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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B323B8 it is the complementary color #4CDC47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B323B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B323B8 shade: #B823B3, #C935C6, #DA47D9, #EB59EC and #FC6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B323B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B323B8 shade: #B323B8, #A211A5, #910092, #80007F and #6F006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B323B8 shade: #B323B8, #B82394, #B8236C, #B82344 and #B82323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B323B8 shade: #B323B8, #8B23B8, #6223B8, #3A23B8 and #2323B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B323B8 shade matches the following richer shades: #B323B8 and #C311C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B323B8 shade: #B323B8, #A234A6, #924694, #815882 and #716A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B323B8 shade: #6123B8, #8823B8, #B023B8, #B82397 and #B82370

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B323B8 shade: #6F1572, #911C95, #B323B8, #D12DD7 and #D850DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B323B8 shade: #B323B8, #B83923 and #23B875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B323B8 shade: #B323B8, #B8B023 and #23B8B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B323B8 shade: #B323B8, #B83923, #2AB823 and #23A1B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B323B8 shade: #B323B8, #B86623, #2AB823 and #2375B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

Complementary color

CMYK 65 / 0 / 68 / 14

HEX #4CDC47

RGB 76 220 71

HSL 117.99, 0.68%, 0.57%

LAB 77.98, -65.75, 59.53

 

CMYK 0 / 81 / 3 / 28

HEX #B823B3

RGB 184 35 179

HSL 302.01, 0.68%, 0.43%

LAB 45.15, 71.12, -42.41

 

CMYK 0 / 74 / 1 / 21

HEX #C935C6

RGB 201 53 198

HSL 301.22, 0.58%, 0.5%

LAB 50.74, 72.61, -44.44

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 62 / 0 / 7

HEX #EB59EC

RGB 235 89 236

HSL 299.59, 0.79%, 0.64%

LAB 62.39, 73.58, -47.19

 

CMYK 1 / 58 / 0 / 0

HEX #FC6BFF

RGB 252 107 255

HSL 298.78, 1%, 0.71%

LAB 68.34, 73.47, -48.14

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 2 / 90 / 0 / 35

HEX #A211A5

RGB 162 17 165

HSL 298.78, 0.81%, 0.36%

LAB 39.24, 68.39, -43.73

 

CMYK 1 / 100 / 0 / 43

HEX #910092

RGB 145 0 146

HSL 299.59, 1%, 0.29%

LAB 34.18, 64.67, -40.47

 

CMYK 0 / 100 / 1 / 50

HEX #80007F

RGB 128 0 127

HSL 300.47, 1%, 0.25%

LAB 29.72, 58.78, -35.97

 

CMYK 0 / 100 / 3 / 56

HEX #6F006C

RGB 111 0 108

HSL 301.62, 1%, 0.22%

LAB 25.14, 52.74, -31.34

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 0 / 81 / 20 / 28

HEX #B82394

RGB 184 35 148

HSL 314.5, 0.68%, 0.43%

LAB 43.55, 66.69, -26.41

 

CMYK 0 / 81 / 41 / 28

HEX #B8236C

RGB 184 35 108

HSL 330.6, 0.68%, 0.43%

LAB 41.96, 62.08, -4.22

 

CMYK 0 / 81 / 63 / 28

HEX #B82344

RGB 184 35 68

HSL 346.71, 0.68%, 0.43%

LAB 40.91, 58.92, 19.48

 

CMYK 0 / 81 / 81 / 28

HEX #B82323

RGB 184 35 35

HSL 0, 0.68%, 0.43%

LAB 40.43, 57.44, 38.81

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 24 / 81 / 0 / 28

HEX #8B23B8

RGB 139 35 184

HSL 281.88, 0.68%, 0.43%

LAB 38.11, 63.65, -57.05

 

CMYK 47 / 81 / 0 / 28

HEX #6223B8

RGB 98 35 184

HSL 265.37, 0.68%, 0.43%

LAB 32.39, 57.29, -66.63

 

CMYK 68 / 81 / 0 / 28

HEX #3A23B8

RGB 58 35 184

HSL 249.26, 0.68%, 0.43%

LAB 28.28, 52.78, -73.55

 

CMYK 81 / 81 / 0 / 28

HEX #2323B8

RGB 35 35 184

HSL 240, 0.68%, 0.43%

LAB 26.79, 51.17, -76.07

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 3 / 92 / 0 / 21

HEX #C311C9

RGB 195 17 201

HSL 298.04, 0.84%, 0.43%

LAB 47.26, 79.62, -51.77

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 2 / 69 / 0 / 35

HEX #A234A6

RGB 162 52 166

HSL 297.89, 0.52%, 0.43%

LAB 42.6, 59.05, -38.98

 

CMYK 1 / 53 / 0 / 42

HEX #924694

RGB 146 70 148

HSL 298.46, 0.36%, 0.43%

LAB 42.2, 43.48, -28.97

 

CMYK 1 / 32 / 0 / 49

HEX #815882

RGB 129 88 130

HSL 298.57, 0.19%, 0.43%

LAB 43.15, 24.37, -16.79

 

CMYK 0 / 6 / 0 / 56

HEX #716A71

RGB 113 106 113

HSL 300, 0.03%, 0.43%

LAB 45.65, 4.14, -2.93

 

CMYK 47 / 81 / 0 / 28

HEX #6123B8

RGB 97 35 184

HSL 264.97, 0.68%, 0.43%

LAB 32.27, 57.15, -66.84

 

CMYK 26 / 81 / 0 / 28

HEX #8823B8

RGB 136 35 184

HSL 280.67, 0.68%, 0.43%

LAB 37.66, 63.14, -57.81

 

CMYK 4 / 81 / 0 / 28

HEX #B023B8

RGB 176 35 184

HSL 296.78, 0.68%, 0.43%

LAB 44.08, 70.36, -47.13

 

CMYK 0 / 81 / 18 / 28

HEX #B82397

RGB 184 35 151

HSL 313.29, 0.68%, 0.43%

LAB 43.69, 67.09, -28

 

CMYK 0 / 81 / 39 / 28

HEX #B82370

RGB 184 35 112

HSL 328.99, 0.68%, 0.43%

LAB 42.1, 62.48, -6.52

 

CMYK 3 / 82 / 0 / 55

HEX #6F1572

RGB 111 21 114

HSL 298.06, 0.69%, 0.26%

LAB 27.1, 49.15, -32.07

 

CMYK 3 / 81 / 0 / 42

HEX #911C95

RGB 145 28 149

HSL 298.02, 0.68%, 0.35%

LAB 36.02, 60.3, -39.36

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 3 / 79 / 0 / 16

HEX #D12DD7

RGB 209 45 215

HSL 297.88, 0.68%, 0.51%

LAB 52.22, 79.08, -51.76

 

CMYK 2 / 64 / 0 / 13

HEX #D850DD

RGB 216 80 221

HSL 297.87, 0.67%, 0.59%

LAB 57.61, 70.19, -46.52

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 0 / 69 / 81 / 28

HEX #B83923

RGB 184 57 35

HSL 8.86, 0.68%, 0.43%

LAB 43.12, 49.98, 41.45

 

CMYK 81 / 0 / 36 / 28

HEX #23B875

RGB 35 184 117

HSL 153.02, 0.68%, 0.43%

LAB 66.46, -52.95, 23.66

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 0 / 4 / 81 / 28

HEX #B8B023

RGB 184 176 35

HSL 56.78, 0.68%, 0.43%

LAB 70.43, -12.13, 66.32

 

CMYK 81 / 0 / 4 / 28

HEX #23B8B0

RGB 35 184 176

HSL 176.78, 0.68%, 0.43%

LAB 67.85, -38.24, -6.59

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 0 / 69 / 81 / 28

HEX #B83923

RGB 184 57 35

HSL 8.86, 0.68%, 0.43%

LAB 43.12, 49.98, 41.45

 

CMYK 77 / 0 / 81 / 28

HEX #2AB823

RGB 42 184 35

HSL 117.18, 0.68%, 0.43%

LAB 65.67, -62.77, 59.35

 

CMYK 81 / 13 / 0 / 28

HEX #23A1B8

RGB 35 161 184

HSL 189.26, 0.68%, 0.43%

LAB 61.05, -24.71, -21.29

 

CMYK 3 / 81 / 0 / 28

HEX #B323B8

RGB 179 35 184

HSL 297.99, 0.68%, 0.43%

LAB 44.58, 70.93, -46.3

 

CMYK 0 / 45 / 81 / 28

HEX #B86623

RGB 184 102 35

HSL 26.98, 0.68%, 0.43%

LAB 51.63, 28.1, 49.53

 

CMYK 77 / 0 / 81 / 28

HEX #2AB823

RGB 42 184 35

HSL 117.18, 0.68%, 0.43%

LAB 65.67, -62.77, 59.35

 

CMYK 81 / 36 / 0 / 28

HEX #2375B8

RGB 35 117 184

HSL 206.98, 0.68%, 0.43%

LAB 47.68, -0.09, -42.12

 

Description

Color code: HEX #B323B8 | qconv.com Color code: HEX #B323B8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 35 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 35 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 81 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 81% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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