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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B338C1 it is the complementary color #4CC73E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B338C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B338C1 shade: #B838BC, #C94ACF, #DA5CE2, #EB6EF5 and #FC80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B338C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B338C1 shade: #B338C1, #A226AE, #91149B, #800288 and #6F0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B338C1 shade: #B338C1, #C138AA, #C13885, #C13860 and #C1383B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B338C1 shade: #B338C1, #8E38C1, #6938C1, #4438C1 and #3838C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B338C1 shade matches the following richer shades: #B338C1, #C324D5 and #D30FEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B338C1 shade: #B338C1, #A34CAD, #936099, #837485 and #738970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B338C1 shade: #6838C1, #8C38C1, #B138C1, #C138AD and #C13888

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B338C1 shade: #782581, #952EA1, #B338C1, #C155CD and #CD75D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B338C1 shade: #B338C1, #C14338 and #38C17A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B338C1 shade: #B338C1, #C1B138 and #38C1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B338C1 shade: #B338C1, #C14338, #48C138 and #38B6C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B338C1 shade: #B338C1, #C16C38, #48C138 and #388CC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

Complementary color

CMYK 62 / 0 / 69 / 22

HEX #4CC73E

RGB 76 199 62

HSL 113.87, 0.55%, 0.51%

LAB 71.37, -59.38, 56.03

 

CMYK 2 / 70 / 0 / 26

HEX #B838BC

RGB 184 56 188

HSL 298.18, 0.54%, 0.48%

LAB 47.82, 66.34, -43.44

 

CMYK 3 / 64 / 0 / 19

HEX #C94ACF

RGB 201 74 207

HSL 297.29, 0.58%, 0.55%

LAB 53.84, 66.68, -44.69

 

CMYK 4 / 59 / 0 / 11

HEX #DA5CE2

RGB 218 92 226

HSL 296.42, 0.7%, 0.62%

LAB 59.93, 66.59, -45.64

 

CMYK 4 / 55 / 0 / 4

HEX #EB6EF5

RGB 235 110 245

HSL 295.56, 0.87%, 0.7%

LAB 66.06, 66.23, -46.38

 

CMYK 1 / 50 / 0 / 0

HEX #FC80FF

RGB 252 128 255

HSL 298.58, 1%, 0.75%

LAB 71.79, 64.15, -42.71

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 7 / 78 / 0 / 32

HEX #A226AE

RGB 162 38 174

HSL 294.71, 0.64%, 0.42%

LAB 41.41, 65.16, -45.63

 

CMYK 6 / 87 / 0 / 39

HEX #91149B

RGB 145 20 155

HSL 295.56, 0.77%, 0.34%

LAB 35.77, 63.17, -43.42

 

CMYK 6 / 99 / 0 / 47

HEX #800288

RGB 128 2 136

HSL 296.42, 0.97%, 0.27%

LAB 30.42, 59.92, -40.48

 

CMYK 5 / 100 / 0 / 54

HEX #6F0075

RGB 111 0 117

HSL 296.92, 1%, 0.23%

LAB 25.75, 54.21, -36.16

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 0 / 71 / 12 / 24

HEX #C138AA

RGB 193 56 170

HSL 310.07, 0.55%, 0.49%

LAB 48.35, 65.57, -31.95

 

CMYK 0 / 71 / 31 / 24

HEX #C13885

RGB 193 56 133

HSL 326.28, 0.55%, 0.49%

LAB 46.79, 60.62, -12.21

 

CMYK 0 / 71 / 50 / 24

HEX #C13860

RGB 193 56 96

HSL 342.48, 0.55%, 0.49%

LAB 45.65, 56.83, 8.78

 

CMYK 0 / 71 / 69 / 24

HEX #C1383B

RGB 193 56 59

HSL 358.69, 0.55%, 0.49%

LAB 44.92, 54.32, 30.4

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 26 / 71 / 0 / 24

HEX #8E38C1

RGB 142 56 193

HSL 277.66, 0.55%, 0.49%

LAB 41.89, 58.37, -56.2

 

CMYK 46 / 71 / 0 / 24

HEX #6938C1

RGB 105 56 193

HSL 261.46, 0.55%, 0.49%

LAB 37.27, 51.38, -63.92

 

CMYK 65 / 71 / 0 / 24

HEX #4438C1

RGB 68 56 193

HSL 245.26, 0.55%, 0.49%

LAB 33.79, 45.77, -69.75

 

CMYK 71 / 71 / 0 / 24

HEX #3838C1

RGB 56 56 193

HSL 240, 0.55%, 0.49%

LAB 32.96, 44.38, -71.15

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 8 / 83 / 0 / 16

HEX #C324D5

RGB 195 36 213

HSL 293.9, 0.71%, 0.49%

LAB 49.09, 78.32, -55.75

 

CMYK 10 / 94 / 0 / 8

HEX #D30FEA

RGB 211 15 234

HSL 293.7, 0.88%, 0.49%

LAB 51.99, 87.45, -62.89

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 6 / 56 / 0 / 32

HEX #A34CAD

RGB 163 76 173

HSL 293.81, 0.39%, 0.49%

LAB 46.94, 50.06, -36.25

 

CMYK 4 / 37 / 0 / 40

HEX #936099

RGB 147 96 153

HSL 293.68, 0.23%, 0.49%

LAB 48.09, 30.57, -22.79

 

CMYK 2 / 13 / 0 / 48

HEX #837485

RGB 131 116 133

HSL 292.94, 0.07%, 0.49%

LAB 50.7, 9.1, -7.17

 

CMYK 16 / 0 / 18 / 46

HEX #738970

RGB 115 137 112

HSL 112.8, 0.1%, 0.49%

LAB 54.77, -12.99, 10.82

 

CMYK 46 / 71 / 0 / 24

HEX #6838C1

RGB 104 56 193

HSL 261.02, 0.55%, 0.49%

LAB 37.15, 51.2, -64.11

 

CMYK 27 / 71 / 0 / 24

HEX #8C38C1

RGB 140 56 193

HSL 276.79, 0.55%, 0.49%

LAB 41.62, 57.97, -56.65

 

CMYK 8 / 71 / 0 / 24

HEX #B138C1

RGB 177 56 193

HSL 292.99, 0.55%, 0.49%

LAB 47.01, 65.68, -47.7

 

CMYK 0 / 71 / 10 / 24

HEX #C138AD

RGB 193 56 173

HSL 308.76, 0.55%, 0.49%

LAB 48.49, 66.01, -33.49

 

CMYK 0 / 71 / 30 / 24

HEX #C13888

RGB 193 56 136

HSL 324.96, 0.55%, 0.49%

LAB 46.9, 60.98, -13.86

 

CMYK 7 / 71 / 0 / 49

HEX #782581

RGB 120 37 129

HSL 294.13, 0.55%, 0.33%

LAB 31.58, 48.29, -34.34

 

CMYK 7 / 71 / 0 / 37

HEX #952EA1

RGB 149 46 161

HSL 293.74, 0.56%, 0.41%

LAB 39.44, 57.46, -41.13

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 6 / 59 / 0 / 20

HEX #C155CD

RGB 193 85 205

HSL 294, 0.55%, 0.57%

LAB 54.28, 59.69, -42.92

 

CMYK 5 / 46 / 0 / 16

HEX #CD75D7

RGB 205 117 215

HSL 293.88, 0.55%, 0.65%

LAB 62.18, 49.25, -36.08

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 0 / 65 / 71 / 24

HEX #C14338

RGB 193 67 56

HSL 4.82, 0.55%, 0.49%

LAB 46.49, 49.75, 34.01

 

CMYK 71 / 0 / 37 / 24

HEX #38C17A

RGB 56 193 122

HSL 148.91, 0.55%, 0.49%

LAB 69.74, -52.62, 25.48

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 0 / 8 / 71 / 24

HEX #C1B138

RGB 193 177 56

HSL 52.99, 0.55%, 0.49%

LAB 71.6, -7.87, 60.71

 

CMYK 71 / 0 / 8 / 24

HEX #38C1B1

RGB 56 193 177

HSL 172.99, 0.55%, 0.49%

LAB 70.98, -39.71, -2.49

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 0 / 65 / 71 / 24

HEX #C14338

RGB 193 67 56

HSL 4.82, 0.55%, 0.49%

LAB 46.49, 49.75, 34.01

 

CMYK 63 / 0 / 71 / 24

HEX #48C138

RGB 72 193 56

HSL 112.99, 0.55%, 0.49%

LAB 69.33, -58.7, 56.17

 

CMYK 71 / 6 / 0 / 24

HEX #38B6C1

RGB 56 182 193

HSL 184.82, 0.55%, 0.49%

LAB 68.13, -29.99, -15.51

 

CMYK 7 / 71 / 0 / 24

HEX #B338C1

RGB 179 56 193

HSL 293.87, 0.55%, 0.49%

LAB 47.32, 66.11, -47.19

 

CMYK 0 / 44 / 71 / 24

HEX #C16C38

RGB 193 108 56

HSL 22.77, 0.55%, 0.49%

LAB 54.39, 29.54, 42.9

 

CMYK 63 / 0 / 71 / 24

HEX #48C138

RGB 72 193 56

HSL 112.99, 0.55%, 0.49%

LAB 69.33, -58.7, 56.17

 

CMYK 71 / 27 / 0 / 24

HEX #388CC1

RGB 56 140 193

HSL 203.21, 0.55%, 0.49%

LAB 55.53, -7.81, -34.87

 

Description

Color code: HEX #B338C1 | qconv.com Color code: HEX #B338C1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 56 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 56 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 71 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 71% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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