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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B35684 it is the complementary color #4CA97B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B35684. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B35684 shade: #B8567F, #C96892, #DA7AA5, #EB8CB8 and #FC9ECB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B35684. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B35684 shade: #B35684, #A24471, #91325E, #80204B and #6F0E38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B35684 shade: #B35684, #B3566B and #B35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B35684 shade: #B35684, #B3569D, #AF56B3, #9656B3 and #7D56B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B35684 shade matches the following richer shades: #B35684, #C64283, #DA2E83 and #EE1A83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B35684 shade: #B35684, #9F6984, #8B7D84, #779184 and #63A584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B35684 shade: #B056B3, #B3569D, #B35684, #B3566B and #B35956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B35684 shade: #7E385A, #9A456F, #B35684, #BF7298 and #CC8FAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B35684 shade: #B35684, #B39756 and #56A9B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B35684 shade: #B35684, #84B356 and #5684B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B35684 shade: #B35684, #B39756, #56B384 and #5671B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B35684 shade: #B35684, #B3B356, #56B384 and #5656B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

Complementary color

CMYK 55 / 0 / 27 / 34

HEX #4CA97B

RGB 76 169 123

HSL 150.32, 0.38%, 0.48%

LAB 62.8, -38.6, 15.56

 

CMYK 0 / 53 / 31 / 28

HEX #B8567F

RGB 184 86 127

HSL 334.9, 0.41%, 0.53%

LAB 49.95, 44.11, -4.02

 

CMYK 0 / 48 / 27 / 21

HEX #C96892

RGB 201 104 146

HSL 334.02, 0.47%, 0.6%

LAB 56.48, 43.31, -5.32

 

CMYK 0 / 44 / 24 / 15

HEX #DA7AA5

RGB 218 122 165

HSL 333.13, 0.56%, 0.67%

LAB 62.96, 42.48, -6.42

 

CMYK 0 / 40 / 22 / 8

HEX #EB8CB8

RGB 235 140 184

HSL 332.21, 0.7%, 0.74%

LAB 69.38, 41.67, -7.38

 

CMYK 0 / 37 / 19 / 1

HEX #FC9ECB

RGB 252 158 203

HSL 331.28, 0.94%, 0.8%

LAB 75.74, 40.88, -8.24

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 58 / 30 / 36

HEX #A24471

RGB 162 68 113

HSL 331.28, 0.41%, 0.45%

LAB 42.78, 43.8, -6.53

 

CMYK 0 / 66 / 35 / 43

HEX #91325E

RGB 145 50 94

HSL 332.21, 0.49%, 0.38%

LAB 36.19, 44.25, -4.73

 

CMYK 0 / 75 / 41 / 50

HEX #80204B

RGB 128 32 75

HSL 333.13, 0.6%, 0.31%

LAB 29.74, 44.19, -2.3

 

CMYK 0 / 87 / 50 / 56

HEX #6F0E38

RGB 111 14 56

HSL 334.02, 0.78%, 0.25%

LAB 23.6, 43.06, 1.15

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 52 / 40 / 30

HEX #B3566B

RGB 179 86 107

HSL 346.45, 0.38%, 0.52%

LAB 48.64, 39.91, 6

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 52 / 12 / 30

HEX #B3569D

RGB 179 86 157

HSL 314.19, 0.38%, 0.52%

LAB 50.3, 46.92, -21.41

 

CMYK 2 / 52 / 0 / 30

HEX #AF56B3

RGB 175 86 179

HSL 297.42, 0.38%, 0.52%

LAB 50.72, 49.6, -33.71

 

CMYK 16 / 52 / 0 / 30

HEX #9656B3

RGB 150 86 179

HSL 281.29, 0.38%, 0.52%

LAB 47.49, 42.56, -39.01

 

CMYK 30 / 52 / 0 / 30

HEX #7D56B3

RGB 125 86 179

HSL 265.16, 0.38%, 0.52%

LAB 44.62, 35.72, -43.74

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 67 / 34 / 22

HEX #C64283

RGB 198 66 131

HSL 330.45, 0.54%, 0.52%

LAB 48.93, 58, -7.69

 

CMYK 0 / 79 / 40 / 15

HEX #DA2E83

RGB 218 46 131

HSL 330.35, 0.7%, 0.52%

LAB 50.09, 70, -5.59

 

CMYK 0 / 89 / 45 / 7

HEX #EE1A83

RGB 238 26 131

HSL 330.28, 0.86%, 0.52%

LAB 52.46, 78.76, -1.67

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 34 / 17 / 38

HEX #9F6984

RGB 159 105 132

HSL 330, 0.22%, 0.52%

LAB 50.85, 25.73, -6.03

 

CMYK 0 / 10 / 5 / 45

HEX #8B7D84

RGB 139 125 132

HSL 330, 0.06%, 0.52%

LAB 53.84, 6.65, -1.85

 

CMYK 18 / 0 / 9 / 43

HEX #779184

RGB 119 145 132

HSL 150, 0.11%, 0.52%

LAB 57.88, -11.94, 3.84

 

CMYK 40 / 0 / 20 / 35

HEX #63A584

RGB 99 165 132

HSL 150, 0.27%, 0.52%

LAB 62.7, -28.71, 10.57

 

CMYK 2 / 52 / 0 / 30

HEX #B056B3

RGB 176 86 179

HSL 298.06, 0.38%, 0.52%

LAB 50.85, 49.88, -33.49

 

CMYK 0 / 52 / 12 / 30

HEX #B3569D

RGB 179 86 157

HSL 314.19, 0.38%, 0.52%

LAB 50.3, 46.92, -21.41

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 52 / 40 / 30

HEX #B3566B

RGB 179 86 107

HSL 346.45, 0.38%, 0.52%

LAB 48.64, 39.91, 6

 

CMYK 0 / 50 / 52 / 30

HEX #B35956

RGB 179 89 86

HSL 1.94, 0.38%, 0.52%

LAB 48.76, 36.2, 18.77

 

CMYK 0 / 56 / 29 / 51

HEX #7E385A

RGB 126 56 90

HSL 330.86, 0.38%, 0.36%

LAB 33.99, 34.42, -5.8

 

CMYK 0 / 55 / 28 / 40

HEX #9A456F

RGB 154 69 111

HSL 330.35, 0.38%, 0.44%

LAB 41.65, 40.36, -7.11

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 40 / 20 / 25

HEX #BF7298

RGB 191 114 152

HSL 330.39, 0.38%, 0.6%

LAB 57.44, 35.47, -7.52

 

CMYK 0 / 30 / 15 / 20

HEX #CC8FAD

RGB 204 143 173

HSL 330.49, 0.37%, 0.68%

LAB 66.14, 27.61, -6.43

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 16 / 52 / 30

HEX #B39756

RGB 179 151 86

HSL 41.94, 0.38%, 0.52%

LAB 63.66, 2.04, 37.86

 

CMYK 52 / 6 / 0 / 30

HEX #56A9B3

RGB 86 169 179

HSL 186.45, 0.38%, 0.52%

LAB 64.65, -22.38, -12.9

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 26 / 0 / 52 / 30

HEX #84B356

RGB 132 179 86

HSL 90.32, 0.38%, 0.52%

LAB 67.89, -31.62, 42.11

 

CMYK 52 / 26 / 0 / 30

HEX #5684B3

RGB 86 132 179

HSL 210.32, 0.38%, 0.52%

LAB 53.75, -2.12, -29.58

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 16 / 52 / 30

HEX #B39756

RGB 179 151 86

HSL 41.94, 0.38%, 0.52%

LAB 63.66, 2.04, 37.86

 

CMYK 52 / 0 / 26 / 30

HEX #56B384

RGB 86 179 132

HSL 149.68, 0.38%, 0.52%

LAB 66.43, -38.74, 15.73

 

CMYK 52 / 37 / 0 / 30

HEX #5671B3

RGB 86 113 179

HSL 222.58, 0.38%, 0.52%

LAB 48.31, 9.27, -38.08

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 0 / 52 / 30

HEX #B3B356

RGB 179 179 86

HSL 60, 0.38%, 0.52%

LAB 71.21, -12.85, 46.87

 

CMYK 52 / 0 / 26 / 30

HEX #56B384

RGB 86 179 132

HSL 149.68, 0.38%, 0.52%

LAB 66.43, -38.74, 15.73

 

CMYK 52 / 52 / 0 / 30

HEX #5656B3

RGB 86 86 179

HSL 240, 0.38%, 0.52%

LAB 41.04, 26.15, -49.67

 

Description

Color code: HEX #B35684 | qconv.com Color code: HEX #B35684 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 86 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 86 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 26 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 26% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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