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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B32518 it is the complementary color #4CDAE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B32518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B32518 shade: #B82513, #C93726, #DA4939, #EB5B4C and #FC6D5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B32518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B32518 shade: #B32518, #A21305, #910100, #800000 and #6F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B32518 shade: #B32518 and #B31818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B32518 shade: #B32518, #B34F18, #B37918, #B3A218 and #9AB318

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B32518 shade matches the following richer shades: #B32518 and #C41707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B32518 shade: #B32518, #A33328, #924039, #824E49 and #715C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B32518 shade: #B3185E, #B31834, #B32518, #B34E18 and #B37818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B32518 shade: #6A160E, #8F1D13, #B32518, #D72D1D and #E4483A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B32518 shade: #B32518, #87B318 and #1849B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B32518 shade: #B32518, #18B325 and #2518B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B32518 shade: #B32518, #87B318, #18A6B3 and #4418B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B32518 shade: #B32518, #59B318, #18A6B3 and #7218B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

Complementary color

CMYK 67 / 6 / 0 / 9

HEX #4CDAE7

RGB 76 218 231

HSL 185.03, 0.76%, 0.6%

LAB 80.43, -33.38, -17.5

 

CMYK 0 / 80 / 90 / 28

HEX #B82513

RGB 184 37 19

HSL 6.55, 0.81%, 0.4%

LAB 40.51, 56.51, 46.82

 

CMYK 0 / 73 / 81 / 21

HEX #C93726

RGB 201 55 38

HSL 6.26, 0.68%, 0.47%

LAB 46.03, 56.39, 43.81

 

CMYK 0 / 67 / 74 / 15

HEX #DA4939

RGB 218 73 57

HSL 5.96, 0.69%, 0.54%

LAB 51.8, 55.72, 40.63

 

CMYK 0 / 61 / 68 / 8

HEX #EB5B4C

RGB 235 91 76

HSL 5.66, 0.8%, 0.61%

LAB 57.72, 54.76, 37.72

 

CMYK 0 / 57 / 62 / 1

HEX #FC6D5F

RGB 252 109 95

HSL 5.35, 0.96%, 0.68%

LAB 63.72, 53.66, 35.13

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 0 / 88 / 97 / 36

HEX #A21305

RGB 162 19 5

HSL 5.35, 0.94%, 0.33%

LAB 34.31, 54.31, 46.01

 

CMYK 0 / 99 / 100 / 43

HEX #910100

RGB 145 1 0

HSL 0.41, 1%, 0.28%

LAB 29.52, 52.45, 43.02

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 0 / 87 / 87 / 30

HEX #B31818

RGB 179 24 24

HSL 0, 0.76%, 0.4%

LAB 38.38, 58.37, 42.37

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 0 / 56 / 87 / 30

HEX #B34F18

RGB 179 79 24

HSL 21.29, 0.76%, 0.4%

LAB 45.96, 37.81, 48.73

 

CMYK 0 / 32 / 87 / 30

HEX #B37918

RGB 179 121 24

HSL 37.55, 0.76%, 0.4%

LAB 55.4, 15.09, 56.53

 

CMYK 0 / 9 / 87 / 30

HEX #B3A218

RGB 179 162 24

HSL 53.42, 0.76%, 0.4%

LAB 66.13, -7.35, 65.3

 

CMYK 14 / 0 / 87 / 30

HEX #9AB318

RGB 154 179 24

HSL 69.68, 0.76%, 0.4%

LAB 68.88, -26.9, 66.74

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 0 / 88 / 96 / 23

HEX #C41707

RGB 196 23 7

HSL 5.08, 0.93%, 0.4%

LAB 41.79, 62.98, 53.12

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 0 / 69 / 75 / 36

HEX #A33328

RGB 163 51 40

HSL 5.37, 0.61%, 0.4%

LAB 38.39, 45.45, 32.58

 

CMYK 0 / 56 / 61 / 43

HEX #924039

RGB 146 64 57

HSL 4.72, 0.44%, 0.4%

LAB 37.97, 34.07, 21.18

 

CMYK 0 / 40 / 44 / 49

HEX #824E49

RGB 130 78 73

HSL 5.26, 0.28%, 0.4%

LAB 39.03, 21.3, 12.27

 

CMYK 0 / 19 / 20 / 56

HEX #715C5A

RGB 113 92 90

HSL 5.22, 0.11%, 0.4%

LAB 41.06, 8.2, 4.36

 

CMYK 0 / 87 / 47 / 30

HEX #B3185E

RGB 179 24 94

HSL 332.9, 0.76%, 0.4%

LAB 39.66, 62.07, 1.1

 

CMYK 0 / 87 / 71 / 30

HEX #B31834

RGB 179 24 52

HSL 349.16, 0.76%, 0.4%

LAB 38.7, 59.31, 26.5

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 0 / 56 / 87 / 30

HEX #B34E18

RGB 179 78 24

HSL 20.9, 0.76%, 0.4%

LAB 45.77, 38.31, 48.56

 

CMYK 0 / 33 / 87 / 30

HEX #B37818

RGB 179 120 24

HSL 37.16, 0.76%, 0.4%

LAB 55.16, 15.65, 56.33

 

CMYK 0 / 79 / 87 / 58

HEX #6A160E

RGB 106 22 14

HSL 5.22, 0.77%, 0.24%

LAB 22.55, 36.3, 27.56

 

CMYK 0 / 80 / 87 / 44

HEX #8F1D13

RGB 143 29 19

HSL 4.84, 0.77%, 0.32%

LAB 31.27, 46.29, 35.84

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 0 / 79 / 87 / 16

HEX #D72D1D

RGB 215 45 29

HSL 5.16, 0.76%, 0.48%

LAB 47.51, 63.56, 50.52

 

CMYK 0 / 68 / 75 / 11

HEX #E4483A

RGB 228 72 58

HSL 4.94, 0.76%, 0.56%

LAB 53.42, 59.41, 42.37

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 25 / 0 / 87 / 30

HEX #87B318

RGB 135 179 24

HSL 77.03, 0.76%, 0.4%

LAB 67.62, -34.7, 65.17

 

CMYK 87 / 59 / 0 / 30

HEX #1849B3

RGB 24 73 179

HSL 221.03, 0.76%, 0.4%

LAB 34.42, 25.54, -60.54

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 87 / 0 / 79 / 30

HEX #18B325

RGB 24 179 37

HSL 125.03, 0.76%, 0.4%

LAB 63.81, -63.23, 56.92

 

CMYK 79 / 87 / 0 / 30

HEX #2518B3

RGB 37 24 179

HSL 245.03, 0.76%, 0.4%

LAB 24.64, 54.6, -76.65

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 25 / 0 / 87 / 30

HEX #87B318

RGB 135 179 24

HSL 77.03, 0.76%, 0.4%

LAB 67.62, -34.7, 65.17

 

CMYK 87 / 7 / 0 / 30

HEX #18A6B3

RGB 24 166 179

HSL 185.03, 0.76%, 0.4%

LAB 62.27, -29.69, -16.64

 

CMYK 62 / 87 / 0 / 30

HEX #4418B3

RGB 68 24 179

HSL 257.03, 0.76%, 0.4%

LAB 27.12, 56.66, -72.46

 

CMYK 0 / 79 / 87 / 30

HEX #B32518

RGB 179 37 24

HSL 5.03, 0.76%, 0.4%

LAB 39.53, 55.1, 43.34

 

CMYK 50 / 0 / 87 / 30

HEX #59B318

RGB 89 179 24

HSL 94.84, 0.76%, 0.4%

LAB 65.3, -51.05, 62.28

 

CMYK 87 / 7 / 0 / 30

HEX #18A6B3

RGB 24 166 179

HSL 185.03, 0.76%, 0.4%

LAB 62.27, -29.69, -16.64

 

CMYK 36 / 87 / 0 / 30

HEX #7218B3

RGB 114 24 179

HSL 274.84, 0.76%, 0.4%

LAB 32.89, 61.88, -62.77

 

Description

Color code: HEX #B32518 | qconv.com Color code: HEX #B32518 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 37 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 37 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 87 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 87% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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