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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B380D4 it is the complementary color #4C7F2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B380D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B380D4 shade: #B880CF, #C992E2, #DAA4F5, #EBB6FF and #FCC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B380D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B380D4 shade: #B380D4, #A26EC1, #915CAE, #804A9B and #6F3888

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B380D4 shade: #B381D4, #C981D4, #D481C8, #D481B1 and #D4819B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B380D4 shade: #B381D4, #9D81D4, #8781D4 and #8181D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B380D4 shade matches the following richer shades: #B381D4, #B674E1, #B966EF and #BC58FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B380D4 shade: #B381D4, #B08FC6, #AD9CB8, #AAAAAB and #A8B89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B380D4 shade: #8781D4, #9D81D4, #B381D4, #C981D4 and #D481C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B380D4 shade: #8E44BF, #A162C9, #B381D4, #C6A0DE and #D8BFE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B380D4 shade: #B380D4, #D48192 and #81D492

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B380D4 shade: #B380D4, #D4B381 and #81D4B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B380D4 shade: #B380D4, #D48192, #A2D481 and #81D4C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B380D4 shade: #B380D4, #D48981, #A2D481 and #81CBD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 40 / 0 / 17

HEX #B380D4

RGB 179 128 212

HSL 276.43, 0.49%, 0.67%

LAB 61.46, 35.09, -35.73

 

Complementary color

CMYK 40 / 0 / 66 / 50

HEX #4C7F2B

RGB 76 127 43

HSL 96.43, 0.49%, 0.33%

LAB 48.12, -32.68, 39.1

 

CMYK 11 / 38 / 0 / 19

HEX #B880CF

RGB 184 128 207

HSL 282.53, 0.45%, 0.66%

LAB 61.77, 35.53, -32.4

 

CMYK 11 / 35 / 0 / 11

HEX #C992E2

RGB 201 146 226

HSL 281.25, 0.58%, 0.73%

LAB 68.36, 34.8, -32.61

 

CMYK 11 / 33 / 0 / 4

HEX #DAA4F5

RGB 218 164 245

HSL 280, 0.8%, 0.8%

LAB 74.86, 34.11, -32.82

 

CMYK 8 / 29 / 0 / 0

HEX #EBB6FF

RGB 235 182 255

HSL 283.56, 1%, 0.86%

LAB 80.93, 31.67, -28.73

 

CMYK 1 / 22 / 0 / 0

HEX #FCC8FF

RGB 252 200 255

HSL 296.73, 1%, 0.89%

LAB 86.61, 27.51, -19.92

 

CMYK 16 / 40 / 0 / 17

HEX #B380D4

RGB 179 128 212

HSL 276.43, 0.49%, 0.67%

LAB 61.46, 35.09, -35.73

 

CMYK 16 / 43 / 0 / 24

HEX #A26EC1

RGB 162 110 193

HSL 277.59, 0.4%, 0.59%

LAB 54.74, 35.88, -35.59

 

CMYK 17 / 47 / 0 / 32

HEX #915CAE

RGB 145 92 174

HSL 278.78, 0.34%, 0.52%

LAB 47.92, 36.72, -35.45

 

CMYK 17 / 52 / 0 / 39

HEX #804A9B

RGB 128 74 155

HSL 280, 0.35%, 0.45%

LAB 40.98, 37.57, -35.26

 

CMYK 18 / 59 / 0 / 47

HEX #6F3888

RGB 111 56 136

HSL 281.25, 0.42%, 0.38%

LAB 33.95, 38.37, -34.99

 

CMYK 16 / 39 / 0 / 17

HEX #B381D4

RGB 179 129 212

HSL 276.14, 0.49%, 0.67%

LAB 61.69, 34.53, -35.37

 

CMYK 5 / 39 / 0 / 17

HEX #C981D4

RGB 201 129 212

HSL 292.05, 0.49%, 0.67%

LAB 64.06, 41.19, -31.51

 

CMYK 0 / 39 / 6 / 17

HEX #D481C8

RGB 212 129 200

HSL 308.67, 0.49%, 0.67%

LAB 64.86, 42.4, -23.45

 

CMYK 0 / 39 / 17 / 17

HEX #D481B1

RGB 212 129 177

HSL 325.3, 0.49%, 0.67%

LAB 64.06, 38.58, -11.69

 

CMYK 0 / 39 / 27 / 17

HEX #D4819B

RGB 212 129 155

HSL 341.2, 0.49%, 0.67%

LAB 63.4, 35.32, -0.17

 

CMYK 16 / 39 / 0 / 17

HEX #B381D4

RGB 179 129 212

HSL 276.14, 0.49%, 0.67%

LAB 61.69, 34.53, -35.37

 

CMYK 26 / 39 / 0 / 17

HEX #9D81D4

RGB 157 129 212

HSL 260.24, 0.49%, 0.67%

LAB 59.55, 28.05, -38.88

 

CMYK 36 / 39 / 0 / 17

HEX #8781D4

RGB 135 129 212

HSL 244.34, 0.49%, 0.67%

LAB 57.66, 21.89, -41.97

 

CMYK 39 / 39 / 0 / 17

HEX #8181D4

RGB 129 129 212

HSL 240, 0.49%, 0.67%

LAB 57.19, 20.29, -42.74

 

CMYK 16 / 39 / 0 / 17

HEX #B381D4

RGB 179 129 212

HSL 276.14, 0.49%, 0.67%

LAB 61.69, 34.53, -35.37

 

CMYK 19 / 48 / 0 / 12

HEX #B674E1

RGB 182 116 225

HSL 276.33, 0.64%, 0.67%

LAB 59.77, 45.34, -45.63

 

CMYK 23 / 57 / 0 / 6

HEX #B966EF

RGB 185 102 239

HSL 276.35, 0.81%, 0.67%

LAB 58.08, 56.42, -56.11

 

CMYK 25 / 65 / 0 / 1

HEX #BC58FC

RGB 188 88 252

HSL 276.59, 0.96%, 0.67%

LAB 56.78, 66.52, -65.4

 

CMYK 16 / 39 / 0 / 17

HEX #B381D4

RGB 179 129 212

HSL 276.14, 0.49%, 0.67%

LAB 61.69, 34.53, -35.37

 

CMYK 11 / 28 / 0 / 22

HEX #B08FC6

RGB 176 143 198

HSL 276, 0.33%, 0.67%

LAB 64.12, 22.73, -23.79

 

CMYK 6 / 15 / 0 / 28

HEX #AD9CB8

RGB 173 156 184

HSL 276.43, 0.16%, 0.67%

LAB 66.61, 11.52, -12.2

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 9 / 0 / 15 / 28

HEX #A8B89D

RGB 168 184 157

HSL 95.56, 0.16%, 0.67%

LAB 72.92, -10.54, 11.86

 

CMYK 36 / 39 / 0 / 17

HEX #8781D4

RGB 135 129 212

HSL 244.34, 0.49%, 0.67%

LAB 57.66, 21.89, -41.97

 

CMYK 26 / 39 / 0 / 17

HEX #9D81D4

RGB 157 129 212

HSL 260.24, 0.49%, 0.67%

LAB 59.55, 28.05, -38.88

 

CMYK 16 / 39 / 0 / 17

HEX #B381D4

RGB 179 129 212

HSL 276.14, 0.49%, 0.67%

LAB 61.69, 34.53, -35.37

 

CMYK 5 / 39 / 0 / 17

HEX #C981D4

RGB 201 129 212

HSL 292.05, 0.49%, 0.67%

LAB 64.06, 41.19, -31.51

 

CMYK 0 / 39 / 5 / 17

HEX #D481C9

RGB 212 129 201

HSL 307.95, 0.49%, 0.67%

LAB 64.89, 42.58, -23.95

 

CMYK 26 / 64 / 0 / 25

HEX #8E44BF

RGB 142 68 191

HSL 276.1, 0.49%, 0.51%

LAB 43.72, 52.46, -52.08

 

CMYK 20 / 51 / 0 / 21

HEX #A162C9

RGB 161 98 201

HSL 276.7, 0.49%, 0.59%

LAB 52.43, 43.98, -43.83

 

CMYK 16 / 39 / 0 / 17

HEX #B381D4

RGB 179 129 212

HSL 276.14, 0.49%, 0.67%

LAB 61.69, 34.53, -35.37

 

CMYK 11 / 28 / 0 / 13

HEX #C6A0DE

RGB 198 160 222

HSL 276.77, 0.48%, 0.75%

LAB 71.16, 25.35, -26.13

 

CMYK 7 / 18 / 0 / 9

HEX #D8BFE9

RGB 216 191 233

HSL 275.71, 0.49%, 0.83%

LAB 80.6, 16.47, -17.6

 

CMYK 16 / 40 / 0 / 17

HEX #B380D4

RGB 179 128 212

HSL 276.43, 0.49%, 0.67%

LAB 61.46, 35.09, -35.73

 

CMYK 0 / 39 / 31 / 17

HEX #D48192

RGB 212 129 146

HSL 347.71, 0.49%, 0.67%

LAB 63.15, 34.1, 4.61

 

CMYK 39 / 0 / 31 / 17

HEX #81D492

RGB 129 212 146

HSL 132.29, 0.49%, 0.67%

LAB 78.36, -39.09, 24.92

 

CMYK 16 / 40 / 0 / 17

HEX #B380D4

RGB 179 128 212

HSL 276.43, 0.49%, 0.67%

LAB 61.46, 35.09, -35.73

 

CMYK 0 / 16 / 39 / 17

HEX #D4B381

RGB 212 179 129

HSL 36.14, 0.49%, 0.67%

LAB 74.71, 5.04, 29.96

 

CMYK 39 / 0 / 16 / 17

HEX #81D4B3

RGB 129 212 179

HSL 156.14, 0.49%, 0.67%

LAB 79.05, -32.71, 8.43

 

CMYK 16 / 40 / 0 / 17

HEX #B380D4

RGB 179 128 212

HSL 276.43, 0.49%, 0.67%

LAB 61.46, 35.09, -35.73

 

CMYK 0 / 39 / 31 / 17

HEX #D48192

RGB 212 129 146

HSL 347.71, 0.49%, 0.67%

LAB 63.15, 34.1, 4.61

 

CMYK 24 / 0 / 39 / 17

HEX #A2D481

RGB 162 212 129

HSL 96.14, 0.49%, 0.67%

LAB 79.81, -30.93, 35.91

 

CMYK 39 / 0 / 8 / 17

HEX #81D4C3

RGB 129 212 195

HSL 167.71, 0.49%, 0.67%

LAB 79.44, -29.19, 0.45

 

CMYK 16 / 40 / 0 / 17

HEX #B380D4

RGB 179 128 212

HSL 276.43, 0.49%, 0.67%

LAB 61.46, 35.09, -35.73

 

CMYK 0 / 35 / 39 / 17

HEX #D48981

RGB 212 137 129

HSL 5.78, 0.49%, 0.67%

LAB 64.54, 27.71, 16.2

 

CMYK 24 / 0 / 39 / 17

HEX #A2D481

RGB 162 212 129

HSL 96.14, 0.49%, 0.67%

LAB 79.81, -30.93, 35.91

 

CMYK 39 / 4 / 0 / 17

HEX #81CBD4

RGB 129 203 212

HSL 186.51, 0.49%, 0.67%

LAB 77.36, -20.69, -11.75

 

Description

Color code: HEX #B380D4 | qconv.com Color code: HEX #B380D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 128 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 128 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 40 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 40% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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