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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B37846 it is the complementary color #4C87B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B37846. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B37846 shade: #B87841, #C98A54, #DA9C67, #EBAE7A and #FCC08D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B37846. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B37846 shade: #B37846, #A26633, #915420, #80420D and #6F3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B37846 shade: #B37845, #B35A45 and #B34545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B37846 shade: #B37845, #B39645, #B3B345, #96B345 and #78B345

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B37846 shade matches the following richer shades: #B37845, #C87631, #DC751D and #F07309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B37846 shade: #B37845, #9F7A5A, #8B7B6E, #777D82 and #637F96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B37846 shade: #B3454F, #B35A45, #B37745, #B39445 and #B3B245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B37846 shade: #78502E, #96643A, #B37845, #C18D61 and #CDA27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B37846 shade: #B37846, #6CB345 and #4B45B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B37846 shade: #B37846, #45B377 and #7745B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B37846 shade: #B37846, #6CB345, #4582B3 and #8D45B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B37846 shade: #B37846, #4BB345, #4582B3 and #AE45B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 61 / 30

HEX #B37846

RGB 179 120 70

HSL 27.52, 0.44%, 0.49%

LAB 55.54, 17.91, 36.45

 

Complementary color

CMYK 59 / 27 / 0 / 27

HEX #4C87B9

RGB 76 135 185

HSL 207.52, 0.44%, 0.51%

LAB 54.41, -4.14, -32.01

 

CMYK 0 / 35 / 65 / 28

HEX #B87841

RGB 184 120 65

HSL 27.73, 0.48%, 0.49%

LAB 56.09, 19.71, 39.88

 

CMYK 0 / 31 / 58 / 21

HEX #C98A54

RGB 201 138 84

HSL 27.69, 0.52%, 0.56%

LAB 62.71, 18.37, 38.28

 

CMYK 0 / 28 / 53 / 15

HEX #DA9C67

RGB 218 156 103

HSL 27.65, 0.61%, 0.63%

LAB 69.23, 17.22, 36.76

 

CMYK 0 / 26 / 48 / 8

HEX #EBAE7A

RGB 235 174 122

HSL 27.61, 0.74%, 0.7%

LAB 75.66, 16.22, 35.33

 

CMYK 0 / 24 / 44 / 1

HEX #FCC08D

RGB 252 192 141

HSL 27.57, 0.95%, 0.77%

LAB 82.01, 15.33, 33.99

 

CMYK 0 / 33 / 61 / 30

HEX #B37846

RGB 179 120 70

HSL 27.52, 0.44%, 0.49%

LAB 55.54, 17.91, 36.45

 

CMYK 0 / 37 / 69 / 36

HEX #A26633

RGB 162 102 51

HSL 27.57, 0.52%, 0.42%

LAB 48.79, 19.36, 38.1

 

CMYK 0 / 42 / 78 / 43

HEX #915420

RGB 145 84 32

HSL 27.61, 0.64%, 0.35%

LAB 41.95, 21.08, 39.66

 

CMYK 0 / 48 / 90 / 50

HEX #80420D

RGB 128 66 13

HSL 27.65, 0.82%, 0.28%

LAB 35.03, 23.12, 40.6

 

CMYK 0 / 57 / 100 / 56

HEX #6F3000

RGB 111 48 0

HSL 25.95, 1%, 0.22%

LAB 28.1, 25.45, 39.01

 

CMYK 0 / 33 / 61 / 30

HEX #B37845

RGB 179 120 69

HSL 27.82, 0.44%, 0.49%

LAB 55.53, 17.84, 36.97

 

CMYK 0 / 50 / 61 / 30

HEX #B35A45

RGB 179 90 69

HSL 11.45, 0.44%, 0.49%

LAB 48.67, 34.28, 28.63

 

CMYK 0 / 61 / 61 / 30

HEX #B34545

RGB 179 69 69

HSL 0, 0.44%, 0.49%

LAB 44.62, 44.75, 23.5

 

CMYK 0 / 33 / 61 / 30

HEX #B37845

RGB 179 120 69

HSL 27.82, 0.44%, 0.49%

LAB 55.53, 17.84, 36.97

 

CMYK 0 / 16 / 61 / 30

HEX #B39645

RGB 179 150 69

HSL 44.18, 0.44%, 0.49%

LAB 63.2, 1.2, 45.83

 

CMYK 0 / 0 / 61 / 30

HEX #B3B345

RGB 179 179 69

HSL 60, 0.44%, 0.49%

LAB 71.05, -14.15, 54.46

 

CMYK 16 / 0 / 61 / 30

HEX #96B345

RGB 150 179 69

HSL 75.82, 0.44%, 0.49%

LAB 68.86, -26.22, 51.45

 

CMYK 33 / 0 / 61 / 30

HEX #78B345

RGB 120 179 69

HSL 92.18, 0.44%, 0.49%

LAB 67.02, -37.76, 48.9

 

CMYK 0 / 33 / 61 / 30

HEX #B37845

RGB 179 120 69

HSL 27.82, 0.44%, 0.49%

LAB 55.53, 17.84, 36.97

 

CMYK 0 / 41 / 76 / 22

HEX #C87631

RGB 200 118 49

HSL 27.42, 0.61%, 0.49%

LAB 57.52, 26.73, 49.84

 

CMYK 0 / 47 / 87 / 14

HEX #DC751D

RGB 220 117 29

HSL 27.64, 0.77%, 0.49%

LAB 59.91, 34.88, 60.88

 

CMYK 0 / 52 / 96 / 6

HEX #F07309

RGB 240 115 9

HSL 27.53, 0.93%, 0.49%

LAB 62.34, 43.5, 68.67

 

CMYK 0 / 33 / 61 / 30

HEX #B37845

RGB 179 120 69

HSL 27.82, 0.44%, 0.49%

LAB 55.53, 17.84, 36.97

 

CMYK 0 / 23 / 43 / 38

HEX #9F7A5A

RGB 159 122 90

HSL 27.83, 0.28%, 0.49%

LAB 54.06, 10.07, 23.05

 

CMYK 0 / 12 / 21 / 45

HEX #8B7B6E

RGB 139 123 110

HSL 26.9, 0.12%, 0.49%

LAB 52.71, 3.91, 9.35

 

CMYK 8 / 4 / 0 / 49

HEX #777D82

RGB 119 125 130

HSL 207.27, 0.04%, 0.49%

LAB 52.06, -1.17, -3.49

 

CMYK 34 / 15 / 0 / 41

HEX #637F96

RGB 99 127 150

HSL 207.06, 0.2%, 0.49%

LAB 51.87, -4.16, -15.61

 

CMYK 0 / 61 / 56 / 30

HEX #B3454F

RGB 179 69 79

HSL 354.55, 0.44%, 0.49%

LAB 44.81, 45.5, 17.68

 

CMYK 0 / 50 / 61 / 30

HEX #B35A45

RGB 179 90 69

HSL 11.45, 0.44%, 0.49%

LAB 48.67, 34.28, 28.63

 

CMYK 0 / 34 / 61 / 30

HEX #B37745

RGB 179 119 69

HSL 27.27, 0.44%, 0.49%

LAB 55.28, 18.4, 36.68

 

CMYK 0 / 17 / 61 / 30

HEX #B39445

RGB 179 148 69

HSL 43.09, 0.44%, 0.49%

LAB 62.67, 2.3, 45.23

 

CMYK 0 / 1 / 61 / 30

HEX #B3B245

RGB 179 178 69

HSL 59.45, 0.44%, 0.49%

LAB 70.77, -13.64, 54.16

 

CMYK 0 / 33 / 62 / 53

HEX #78502E

RGB 120 80 46

HSL 27.57, 0.45%, 0.33%

LAB 37.71, 12.94, 26.59

 

CMYK 0 / 33 / 61 / 41

HEX #96643A

RGB 150 100 58

HSL 27.39, 0.44%, 0.41%

LAB 46.85, 15.69, 31.71

 

CMYK 0 / 33 / 61 / 30

HEX #B37845

RGB 179 120 69

HSL 27.82, 0.44%, 0.49%

LAB 55.53, 17.84, 36.97

 

CMYK 0 / 27 / 50 / 24

HEX #C18D61

RGB 193 141 97

HSL 27.5, 0.44%, 0.57%

LAB 62.72, 14.5, 31.14

 

CMYK 0 / 21 / 38 / 20

HEX #CDA27F

RGB 205 162 127

HSL 26.92, 0.44%, 0.65%

LAB 69.72, 11.14, 24.26

 

CMYK 0 / 33 / 61 / 30

HEX #B37846

RGB 179 120 70

HSL 27.52, 0.44%, 0.49%

LAB 55.54, 17.91, 36.45

 

CMYK 40 / 0 / 61 / 30

HEX #6CB345

RGB 108 179 69

HSL 98.73, 0.44%, 0.49%

LAB 66.41, -41.94, 48.05

 

CMYK 58 / 61 / 0 / 30

HEX #4B45B3

RGB 75 69 179

HSL 243.27, 0.44%, 0.49%

LAB 36, 34.58, -57.87

 

CMYK 0 / 33 / 61 / 30

HEX #B37846

RGB 179 120 70

HSL 27.52, 0.44%, 0.49%

LAB 55.54, 17.91, 36.45

 

CMYK 61 / 0 / 34 / 30

HEX #45B377

RGB 69 179 119

HSL 147.27, 0.44%, 0.49%

LAB 65.62, -45.27, 21.58

 

CMYK 34 / 61 / 0 / 30

HEX #7745B3

RGB 119 69 179

HSL 267.27, 0.44%, 0.49%

LAB 40.3, 43.78, -50.7

 

CMYK 0 / 33 / 61 / 30

HEX #B37846

RGB 179 120 70

HSL 27.52, 0.44%, 0.49%

LAB 55.54, 17.91, 36.45

 

CMYK 40 / 0 / 61 / 30

HEX #6CB345

RGB 108 179 69

HSL 98.73, 0.44%, 0.49%

LAB 66.41, -41.94, 48.05

 

CMYK 61 / 27 / 0 / 30

HEX #4582B3

RGB 69 130 179

HSL 206.73, 0.44%, 0.49%

LAB 52.38, -4.6, -31.76

 

CMYK 21 / 61 / 0 / 30

HEX #8D45B3

RGB 141 69 179

HSL 279.27, 0.44%, 0.49%

LAB 43.02, 49.05, -46.18

 

CMYK 0 / 33 / 61 / 30

HEX #B37846

RGB 179 120 70

HSL 27.52, 0.44%, 0.49%

LAB 55.54, 17.91, 36.45

 

CMYK 58 / 0 / 61 / 30

HEX #4BB345

RGB 75 179 69

HSL 116.73, 0.44%, 0.49%

LAB 65.09, -51.67, 46.2

 

CMYK 61 / 27 / 0 / 30

HEX #4582B3

RGB 69 130 179

HSL 206.73, 0.44%, 0.49%

LAB 52.38, -4.6, -31.76

 

CMYK 3 / 61 / 0 / 30

HEX #AE45B3

RGB 174 69 179

HSL 297.27, 0.44%, 0.49%

LAB 47.64, 57.29, -38.56

 

Description

Color code: HEX #B37846 | qconv.com Color code: HEX #B37846 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 120 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 120 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 61 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 61% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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