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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B34FB1 it is the complementary color #4CB04E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B34FB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B34FB1 shade: #B84FAC, #C961BF, #DA73D2, #EB85E5 and #FC97F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B34FB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B34FB1 shade: #B34FB1, #A23D9E, #912B8B, #801978 and #6F0765

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B34FB1 shade: #B450B2, #B45097, #B4507C, #B45061 and #B45050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B34FB1 shade: #B450B2, #9B50B4, #8050B4, #6550B4 and #5050B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B34FB1 shade matches the following richer shades: #B450B2, #C83BC5, #DC27D8 and #F013EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B34FB1 shade: #B450B2, #9F649E, #8B788B, #778C77 and #63A064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B34FB1 shade: #8050B4, #9B50B4, #B450B2, #B45097 and #B4507D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B34FB1 shade: #7C357A, #994197, #B450B2, #C06CBE and #CC89CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B34FB1 shade: #B34FB1, #B46550 and #50B48D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B34FB1 shade: #B34FB1, #B2B450 and #50B2B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B34FB1 shade: #B34FB1, #B46550, #50B451 and #509EB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B34FB1 shade: #B34FB1, #B48350, #50B451 and #5080B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 1 / 30

HEX #B34FB1

RGB 179 79 177

HSL 301.2, 0.4%, 0.51%

LAB 49.92, 53.72, -33.75

 

Complementary color

CMYK 57 / 0 / 56 / 31

HEX #4CB04E

RGB 76 176 78

HSL 121.2, 0.4%, 0.49%

LAB 64.27, -49.2, 41.05

 

CMYK 0 / 57 / 7 / 28

HEX #B84FAC

RGB 184 79 172

HSL 306.86, 0.43%, 0.52%

LAB 50.41, 54.23, -30.01

 

CMYK 0 / 52 / 5 / 21

HEX #C961BF

RGB 201 97 191

HSL 305.77, 0.49%, 0.58%

LAB 56.81, 53.75, -30.87

 

CMYK 0 / 47 / 4 / 15

HEX #DA73D2

RGB 218 115 210

HSL 304.66, 0.58%, 0.65%

LAB 63.19, 53.13, -31.56

 

CMYK 0 / 43 / 3 / 8

HEX #EB85E5

RGB 235 133 229

HSL 303.53, 0.72%, 0.72%

LAB 69.54, 52.44, -32.14

 

CMYK 0 / 40 / 2 / 1

HEX #FC97F8

RGB 252 151 248

HSL 302.38, 0.94%, 0.79%

LAB 75.83, 51.73, -32.65

 

CMYK 0 / 56 / 1 / 30

HEX #B34FB1

RGB 179 79 177

HSL 301.2, 0.4%, 0.51%

LAB 49.92, 53.72, -33.75

 

CMYK 0 / 62 / 2 / 36

HEX #A23D9E

RGB 162 61 158

HSL 302.38, 0.45%, 0.44%

LAB 43.49, 53.98, -32.79

 

CMYK 0 / 70 / 4 / 43

HEX #912B8B

RGB 145 43 139

HSL 303.53, 0.54%, 0.37%

LAB 37.14, 53.78, -31.46

 

CMYK 0 / 80 / 6 / 50

HEX #801978

RGB 128 25 120

HSL 304.66, 0.67%, 0.3%

LAB 30.97, 52.74, -29.55

 

CMYK 0 / 94 / 9 / 56

HEX #6F0765

RGB 111 7 101

HSL 305.77, 0.88%, 0.23%

LAB 25.17, 50.27, -26.74

 

CMYK 0 / 56 / 1 / 29

HEX #B450B2

RGB 180 80 178

HSL 301.2, 0.4%, 0.51%

LAB 50.28, 53.7, -33.76

 

CMYK 0 / 56 / 16 / 29

HEX #B45097

RGB 180 80 151

HSL 317.4, 0.4%, 0.51%

LAB 49.1, 49.2, -19.69

 

CMYK 0 / 56 / 31 / 29

HEX #B4507C

RGB 180 80 124

HSL 333.6, 0.4%, 0.51%

LAB 48.13, 45.34, -4.98

 

CMYK 0 / 56 / 46 / 29

HEX #B45061

RGB 180 80 97

HSL 349.8, 0.4%, 0.51%

LAB 47.37, 42.22, 10.28

 

CMYK 0 / 56 / 56 / 29

HEX #B45050

RGB 180 80 80

HSL 0, 0.4%, 0.51%

LAB 47, 40.65, 20.03

 

CMYK 0 / 56 / 1 / 29

HEX #B450B2

RGB 180 80 178

HSL 301.2, 0.4%, 0.51%

LAB 50.28, 53.7, -33.76

 

CMYK 14 / 56 / 0 / 29

HEX #9B50B4

RGB 155 80 180

HSL 285, 0.4%, 0.51%

LAB 46.98, 47.3, -40.36

 

CMYK 29 / 56 / 0 / 29

HEX #8050B4

RGB 128 80 180

HSL 268.8, 0.4%, 0.51%

LAB 43.69, 40.17, -45.8

 

CMYK 44 / 56 / 0 / 29

HEX #6550B4

RGB 101 80 180

HSL 252.6, 0.4%, 0.51%

LAB 40.9, 33.54, -50.43

 

CMYK 56 / 56 / 0 / 29

HEX #5050B4

RGB 80 80 180

HSL 240, 0.4%, 0.51%

LAB 39.14, 28.99, -53.35

 

CMYK 0 / 56 / 1 / 29

HEX #B450B2

RGB 180 80 178

HSL 301.2, 0.4%, 0.51%

LAB 50.28, 53.7, -33.76

 

CMYK 0 / 71 / 1 / 22

HEX #C83BC5

RGB 200 59 197

HSL 301.28, 0.56%, 0.51%

LAB 51.2, 70.31, -43.14

 

CMYK 0 / 82 / 2 / 14

HEX #DC27D8

RGB 220 39 216

HSL 301.33, 0.72%, 0.51%

LAB 53.63, 82.64, -49.98

 

CMYK 0 / 92 / 2 / 6

HEX #F013EC

RGB 240 19 236

HSL 301.09, 0.88%, 0.51%

LAB 57.12, 91.94, -55.51

 

CMYK 0 / 56 / 1 / 29

HEX #B450B2

RGB 180 80 178

HSL 301.2, 0.4%, 0.51%

LAB 50.28, 53.7, -33.76

 

CMYK 0 / 37 / 1 / 38

HEX #9F649E

RGB 159 100 158

HSL 301.02, 0.24%, 0.51%

LAB 50.63, 33.26, -21.71

 

CMYK 0 / 14 / 0 / 45

HEX #8B788B

RGB 139 120 139

HSL 300, 0.08%, 0.51%

LAB 52.71, 10.92, -7.61

 

CMYK 15 / 0 / 15 / 45

HEX #778C77

RGB 119 140 119

HSL 120, 0.08%, 0.51%

LAB 56.1, -11.82, 8.72

 

CMYK 38 / 0 / 38 / 37

HEX #63A064

RGB 99 160 100

HSL 120.98, 0.24%, 0.51%

LAB 60.53, -32.39, 25.22

 

CMYK 29 / 56 / 0 / 29

HEX #8050B4

RGB 128 80 180

HSL 268.8, 0.4%, 0.51%

LAB 43.69, 40.17, -45.8

 

CMYK 14 / 56 / 0 / 29

HEX #9B50B4

RGB 155 80 180

HSL 285, 0.4%, 0.51%

LAB 46.98, 47.3, -40.36

 

CMYK 0 / 56 / 1 / 29

HEX #B450B2

RGB 180 80 178

HSL 301.2, 0.4%, 0.51%

LAB 50.28, 53.7, -33.76

 

CMYK 0 / 56 / 16 / 29

HEX #B45097

RGB 180 80 151

HSL 317.4, 0.4%, 0.51%

LAB 49.1, 49.2, -19.69

 

CMYK 0 / 56 / 31 / 29

HEX #B4507D

RGB 180 80 125

HSL 333, 0.4%, 0.51%

LAB 48.16, 45.47, -5.53

 

CMYK 0 / 57 / 2 / 51

HEX #7C357A

RGB 124 53 122

HSL 301.69, 0.4%, 0.35%

LAB 34.47, 40.72, -25.35

 

CMYK 0 / 58 / 1 / 40

HEX #994197

RGB 153 65 151

HSL 301.36, 0.4%, 0.43%

LAB 42.44, 48.5, -30.33

 

CMYK 0 / 56 / 1 / 29

HEX #B450B2

RGB 180 80 178

HSL 301.2, 0.4%, 0.51%

LAB 50.28, 53.7, -33.76

 

CMYK 0 / 44 / 1 / 25

HEX #C06CBE

RGB 192 108 190

HSL 301.43, 0.4%, 0.59%

LAB 57.7, 45.4, -29

 

CMYK 0 / 33 / 0 / 20

HEX #CC89CB

RGB 204 137 203

HSL 300.9, 0.4%, 0.67%

LAB 65.78, 36.12, -23.79

 

CMYK 0 / 56 / 1 / 30

HEX #B34FB1

RGB 179 79 177

HSL 301.2, 0.4%, 0.51%

LAB 49.92, 53.72, -33.75

 

CMYK 0 / 44 / 56 / 29

HEX #B46550

RGB 180 101 80

HSL 12.6, 0.4%, 0.51%

LAB 51.37, 29.65, 25.75

 

CMYK 56 / 0 / 22 / 29

HEX #50B48D

RGB 80 180 141

HSL 156.6, 0.4%, 0.51%

LAB 66.73, -38.64, 11.18

 

CMYK 0 / 56 / 1 / 30

HEX #B34FB1

RGB 179 79 177

HSL 301.2, 0.4%, 0.51%

LAB 49.92, 53.72, -33.75

 

CMYK 1 / 0 / 56 / 29

HEX #B2B450

RGB 178 180 80

HSL 61.2, 0.4%, 0.51%

LAB 71.34, -14.28, 49.83

 

CMYK 56 / 1 / 0 / 29

HEX #50B2B4

RGB 80 178 180

HSL 181.2, 0.4%, 0.51%

LAB 67.16, -27.87, -9.73

 

CMYK 0 / 56 / 1 / 30

HEX #B34FB1

RGB 179 79 177

HSL 301.2, 0.4%, 0.51%

LAB 49.92, 53.72, -33.75

 

CMYK 0 / 44 / 56 / 29

HEX #B46550

RGB 180 101 80

HSL 12.6, 0.4%, 0.51%

LAB 51.37, 29.65, 25.75

 

CMYK 56 / 0 / 55 / 29

HEX #50B451

RGB 80 180 81

HSL 120.6, 0.4%, 0.51%

LAB 65.7, -49.35, 41.35

 

CMYK 56 / 12 / 0 / 29

HEX #509EB4

RGB 80 158 180

HSL 193.2, 0.4%, 0.51%

LAB 61.18, -17.64, -18.73

 

CMYK 0 / 56 / 1 / 30

HEX #B34FB1

RGB 179 79 177

HSL 301.2, 0.4%, 0.51%

LAB 49.92, 53.72, -33.75

 

CMYK 0 / 27 / 56 / 29

HEX #B48350

RGB 180 131 80

HSL 30.6, 0.4%, 0.51%

LAB 58.52, 13, 34.75

 

CMYK 56 / 0 / 55 / 29

HEX #50B451

RGB 80 180 81

HSL 120.6, 0.4%, 0.51%

LAB 65.7, -49.35, 41.35

 

CMYK 56 / 29 / 0 / 29

HEX #5080B4

RGB 80 128 180

HSL 211.2, 0.4%, 0.51%

LAB 52.33, -0.82, -32.38

 

Description

Color code: HEX #B34FB1 | qconv.com Color code: HEX #B34FB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 79 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 79 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 1 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 1% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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