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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3376F it is the complementary color #4CC890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3376F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3376F shade: #B8376A, #C9497D, #DA5B90, #EB6DA3 and #FC7FB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3376F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3376F shade: #B3376F, #A2255C, #911349, #800136 and #6F0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3376F shade: #B3376F, #B3374D and #B33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3376F shade: #B3376F, #B33790, #B337B2, #9337B3 and #7137B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3376F shade matches the following richer shades: #B3376F, #C6246D and #D9116B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3376F shade: #B3376F, #A04A71, #8D5D72, #7A7074 and #678376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3376F shade: #B337B3, #B33792, #B33771, #B3374F and #B33F37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3376F shade: #742348, #932D5B, #B3376F, #C74B83 and #D16B99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3376F shade: #B3376F, #B39237 and #37A2B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3376F shade: #B3376F, #71B337 and #3771B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3376F shade: #B3376F, #B39237, #37B379 and #3758B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3376F shade: #B3376F, #AFB337, #37B379 and #3B37B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

Complementary color

CMYK 62 / 0 / 28 / 22

HEX #4CC890

RGB 76 200 144

HSL 152.9, 0.53%, 0.54%

LAB 72.8, -47.43, 18.04

 

CMYK 0 / 70 / 42 / 28

HEX #B8376A

RGB 184 55 106

HSL 336.28, 0.54%, 0.47%

LAB 44.18, 55.46, 0.28

 

CMYK 0 / 64 / 38 / 21

HEX #C9497D

RGB 201 73 125

HSL 335.63, 0.54%, 0.54%

LAB 50.29, 55.34, -2.01

 

CMYK 0 / 58 / 34 / 15

HEX #DA5B90

RGB 218 91 144

HSL 334.96, 0.63%, 0.61%

LAB 56.49, 54.89, -3.86

 

CMYK 0 / 54 / 31 / 8

HEX #EB6DA3

RGB 235 109 163

HSL 334.29, 0.76%, 0.67%

LAB 62.71, 54.25, -5.39

 

CMYK 0 / 50 / 28 / 1

HEX #FC7FB6

RGB 252 127 182

HSL 333.6, 0.95%, 0.74%

LAB 68.93, 53.52, -6.69

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 77 / 43 / 36

HEX #A2255C

RGB 162 37 92

HSL 333.6, 0.63%, 0.39%

LAB 37.44, 54.07, -1.27

 

CMYK 0 / 87 / 50 / 43

HEX #911349

RGB 145 19 73

HSL 334.29, 0.77%, 0.32%

LAB 31.73, 52.62, 2.34

 

CMYK 0 / 99 / 58 / 50

HEX #800136

RGB 128 1 54

HSL 334.96, 0.98%, 0.25%

LAB 26.38, 50, 7

 

CMYK 0 / 100 / 68 / 56

HEX #6F0023

RGB 111 0 35

HSL 341.08, 1%, 0.22%

LAB 21.95, 44.6, 13.51

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 69 / 57 / 30

HEX #B3374D

RGB 179 55 77

HSL 349.35, 0.53%, 0.46%

LAB 42.54, 51.36, 15.86

 

CMYK 0 / 69 / 69 / 30

HEX #B33737

RGB 179 55 55

HSL 0, 0.53%, 0.46%

LAB 42.14, 49.95, 28.83

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 69 / 20 / 30

HEX #B33790

RGB 179 55 144

HSL 316.94, 0.53%, 0.46%

LAB 44.7, 58.67, -22.27

 

CMYK 0 / 69 / 1 / 30

HEX #B337B2

RGB 179 55 178

HSL 300.48, 0.53%, 0.46%

LAB 46.35, 63.9, -39.96

 

CMYK 18 / 69 / 0 / 30

HEX #9337B3

RGB 147 55 179

HSL 284.52, 0.53%, 0.46%

LAB 41.52, 56.9, -48.55

 

CMYK 37 / 69 / 0 / 30

HEX #7137B3

RGB 113 55 179

HSL 268.06, 0.53%, 0.46%

LAB 36.93, 49.74, -56.19

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 82 / 45 / 22

HEX #C6246D

RGB 198 36 109

HSL 332.96, 0.69%, 0.46%

LAB 44.76, 65.48, -0.42

 

CMYK 0 / 92 / 51 / 15

HEX #D9116B

RGB 217 17 107

HSL 333, 0.85%, 0.46%

LAB 47.25, 73.26, 4.9

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 54 / 29 / 37

HEX #A04A71

RGB 160 74 113

HSL 332.79, 0.37%, 0.46%

LAB 43.6, 40.13, -5.34

 

CMYK 0 / 34 / 19 / 45

HEX #8D5D72

RGB 141 93 114

HSL 333.75, 0.21%, 0.46%

LAB 45.23, 22.87, -3.82

 

CMYK 0 / 8 / 5 / 52

HEX #7A7074

RGB 122 112 116

HSL 336, 0.04%, 0.46%

LAB 48.24, 4.65, -0.82

 

CMYK 21 / 0 / 10 / 49

HEX #678376

RGB 103 131 118

HSL 152.14, 0.12%, 0.46%

LAB 52.31, -12.85, 3.74

 

CMYK 0 / 69 / 0 / 30

HEX #B337B3

RGB 179 55 179

HSL 300, 0.53%, 0.46%

LAB 46.41, 64.07, -40.46

 

CMYK 0 / 69 / 18 / 30

HEX #B33792

RGB 179 55 146

HSL 315.97, 0.53%, 0.46%

LAB 44.79, 58.95, -23.35

 

CMYK 0 / 69 / 37 / 30

HEX #B33771

RGB 179 55 113

HSL 331.94, 0.53%, 0.46%

LAB 43.52, 54.74, -5.12

 

CMYK 0 / 69 / 56 / 30

HEX #B3374F

RGB 179 55 79

HSL 348.39, 0.53%, 0.46%

LAB 42.58, 51.51, 14.67

 

CMYK 0 / 65 / 69 / 30

HEX #B33F37

RGB 179 63 55

HSL 3.87, 0.53%, 0.46%

LAB 43.38, 46.59, 30.32

 

CMYK 0 / 70 / 38 / 55

HEX #742348

RGB 116 35 72

HSL 332.59, 0.54%, 0.3%

LAB 27.8, 38.88, -3.43

 

CMYK 0 / 69 / 38 / 42

HEX #932D5B

RGB 147 45 91

HSL 332.94, 0.53%, 0.38%

LAB 35.66, 46.66, -3.56

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 49 / 27 / 18

HEX #D16B99

RGB 209 107 153

HSL 332.94, 0.53%, 0.62%

LAB 58.39, 45.44, -6.44

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 18 / 69 / 30

HEX #B39237

RGB 179 146 55

HSL 44.03, 0.53%, 0.46%

LAB 62.01, 2.49, 50.99

 

CMYK 69 / 9 / 0 / 30

HEX #37A2B3

RGB 55 162 179

HSL 188.23, 0.53%, 0.46%

LAB 61.57, -24.46, -17.65

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 37 / 0 / 69 / 30

HEX #71B337

RGB 113 179 55

HSL 91.94, 0.53%, 0.46%

LAB 66.54, -41.43, 54.16

 

CMYK 69 / 37 / 0 / 30

HEX #3771B3

RGB 55 113 179

HSL 211.94, 0.53%, 0.46%

LAB 46.81, 3.11, -40.55

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 18 / 69 / 30

HEX #B39237

RGB 179 146 55

HSL 44.03, 0.53%, 0.46%

LAB 62.01, 2.49, 50.99

 

CMYK 69 / 0 / 32 / 30

HEX #37B379

RGB 55 179 121

HSL 151.94, 0.53%, 0.46%

LAB 65.3, -47.48, 20.01

 

CMYK 69 / 51 / 0 / 30

HEX #3758B3

RGB 55 88 179

HSL 224.03, 0.53%, 0.46%

LAB 39.66, 19.04, -51.99

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 2 / 0 / 69 / 30

HEX #AFB337

RGB 175 179 55

HSL 61.94, 0.53%, 0.46%

LAB 70.62, -16.71, 59.61

 

CMYK 69 / 0 / 32 / 30

HEX #37B379

RGB 55 179 121

HSL 151.94, 0.53%, 0.46%

LAB 65.3, -47.48, 20.01

 

CMYK 67 / 69 / 0 / 30

HEX #3B37B3

RGB 59 55 179

HSL 241.94, 0.53%, 0.46%

LAB 31.62, 40.66, -65.08

 

Description

Color code: HEX #B3376F | qconv.com Color code: HEX #B3376F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 55 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 55 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 38 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 38% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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