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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B35D3C it is the complementary color #4CA2C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B35D3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B35D3C shade: #B85D37, #C96F4A, #DA815D, #EB9370 and #FCA583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B35D3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B35D3C shade: #B35D3C, #A24B29, #913916, #802703 and #6F1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B35D3C shade: #B35D3B, #B33C3B and #B33B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B35D3C shade: #B35D3B, #B37D3B, #B39D3B, #A9B33B and #89B33B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B35D3C shade matches the following richer shades: #B35D3B, #C75428, #DA4B15 and #ED4301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B35D3C shade: #B35D3B, #A0654F, #8C6E62, #797776 and #667F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B35D3C shade: #B33B5B, #B33B3B, #B35B3B, #B37B3B and #B39B3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B35D3C shade: #753D27, #944D31, #B35D3B, #C57253 and #D08C72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B35D3C shade: #B35D3C, #7BB33B and #3B4BB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B35D3C shade: #B35D3C, #3BB35B and #5B3BB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B35D3C shade: #B35D3C, #7BB33B, #3B93B3 and #733BB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B35D3C shade: #B35D3C, #57B33B, #3B93B3 and #973BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 66 / 30

HEX #B35D3C

RGB 179 93 60

HSL 16.64, 0.5%, 0.47%

LAB 49.18, 32.08, 34.33

 

Complementary color

CMYK 61 / 17 / 0 / 24

HEX #4CA2C3

RGB 76 162 195

HSL 196.64, 0.5%, 0.53%

LAB 62.77, -16.01, -24.72

 

CMYK 0 / 49 / 70 / 28

HEX #B85D37

RGB 184 93 55

HSL 17.67, 0.54%, 0.47%

LAB 49.85, 33.81, 38.02

 

CMYK 0 / 45 / 63 / 21

HEX #C96F4A

RGB 201 111 74

HSL 17.48, 0.54%, 0.54%

LAB 56.37, 32.27, 35.97

 

CMYK 0 / 41 / 57 / 15

HEX #DA815D

RGB 218 129 93

HSL 17.28, 0.63%, 0.61%

LAB 62.84, 30.89, 34.1

 

CMYK 0 / 37 / 52 / 8

HEX #EB9370

RGB 235 147 112

HSL 17.07, 0.75%, 0.68%

LAB 69.25, 29.64, 32.4

 

CMYK 0 / 35 / 48 / 1

HEX #FCA583

RGB 252 165 131

HSL 16.86, 0.95%, 0.75%

LAB 75.6, 28.52, 30.85

 

CMYK 0 / 48 / 66 / 30

HEX #B35D3C

RGB 179 93 60

HSL 16.64, 0.5%, 0.47%

LAB 49.18, 32.08, 34.33

 

CMYK 0 / 54 / 75 / 36

HEX #A24B29

RGB 162 75 41

HSL 16.86, 0.6%, 0.4%

LAB 42.57, 33.69, 36.54

 

CMYK 0 / 61 / 85 / 43

HEX #913916

RGB 145 57 22

HSL 17.07, 0.74%, 0.33%

LAB 35.99, 35.38, 38.72

 

CMYK 0 / 70 / 98 / 50

HEX #802703

RGB 128 39 3

HSL 17.28, 0.95%, 0.26%

LAB 29.53, 36.96, 40.26

 

CMYK 0 / 81 / 100 / 56

HEX #6F1500

RGB 111 21 0

HSL 11.35, 1%, 0.22%

LAB 23.39, 38.02, 34.66

 

CMYK 0 / 48 / 67 / 30

HEX #B35D3B

RGB 179 93 59

HSL 17, 0.5%, 0.47%

LAB 49.16, 32.02, 34.87

 

CMYK 0 / 66 / 67 / 30

HEX #B33C3B

RGB 179 60 59

HSL 0.5, 0.5%, 0.47%

LAB 42.96, 48.11, 27.43

 

CMYK 0 / 67 / 67 / 30

HEX #B33B3B

RGB 179 59 59

HSL 0, 0.5%, 0.47%

LAB 42.8, 48.53, 27.24

 

CMYK 0 / 48 / 67 / 30

HEX #B35D3B

RGB 179 93 59

HSL 17, 0.5%, 0.47%

LAB 49.16, 32.02, 34.87

 

CMYK 0 / 30 / 67 / 30

HEX #B37D3B

RGB 179 125 59

HSL 33, 0.5%, 0.47%

LAB 56.65, 14.37, 43.38

 

CMYK 0 / 12 / 67 / 30

HEX #B39D3B

RGB 179 157 59

HSL 49, 0.5%, 0.47%

LAB 64.97, -3.24, 52.34

 

CMYK 6 / 0 / 67 / 30

HEX #A9B33B

RGB 169 179 59

HSL 65, 0.5%, 0.47%

LAB 70.17, -19.04, 57.45

 

CMYK 23 / 0 / 67 / 30

HEX #89B33B

RGB 137 179 59

HSL 81, 0.5%, 0.47%

LAB 67.93, -32.16, 54.43

 

CMYK 0 / 48 / 67 / 30

HEX #B35D3B

RGB 179 93 59

HSL 17, 0.5%, 0.47%

LAB 49.16, 32.02, 34.87

 

CMYK 0 / 58 / 80 / 22

HEX #C75428

RGB 199 84 40

HSL 16.6, 0.67%, 0.47%

LAB 50.26, 43.52, 46.79

 

CMYK 0 / 66 / 90 / 15

HEX #DA4B15

RGB 218 75 21

HSL 16.45, 0.82%, 0.47%

LAB 51.83, 53.89, 57.19

 

CMYK 0 / 72 / 100 / 7

HEX #ED4301

RGB 237 67 1

HSL 16.78, 0.99%, 0.47%

LAB 54.05, 62.94, 65.23

 

CMYK 0 / 48 / 67 / 30

HEX #B35D3B

RGB 179 93 59

HSL 17, 0.5%, 0.47%

LAB 49.16, 32.02, 34.87

 

CMYK 0 / 37 / 51 / 37

HEX #A0654F

RGB 160 101 79

HSL 16.3, 0.34%, 0.47%

LAB 48.69, 21.31, 22.33

 

CMYK 0 / 21 / 30 / 45

HEX #8C6E62

RGB 140 110 98

HSL 17.14, 0.18%, 0.47%

LAB 49.02, 10.01, 11.22

 

CMYK 0 / 2 / 2 / 53

HEX #797776

RGB 121 119 118

HSL 20, 0.01%, 0.47%

LAB 50.18, 0.56, 0.81

 

CMYK 26 / 7 / 0 / 46

HEX #667F89

RGB 102 127 137

HSL 197.14, 0.15%, 0.47%

LAB 51.62, -6.57, -8.38

 

CMYK 0 / 67 / 49 / 30

HEX #B33B5B

RGB 179 59 91

HSL 344, 0.5%, 0.47%

LAB 43.46, 50.91, 8.43

 

CMYK 0 / 67 / 67 / 30

HEX #B33B3B

RGB 179 59 59

HSL 0, 0.5%, 0.47%

LAB 42.8, 48.53, 27.24

 

CMYK 0 / 49 / 67 / 30

HEX #B35B3B

RGB 179 91 59

HSL 16, 0.5%, 0.47%

LAB 48.74, 33.08, 34.37

 

CMYK 0 / 31 / 67 / 30

HEX #B37B3B

RGB 179 123 59

HSL 32, 0.5%, 0.47%

LAB 56.15, 15.48, 42.83

 

CMYK 0 / 13 / 67 / 30

HEX #B39B3B

RGB 179 155 59

HSL 48, 0.5%, 0.47%

LAB 64.44, -2.16, 51.78

 

CMYK 0 / 48 / 67 / 54

HEX #753D27

RGB 117 61 39

HSL 16.92, 0.5%, 0.31%

LAB 32.4, 22.35, 24.23

 

CMYK 0 / 48 / 67 / 42

HEX #944D31

RGB 148 77 49

HSL 16.97, 0.5%, 0.39%

LAB 40.94, 27.29, 29.66

 

CMYK 0 / 48 / 67 / 30

HEX #B35D3B

RGB 179 93 59

HSL 17, 0.5%, 0.47%

LAB 49.16, 32.02, 34.87

 

CMYK 0 / 42 / 58 / 23

HEX #C57253

RGB 197 114 83

HSL 16.32, 0.5%, 0.55%

LAB 56.61, 29.71, 31.19

 

CMYK 0 / 33 / 45 / 18

HEX #D08C72

RGB 208 140 114

HSL 16.6, 0.5%, 0.63%

LAB 64.47, 22.87, 24.41

 

CMYK 0 / 48 / 66 / 30

HEX #B35D3C

RGB 179 93 60

HSL 16.64, 0.5%, 0.47%

LAB 49.18, 32.08, 34.33

 

CMYK 31 / 0 / 67 / 30

HEX #7BB33B

RGB 123 179 59

HSL 88, 0.5%, 0.47%

LAB 67.1, -37.51, 53.31

 

CMYK 67 / 58 / 0 / 30

HEX #3B4BB3

RGB 59 75 179

HSL 232, 0.5%, 0.47%

LAB 36.4, 28.12, -57.26

 

CMYK 0 / 48 / 66 / 30

HEX #B35D3C

RGB 179 93 60

HSL 16.64, 0.5%, 0.47%

LAB 49.18, 32.08, 34.33

 

CMYK 67 / 0 / 49 / 30

HEX #3BB35B

RGB 59 179 91

HSL 136, 0.5%, 0.47%

LAB 64.9, -52.26, 35.28

 

CMYK 49 / 67 / 0 / 30

HEX #5B3BB3

RGB 91 59 179

HSL 256, 0.5%, 0.47%

LAB 35.22, 43.39, -59.08

 

CMYK 0 / 48 / 66 / 30

HEX #B35D3C

RGB 179 93 60

HSL 16.64, 0.5%, 0.47%

LAB 49.18, 32.08, 34.33

 

CMYK 31 / 0 / 67 / 30

HEX #7BB33B

RGB 123 179 59

HSL 88, 0.5%, 0.47%

LAB 67.1, -37.51, 53.31

 

CMYK 67 / 18 / 0 / 30

HEX #3B93B3

RGB 59 147 179

HSL 196, 0.5%, 0.47%

LAB 57.13, -15.96, -24.44

 

CMYK 36 / 67 / 0 / 30

HEX #733BB3

RGB 115 59 179

HSL 268, 0.5%, 0.47%

LAB 37.89, 48.15, -54.61

 

CMYK 0 / 48 / 66 / 30

HEX #B35D3C

RGB 179 93 60

HSL 16.64, 0.5%, 0.47%

LAB 49.18, 32.08, 34.33

 

CMYK 51 / 0 / 67 / 30

HEX #57B33B

RGB 87 179 59

HSL 106, 0.5%, 0.47%

LAB 65.42, -49.46, 51.02

 

CMYK 67 / 18 / 0 / 30

HEX #3B93B3

RGB 59 147 179

HSL 196, 0.5%, 0.47%

LAB 57.13, -15.96, -24.44

 

CMYK 16 / 67 / 0 / 30

HEX #973BB3

RGB 151 59 179

HSL 286, 0.5%, 0.47%

LAB 42.71, 56.09, -46.61

 

Description

Color code: HEX #B35D3C | qconv.com Color code: HEX #B35D3C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 93 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 93 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 66 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 66% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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