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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3635C it is the complementary color #4C9CA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3635C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3635C shade: #B86357, #C9756A, #DA877D, #EB9990 and #FCABA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3635C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3635C shade: #B3635C, #A25149, #913F36, #802D23 and #6F1B10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3635C shade: #B2625C and #B25C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3635C shade: #B2625C, #B27A5C, #B2915C, #B2A85C and #A4B25C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3635C shade matches the following richer shades: #B2625C, #C55248, #D94235 and #EC3221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3635C shade: #B2625C, #9E736F, #8B8382, #789396 and #64A4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3635C shade: #B25C84, #B25C6D, #B2615C, #B2785C and #B28F5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3635C shade: #7F413C, #9B4F49, #B2625C, #BF7D78 and #CC9894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3635C shade: #B3635C, #9BB25C and #5C78B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3635C shade: #B3635C, #5CB261 and #615CB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3635C shade: #B3635C, #9BB25C, #5CACB2 and #735CB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3635C shade: #B3635C, #81B25C, #5CACB2 and #8C5CB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 49 / 30

HEX #B3635C

RGB 179 99 92

HSL 4.83, 0.36%, 0.53%

LAB 51.01, 31.44, 18.26

 

Complementary color

CMYK 53 / 4 / 0 / 36

HEX #4C9CA3

RGB 76 156 163

HSL 184.83, 0.36%, 0.47%

LAB 59.85, -22.39, -11.16

 

CMYK 0 / 46 / 53 / 28

HEX #B86357

RGB 184 99 87

HSL 7.42, 0.41%, 0.53%

LAB 51.61, 32.93, 22.11

 

CMYK 0 / 42 / 47 / 21

HEX #C9756A

RGB 201 117 106

HSL 6.95, 0.47%, 0.6%

LAB 58.21, 31.74, 20.36

 

CMYK 0 / 38 / 43 / 15

HEX #DA877D

RGB 218 135 125

HSL 6.45, 0.56%, 0.67%

LAB 64.73, 30.65, 18.83

 

CMYK 0 / 35 / 39 / 8

HEX #EB9990

RGB 235 153 144

HSL 5.93, 0.69%, 0.74%

LAB 71.19, 29.66, 17.47

 

CMYK 0 / 32 / 35 / 1

HEX #FCABA3

RGB 252 171 163

HSL 5.39, 0.94%, 0.81%

LAB 77.56, 28.77, 16.25

 

CMYK 0 / 45 / 49 / 30

HEX #B3635C

RGB 179 99 92

HSL 4.83, 0.36%, 0.53%

LAB 51.01, 31.44, 18.26

 

CMYK 0 / 50 / 55 / 36

HEX #A25149

RGB 162 81 73

HSL 5.39, 0.38%, 0.46%

LAB 44.3, 32.67, 20.16

 

CMYK 0 / 57 / 63 / 43

HEX #913F36

RGB 145 63 54

HSL 5.93, 0.46%, 0.39%

LAB 37.56, 33.97, 22.45

 

CMYK 0 / 65 / 73 / 50

HEX #802D23

RGB 128 45 35

HSL 6.45, 0.57%, 0.32%

LAB 30.85, 35.24, 25.27

 

CMYK 0 / 76 / 86 / 56

HEX #6F1B10

RGB 111 27 16

HSL 6.95, 0.75%, 0.25%

LAB 24.32, 36.18, 28.64

 

CMYK 0 / 45 / 48 / 30

HEX #B2625C

RGB 178 98 92

HSL 4.19, 0.36%, 0.53%

LAB 50.66, 31.59, 17.75

 

CMYK 0 / 48 / 48 / 30

HEX #B25C5C

RGB 178 92 92

HSL 0, 0.36%, 0.53%

LAB 49.36, 34.81, 16

 

CMYK 0 / 45 / 48 / 30

HEX #B2625C

RGB 178 98 92

HSL 4.19, 0.36%, 0.53%

LAB 50.66, 31.59, 17.75

 

CMYK 0 / 31 / 48 / 30

HEX #B27A5C

RGB 178 122 92

HSL 20.93, 0.36%, 0.53%

LAB 56.24, 18.3, 25.2

 

CMYK 0 / 19 / 48 / 30

HEX #B2915C

RGB 178 145 92

HSL 36.98, 0.36%, 0.53%

LAB 62.07, 5.48, 32.7

 

CMYK 0 / 6 / 48 / 30

HEX #B2A85C

RGB 178 168 92

HSL 53.02, 0.36%, 0.53%

LAB 68.2, -6.97, 40.3

 

CMYK 8 / 0 / 48 / 30

HEX #A4B25C

RGB 164 178 92

HSL 69.77, 0.36%, 0.53%

LAB 69.83, -17.95, 42.01

 

CMYK 0 / 45 / 48 / 30

HEX #B2625C

RGB 178 98 92

HSL 4.19, 0.36%, 0.53%

LAB 50.66, 31.59, 17.75

 

CMYK 0 / 58 / 63 / 23

HEX #C55248

RGB 197 82 72

HSL 4.8, 0.52%, 0.53%

LAB 49.95, 45.3, 29.09

 

CMYK 0 / 70 / 76 / 15

HEX #D94235

RGB 217 66 53

HSL 4.76, 0.68%, 0.53%

LAB 50.58, 57.97, 41.43

 

CMYK 0 / 79 / 86 / 7

HEX #EC3221

RGB 236 50 33

HSL 5.02, 0.84%, 0.53%

LAB 52.09, 68.3, 54.14

 

CMYK 0 / 45 / 48 / 30

HEX #B2625C

RGB 178 98 92

HSL 4.19, 0.36%, 0.53%

LAB 50.66, 31.59, 17.75

 

CMYK 0 / 27 / 30 / 38

HEX #9E736F

RGB 158 115 111

HSL 5.11, 0.2%, 0.53%

LAB 52.6, 16.36, 8.88

 

CMYK 0 / 6 / 6 / 45

HEX #8B8382

RGB 139 131 130

HSL 6.67, 0.04%, 0.53%

LAB 55.41, 2.82, 1.61

 

CMYK 20 / 2 / 0 / 41

HEX #789396

RGB 120 147 150

HSL 186, 0.13%, 0.53%

LAB 59.03, -8.78, -4.75

 

CMYK 41 / 3 / 0 / 34

HEX #64A4A9

RGB 100 164 169

HSL 184.35, 0.29%, 0.53%

LAB 63.45, -19.15, -9.05

 

CMYK 0 / 48 / 26 / 30

HEX #B25C84

RGB 178 92 132

HSL 332.09, 0.36%, 0.53%

LAB 50.43, 39.68, -6.38

 

CMYK 0 / 48 / 39 / 30

HEX #B25C6D

RGB 178 92 109

HSL 348.14, 0.36%, 0.53%

LAB 49.77, 36.66, 6.4

 

CMYK 0 / 46 / 48 / 30

HEX #B2615C

RGB 178 97 92

HSL 3.49, 0.36%, 0.53%

LAB 50.44, 32.13, 17.46

 

CMYK 0 / 33 / 48 / 30

HEX #B2785C

RGB 178 120 92

HSL 19.53, 0.36%, 0.53%

LAB 55.76, 19.42, 24.56

 

CMYK 0 / 20 / 48 / 30

HEX #B28F5C

RGB 178 143 92

HSL 35.58, 0.36%, 0.53%

LAB 61.55, 6.59, 32.04

 

CMYK 0 / 49 / 53 / 50

HEX #7F413C

RGB 127 65 60

HSL 4.48, 0.36%, 0.37%

LAB 35.24, 26.14, 15.16

 

CMYK 0 / 49 / 53 / 39

HEX #9B4F49

RGB 155 79 73

HSL 4.39, 0.36%, 0.45%

LAB 42.83, 30.98, 18.02

 

CMYK 0 / 45 / 48 / 30

HEX #B2625C

RGB 178 98 92

HSL 4.19, 0.36%, 0.53%

LAB 50.66, 31.59, 17.75

 

CMYK 0 / 35 / 37 / 25

HEX #BF7D78

RGB 191 125 120

HSL 4.23, 0.36%, 0.61%

LAB 59.07, 25.03, 13.32

 

CMYK 0 / 25 / 27 / 20

HEX #CC9894

RGB 204 152 148

HSL 4.29, 0.35%, 0.69%

LAB 67.6, 18.9, 9.72

 

CMYK 0 / 45 / 49 / 30

HEX #B3635C

RGB 179 99 92

HSL 4.83, 0.36%, 0.53%

LAB 51.01, 31.44, 18.26

 

CMYK 13 / 0 / 48 / 30

HEX #9BB25C

RGB 155 178 92

HSL 76.05, 0.36%, 0.53%

LAB 69.17, -21.58, 41.06

 

CMYK 48 / 33 / 0 / 30

HEX #5C78B2

RGB 92 120 178

HSL 220.47, 0.36%, 0.53%

LAB 50.6, 6.15, -33.89

 

CMYK 0 / 45 / 49 / 30

HEX #B3635C

RGB 179 99 92

HSL 4.83, 0.36%, 0.53%

LAB 51.01, 31.44, 18.26

 

CMYK 48 / 0 / 46 / 30

HEX #5CB261

RGB 92 178 97

HSL 123.49, 0.36%, 0.53%

LAB 65.73, -43.03, 33.49

 

CMYK 46 / 48 / 0 / 30

HEX #615CB2

RGB 97 92 178

HSL 243.49, 0.36%, 0.53%

LAB 43.37, 24.64, -45.29

 

CMYK 0 / 45 / 49 / 30

HEX #B3635C

RGB 179 99 92

HSL 4.83, 0.36%, 0.53%

LAB 51.01, 31.44, 18.26

 

CMYK 13 / 0 / 48 / 30

HEX #9BB25C

RGB 155 178 92

HSL 76.05, 0.36%, 0.53%

LAB 69.17, -21.58, 41.06

 

CMYK 48 / 3 / 0 / 30

HEX #5CACB2

RGB 92 172 178

HSL 184.19, 0.36%, 0.53%

LAB 65.74, -22.85, -10.68

 

CMYK 35 / 48 / 0 / 30

HEX #735CB2

RGB 115 92 178

HSL 256.05, 0.36%, 0.53%

LAB 44.96, 29.25, -42.67

 

CMYK 0 / 45 / 49 / 30

HEX #B3635C

RGB 179 99 92

HSL 4.83, 0.36%, 0.53%

LAB 51.01, 31.44, 18.26

 

CMYK 28 / 0 / 48 / 30

HEX #81B25C

RGB 129 178 92

HSL 94.19, 0.36%, 0.53%

LAB 67.49, -31.56, 38.62

 

CMYK 48 / 3 / 0 / 30

HEX #5CACB2

RGB 92 172 178

HSL 184.19, 0.36%, 0.53%

LAB 65.74, -22.85, -10.68

 

CMYK 21 / 48 / 0 / 30

HEX #8C5CB2

RGB 140 92 178

HSL 273.49, 0.36%, 0.53%

LAB 47.55, 36.19, -38.4

 

Description

Color code: HEX #B3635C | qconv.com Color code: HEX #B3635C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 99 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 99 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 49 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 49% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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