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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B37AC6 it is the complementary color #4C8539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B37AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B37AC6 shade: #B87AC1, #C98CD4, #DA9EE7, #EBB0FA and #FCC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B37AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B37AC6 shade: #B37AC6, #A268B3, #9156A0, #80448D and #6F327A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B37AC6 shade: #B37AC6, #C67AC4, #C67AB0, #C67A9C and #C67A87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B37AC6 shade: #B37AC6, #9F7AC6, #8A7AC6 and #7A7AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B37AC6 shade matches the following richer shades: #B37AC6, #BB6BD5, #C25CE4 and #CA4DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B37AC6 shade: #B37AC6, #AB8AB7, #A499A7, #9CA898 and #94B789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B37AC6 shade: #8B7AC6, #9F7AC6, #B37AC6, #C67AC5 and #C67AB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B37AC6 shade: #8F47A7, #A35EBA, #B37AC6, #C497D2 and #D4B4DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B37AC6 shade: #B37AC6, #C67A7E and #7AC695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B37AC6 shade: #B37AC6, #C6B37A and #7AC6B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B37AC6 shade: #B37AC6, #C67A7E, #8DC67A and #7AC6C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B37AC6 shade: #B37AC6, #C68D7A, #8DC67A and #7AB3C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

Complementary color

CMYK 43 / 0 / 57 / 48

HEX #4C8539

RGB 76 133 57

HSL 105, 0.4%, 0.37%

LAB 50.22, -33.88, 34.74

 

CMYK 5 / 37 / 0 / 24

HEX #B87AC1

RGB 184 122 193

HSL 292.39, 0.36%, 0.62%

LAB 59.85, 35.99, -27.46

 

CMYK 5 / 34 / 0 / 17

HEX #C98CD4

RGB 201 140 212

HSL 290.83, 0.46%, 0.69%

LAB 66.46, 35.25, -27.79

 

CMYK 6 / 32 / 0 / 9

HEX #DA9EE7

RGB 218 158 231

HSL 289.32, 0.6%, 0.76%

LAB 72.98, 34.56, -28.1

 

CMYK 6 / 30 / 0 / 2

HEX #EBB0FA

RGB 235 176 250

HSL 287.84, 0.88%, 0.84%

LAB 79.39, 33.9, -28.39

 

CMYK 1 / 24 / 0 / 0

HEX #FCC2FF

RGB 252 194 255

HSL 297.05, 1%, 0.88%

LAB 85.25, 30.67, -21.99

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 9 / 42 / 0 / 30

HEX #A268B3

RGB 162 104 179

HSL 286.4, 0.33%, 0.55%

LAB 52.77, 36.22, -30.62

 

CMYK 9 / 46 / 0 / 37

HEX #9156A0

RGB 145 86 160

HSL 287.84, 0.3%, 0.48%

LAB 45.93, 37.02, -30.33

 

CMYK 9 / 52 / 0 / 45

HEX #80448D

RGB 128 68 141

HSL 289.32, 0.35%, 0.41%

LAB 38.98, 37.81, -29.96

 

CMYK 9 / 59 / 0 / 52

HEX #6F327A

RGB 111 50 122

HSL 290.83, 0.42%, 0.34%

LAB 31.96, 38.49, -29.44

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 0 / 38 / 1 / 22

HEX #C67AC4

RGB 198 122 196

HSL 301.58, 0.4%, 0.63%

LAB 61.58, 40.97, -26.37

 

CMYK 0 / 38 / 11 / 22

HEX #C67AB0

RGB 198 122 176

HSL 317.37, 0.4%, 0.63%

LAB 60.83, 37.43, -16.14

 

CMYK 0 / 38 / 21 / 22

HEX #C67A9C

RGB 198 122 156

HSL 333.16, 0.4%, 0.63%

LAB 60.18, 34.23, -5.67

 

CMYK 0 / 38 / 32 / 22

HEX #C67A87

RGB 198 122 135

HSL 349.74, 0.4%, 0.63%

LAB 59.59, 31.25, 5.56

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 20 / 38 / 0 / 22

HEX #9F7AC6

RGB 159 122 198

HSL 269.21, 0.4%, 0.63%

LAB 57.43, 29.32, -34.27

 

CMYK 30 / 38 / 0 / 22

HEX #8A7AC6

RGB 138 122 198

HSL 252.63, 0.4%, 0.63%

LAB 55.48, 23.13, -37.46

 

CMYK 38 / 38 / 0 / 22

HEX #7A7AC6

RGB 122 122 198

HSL 240, 0.4%, 0.63%

LAB 54.17, 18.67, -39.61

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 12 / 50 / 0 / 16

HEX #BB6BD5

RGB 187 107 213

HSL 285.28, 0.56%, 0.63%

LAB 57.93, 48.92, -41.76

 

CMYK 15 / 60 / 0 / 11

HEX #C25CE4

RGB 194 92 228

HSL 285, 0.72%, 0.63%

LAB 56.81, 61.12, -51.93

 

CMYK 17 / 68 / 0 / 4

HEX #CA4DF4

RGB 202 77 244

HSL 284.91, 0.88%, 0.63%

LAB 56.48, 72.42, -61.34

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 7 / 25 / 0 / 28

HEX #AB8AB7

RGB 171 138 183

HSL 284, 0.24%, 0.63%

LAB 61.87, 20.77, -18.82

 

CMYK 2 / 8 / 0 / 35

HEX #A499A7

RGB 164 153 167

HSL 287.14, 0.07%, 0.63%

LAB 64.54, 6.67, -5.85

 

CMYK 7 / 0 / 10 / 34

HEX #9CA898

RGB 156 168 152

HSL 105, 0.08%, 0.63%

LAB 67.53, -7.28, 6.82

 

CMYK 19 / 0 / 25 / 28

HEX #94B789

RGB 148 183 137

HSL 105.65, 0.24%, 0.63%

LAB 70.85, -20.6, 19.61

 

CMYK 30 / 38 / 0 / 22

HEX #8B7AC6

RGB 139 122 198

HSL 253.42, 0.4%, 0.63%

LAB 55.57, 23.41, -37.32

 

CMYK 20 / 38 / 0 / 22

HEX #9F7AC6

RGB 159 122 198

HSL 269.21, 0.4%, 0.63%

LAB 57.43, 29.32, -34.27

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 0 / 38 / 1 / 22

HEX #C67AC5

RGB 198 122 197

HSL 300.79, 0.4%, 0.63%

LAB 61.62, 41.16, -26.88

 

CMYK 0 / 38 / 11 / 22

HEX #C67AB1

RGB 198 122 177

HSL 316.58, 0.4%, 0.63%

LAB 60.87, 37.6, -16.66

 

CMYK 14 / 57 / 0 / 35

HEX #8F47A7

RGB 143 71 167

HSL 285, 0.4%, 0.47%

LAB 42.97, 45.95, -39.16

 

CMYK 12 / 49 / 0 / 27

HEX #A35EBA

RGB 163 94 186

HSL 285, 0.4%, 0.55%

LAB 51.08, 43.44, -37.31

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 7 / 28 / 0 / 18

HEX #C497D2

RGB 196 151 210

HSL 285.76, 0.4%, 0.71%

LAB 68.4, 27.22, -23.75

 

CMYK 5 / 19 / 0 / 13

HEX #D4B4DF

RGB 212 180 223

HSL 284.65, 0.4%, 0.79%

LAB 77.26, 19.14, -17.27

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 0 / 38 / 36 / 22

HEX #C67A7E

RGB 198 122 126

HSL 356.84, 0.4%, 0.63%

LAB 59.37, 30.11, 10.43

 

CMYK 38 / 0 / 25 / 22

HEX #7AC695

RGB 122 198 149

HSL 141.32, 0.4%, 0.63%

LAB 73.99, -34.21, 17.29

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 0 / 10 / 38 / 22

HEX #C6B37A

RGB 198 179 122

HSL 45, 0.4%, 0.63%

LAB 73.32, -1.39, 31.59

 

CMYK 38 / 0 / 10 / 22

HEX #7AC6B3

RGB 122 198 179

HSL 165, 0.4%, 0.63%

LAB 74.69, -27.93, 2.1

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 0 / 38 / 36 / 22

HEX #C67A7E

RGB 198 122 126

HSL 356.84, 0.4%, 0.63%

LAB 59.37, 30.11, 10.43

 

CMYK 29 / 0 / 38 / 22

HEX #8DC67A

RGB 141 198 122

HSL 105, 0.4%, 0.63%

LAB 74.48, -32.68, 32.33

 

CMYK 38 / 0 / 2 / 22

HEX #7AC6C2

RGB 122 198 194

HSL 176.84, 0.4%, 0.63%

LAB 75.09, -24.42, -5.43

 

CMYK 10 / 38 / 0 / 22

HEX #B37AC6

RGB 179 122 198

HSL 285, 0.4%, 0.63%

LAB 59.51, 35.44, -30.88

 

CMYK 0 / 29 / 38 / 22

HEX #C68D7A

RGB 198 141 122

HSL 15, 0.4%, 0.63%

LAB 63.72, 19.23, 18.75

 

CMYK 29 / 0 / 38 / 22

HEX #8DC67A

RGB 141 198 122

HSL 105, 0.4%, 0.63%

LAB 74.48, -32.68, 32.33

 

CMYK 38 / 10 / 0 / 22

HEX #7AB3C6

RGB 122 179 198

HSL 195, 0.4%, 0.63%

LAB 69.79, -13.68, -15.52

 

Description

Color code: HEX #B37AC6 | qconv.com Color code: HEX #B37AC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 122 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 122 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 38 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 38% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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