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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B35673 it is the complementary color #4CA98C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B35673. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B35673 shade: #B8566E, #C96881, #DA7A94, #EB8CA7 and #FC9EBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B35673. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B35673 shade: #B35673, #A24460, #91324D, #80203A and #6F0E27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B35673 shade: #B35673, #B3565A and #B35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B35673 shade: #B35673, #B3568C, #B356A5, #A756B3 and #8E56B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B35673 shade matches the following richer shades: #B35673, #C6426B, #DA2E64 and #EE1A5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B35673 shade: #B35673, #9F697A, #8B7D82, #779189 and #63A590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B35673 shade: #B356A5, #B3568C, #B35673, #B3565A and #B36A56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B35673 shade: #7E384E, #9A455F, #B35673, #BF728A and #CC8FA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B35673 shade: #B35673, #B3A856 and #5698B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B35673 shade: #B35673, #73B356 and #5673B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B35673 shade: #B35673, #B3A856, #56B395 and #5660B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B35673 shade: #B35673, #A2B356, #56B395 and #6756B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

Complementary color

CMYK 55 / 0 / 17 / 34

HEX #4CA98C

RGB 76 169 140

HSL 161.29, 0.38%, 0.48%

LAB 63.18, -34.76, 6.68

 

CMYK 0 / 53 / 40 / 28

HEX #B8566E

RGB 184 86 110

HSL 345.31, 0.41%, 0.53%

LAB 49.46, 42.03, 5.48

 

CMYK 0 / 48 / 36 / 21

HEX #C96881

RGB 201 104 129

HSL 344.54, 0.47%, 0.6%

LAB 55.99, 41.12, 3.91

 

CMYK 0 / 44 / 32 / 15

HEX #DA7A94

RGB 218 122 148

HSL 343.75, 0.56%, 0.67%

LAB 62.48, 40.2, 2.58

 

CMYK 0 / 40 / 29 / 8

HEX #EB8CA7

RGB 235 140 167

HSL 342.95, 0.7%, 0.74%

LAB 68.9, 39.32, 1.42

 

CMYK 0 / 37 / 26 / 1

HEX #FC9EBA

RGB 252 158 186

HSL 342.13, 0.94%, 0.8%

LAB 75.26, 38.47, 0.39

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 0 / 58 / 41 / 36

HEX #A24460

RGB 162 68 96

HSL 342.13, 0.41%, 0.45%

LAB 42.25, 41.69, 3.21

 

CMYK 0 / 66 / 47 / 43

HEX #91324D

RGB 145 50 77

HSL 342.95, 0.49%, 0.38%

LAB 35.67, 42.34, 5.38

 

CMYK 0 / 75 / 55 / 50

HEX #80203A

RGB 128 32 58

HSL 343.75, 0.6%, 0.31%

LAB 29.23, 42.51, 8.27

 

CMYK 0 / 87 / 65 / 56

HEX #6F0E27

RGB 111 14 39

HSL 344.54, 0.78%, 0.25%

LAB 23.14, 41.68, 12.29

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 0 / 52 / 50 / 30

HEX #B3565A

RGB 179 86 90

HSL 357.42, 0.38%, 0.52%

LAB 48.23, 38.13, 15.67

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 0 / 52 / 22 / 30

HEX #B3568C

RGB 179 86 140

HSL 325.16, 0.38%, 0.52%

LAB 49.66, 44.26, -12.3

 

CMYK 0 / 52 / 8 / 30

HEX #B356A5

RGB 179 86 165

HSL 309.03, 0.38%, 0.52%

LAB 50.64, 48.26, -25.6

 

CMYK 7 / 52 / 0 / 30

HEX #A756B3

RGB 167 86 179

HSL 292.26, 0.38%, 0.52%

LAB 49.65, 47.34, -35.46

 

CMYK 21 / 52 / 0 / 30

HEX #8E56B3

RGB 142 86 179

HSL 276.13, 0.38%, 0.52%

LAB 46.53, 40.34, -40.59

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 0 / 67 / 46 / 22

HEX #C6426B

RGB 198 66 107

HSL 341.36, 0.54%, 0.52%

LAB 48.21, 55.47, 5.81

 

CMYK 0 / 79 / 54 / 15

HEX #DA2E64

RGB 218 46 100

HSL 341.16, 0.7%, 0.52%

LAB 49.23, 67.37, 12.02

 

CMYK 0 / 89 / 61 / 7

HEX #EE1A5C

RGB 238 26 92

HSL 341.32, 0.86%, 0.52%

LAB 51.48, 76.04, 20.61

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 0 / 34 / 23 / 38

HEX #9F697A

RGB 159 105 122

HSL 341.11, 0.22%, 0.52%

LAB 50.55, 24.12, -0.55

 

CMYK 0 / 10 / 6 / 45

HEX #8B7D82

RGB 139 125 130

HSL 338.57, 0.06%, 0.52%

LAB 53.78, 6.27, -0.77

 

CMYK 18 / 0 / 6 / 43

HEX #779189

RGB 119 145 137

HSL 161.54, 0.11%, 0.52%

LAB 58.02, -10.89, 1.18

 

CMYK 40 / 0 / 13 / 35

HEX #63A590

RGB 99 165 144

HSL 160.91, 0.27%, 0.52%

LAB 62.99, -26.06, 4.29

 

CMYK 0 / 52 / 8 / 30

HEX #B356A5

RGB 179 86 165

HSL 309.03, 0.38%, 0.52%

LAB 50.64, 48.26, -25.6

 

CMYK 0 / 52 / 22 / 30

HEX #B3568C

RGB 179 86 140

HSL 325.16, 0.38%, 0.52%

LAB 49.66, 44.26, -12.3

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 0 / 52 / 50 / 30

HEX #B3565A

RGB 179 86 90

HSL 357.42, 0.38%, 0.52%

LAB 48.23, 38.13, 15.67

 

CMYK 0 / 41 / 52 / 30

HEX #B36A56

RGB 179 106 86

HSL 12.9, 0.38%, 0.52%

LAB 52.47, 27.04, 23.69

 

CMYK 0 / 56 / 38 / 51

HEX #7E384E

RGB 126 56 78

HSL 341.14, 0.38%, 0.36%

LAB 33.59, 32.77, 1.34

 

CMYK 0 / 55 / 38 / 40

HEX #9A455F

RGB 154 69 95

HSL 341.65, 0.38%, 0.44%

LAB 41.14, 38.26, 2.07

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 0 / 40 / 28 / 25

HEX #BF728A

RGB 191 114 138

HSL 341.3, 0.38%, 0.6%

LAB 57.02, 33.41, -0.01

 

CMYK 0 / 30 / 21 / 20

HEX #CC8FA2

RGB 204 143 162

HSL 341.31, 0.37%, 0.68%

LAB 65.82, 25.88, -0.7

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 0 / 6 / 52 / 30

HEX #B3A856

RGB 179 168 86

HSL 52.9, 0.38%, 0.52%

LAB 68.21, -7.1, 43.34

 

CMYK 52 / 15 / 0 / 30

HEX #5698B3

RGB 86 152 179

HSL 197.42, 0.38%, 0.52%

LAB 59.61, -13.4, -20.55

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 36 / 0 / 52 / 30

HEX #73B356

RGB 115 179 86

HSL 101.29, 0.38%, 0.52%

LAB 66.94, -37.71, 40.76

 

CMYK 52 / 36 / 0 / 30

HEX #5673B3

RGB 86 115 179

HSL 221.29, 0.38%, 0.52%

LAB 48.88, 8.05, -37.2

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 0 / 6 / 52 / 30

HEX #B3A856

RGB 179 168 86

HSL 52.9, 0.38%, 0.52%

LAB 68.21, -7.1, 43.34

 

CMYK 52 / 0 / 17 / 30

HEX #56B395

RGB 86 179 149

HSL 160.65, 0.38%, 0.52%

LAB 66.82, -34.98, 6.94

 

CMYK 52 / 46 / 0 / 30

HEX #5660B3

RGB 86 96 179

HSL 233.55, 0.38%, 0.52%

LAB 43.65, 19.86, -45.49

 

CMYK 0 / 52 / 36 / 30

HEX #B35673

RGB 179 86 115

HSL 341.29, 0.38%, 0.52%

LAB 48.86, 40.86, 1.5

 

CMYK 9 / 0 / 52 / 30

HEX #A2B356

RGB 162 179 86

HSL 70.97, 0.38%, 0.52%

LAB 69.89, -19.86, 44.99

 

CMYK 52 / 0 / 17 / 30

HEX #56B395

RGB 86 179 149

HSL 160.65, 0.38%, 0.52%

LAB 66.82, -34.98, 6.94

 

CMYK 42 / 52 / 0 / 30

HEX #6756B3

RGB 103 86 179

HSL 250.97, 0.38%, 0.52%

LAB 42.45, 30.09, -47.33

 

Description

Color code: HEX #B35673 | qconv.com Color code: HEX #B35673 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 86 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 86 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 36 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 36% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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