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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B327EB it is the complementary color #4CD814. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B327EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B327EB shade: #B827E6, #C939F9, #DA4BFF, #EB5DFF and #FC6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B327EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B327EB shade: #B327EB, #A215D8, #9103C5, #8000B2 and #6F009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B327EB shade: #B328EB, #E728EB, #EB28B9, #EB2885 and #EB2850

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B327EB shade: #B328EB, #7E28EB, #4A28EB and #2828EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B327EB shade matches the following richer shades: #B328EB and #BB15FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B327EB shade: #B328EB, #AB3BD8, #A34EC5, #9B61B2 and #92749F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B327EB shade: #4828EB, #7C28EB, #B028EB, #E428EB and #EB28BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B327EB shade: #8210B0, #9E13D6, #B328EB, #C04EEE and #CE73F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B327EB shade: #B327EB, #EB283B and #28EB62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B327EB shade: #B327EB, #EBB028 and #28EBB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B327EB shade: #B327EB, #EB283B, #62EB28 and #28EBD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B327EB shade: #B327EB, #EB4F28, #62EB28 and #28C4EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 83 / 0 / 8

HEX #B327EB

RGB 179 39 235

HSL 282.86, 0.83%, 0.54%

LAB 48.3, 78.85, -69.66

 

Complementary color

CMYK 65 / 0 / 91 / 15

HEX #4CD814

RGB 76 216 20

HSL 102.86, 0.83%, 0.46%

LAB 76.5, -67.34, 72.39

 

CMYK 20 / 83 / 0 / 10

HEX #B827E6

RGB 184 39 230

HSL 285.55, 0.79%, 0.53%

LAB 48.7, 78.72, -66.15

 

CMYK 19 / 77 / 0 / 2

HEX #C939F9

RGB 201 57 249

HSL 285, 0.94%, 0.6%

LAB 54.22, 80.11, -67.77

 

CMYK 15 / 71 / 0 / 0

HEX #DA4BFF

RGB 218 75 255

HSL 287.67, 1%, 0.65%

LAB 59.12, 78.43, -63.09

 

CMYK 8 / 64 / 0 / 0

HEX #EB5DFF

RGB 235 93 255

HSL 292.59, 1%, 0.68%

LAB 63.93, 75.22, -55.27

 

CMYK 1 / 56 / 0 / 0

HEX #FC6FFF

RGB 252 111 255

HSL 298.75, 1%, 0.72%

LAB 68.96, 71.78, -47.16

 

CMYK 24 / 83 / 0 / 8

HEX #B327EB

RGB 179 39 235

HSL 282.86, 0.83%, 0.54%

LAB 48.3, 78.85, -69.66

 

CMYK 25 / 90 / 0 / 15

HEX #A215D8

RGB 162 21 216

HSL 283.38, 0.82%, 0.46%

LAB 43.03, 76.53, -67.54

 

CMYK 26 / 98 / 0 / 23

HEX #9103C5

RGB 145 3 197

HSL 283.92, 0.97%, 0.39%

LAB 38.05, 73.03, -64.76

 

CMYK 28 / 100 / 0 / 30

HEX #8000B2

RGB 128 0 178

HSL 283.15, 1%, 0.35%

LAB 33.57, 67.7, -60.96

 

CMYK 30 / 100 / 0 / 38

HEX #6F009F

RGB 111 0 159

HSL 281.89, 1%, 0.31%

LAB 29.11, 61.92, -56.91

 

CMYK 24 / 83 / 0 / 8

HEX #B328EB

RGB 179 40 235

HSL 282.77, 0.83%, 0.54%

LAB 48.39, 78.61, -69.53

 

CMYK 2 / 83 / 0 / 8

HEX #E728EB

RGB 231 40 235

HSL 298.77, 0.83%, 0.54%

LAB 56.59, 87.24, -55.89

 

CMYK 0 / 83 / 21 / 8

HEX #EB28B9

RGB 235 40 185

HSL 315.38, 0.83%, 0.54%

LAB 54.74, 81.2, -30.21

 

CMYK 0 / 83 / 43 / 8

HEX #EB2885

RGB 235 40 133

HSL 331.38, 0.83%, 0.54%

LAB 52.81, 75.75, -2.43

 

CMYK 0 / 83 / 66 / 8

HEX #EB2850

RGB 235 40 80

HSL 347.69, 0.83%, 0.54%

LAB 51.56, 72.1, 27.84

 

CMYK 24 / 83 / 0 / 8

HEX #B328EB

RGB 179 40 235

HSL 282.77, 0.83%, 0.54%

LAB 48.39, 78.61, -69.53

 

CMYK 46 / 83 / 0 / 8

HEX #7E28EB

RGB 126 40 235

HSL 266.46, 0.83%, 0.54%

LAB 41.14, 71.31, -81.67

 

CMYK 69 / 83 / 0 / 8

HEX #4A28EB

RGB 74 40 235

HSL 250.46, 0.83%, 0.54%

LAB 35.93, 66.34, -90.45

 

CMYK 83 / 83 / 0 / 8

HEX #2828EB

RGB 40 40 235

HSL 240, 0.83%, 0.54%

LAB 33.91, 64.5, -93.85

 

CMYK 24 / 83 / 0 / 8

HEX #B328EB

RGB 179 40 235

HSL 282.77, 0.83%, 0.54%

LAB 48.39, 78.61, -69.53

 

CMYK 26 / 92 / 0 / 0

HEX #BB15FE

RGB 187 21 254

HSL 282.75, 0.99%, 0.54%

LAB 49.81, 86.79, -77.82

 

CMYK 24 / 83 / 0 / 8

HEX #B328EB

RGB 179 40 235

HSL 282.77, 0.83%, 0.54%

LAB 48.39, 78.61, -69.53

 

CMYK 21 / 73 / 0 / 15

HEX #AB3BD8

RGB 171 59 216

HSL 282.8, 0.67%, 0.54%

LAB 47.94, 67.67, -59.52

 

CMYK 17 / 60 / 0 / 23

HEX #A34EC5

RGB 163 78 197

HSL 282.86, 0.51%, 0.54%

LAB 48.59, 53.9, -47.61

 

CMYK 13 / 46 / 0 / 30

HEX #9B61B2

RGB 155 97 178

HSL 282.96, 0.34%, 0.54%

LAB 50.37, 37.77, -33.85

 

CMYK 8 / 27 / 0 / 38

HEX #92749F

RGB 146 116 159

HSL 281.86, 0.18%, 0.54%

LAB 53.06, 19.9, -18.69

 

CMYK 69 / 83 / 0 / 8

HEX #4828EB

RGB 72 40 235

HSL 249.85, 0.83%, 0.54%

LAB 35.78, 66.2, -90.7

 

CMYK 47 / 83 / 0 / 8

HEX #7C28EB

RGB 124 40 235

HSL 265.85, 0.83%, 0.54%

LAB 40.9, 71.07, -82.07

 

CMYK 25 / 83 / 0 / 8

HEX #B028EB

RGB 176 40 235

HSL 281.85, 0.83%, 0.54%

LAB 47.94, 78.15, -70.27

 

CMYK 3 / 83 / 0 / 8

HEX #E428EB

RGB 228 40 235

HSL 297.85, 0.83%, 0.54%

LAB 56.1, 86.71, -56.7

 

CMYK 0 / 83 / 20 / 8

HEX #EB28BD

RGB 235 40 189

HSL 314.15, 0.83%, 0.54%

LAB 54.92, 81.69, -32.25

 

CMYK 26 / 91 / 0 / 31

HEX #8210B0

RGB 130 16 176

HSL 282.75, 0.83%, 0.38%

LAB 34.5, 65.29, -58.24

 

CMYK 26 / 91 / 0 / 16

HEX #9E13D6

RGB 158 19 214

HSL 282.77, 0.84%, 0.46%

LAB 42.14, 75.93, -67.86

 

CMYK 24 / 83 / 0 / 8

HEX #B328EB

RGB 179 40 235

HSL 282.77, 0.83%, 0.54%

LAB 48.39, 78.61, -69.53

 

CMYK 19 / 67 / 0 / 7

HEX #C04EEE

RGB 192 78 238

HSL 282.75, 0.82%, 0.62%

LAB 54.9, 68.78, -60.61

 

CMYK 15 / 52 / 0 / 5

HEX #CE73F2

RGB 206 115 242

HSL 282.99, 0.83%, 0.7%

LAB 63.17, 55.83, -49.53

 

CMYK 24 / 83 / 0 / 8

HEX #B327EB

RGB 179 39 235

HSL 282.86, 0.83%, 0.54%

LAB 48.3, 78.85, -69.66

 

CMYK 0 / 83 / 75 / 8

HEX #EB283B

RGB 235 40 59

HSL 354.15, 0.83%, 0.54%

LAB 51.26, 71.2, 39.81

 

CMYK 83 / 0 / 58 / 8

HEX #28EB62

RGB 40 235 98

HSL 137.85, 0.83%, 0.54%

LAB 82.24, -72.8, 52.83

 

CMYK 24 / 83 / 0 / 8

HEX #B327EB

RGB 179 39 235

HSL 282.86, 0.83%, 0.54%

LAB 48.3, 78.85, -69.66

 

CMYK 0 / 25 / 83 / 8

HEX #EBB028

RGB 235 176 40

HSL 41.85, 0.83%, 0.54%

LAB 75.37, 10.26, 71.07

 

CMYK 83 / 0 / 25 / 8

HEX #28EBB0

RGB 40 235 176

HSL 161.85, 0.83%, 0.54%

LAB 83.44, -58.94, 15.92

 

CMYK 24 / 83 / 0 / 8

HEX #B327EB

RGB 179 39 235

HSL 282.86, 0.83%, 0.54%

LAB 48.3, 78.85, -69.66

 

CMYK 0 / 83 / 75 / 8

HEX #EB283B

RGB 235 40 59

HSL 354.15, 0.83%, 0.54%

LAB 51.26, 71.2, 39.81

 

CMYK 58 / 0 / 83 / 8

HEX #62EB28

RGB 98 235 40

HSL 102.15, 0.83%, 0.54%

LAB 83, -67.91, 74.39

 

CMYK 83 / 0 / 9 / 8

HEX #28EBD7

RGB 40 235 215

HSL 173.85, 0.83%, 0.54%

LAB 84.37, -49.23, -3.22

 

CMYK 24 / 83 / 0 / 8

HEX #B327EB

RGB 179 39 235

HSL 282.86, 0.83%, 0.54%

LAB 48.3, 78.85, -69.66

 

CMYK 0 / 66 / 83 / 8

HEX #EB4F28

RGB 235 79 40

HSL 12, 0.83%, 0.54%

LAB 55.49, 58.38, 53.84

 

CMYK 58 / 0 / 83 / 8

HEX #62EB28

RGB 98 235 40

HSL 102.15, 0.83%, 0.54%

LAB 83, -67.91, 74.39

 

CMYK 83 / 17 / 0 / 8

HEX #28C4EB

RGB 40 196 235

HSL 192, 0.83%, 0.54%

LAB 73.5, -25.32, -30.27

 

Description

Color code: HEX #B327EB | qconv.com Color code: HEX #B327EB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 39 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 39 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 83 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 83% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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