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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B36157 it is the complementary color #4C9EA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B36157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B36157 shade: #B86152, #C97365, #DA8578, #EB978B and #FCA99E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B36157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B36157 shade: #B36157, #A24F44, #913D31, #802B1E and #6F190B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B36157 shade: #B36056 and #B35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B36157 shade: #B36056, #B37956, #B39256, #B3AB56 and #A1B356

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B36157 shade matches the following richer shades: #B36056, #C65042, #DA412E and #EE311A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B36157 shade: #B36056, #9F6F69, #8B7F7D, #778E91 and #639EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B36157 shade: #B3567E, #B35665, #B35F56, #B37856 and #B39156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B36157 shade: #7E4038, #9A4E45, #B36056, #BF7A72 and #CC958F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B36157 shade: #B36157, #97B356 and #5671B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B36157 shade: #B36157, #56B35F and #5F56B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B36157 shade: #B36157, #97B356, #56A9B3 and #7156B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B36157 shade: #B36157, #7BB356, #56A9B3 and #8D56B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 51 / 30

HEX #B36157

RGB 179 97 87

HSL 6.52, 0.38%, 0.52%

LAB 50.48, 32.04, 20.48

 

Complementary color

CMYK 55 / 6 / 0 / 34

HEX #4C9EA8

RGB 76 158 168

HSL 186.52, 0.38%, 0.48%

LAB 60.62, -21.99, -12.83

 

CMYK 0 / 47 / 55 / 28

HEX #B86152

RGB 184 97 82

HSL 8.82, 0.42%, 0.52%

LAB 51.09, 33.56, 24.34

 

CMYK 0 / 43 / 50 / 21

HEX #C97365

RGB 201 115 101

HSL 8.4, 0.48%, 0.59%

LAB 57.67, 32.32, 22.5

 

CMYK 0 / 39 / 45 / 15

HEX #DA8578

RGB 218 133 120

HSL 7.96, 0.57%, 0.66%

LAB 64.19, 31.19, 20.9

 

CMYK 0 / 36 / 41 / 8

HEX #EB978B

RGB 235 151 139

HSL 7.5, 0.71%, 0.73%

LAB 70.64, 30.17, 19.47

 

CMYK 0 / 33 / 37 / 1

HEX #FCA99E

RGB 252 169 158

HSL 7.02, 0.94%, 0.8%

LAB 77, 29.23, 18.19

 

CMYK 0 / 46 / 51 / 30

HEX #B36157

RGB 179 97 87

HSL 6.52, 0.38%, 0.52%

LAB 50.48, 32.04, 20.48

 

CMYK 0 / 51 / 58 / 36

HEX #A24F44

RGB 162 79 68

HSL 7.02, 0.41%, 0.45%

LAB 43.79, 33.31, 22.49

 

CMYK 0 / 58 / 66 / 43

HEX #913D31

RGB 145 61 49

HSL 7.5, 0.49%, 0.38%

LAB 37.08, 34.65, 24.9

 

CMYK 0 / 66 / 77 / 50

HEX #802B1E

RGB 128 43 30

HSL 7.96, 0.62%, 0.31%

LAB 30.43, 35.93, 27.82

 

CMYK 0 / 77 / 90 / 56

HEX #6F190B

RGB 111 25 11

HSL 8.4, 0.82%, 0.24%

LAB 24, 36.82, 30.78

 

CMYK 0 / 46 / 52 / 30

HEX #B36056

RGB 179 96 86

HSL 6.45, 0.38%, 0.52%

LAB 50.24, 32.48, 20.75

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 46 / 52 / 30

HEX #B36056

RGB 179 96 86

HSL 6.45, 0.38%, 0.52%

LAB 50.24, 32.48, 20.75

 

CMYK 0 / 32 / 52 / 30

HEX #B37956

RGB 179 121 86

HSL 22.58, 0.38%, 0.52%

LAB 56.02, 18.7, 28.29

 

CMYK 0 / 18 / 52 / 30

HEX #B39256

RGB 179 146 86

HSL 38.71, 0.38%, 0.52%

LAB 62.35, 4.78, 36.25

 

CMYK 0 / 4 / 52 / 30

HEX #B3AB56

RGB 179 171 86

HSL 54.84, 0.38%, 0.52%

LAB 69.03, -8.68, 44.3

 

CMYK 10 / 0 / 52 / 30

HEX #A1B356

RGB 161 179 86

HSL 71.61, 0.38%, 0.52%

LAB 69.82, -20.27, 44.88

 

CMYK 0 / 46 / 52 / 30

HEX #B36056

RGB 179 96 86

HSL 6.45, 0.38%, 0.52%

LAB 50.24, 32.48, 20.75

 

CMYK 0 / 60 / 67 / 22

HEX #C65042

RGB 198 80 66

HSL 6.36, 0.54%, 0.52%

LAB 49.66, 46.23, 32.24

 

CMYK 0 / 70 / 79 / 15

HEX #DA412E

RGB 218 65 46

HSL 6.63, 0.7%, 0.52%

LAB 50.55, 58.41, 45.19

 

CMYK 0 / 79 / 89 / 7

HEX #EE311A

RGB 238 49 26

HSL 6.51, 0.86%, 0.52%

LAB 52.34, 69.01, 57.43

 

CMYK 0 / 46 / 52 / 30

HEX #B36056

RGB 179 96 86

HSL 6.45, 0.38%, 0.52%

LAB 50.24, 32.48, 20.75

 

CMYK 0 / 30 / 34 / 38

HEX #9F6F69

RGB 159 111 105

HSL 6.67, 0.22%, 0.52%

LAB 51.56, 18.23, 10.97

 

CMYK 0 / 9 / 10 / 45

HEX #8B7F7D

RGB 139 127 125

HSL 8.57, 0.06%, 0.52%

LAB 54.18, 4.19, 2.73

 

CMYK 18 / 2 / 0 / 43

HEX #778E91

RGB 119 142 145

HSL 186.92, 0.11%, 0.52%

LAB 57.38, -7.48, -4.34

 

CMYK 40 / 4 / 0 / 35

HEX #639EA5

RGB 99 158 165

HSL 186.36, 0.27%, 0.52%

LAB 61.5, -17.31, -9.71

 

CMYK 0 / 52 / 30 / 30

HEX #B3567E

RGB 179 86 126

HSL 334.19, 0.38%, 0.52%

LAB 49.19, 42.28, -4.63

 

CMYK 0 / 52 / 44 / 30

HEX #B35665

RGB 179 86 101

HSL 350.32, 0.38%, 0.52%

LAB 48.48, 39.25, 9.4

 

CMYK 0 / 47 / 52 / 30

HEX #B35F56

RGB 179 95 86

HSL 5.81, 0.38%, 0.52%

LAB 50.03, 33.02, 20.47

 

CMYK 0 / 33 / 52 / 30

HEX #B37856

RGB 179 120 86

HSL 21.94, 0.38%, 0.52%

LAB 55.77, 19.26, 27.98

 

CMYK 0 / 19 / 52 / 30

HEX #B39156

RGB 179 145 86

HSL 38.06, 0.38%, 0.52%

LAB 62.09, 5.33, 35.93

 

CMYK 0 / 49 / 56 / 51

HEX #7E4038

RGB 126 64 56

HSL 6.86, 0.38%, 0.36%

LAB 34.78, 25.9, 17.03

 

CMYK 0 / 49 / 55 / 40

HEX #9A4E45

RGB 154 78 69

HSL 6.35, 0.38%, 0.44%

LAB 42.38, 30.76, 19.83

 

CMYK 0 / 46 / 52 / 30

HEX #B36056

RGB 179 96 86

HSL 6.45, 0.38%, 0.52%

LAB 50.24, 32.48, 20.75

 

CMYK 0 / 36 / 40 / 25

HEX #BF7A72

RGB 191 122 114

HSL 6.23, 0.38%, 0.6%

LAB 58.24, 25.97, 15.61

 

CMYK 0 / 27 / 30 / 20

HEX #CC958F

RGB 204 149 143

HSL 5.9, 0.37%, 0.68%

LAB 66.76, 19.86, 11.32

 

CMYK 0 / 46 / 51 / 30

HEX #B36157

RGB 179 97 87

HSL 6.52, 0.38%, 0.52%

LAB 50.48, 32.04, 20.48

 

CMYK 16 / 0 / 52 / 30

HEX #97B356

RGB 151 179 86

HSL 78.06, 0.38%, 0.52%

LAB 69.11, -24.29, 43.86

 

CMYK 52 / 37 / 0 / 30

HEX #5671B3

RGB 86 113 179

HSL 222.58, 0.38%, 0.52%

LAB 48.31, 9.27, -38.08

 

CMYK 0 / 46 / 51 / 30

HEX #B36157

RGB 179 97 87

HSL 6.52, 0.38%, 0.52%

LAB 50.48, 32.04, 20.48

 

CMYK 52 / 0 / 47 / 30

HEX #56B35F

RGB 86 179 95

HSL 125.81, 0.38%, 0.52%

LAB 65.78, -45.41, 34.53

 

CMYK 47 / 52 / 0 / 30

HEX #5F56B3

RGB 95 86 179

HSL 245.81, 0.38%, 0.52%

LAB 41.76, 28.18, -48.48

 

CMYK 0 / 46 / 51 / 30

HEX #B36157

RGB 179 97 87

HSL 6.52, 0.38%, 0.52%

LAB 50.48, 32.04, 20.48

 

CMYK 16 / 0 / 52 / 30

HEX #97B356

RGB 151 179 86

HSL 78.06, 0.38%, 0.52%

LAB 69.11, -24.29, 43.86

 

CMYK 52 / 6 / 0 / 30

HEX #56A9B3

RGB 86 169 179

HSL 186.45, 0.38%, 0.52%

LAB 64.65, -22.38, -12.9

 

CMYK 37 / 52 / 0 / 30

HEX #7156B3

RGB 113 86 179

HSL 257.42, 0.38%, 0.52%

LAB 43.39, 32.59, -45.77

 

CMYK 0 / 46 / 51 / 30

HEX #B36157

RGB 179 97 87

HSL 6.52, 0.38%, 0.52%

LAB 50.48, 32.04, 20.48

 

CMYK 31 / 0 / 52 / 30

HEX #7BB356

RGB 123 179 86

HSL 96.13, 0.38%, 0.52%

LAB 67.37, -34.91, 41.37

 

CMYK 52 / 6 / 0 / 30

HEX #56A9B3

RGB 86 169 179

HSL 186.45, 0.38%, 0.52%

LAB 64.65, -22.38, -12.9

 

CMYK 21 / 52 / 0 / 30

HEX #8D56B3

RGB 141 86 179

HSL 275.48, 0.38%, 0.52%

LAB 46.41, 40.06, -40.79

 

Description

Color code: HEX #B36157 | qconv.com Color code: HEX #B36157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 97 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 97 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 51 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 51% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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