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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B35AAB it is the complementary color #4CA554. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B35AAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B35AAB shade: #B85AA6, #C96CB9, #DA7ECC, #EB90DF and #FCA2F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B35AAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B35AAB shade: #B35AAB, #A24898, #913685, #802472 and #6F125F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B35AAB shade: #B35AAB, #B35A93, #B35A7B, #B35A63 and #B35A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B35AAB shade: #B35AAB, #A35AB3, #8B5AB3, #735AB3 and #5B5AB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B35AAB shade matches the following richer shades: #B35AAB, #C647BB, #DA34CB and #ED20DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B35AAB shade: #B35AAB, #A06E9B, #8C818B, #79947B and #65A86B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B35AAB shade: #8B5AB3, #A35AB3, #B35AAC, #B35A94 and #B35A7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B35AAB shade: #803B7A, #9C4895, #B35AAB, #C077B9 and #CD93C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B35AAB shade: #B35AAB, #B3735A and #5AB397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B35AAB shade: #B35AAB, #ACB35A and #5AACB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B35AAB shade: #B35AAB, #B3735A, #5AB362 and #5A9AB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B35AAB shade: #B35AAB, #B38E5A, #5AB362 and #5A7FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

Complementary color

CMYK 54 / 0 / 49 / 35

HEX #4CA554

RGB 76 165 84

HSL 125.39, 0.37%, 0.47%

LAB 60.86, -43.96, 33.9

 

CMYK 0 / 51 / 10 / 28

HEX #B85AA6

RGB 184 90 166

HSL 311.49, 0.4%, 0.54%

LAB 52.13, 47.94, -23.83

 

CMYK 0 / 46 / 8 / 21

HEX #C96CB9

RGB 201 108 185

HSL 310.32, 0.46%, 0.61%

LAB 58.64, 47.27, -24.6

 

CMYK 0 / 42 / 6 / 15

HEX #DA7ECC

RGB 218 126 204

HSL 309.13, 0.55%, 0.67%

LAB 65.11, 46.54, -25.24

 

CMYK 0 / 39 / 5 / 8

HEX #EB90DF

RGB 235 144 223

HSL 307.91, 0.69%, 0.74%

LAB 71.51, 45.8, -25.8

 

CMYK 0 / 36 / 4 / 1

HEX #FCA2F2

RGB 252 162 242

HSL 306.67, 0.94%, 0.81%

LAB 77.84, 45.07, -26.3

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 0 / 56 / 6 / 36

HEX #A24898

RGB 162 72 152

HSL 306.67, 0.38%, 0.46%

LAB 45.06, 47.88, -26.74

 

CMYK 0 / 63 / 8 / 43

HEX #913685

RGB 145 54 133

HSL 307.91, 0.46%, 0.39%

LAB 38.47, 48.21, -25.69

 

CMYK 0 / 72 / 11 / 50

HEX #802472

RGB 128 36 114

HSL 309.13, 0.56%, 0.32%

LAB 31.96, 48.04, -24.2

 

CMYK 0 / 84 / 14 / 56

HEX #6F125F

RGB 111 18 95

HSL 310.32, 0.72%, 0.25%

LAB 25.68, 46.87, -22.01

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 0 / 50 / 18 / 30

HEX #B35A93

RGB 179 90 147

HSL 321.57, 0.37%, 0.53%

LAB 50.69, 43.29, -14.9

 

CMYK 0 / 50 / 31 / 30

HEX #B35A7B

RGB 179 90 123

HSL 337.75, 0.37%, 0.53%

LAB 49.89, 39.83, -1.8

 

CMYK 0 / 50 / 45 / 30

HEX #B35A63

RGB 179 90 99

HSL 353.93, 0.37%, 0.53%

LAB 49.25, 36.96, 11.68

 

CMYK 0 / 50 / 50 / 30

HEX #B35A5A

RGB 179 90 90

HSL 0, 0.37%, 0.53%

LAB 49.05, 36.05, 16.78

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 9 / 50 / 0 / 30

HEX #A35AB3

RGB 163 90 179

HSL 289.21, 0.37%, 0.53%

LAB 49.92, 44.12, -35.07

 

CMYK 22 / 50 / 0 / 30

HEX #8B5AB3

RGB 139 90 179

HSL 273.03, 0.37%, 0.53%

LAB 47.05, 37.27, -39.79

 

CMYK 36 / 50 / 0 / 30

HEX #735AB3

RGB 115 90 179

HSL 256.85, 0.37%, 0.53%

LAB 44.54, 30.72, -43.94

 

CMYK 49 / 50 / 0 / 30

HEX #5B5AB3

RGB 91 90 179

HSL 240.67, 0.37%, 0.53%

LAB 42.45, 24.77, -47.39

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 0 / 64 / 6 / 22

HEX #C647BB

RGB 198 71 187

HSL 305.2, 0.53%, 0.53%

LAB 51.95, 63.82, -36.19

 

CMYK 0 / 76 / 7 / 15

HEX #DA34CB

RGB 218 52 203

HSL 305.42, 0.69%, 0.53%

LAB 53.68, 77.21, -42.48

 

CMYK 0 / 86 / 8 / 7

HEX #ED20DB

RGB 237 32 219

HSL 305.27, 0.85%, 0.53%

LAB 56.24, 87.42, -47.35

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 0 / 31 / 3 / 37

HEX #A06E9B

RGB 160 110 155

HSL 306, 0.21%, 0.53%

LAB 52.94, 27.37, -16.41

 

CMYK 0 / 8 / 1 / 45

HEX #8C818B

RGB 140 129 139

HSL 305.45, 0.05%, 0.53%

LAB 55.22, 6.07, -3.88

 

CMYK 18 / 0 / 17 / 42

HEX #79947B

RGB 121 148 123

HSL 124.44, 0.11%, 0.53%

LAB 58.67, -14.63, 10.11

 

CMYK 40 / 0 / 36 / 34

HEX #65A86B

RGB 101 168 107

HSL 125.37, 0.28%, 0.53%

LAB 63.21, -34.3, 25.01

 

CMYK 22 / 50 / 0 / 30

HEX #8B5AB3

RGB 139 90 179

HSL 273.03, 0.37%, 0.53%

LAB 47.05, 37.27, -39.79

 

CMYK 9 / 50 / 0 / 30

HEX #A35AB3

RGB 163 90 179

HSL 289.21, 0.37%, 0.53%

LAB 49.92, 44.12, -35.07

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAC

RGB 179 90 172

HSL 304.72, 0.37%, 0.53%

LAB 51.7, 47.48, -28.06

 

CMYK 0 / 50 / 17 / 30

HEX #B35A94

RGB 179 90 148

HSL 320.9, 0.37%, 0.53%

LAB 50.73, 43.45, -15.44

 

CMYK 0 / 50 / 31 / 30

HEX #B35A7C

RGB 179 90 124

HSL 337.08, 0.37%, 0.53%

LAB 49.92, 39.96, -2.35

 

CMYK 0 / 54 / 5 / 50

HEX #803B7A

RGB 128 59 122

HSL 305.22, 0.37%, 0.37%

LAB 36.22, 38.85, -22.58

 

CMYK 0 / 54 / 4 / 39

HEX #9C4895

RGB 156 72 149

HSL 305, 0.37%, 0.45%

LAB 44.05, 45.59, -26.58

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 0 / 38 / 4 / 25

HEX #C077B9

RGB 192 119 185

HSL 305.75, 0.37%, 0.61%

LAB 59.8, 38.66, -22.92

 

CMYK 0 / 28 / 2 / 20

HEX #CD93C8

RGB 205 147 200

HSL 305.17, 0.37%, 0.69%

LAB 68.03, 30.45, -18.68

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 0 / 36 / 50 / 30

HEX #B3735A

RGB 179 115 90

HSL 16.85, 0.37%, 0.53%

LAB 54.64, 22.43, 24.25

 

CMYK 50 / 0 / 16 / 30

HEX #5AB397

RGB 90 179 151

HSL 161.12, 0.37%, 0.53%

LAB 67.01, -33.56, 6.14

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 4 / 0 / 50 / 30

HEX #ACB35A

RGB 172 179 90

HSL 64.72, 0.37%, 0.53%

LAB 70.7, -15.39, 44.19

 

CMYK 50 / 4 / 0 / 30

HEX #5AACB3

RGB 90 172 179

HSL 184.72, 0.37%, 0.53%

LAB 65.7, -23.03, -11.32

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 0 / 36 / 50 / 30

HEX #B3735A

RGB 179 115 90

HSL 16.85, 0.37%, 0.53%

LAB 54.64, 22.43, 24.25

 

CMYK 50 / 0 / 45 / 30

HEX #5AB362

RGB 90 179 98

HSL 125.39, 0.37%, 0.53%

LAB 65.98, -43.86, 33.27

 

CMYK 50 / 14 / 0 / 30

HEX #5A9AB3

RGB 90 154 179

HSL 196.85, 0.37%, 0.53%

LAB 60.37, -13.57, -19.36

 

CMYK 0 / 50 / 4 / 30

HEX #B35AAB

RGB 179 90 171

HSL 305.39, 0.37%, 0.53%

LAB 51.65, 47.3, -27.54

 

CMYK 0 / 21 / 50 / 30

HEX #B38E5A

RGB 179 142 90

HSL 35.06, 0.37%, 0.53%

LAB 61.37, 7.37, 32.9

 

CMYK 50 / 0 / 45 / 30

HEX #5AB362

RGB 90 179 98

HSL 125.39, 0.37%, 0.53%

LAB 65.98, -43.86, 33.27

 

CMYK 50 / 29 / 0 / 30

HEX #5A7FB3

RGB 90 127 179

HSL 215.06, 0.37%, 0.53%

LAB 52.52, 1.78, -31.47

 

Description

Color code: HEX #B35AAB | qconv.com Color code: HEX #B35AAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 90 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 90 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 4 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 4% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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