 7 / 86 / 0 / 25

HEX #B21BBF

RGB 178 27 191

HSL 295.24, 0.75%, 0.43%

LAB 44.25, 73.62, -50.95

 

CMYK 30 / 86 / 0 / 25

HEX #861BBF

RGB 134 27 191

HSL 279.15, 0.75%, 0.43%

LAB 37.14, 66.48, -62.79

 

CMYK 53 / 86 / 0 / 25

HEX #5A1BBF

RGB 90 27 191

HSL 263.05, 0.75%, 0.43%

LAB 31.16, 60.87, -72.84

 

CMYK 76 / 86 / 0 / 25

HEX #2D1BBF

RGB 45 27 191

HSL 246.59, 0.75%, 0.43%

LAB 27.03, 57.3, -79.81

 

CMYK 86 / 86 / 0 / 25

HEX #1B1BBF

RGB 27 27 191

HSL 240, 0.75%, 0.43%

LAB 26.09, 56.54, -81.39

 

CMYK 7 / 86 / 0 / 25

HEX #B21BBF

RGB 178 27 191

HSL 295.24, 0.75%, 0.43%

LAB 44.25, 73.62, -50.95

 

CMYK 8 / 96 / 0 / 18

HEX #C109D1

RGB 193 9 209

HSL 295.2, 0.92%, 0.43%

LAB 47.15, 81.32, -56.59

 

CMYK 7 / 86 / 0 / 25

HEX #B21BBF

RGB 178 27 191

HSL 295.24, 0.75%, 0.43%

LAB 44.25, 73.62, -50.95

 

CMYK 6 / 74 / 0 / 32

HEX #A32DAE

RGB 163 45 174

HSL 294.88, 0.59%, 0.43%

LAB 42.34, 63.18, -44.14

 

CMYK 5 / 60 / 0 / 39

HEX #943E9C

RGB 148 62 156

HSL 294.89, 0.43%, 0.43%

LAB 41.44, 49.49, -34.96

 

CMYK 3 / 42 / 0 / 46

HEX #86508A

RGB 134 80 138

HSL 295.86, 0.27%, 0.43%

LAB 42.22, 32.36, -23.02

 

CMYK 1 / 18 / 0 / 53

HEX #776278

RGB 119 98 120

HSL 297.27, 0.1%, 0.43%

LAB 44.25, 12.67, -9.17

 

CMYK 53 / 86 / 0 / 25

HEX #5A1BBF

RGB 90 27 191

HSL 263.05, 0.75%, 0.43%

LAB 31.16, 60.87, -72.84

 

CMYK 30 / 86 / 0 / 25

HEX #861BBF

RGB 134 27 191

HSL 279.15, 0.75%, 0.43%

LAB 37.14, 66.48, -62.79

 

CMYK 7 / 86 / 0 / 25

HEX #B21BBF

RGB 178 27 191

HSL 295.24, 0.75%, 0.43%

LAB 44.25, 73.62, -50.95

 

CMYK 0 / 86 / 16 / 25

HEX #BF1BA1

RGB 191 27 161

HSL 310.98, 0.75%, 0.43%

LAB 44.85, 71.64, -32.11

 

CMYK 0 / 86 / 39 / 25

HEX #BF1B75

RGB 191 27 117

HSL 327.07, 0.75%, 0.43%

LAB 42.98, 66.51, -8.17

 

CMYK 7 / 86 / 0 / 53

HEX #6F1177

RGB 111 17 119

HSL 295.29, 0.75%, 0.27%

LAB 27.05, 51.14, -35.35

 

CMYK 6 / 86 / 0 / 39

HEX #91169B

RGB 145 22 155

HSL 295.49, 0.75%, 0.35%

LAB 35.91, 62.76, -43.2

 

CMYK 7 / 86 / 0 / 25

HEX #B21BBF

RGB 178 27 191

HSL 295.24, 0.75%, 0.43%

LAB 44.25, 73.62, -50.95

 

CMYK 7 / 84 / 0 / 13

HEX #D024DF

RGB 208 36 223

HSL 295.19, 0.75%, 0.51%

LAB 51.84, 82.18, -56.93

 

CMYK 5 / 68 / 0 / 11

HEX #D848E4

RGB 216 72 228

HSL 295.38, 0.74%, 0.59%

LAB 56.91, 74.37, -51.57

 

CMYK 7 / 85 / 0 / 25

HEX #B31CC0

RGB 179 28 192

HSL 295.24, 0.75%, 0.43%

LAB 44.55, 73.76, -51.04

 

CMYK 0 / 76 / 86 / 25

HEX #BF2E1B

RGB 191 46 27

HSL 6.95, 0.75%, 0.43%

LAB 42.93, 56.04, 45.73

 

CMYK 86 / 0 / 41 / 25

HEX #1BBF70

RGB 27 191 112

HSL 151.1, 0.75%, 0.43%

LAB 68.51, -57.23, 29

 

CMYK 7 / 85 / 0 / 25

HEX #B31CC0

RGB 179 28 192

HSL 295.24, 0.75%, 0.43%

LAB 44.55, 73.76, -51.04

 

CMYK 0 / 7 / 86 / 25

HEX #BFB21B

RGB 191 178 27

HSL 55.24, 0.75%, 0.43%

LAB 71.55, -10.32, 69.5

 

CMYK 86 / 0 / 7 / 25

HEX #1BBFB2

RGB 27 191 178

HSL 175.24, 0.75%, 0.43%

LAB 69.97, -41.4, -4.56

 

CMYK 7 / 85 / 0 / 25

HEX #B31CC0

RGB 179 28 192

HSL 295.24, 0.75%, 0.43%

LAB 44.55, 73.76, -51.04

 

CMYK 0 / 76 / 86 / 25

HEX #BF2E1B

RGB 191 46 27

HSL 6.95, 0.75%, 0.43%

LAB 42.93, 56.04, 45.73

 

CMYK 79 / 0 / 86 / 25

HEX #29BF1B

RGB 41 191 27

HSL 114.88, 0.75%, 0.43%

LAB 67.88, -65.44, 63.39

 

CMYK 86 / 10 / 0 / 25

HEX #1BACBF

RGB 27 172 191

HSL 186.95, 0.75%, 0.43%

LAB 64.56, -28.58, -19.85

 

CMYK 7 / 85 / 0 / 25

HEX #B31CC0

RGB 179 28 192

HSL 295.24, 0.75%, 0.43%

LAB 44.55, 73.76, -51.04

 

CMYK 0 / 50 / 86 / 25

HEX #BF5F1B

RGB 191 95 27

HSL 24.88, 0.75%, 0.43%

LAB 51.08, 34.49, 52.61

 

CMYK 79 / 0 / 86 / 25

HEX #29BF1B

RGB 41 191 27

HSL 114.88, 0.75%, 0.43%

LAB 67.88, -65.44, 63.39

 

CMYK 86 / 36 / 0 / 25

HEX #1B7BBF

RGB 27 123 191

HSL 204.88, 0.75%, 0.43%

LAB 49.69, -1.77, -42.97

 

Description

Color code: HEX #B31CC0 | qconv.com Color code: HEX #B31CC0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 28 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 28 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 85 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 85% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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