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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B351B9 it is the complementary color #4CAE46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B351B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B351B9 shade: #B851B4, #C963C7, #DA75DA, #EB87ED and #FC99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B351B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B351B9 shade: #B351B9, #A23FA6, #912D93, #801B80 and #6F096D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B351B9 shade: #B34FB9, #B94FA2, #B94F86, #B94F6A and #B94F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B351B9 shade: #B34FB9, #964FB9, #7A4FB9, #5E4FB9 and #4F4FB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B351B9 shade matches the following richer shades: #B34FB9, #C43CCD, #D628E0 and #E714F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B351B9 shade: #B34FB9, #A163A5, #907791, #7E8B7D and #6D9F6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B351B9 shade: #7A4FB9, #964FB9, #B24FB9, #B94FA4 and #B94F88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B351B9 shade: #7E3482, #9A3FA0, #B34FB9, #BF6DC4 and #CC8AD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B351B9 shade: #B351B9, #B95E4F and #4FB988

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B351B9 shade: #B351B9, #B9B24F and #4FB9B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B351B9 shade: #B351B9, #B95E4F, #56B94F and #4FABB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B351B9 shade: #B351B9, #B97D4F, #56B94F and #4F8BB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 56 / 0 / 27

HEX #B351B9

RGB 179 81 185

HSL 296.54, 0.43%, 0.52%

LAB 50.65, 54.22, -37.26

 

Complementary color

CMYK 56 / 0 / 60 / 32

HEX #4CAE46

RGB 76 174 70

HSL 116.54, 0.43%, 0.48%

LAB 63.55, -49.4, 43.99

 

CMYK 0 / 56 / 2 / 28

HEX #B851B4

RGB 184 81 180

HSL 302.33, 0.42%, 0.52%

LAB 51.12, 54.68, -33.57

 

CMYK 0 / 51 / 1 / 21

HEX #C963C7

RGB 201 99 199

HSL 301.18, 0.49%, 0.59%

LAB 57.53, 54.17, -34.33

 

CMYK 0 / 46 / 0 / 15

HEX #DA75DA

RGB 218 117 218

HSL 300, 0.58%, 0.66%

LAB 63.91, 53.54, -34.93

 

CMYK 1 / 43 / 0 / 7

HEX #EB87ED

RGB 235 135 237

HSL 298.82, 0.74%, 0.73%

LAB 70.25, 52.85, -35.44

 

CMYK 1 / 40 / 0 / 0

HEX #FC99FF

RGB 252 153 255

HSL 298.24, 1%, 0.8%

LAB 76.5, 51.95, -35.4

 

CMYK 3 / 56 / 0 / 27

HEX #B351B9

RGB 179 81 185

HSL 296.54, 0.43%, 0.52%

LAB 50.65, 54.22, -37.26

 

CMYK 2 / 62 / 0 / 35

HEX #A23FA6

RGB 162 63 166

HSL 297.67, 0.45%, 0.45%

LAB 44.22, 54.53, -36.41

 

CMYK 1 / 69 / 0 / 42

HEX #912D93

RGB 145 45 147

HSL 298.82, 0.53%, 0.38%

LAB 37.85, 54.4, -35.23

 

CMYK 0 / 79 / 0 / 50

HEX #801B80

RGB 128 27 128

HSL 300, 0.65%, 0.3%

LAB 31.65, 53.48, -33.52

 

CMYK 0 / 92 / 2 / 56

HEX #6F096D

RGB 111 9 109

HSL 301.18, 0.85%, 0.24%

LAB 25.8, 51.16, -30.94

 

CMYK 3 / 57 / 0 / 27

HEX #B34FB9

RGB 179 79 185

HSL 296.6, 0.43%, 0.52%

LAB 50.31, 55.16, -37.8

 

CMYK 0 / 57 / 12 / 27

HEX #B94FA2

RGB 185 79 162

HSL 313.02, 0.43%, 0.52%

LAB 50.11, 52.88, -24.57

 

CMYK 0 / 57 / 28 / 27

HEX #B94F86

RGB 185 79 134

HSL 328.87, 0.43%, 0.52%

LAB 49.04, 48.77, -9.55

 

CMYK 0 / 57 / 43 / 27

HEX #B94F6A

RGB 185 79 106

HSL 344.72, 0.43%, 0.52%

LAB 48.19, 45.39, 6.1

 

CMYK 0 / 57 / 57 / 27

HEX #B94F4F

RGB 185 79 79

HSL 0, 0.43%, 0.52%

LAB 47.59, 42.89, 21.55

 

CMYK 3 / 57 / 0 / 27

HEX #B34FB9

RGB 179 79 185

HSL 296.6, 0.43%, 0.52%

LAB 50.31, 55.16, -37.8

 

CMYK 19 / 57 / 0 / 27

HEX #964FB9

RGB 150 79 185

HSL 280.19, 0.43%, 0.52%

LAB 46.42, 47.56, -44.21

 

CMYK 34 / 57 / 0 / 27

HEX #7A4FB9

RGB 122 79 185

HSL 264.34, 0.43%, 0.52%

LAB 43.11, 40.5, -49.68

 

CMYK 49 / 57 / 0 / 27

HEX #5E4FB9

RGB 94 79 185

HSL 248.49, 0.43%, 0.52%

LAB 40.37, 34.08, -54.24

 

CMYK 57 / 57 / 0 / 27

HEX #4F4FB9

RGB 79 79 185

HSL 240, 0.43%, 0.52%

LAB 39.17, 31.06, -56.24

 

CMYK 3 / 57 / 0 / 27

HEX #B34FB9

RGB 179 79 185

HSL 296.6, 0.43%, 0.52%

LAB 50.31, 55.16, -37.8

 

CMYK 4 / 71 / 0 / 20

HEX #C43CCD

RGB 196 60 205

HSL 296.28, 0.59%, 0.52%

LAB 51.12, 70.42, -47.9

 

CMYK 4 / 82 / 0 / 12

HEX #D628E0

RGB 214 40 224

HSL 296.74, 0.75%, 0.52%

LAB 53.16, 82.56, -55.32

 

CMYK 5 / 92 / 0 / 4

HEX #E714F4

RGB 231 20 244

HSL 296.52, 0.91%, 0.52%

LAB 56.11, 91.56, -61.7

 

CMYK 3 / 57 / 0 / 27

HEX #B34FB9

RGB 179 79 185

HSL 296.6, 0.43%, 0.52%

LAB 50.31, 55.16, -37.8

 

CMYK 2 / 40 / 0 / 35

HEX #A163A5

RGB 161 99 165

HSL 296.36, 0.27%, 0.52%

LAB 50.94, 35.84, -25.32

 

CMYK 1 / 18 / 0 / 43

HEX #907791

RGB 144 119 145

HSL 297.69, 0.11%, 0.52%

LAB 53.13, 14.54, -10.44

 

CMYK 9 / 0 / 10 / 45

HEX #7E8B7D

RGB 126 139 125

HSL 115.71, 0.06%, 0.52%

LAB 56.47, -7.53, 5.88

 

CMYK 31 / 0 / 33 / 38

HEX #6D9F6A

RGB 109 159 106

HSL 116.6, 0.22%, 0.52%

LAB 60.86, -27.56, 22.49

 

CMYK 34 / 57 / 0 / 27

HEX #7A4FB9

RGB 122 79 185

HSL 264.34, 0.43%, 0.52%

LAB 43.11, 40.5, -49.68

 

CMYK 19 / 57 / 0 / 27

HEX #964FB9

RGB 150 79 185

HSL 280.19, 0.43%, 0.52%

LAB 46.42, 47.56, -44.21

 

CMYK 4 / 57 / 0 / 27

HEX #B24FB9

RGB 178 79 185

HSL 296.04, 0.43%, 0.52%

LAB 50.17, 54.9, -38.03

 

CMYK 0 / 57 / 11 / 27

HEX #B94FA4

RGB 185 79 164

HSL 311.89, 0.43%, 0.52%

LAB 50.2, 53.2, -25.62

 

CMYK 0 / 57 / 26 / 27

HEX #B94F88

RGB 185 79 136

HSL 327.74, 0.43%, 0.52%

LAB 49.11, 49.04, -10.65

 

CMYK 3 / 60 / 0 / 49

HEX #7E3482

RGB 126 52 130

HSL 296.92, 0.43%, 0.36%

LAB 35.01, 43.31, -29.46

 

CMYK 4 / 61 / 0 / 37

HEX #9A3FA0

RGB 154 63 160

HSL 296.29, 0.43%, 0.44%

LAB 42.71, 51.36, -35.3

 

CMYK 3 / 57 / 0 / 27

HEX #B34FB9

RGB 179 79 185

HSL 296.6, 0.43%, 0.52%

LAB 50.31, 55.16, -37.8

 

CMYK 3 / 44 / 0 / 23

HEX #BF6DC4

RGB 191 109 196

HSL 296.55, 0.42%, 0.6%

LAB 58.04, 45.69, -31.92

 

CMYK 2 / 34 / 0 / 18

HEX #CC8AD0

RGB 204 138 208

HSL 296.57, 0.43%, 0.68%

LAB 66.19, 36.52, -25.96

 

CMYK 3 / 56 / 0 / 27

HEX #B351B9

RGB 179 81 185

HSL 296.54, 0.43%, 0.52%

LAB 50.65, 54.22, -37.26

 

CMYK 0 / 49 / 57 / 27

HEX #B95E4F

RGB 185 94 79

HSL 8.49, 0.43%, 0.52%

LAB 50.55, 35.29, 25.41

 

CMYK 57 / 0 / 26 / 27

HEX #4FB988

RGB 79 185 136

HSL 152.26, 0.43%, 0.52%

LAB 68.12, -42.16, 15.86

 

CMYK 3 / 56 / 0 / 27

HEX #B351B9

RGB 179 81 185

HSL 296.54, 0.43%, 0.52%

LAB 50.65, 54.22, -37.26

 

CMYK 0 / 4 / 57 / 27

HEX #B9B24F

RGB 185 178 79

HSL 56.04, 0.43%, 0.52%

LAB 71.36, -10.37, 50.47

 

CMYK 57 / 0 / 4 / 27

HEX #4FB9B2

RGB 79 185 178

HSL 176.04, 0.43%, 0.52%

LAB 69.17, -32, -5.64

 

CMYK 3 / 56 / 0 / 27

HEX #B351B9

RGB 179 81 185

HSL 296.54, 0.43%, 0.52%

LAB 50.65, 54.22, -37.26

 

CMYK 0 / 49 / 57 / 27

HEX #B95E4F

RGB 185 94 79

HSL 8.49, 0.43%, 0.52%

LAB 50.55, 35.29, 25.41

 

CMYK 54 / 0 / 57 / 27

HEX #56B94F

RGB 86 185 79

HSL 116.04, 0.43%, 0.52%

LAB 67.46, -49.98, 44.42

 

CMYK 57 / 8 / 0 / 27

HEX #4FABB9

RGB 79 171 185

HSL 187.92, 0.43%, 0.52%

LAB 65.19, -23.14, -15.45

 

CMYK 3 / 56 / 0 / 27

HEX #B351B9

RGB 179 81 185

HSL 296.54, 0.43%, 0.52%

LAB 50.65, 54.22, -37.26

 

CMYK 0 / 32 / 57 / 27

HEX #B97D4F

RGB 185 125 79

HSL 26.04, 0.43%, 0.52%

LAB 57.6, 18.39, 34.29

 

CMYK 54 / 0 / 57 / 27

HEX #56B94F

RGB 86 185 79

HSL 116.04, 0.43%, 0.52%

LAB 67.46, -49.98, 44.42

 

CMYK 57 / 25 / 0 / 27

HEX #4F8BB9

RGB 79 139 185

HSL 206.04, 0.43%, 0.52%

LAB 55.72, -5.82, -29.97

 

Description

Color code: HEX #B351B9 | qconv.com Color code: HEX #B351B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 81 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 81 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 56 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 56% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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