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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B35938 it is the complementary color #4CA6C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B35938. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B35938 shade: #B85933, #C96B46, #DA7D59, #EB8F6C and #FCA17F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B35938. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B35938 shade: #B35938, #A24725, #913512, #802300 and #6F1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B35938 shade: #B25938 and #B23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B35938 shade: #B25938, #B27938, #B29A38, #A8B238 and #87B238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B35938 shade matches the following richer shades: #B25938, #C55025 and #D84712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B35938 shade: #B25938, #9F614B, #8C6A5E, #797371 and #667C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B35938 shade: #B23858, #B23838, #B25838, #B27938 and #B29938

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B35938 shade: #733924, #92492E, #B25938, #C66D4D and #D0876C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B35938 shade: #B35938, #79B238 and #3848B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B35938 shade: #B35938, #38B258 and #5838B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B35938 shade: #B35938, #79B238, #3891B2 and #7138B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B35938 shade: #B35938, #54B238, #3891B2 and #9538B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 69 / 30

HEX #B35938

RGB 179 89 56

HSL 16.1, 0.52%, 0.46%

LAB 48.28, 33.96, 35.49

 

Complementary color

CMYK 62 / 17 / 0 / 22

HEX #4CA6C7

RGB 76 166 199

HSL 196.1, 0.52%, 0.54%

LAB 64.11, -16.9, -24.91

 

CMYK 0 / 52 / 72 / 28

HEX #B85933

RGB 184 89 51

HSL 17.14, 0.57%, 0.46%

LAB 48.98, 35.69, 39.17

 

CMYK 0 / 47 / 65 / 21

HEX #C96B46

RGB 201 107 70

HSL 16.95, 0.55%, 0.53%

LAB 55.46, 34.13, 37.05

 

CMYK 0 / 43 / 59 / 15

HEX #DA7D59

RGB 218 125 89

HSL 16.74, 0.64%, 0.6%

LAB 61.91, 32.7, 35.11

 

CMYK 0 / 39 / 54 / 8

HEX #EB8F6C

RGB 235 143 108

HSL 16.54, 0.76%, 0.67%

LAB 68.31, 31.41, 33.34

 

CMYK 0 / 36 / 50 / 1

HEX #FCA17F

RGB 252 161 127

HSL 16.32, 0.95%, 0.74%

LAB 74.65, 30.24, 31.73

 

CMYK 0 / 50 / 69 / 30

HEX #B35938

RGB 179 89 56

HSL 16.1, 0.52%, 0.46%

LAB 48.28, 33.96, 35.49

 

CMYK 0 / 56 / 77 / 36

HEX #A24725

RGB 162 71 37

HSL 16.32, 0.63%, 0.39%

LAB 41.72, 35.58, 37.76

 

CMYK 0 / 63 / 88 / 43

HEX #913512

RGB 145 53 18

HSL 16.54, 0.78%, 0.32%

LAB 35.22, 37.22, 39.89

 

CMYK 0 / 73 / 100 / 50

HEX #802300

RGB 128 35 0

HSL 16.41, 1%, 0.25%

LAB 28.88, 38.62, 40.97

 

CMYK 0 / 85 / 100 / 56

HEX #6F1100

RGB 111 17 0

HSL 9.19, 1%, 0.22%

LAB 22.93, 39.31, 34.19

 

CMYK 0 / 50 / 69 / 30

HEX #B25938

RGB 178 89 56

HSL 16.23, 0.52%, 0.46%

LAB 48.13, 33.56, 35.27

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 50 / 69 / 30

HEX #B25938

RGB 178 89 56

HSL 16.23, 0.52%, 0.46%

LAB 48.13, 33.56, 35.27

 

CMYK 0 / 32 / 69 / 30

HEX #B27938

RGB 178 121 56

HSL 31.97, 0.52%, 0.46%

LAB 55.51, 15.98, 43.56

 

CMYK 0 / 13 / 69 / 30

HEX #B29A38

RGB 178 154 56

HSL 48.2, 0.52%, 0.46%

LAB 64.05, -2.24, 52.64

 

CMYK 6 / 0 / 69 / 30

HEX #A8B238

RGB 168 178 56

HSL 64.92, 0.52%, 0.46%

LAB 69.79, -19.13, 58.22

 

CMYK 24 / 0 / 69 / 30

HEX #87B238

RGB 135 178 56

HSL 81.15, 0.52%, 0.46%

LAB 67.48, -32.69, 55.13

 

CMYK 0 / 50 / 69 / 30

HEX #B25938

RGB 178 89 56

HSL 16.23, 0.52%, 0.46%

LAB 48.13, 33.56, 35.27

 

CMYK 0 / 59 / 81 / 23

HEX #C55025

RGB 197 80 37

HSL 16.13, 0.68%, 0.46%

LAB 49.18, 44.57, 47.07

 

CMYK 0 / 67 / 92 / 15

HEX #D84712

RGB 216 71 18

HSL 16.06, 0.85%, 0.46%

LAB 50.86, 54.8, 57.31

 

CMYK 0 / 50 / 69 / 30

HEX #B25938

RGB 178 89 56

HSL 16.23, 0.52%, 0.46%

LAB 48.13, 33.56, 35.27

 

CMYK 0 / 39 / 53 / 38

HEX #9F614B

RGB 159 97 75

HSL 15.71, 0.36%, 0.46%

LAB 47.53, 22.77, 23.13

 

CMYK 0 / 24 / 33 / 45

HEX #8C6A5E

RGB 140 106 94

HSL 15.65, 0.2%, 0.46%

LAB 47.87, 11.78, 11.98

 

CMYK 0 / 5 / 7 / 53

HEX #797371

RGB 121 115 113

HSL 15, 0.03%, 0.46%

LAB 48.91, 1.92, 1.92

 

CMYK 23 / 6 / 0 / 48

HEX #667C84

RGB 102 124 132

HSL 196, 0.13%, 0.46%

LAB 50.58, -6.08, -7.01

 

CMYK 0 / 69 / 51 / 30

HEX #B23858

RGB 178 56 88

HSL 344.26, 0.52%, 0.46%

LAB 42.76, 51.54, 9.29

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 51 / 69 / 30

HEX #B25838

RGB 178 88 56

HSL 15.74, 0.52%, 0.46%

LAB 47.92, 34.09, 35.03

 

CMYK 0 / 32 / 69 / 30

HEX #B27938

RGB 178 121 56

HSL 31.97, 0.52%, 0.46%

LAB 55.51, 15.98, 43.56

 

CMYK 0 / 14 / 69 / 30

HEX #B29938

RGB 178 153 56

HSL 47.7, 0.52%, 0.46%

LAB 63.78, -1.7, 52.36

 

CMYK 0 / 50 / 69 / 55

HEX #733924

RGB 115 57 36

HSL 15.95, 0.52%, 0.3%

LAB 31.11, 23.58, 24.41

 

CMYK 0 / 50 / 68 / 43

HEX #92492E

RGB 146 73 46

HSL 16.2, 0.52%, 0.38%

LAB 39.7, 28.47, 29.86

 

CMYK 0 / 50 / 69 / 30

HEX #B25938

RGB 178 89 56

HSL 16.23, 0.52%, 0.46%

LAB 48.13, 33.56, 35.27

 

CMYK 0 / 45 / 61 / 22

HEX #C66D4D

RGB 198 109 77

HSL 15.87, 0.51%, 0.54%

LAB 55.56, 32.34, 33.25

 

CMYK 0 / 35 / 48 / 18

HEX #D0876C

RGB 208 135 108

HSL 16.2, 0.52%, 0.62%

LAB 63.19, 24.98, 26.05

 

CMYK 0 / 50 / 69 / 30

HEX #B35938

RGB 179 89 56

HSL 16.1, 0.52%, 0.46%

LAB 48.28, 33.96, 35.49

 

CMYK 32 / 0 / 69 / 30

HEX #79B238

RGB 121 178 56

HSL 88.03, 0.52%, 0.46%

LAB 66.67, -38.03, 54.03

 

CMYK 69 / 60 / 0 / 30

HEX #3848B2

RGB 56 72 178

HSL 232.13, 0.52%, 0.46%

LAB 35.38, 29.26, -58.34

 

CMYK 0 / 50 / 69 / 30

HEX #B35938

RGB 179 89 56

HSL 16.1, 0.52%, 0.46%

LAB 48.28, 33.96, 35.49

 

CMYK 69 / 0 / 51 / 30

HEX #38B258

RGB 56 178 88

HSL 135.74, 0.52%, 0.46%

LAB 64.47, -52.91, 36.24

 

CMYK 51 / 69 / 0 / 30

HEX #5838B2

RGB 88 56 178

HSL 255.74, 0.52%, 0.46%

LAB 34.23, 44.22, -60.11

 

CMYK 0 / 50 / 69 / 30

HEX #B35938

RGB 179 89 56

HSL 16.1, 0.52%, 0.46%

LAB 48.28, 33.96, 35.49

 

CMYK 32 / 0 / 69 / 30

HEX #79B238

RGB 121 178 56

HSL 88.03, 0.52%, 0.46%

LAB 66.67, -38.03, 54.03

 

CMYK 69 / 19 / 0 / 30

HEX #3891B2

RGB 56 145 178

HSL 196.23, 0.52%, 0.46%

LAB 56.39, -15.68, -25

 

CMYK 37 / 69 / 0 / 30

HEX #7138B2

RGB 113 56 178

HSL 268.03, 0.52%, 0.46%

LAB 37.03, 48.99, -55.43

 

CMYK 0 / 50 / 69 / 30

HEX #B35938

RGB 179 89 56

HSL 16.1, 0.52%, 0.46%

LAB 48.28, 33.96, 35.49

 

CMYK 53 / 0 / 69 / 30

HEX #54B238

RGB 84 178 56

HSL 106.23, 0.52%, 0.46%

LAB 64.97, -50.19, 51.73

 

CMYK 69 / 19 / 0 / 30

HEX #3891B2

RGB 56 145 178

HSL 196.23, 0.52%, 0.46%

LAB 56.39, -15.68, -25

 

CMYK 16 / 69 / 0 / 30

HEX #9538B2

RGB 149 56 178

HSL 285.74, 0.52%, 0.46%

LAB 41.9, 56.72, -47.33

 

Description

Color code: HEX #B35938 | qconv.com Color code: HEX #B35938 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 89 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 89 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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