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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B32E7F it is the complementary color #4CD180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B32E7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B32E7F shade: #B82E7A, #C9408D, #DA52A0, #EB64B3 and #FC76C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B32E7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B32E7F shade: #B32E7F, #A21C6C, #910A59, #800046 and #6F0033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B32E7F shade: #B22E7E, #B22E5A, #B22E37 and #B22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B32E7F shade: #B22E7E, #B22EA2, #9E2EB2, #7B2EB2 and #572EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B32E7F shade matches the following richer shades: #B22E7E, #C41B82 and #D60986

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B32E7F shade: #B22E7E, #A0407A, #8E5276, #7B6472 and #69766E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B32E7F shade: #9E2EB2, #B22EA2, #B22E7F, #B22E5C and #B22E39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B32E7F shade: #701D50, #912567, #B22E7E, #CC3C94 and #D55DA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B32E7F shade: #B32E7F, #B27B2E and #2EB2B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B32E7F shade: #B32E7F, #7FB22E and #2E7FB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B32E7F shade: #B32E7F, #B27B2E, #2EB260 and #2E65B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B32E7F shade: #B32E7F, #B2A22E, #2EB260 and #2E3DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 29 / 30

HEX #B32E7F

RGB 179 46 127

HSL 323.46, 0.59%, 0.44%

LAB 42.87, 59.62, -14.73

 

Complementary color

CMYK 64 / 0 / 39 / 18

HEX #4CD180

RGB 76 209 128

HSL 143.46, 0.59%, 0.56%

LAB 75.26, -54.16, 29.78

 

CMYK 0 / 75 / 34 / 28

HEX #B82E7A

RGB 184 46 122

HSL 326.96, 0.6%, 0.45%

LAB 43.58, 60.34, -10.49

 

CMYK 0 / 68 / 30 / 21

HEX #C9408D

RGB 201 64 141

HSL 326.28, 0.56%, 0.52%

LAB 49.51, 60.82, -12.8

 

CMYK 0 / 62 / 27 / 15

HEX #DA52A0

RGB 218 82 160

HSL 325.59, 0.65%, 0.59%

LAB 55.56, 60.78, -14.62

 

CMYK 0 / 57 / 24 / 8

HEX #EB64B3

RGB 235 100 179

HSL 324.89, 0.77%, 0.66%

LAB 61.68, 60.43, -16.1

 

CMYK 0 / 53 / 21 / 1

HEX #FC76C6

RGB 252 118 198

HSL 324.18, 0.96%, 0.73%

LAB 67.82, 59.9, -17.34

 

CMYK 0 / 74 / 29 / 30

HEX #B32E7F

RGB 179 46 127

HSL 323.46, 0.59%, 0.44%

LAB 42.87, 59.62, -14.73

 

CMYK 0 / 83 / 33 / 36

HEX #A21C6C

RGB 162 28 108

HSL 324.18, 0.71%, 0.37%

LAB 37.1, 58.35, -11.94

 

CMYK 0 / 93 / 39 / 43

HEX #910A59

RGB 145 10 89

HSL 324.89, 0.87%, 0.3%

LAB 31.71, 55.79, -8.21

 

CMYK 0 / 100 / 45 / 50

HEX #800046

RGB 128 0 70

HSL 327.19, 1%, 0.25%

LAB 26.82, 51.52, -3.27

 

CMYK 0 / 100 / 54 / 56

HEX #6F0033

RGB 111 0 51

HSL 332.43, 1%, 0.22%

LAB 22.37, 45.72, 2.84

 

CMYK 0 / 74 / 29 / 30

HEX #B22E7E

RGB 178 46 126

HSL 323.64, 0.59%, 0.44%

LAB 42.65, 59.24, -14.46

 

CMYK 0 / 74 / 49 / 30

HEX #B22E5A

RGB 178 46 90

HSL 340, 0.59%, 0.44%

LAB 41.46, 55.45, 6.2

 

CMYK 0 / 74 / 69 / 30

HEX #B22E37

RGB 178 46 55

HSL 355.91, 0.59%, 0.44%

LAB 40.73, 53.01, 27.07

 

CMYK 0 / 74 / 74 / 30

HEX #B22E2E

RGB 178 46 46

HSL 0, 0.59%, 0.44%

LAB 40.6, 52.59, 32.33

 

CMYK 0 / 74 / 29 / 30

HEX #B22E7E

RGB 178 46 126

HSL 323.64, 0.59%, 0.44%

LAB 42.65, 59.24, -14.46

 

CMYK 0 / 74 / 9 / 30

HEX #B22EA2

RGB 178 46 162

HSL 307.27, 0.59%, 0.44%

LAB 44.27, 64.19, -33.77

 

CMYK 11 / 74 / 0 / 30

HEX #9E2EB2

RGB 158 46 178

HSL 290.91, 0.59%, 0.44%

LAB 41.9, 62.51, -47.24

 

CMYK 31 / 74 / 0 / 30

HEX #7B2EB2

RGB 123 46 178

HSL 275, 0.59%, 0.44%

LAB 36.7, 55.54, -55.89

 

CMYK 51 / 74 / 0 / 30

HEX #572EB2

RGB 87 46 178

HSL 258.64, 0.59%, 0.44%

LAB 32.25, 49.28, -63.35

 

CMYK 0 / 74 / 29 / 30

HEX #B22E7E

RGB 178 46 126

HSL 323.64, 0.59%, 0.44%

LAB 42.65, 59.24, -14.46

 

CMYK 0 / 86 / 34 / 23

HEX #C41B82

RGB 196 27 130

HSL 323.43, 0.76%, 0.44%

LAB 44.42, 69, -13.92

 

CMYK 0 / 96 / 37 / 16

HEX #D60986

RGB 214 9 134

HSL 323.41, 0.92%, 0.44%

LAB 47.25, 75.67, -11.74

 

CMYK 0 / 74 / 29 / 30

HEX #B22E7E

RGB 178 46 126

HSL 323.64, 0.59%, 0.44%

LAB 42.65, 59.24, -14.46

 

CMYK 0 / 60 / 24 / 37

HEX #A0407A

RGB 160 64 122

HSL 323.75, 0.43%, 0.44%

LAB 42.07, 46.31, -13.17

 

CMYK 0 / 42 / 17 / 44

HEX #8E5276

RGB 142 82 118

HSL 324, 0.27%, 0.44%

LAB 42.9, 30.24, -9.71

 

CMYK 0 / 19 / 7 / 52

HEX #7B6472

RGB 123 100 114

HSL 323.48, 0.1%, 0.44%

LAB 45, 11.78, -4.38

 

CMYK 11 / 0 / 7 / 54

HEX #69766E

RGB 105 118 110

HSL 143.08, 0.06%, 0.44%

LAB 48.37, -6.54, 2.75

 

CMYK 11 / 74 / 0 / 30

HEX #9E2EB2

RGB 158 46 178

HSL 290.91, 0.59%, 0.44%

LAB 41.9, 62.51, -47.24

 

CMYK 0 / 74 / 9 / 30

HEX #B22EA2

RGB 178 46 162

HSL 307.27, 0.59%, 0.44%

LAB 44.27, 64.19, -33.77

 

CMYK 0 / 74 / 29 / 30

HEX #B22E7F

RGB 178 46 127

HSL 323.18, 0.59%, 0.44%

LAB 42.69, 59.36, -15.02

 

CMYK 0 / 74 / 48 / 30

HEX #B22E5C

RGB 178 46 92

HSL 339.09, 0.59%, 0.44%

LAB 41.52, 55.63, 5.02

 

CMYK 0 / 74 / 68 / 30

HEX #B22E39

RGB 178 46 57

HSL 355, 0.59%, 0.44%

LAB 40.76, 53.12, 25.89

 

CMYK 0 / 74 / 29 / 56

HEX #701D50

RGB 112 29 80

HSL 323.13, 0.59%, 0.28%

LAB 26.46, 41.2, -10.86

 

CMYK 0 / 74 / 29 / 43

HEX #912567

RGB 145 37 103

HSL 323.33, 0.59%, 0.36%

LAB 34.64, 50.62, -12.8

 

CMYK 0 / 74 / 29 / 30

HEX #B22E7E

RGB 178 46 126

HSL 323.64, 0.59%, 0.44%

LAB 42.65, 59.24, -14.46

 

CMYK 0 / 71 / 27 / 20

HEX #CC3C94

RGB 204 60 148

HSL 323.33, 0.59%, 0.52%

LAB 49.75, 63.95, -16.57

 

CMYK 0 / 56 / 22 / 16

HEX #D55DA6

RGB 213 93 166

HSL 323.5, 0.59%, 0.6%

LAB 56.81, 55.28, -16.3

 

CMYK 0 / 74 / 29 / 30

HEX #B32E7F

RGB 179 46 127

HSL 323.46, 0.59%, 0.44%

LAB 42.87, 59.62, -14.73

 

CMYK 0 / 31 / 74 / 30

HEX #B27B2E

RGB 178 123 46

HSL 35, 0.59%, 0.44%

LAB 55.92, 14.33, 48.67

 

CMYK 74 / 0 / 1 / 30

HEX #2EB2B0

RGB 46 178 176

HSL 179.09, 0.59%, 0.44%

LAB 66.18, -34.36, -9.06

 

CMYK 0 / 74 / 29 / 30

HEX #B32E7F

RGB 179 46 127

HSL 323.46, 0.59%, 0.44%

LAB 42.87, 59.62, -14.73

 

CMYK 29 / 0 / 74 / 30

HEX #7FB22E

RGB 127 178 46

HSL 83.18, 0.59%, 0.44%

LAB 66.94, -36.43, 58.15

 

CMYK 74 / 29 / 0 / 30

HEX #2E7FB2

RGB 46 127 178

HSL 203.18, 0.59%, 0.44%

LAB 50.66, -6.98, -33.94

 

CMYK 0 / 74 / 29 / 30

HEX #B32E7F

RGB 179 46 127

HSL 323.46, 0.59%, 0.44%

LAB 42.87, 59.62, -14.73

 

CMYK 0 / 31 / 74 / 30

HEX #B27B2E

RGB 178 123 46

HSL 35, 0.59%, 0.44%

LAB 55.92, 14.33, 48.67

 

CMYK 74 / 0 / 46 / 30

HEX #2EB260

RGB 46 178 96

HSL 142.73, 0.59%, 0.44%

LAB 64.38, -53.28, 32

 

CMYK 74 / 43 / 0 / 30

HEX #2E65B2

RGB 46 101 178

HSL 215, 0.59%, 0.44%

LAB 42.92, 8.94, -46.19

 

CMYK 0 / 74 / 29 / 30

HEX #B32E7F

RGB 179 46 127

HSL 323.46, 0.59%, 0.44%

LAB 42.87, 59.62, -14.73

 

CMYK 0 / 9 / 74 / 30

HEX #B2A22E

RGB 178 162 46

HSL 52.73, 0.59%, 0.44%

LAB 66.14, -7.03, 58.69

 

CMYK 74 / 0 / 46 / 30

HEX #2EB260

RGB 46 178 96

HSL 142.73, 0.59%, 0.44%

LAB 64.38, -53.28, 32

 

CMYK 74 / 66 / 0 / 30

HEX #2E3DB2

RGB 46 61 178

HSL 233.18, 0.59%, 0.44%

LAB 32.11, 35.05, -63.71

 

Description

Color code: HEX #B32E7F | qconv.com Color code: HEX #B32E7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 46 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 46 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 29 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 29% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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