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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B34412 it is the complementary color #4CBBED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B34412. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B34412 shade: #B8440D, #C95620, #DA6833, #EB7A46 and #FC8C59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B34412. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B34412 shade: #B34412, #A23200, #912000, #800E00 and #6F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B34412 shade: #B44411, #B41811 and #B41111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B34412 shade: #B44411, #B47011, #B49C11, #A1B411 and #75B411

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B34412 shade matches the following richer shades: #B44411 and #C53E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B34412 shade: #B44411, #A44A21, #945032, #845642 and #745C52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B34412 shade: #B41137, #B41711, #B44211, #B46E11 and #B49911

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B34412 shade: #69280A, #8F360E, #B44411, #DA5215 and #EA692E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B34412 shade: #B34412, #63B411 and #1122B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B34412 shade: #B34412, #11B442 and #4211B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B34412 shade: #B34412, #63B411, #1184B4 and #6311B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B34412 shade: #B34412, #32B411, #1184B4 and #9411B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 90 / 30

HEX #B34412

RGB 179 68 18

HSL 18.63, 0.82%, 0.39%

LAB 43.89, 43.01, 49.33

 

Complementary color

CMYK 68 / 21 / 0 / 7

HEX #4CBBED

RGB 76 187 237

HSL 198.63, 0.82%, 0.61%

LAB 71.68, -16.06, -34.09

 

CMYK 0 / 63 / 93 / 28

HEX #B8440D

RGB 184 68 13

HSL 19.3, 0.87%, 0.39%

LAB 44.74, 44.77, 51.98

 

CMYK 0 / 57 / 84 / 21

HEX #C95620

RGB 201 86 32

HSL 19.17, 0.73%, 0.46%

LAB 50.89, 43.07, 51.09

 

CMYK 0 / 52 / 77 / 15

HEX #DA6833

RGB 218 104 51

HSL 19.04, 0.69%, 0.53%

LAB 57.12, 41.36, 49.33

 

CMYK 0 / 48 / 70 / 8

HEX #EB7A46

RGB 235 122 70

HSL 18.91, 0.8%, 0.6%

LAB 63.36, 39.74, 47.37

 

CMYK 0 / 44 / 65 / 1

HEX #FC8C59

RGB 252 140 89

HSL 18.77, 0.96%, 0.67%

LAB 69.59, 38.23, 45.44

 

CMYK 0 / 62 / 90 / 30

HEX #B34412

RGB 179 68 18

HSL 18.63, 0.82%, 0.39%

LAB 43.89, 43.01, 49.33

 

CMYK 0 / 69 / 100 / 36

HEX #A23200

RGB 162 50 0

HSL 18.52, 1%, 0.32%

LAB 37.78, 44.52, 49.78

 

CMYK 0 / 78 / 100 / 43

HEX #912000

RGB 145 32 0

HSL 13.24, 1%, 0.28%

LAB 31.93, 45.59, 44.77

 

CMYK 0 / 89 / 100 / 50

HEX #800E00

RGB 128 14 0

HSL 6.56, 1%, 0.25%

LAB 26.46, 45.39, 38.91

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 62 / 91 / 29

HEX #B44411

RGB 180 68 17

HSL 18.77, 0.83%, 0.39%

LAB 44.06, 43.36, 49.89

 

CMYK 0 / 87 / 91 / 29

HEX #B41811

RGB 180 24 17

HSL 2.58, 0.83%, 0.39%

LAB 38.55, 58.52, 45.86

 

CMYK 0 / 91 / 91 / 29

HEX #B41111

RGB 180 17 17

HSL 0, 0.83%, 0.39%

LAB 38.1, 59.8, 45.54

 

CMYK 0 / 62 / 91 / 29

HEX #B44411

RGB 180 68 17

HSL 18.77, 0.83%, 0.39%

LAB 44.06, 43.36, 49.89

 

CMYK 0 / 38 / 91 / 29

HEX #B47011

RGB 180 112 17

HSL 34.97, 0.83%, 0.39%

LAB 53.31, 20.39, 56.86

 

CMYK 0 / 13 / 91 / 29

HEX #B49C11

RGB 180 156 17

HSL 51.17, 0.83%, 0.39%

LAB 64.58, -3.85, 65.56

 

CMYK 11 / 0 / 91 / 29

HEX #A1B411

RGB 161 180 17

HSL 66.99, 0.83%, 0.39%

LAB 69.65, -24.58, 68.87

 

CMYK 35 / 0 / 91 / 29

HEX #75B411

RGB 117 180 17

HSL 83.19, 0.83%, 0.39%

LAB 66.87, -42.25, 65.46

 

CMYK 0 / 62 / 91 / 29

HEX #B44411

RGB 180 68 17

HSL 18.77, 0.83%, 0.39%

LAB 44.06, 43.36, 49.89

 

CMYK 0 / 69 / 99 / 23

HEX #C53E01

RGB 197 62 1

HSL 18.67, 0.99%, 0.39%

LAB 46.07, 51.78, 57.21

 

CMYK 0 / 62 / 91 / 29

HEX #B44411

RGB 180 68 17

HSL 18.77, 0.83%, 0.39%

LAB 44.06, 43.36, 49.89

 

CMYK 0 / 55 / 80 / 36

HEX #A44A21

RGB 164 74 33

HSL 18.78, 0.66%, 0.39%

LAB 42.61, 34.67, 40.79

 

CMYK 0 / 46 / 66 / 42

HEX #945032

RGB 148 80 50

HSL 18.37, 0.49%, 0.39%

LAB 41.63, 25.68, 29.91

 

CMYK 0 / 35 / 50 / 48

HEX #845642

RGB 132 86 66

HSL 18.18, 0.33%, 0.39%

LAB 41.14, 16.66, 19.44

 

CMYK 0 / 21 / 29 / 55

HEX #745C52

RGB 116 92 82

HSL 17.65, 0.17%, 0.39%

LAB 41.18, 8.17, 9.47

 

CMYK 0 / 91 / 69 / 29

HEX #B41137

RGB 180 17 55

HSL 346.01, 0.83%, 0.39%

LAB 38.52, 60.98, 24.44

 

CMYK 0 / 87 / 91 / 29

HEX #B41711

RGB 180 23 17

HSL 2.21, 0.83%, 0.39%

LAB 38.47, 58.72, 45.81

 

CMYK 0 / 63 / 91 / 29

HEX #B44211

RGB 180 66 17

HSL 18.04, 0.83%, 0.39%

LAB 43.71, 44.27, 49.63

 

CMYK 0 / 39 / 91 / 29

HEX #B46E11

RGB 180 110 17

HSL 34.23, 0.83%, 0.39%

LAB 52.84, 21.5, 56.5

 

CMYK 0 / 15 / 91 / 29

HEX #B49911

RGB 180 153 17

HSL 50.06, 0.83%, 0.39%

LAB 63.78, -2.24, 64.93

 

CMYK 0 / 62 / 90 / 59

HEX #69280A

RGB 105 40 10

HSL 18.95, 0.83%, 0.23%

LAB 25.39, 27.51, 32.13

 

CMYK 0 / 62 / 90 / 44

HEX #8F360E

RGB 143 54 14

HSL 18.6, 0.82%, 0.31%

LAB 35.02, 35.87, 41.26

 

CMYK 0 / 62 / 91 / 29

HEX #B44411

RGB 180 68 17

HSL 18.77, 0.83%, 0.39%

LAB 44.06, 43.36, 49.89

 

CMYK 0 / 62 / 90 / 15

HEX #DA5215

RGB 218 82 21

HSL 18.58, 0.82%, 0.47%

LAB 52.94, 50.91, 57.98

 

CMYK 0 / 55 / 80 / 8

HEX #EA692E

RGB 234 105 46

HSL 18.83, 0.82%, 0.55%

LAB 59.7, 46.75, 54.97

 

CMYK 0 / 62 / 90 / 30

HEX #B34412

RGB 179 68 18

HSL 18.63, 0.82%, 0.39%

LAB 43.89, 43.01, 49.33

 

CMYK 45 / 0 / 91 / 29

HEX #63B411

RGB 99 180 17

HSL 89.82, 0.83%, 0.39%

LAB 66.01, -48.52, 64.39

 

CMYK 91 / 81 / 0 / 29

HEX #1122B4

RGB 17 34 180

HSL 233.74, 0.83%, 0.39%

LAB 25.44, 49.63, -75.95

 

CMYK 0 / 62 / 90 / 30

HEX #B34412

RGB 179 68 18

HSL 18.63, 0.82%, 0.39%

LAB 43.89, 43.01, 49.33

 

CMYK 91 / 0 / 63 / 29

HEX #11B442

RGB 17 180 66

HSL 138.04, 0.83%, 0.39%

LAB 64.29, -61.42, 46.33

 

CMYK 63 / 91 / 0 / 29

HEX #4211B4

RGB 66 17 180

HSL 258.04, 0.83%, 0.39%

LAB 26.32, 58.92, -74.4

 

CMYK 0 / 62 / 90 / 30

HEX #B34412

RGB 179 68 18

HSL 18.63, 0.82%, 0.39%

LAB 43.89, 43.01, 49.33

 

CMYK 45 / 0 / 91 / 29

HEX #63B411

RGB 99 180 17

HSL 89.82, 0.83%, 0.39%

LAB 66.01, -48.52, 64.39

 

CMYK 91 / 27 / 0 / 29

HEX #1184B4

RGB 17 132 180

HSL 197.67, 0.83%, 0.39%

LAB 51.74, -11.84, -33.43

 

CMYK 45 / 91 / 0 / 29

HEX #6311B4

RGB 99 17 180

HSL 270.18, 0.83%, 0.39%

LAB 30.28, 61.95, -67.73

 

CMYK 0 / 62 / 90 / 30

HEX #B34412

RGB 179 68 18

HSL 18.63, 0.82%, 0.39%

LAB 43.89, 43.01, 49.33

 

CMYK 72 / 0 / 91 / 29

HEX #32B411

RGB 50 180 17

HSL 107.85, 0.83%, 0.39%

LAB 64.45, -61.05, 62.46

 

CMYK 91 / 27 / 0 / 29

HEX #1184B4

RGB 17 132 180

HSL 197.67, 0.83%, 0.39%

LAB 51.74, -11.84, -33.43

 

CMYK 18 / 91 / 0 / 29

HEX #9411B4

RGB 148 17 180

HSL 288.22, 0.83%, 0.39%

LAB 37.83, 68.57, -55.08

 

Description

Color code: HEX #B34412 | qconv.com Color code: HEX #B34412 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 68 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 68 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 90 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 90% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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