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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39479 it is the complementary color #4C6B86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39479. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39479 shade: #B89474, #C9A687, #DAB89A, #EBCAAD and #FCDCC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39479. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39479 shade: #B39479, #A28266, #917053, #805E40 and #6F4C2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39479 shade: #B39479, #B38479 and #B37979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39479 shade: #B39479, #B3A479, #B3B379, #A3B379 and #93B379

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39479 shade matches the following richer shades: #B39479, #C49368, #D59257, #E69046 and #F78F35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39479 shade: #B39479, #A2958A, #91969B, #8097AB and #7099BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39479 shade: #B3797E, #B38379, #B39379, #B3A379 and #B3B279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39479 shade: #8B6B4E, #A47F5E, #B39479, #C2A993 and #D1BEAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39479 shade: #B39479, #8DB379 and #7C79B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39479 shade: #B39479, #79B393 and #9379B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39479 shade: #B39479, #8DB379, #7999B3 and #9F79B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39479 shade: #B39479, #7CB379, #7999B3 and #B079B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

Complementary color

CMYK 43 / 20 / 0 / 47

HEX #4C6B86

RGB 76 107 134

HSL 207.93, 0.28%, 0.41%

LAB 43.91, -3.67, -18.45

 

CMYK 0 / 20 / 37 / 28

HEX #B89474

RGB 184 148 116

HSL 28.24, 0.32%, 0.59%

LAB 63.86, 8.99, 22.04

 

CMYK 0 / 17 / 33 / 21

HEX #C9A687

RGB 201 166 135

HSL 28.18, 0.38%, 0.66%

LAB 70.48, 8.36, 20.87

 

CMYK 0 / 16 / 29 / 15

HEX #DAB89A

RGB 218 184 154

HSL 28.13, 0.46%, 0.73%

LAB 76.99, 7.81, 19.79

 

CMYK 0 / 14 / 26 / 8

HEX #EBCAAD

RGB 235 202 173

HSL 28.06, 0.61%, 0.8%

LAB 83.4, 7.33, 18.78

 

CMYK 0 / 13 / 24 / 1

HEX #FCDCC0

RGB 252 220 192

HSL 28, 0.91%, 0.87%

LAB 89.71, 6.89, 17.83

 

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 0 / 20 / 37 / 36

HEX #A28266

RGB 162 130 102

HSL 28, 0.24%, 0.52%

LAB 56.69, 8.24, 19.81

 

CMYK 0 / 23 / 43 / 43

HEX #917053

RGB 145 112 83

HSL 28.06, 0.27%, 0.45%

LAB 49.78, 9, 21.12

 

CMYK 0 / 27 / 50 / 50

HEX #805E40

RGB 128 94 64

HSL 28.13, 0.33%, 0.38%

LAB 42.71, 9.93, 22.56

 

CMYK 0 / 32 / 59 / 56

HEX #6F4C2D

RGB 111 76 45

HSL 28.18, 0.42%, 0.31%

LAB 35.47, 11.09, 24.19

 

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 0 / 26 / 32 / 30

HEX #B38479

RGB 179 132 121

HSL 11.38, 0.28%, 0.59%

LAB 59.4, 16.52, 13.01

 

CMYK 0 / 32 / 32 / 30

HEX #B37979

RGB 179 121 121

HSL 0, 0.28%, 0.59%

LAB 56.72, 22.68, 9.24

 

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 0 / 8 / 32 / 30

HEX #B3A479

RGB 179 164 121

HSL 44.48, 0.28%, 0.59%

LAB 67.66, -1.15, 24.33

HEX #B3A479

CMYK 0 / 0 / 32 / 30

HEX #B3B379

RGB 179 179 121

HSL 60, 0.28%, 0.59%

LAB 71.69, -9.12, 29.69

HEX #B3B379

CMYK 9 / 0 / 32 / 30

HEX #A3B379

RGB 163 179 121

HSL 76.55, 0.28%, 0.59%

LAB 70.46, -15.4, 27.83

HEX #A3B379

CMYK 18 / 0 / 32 / 30

HEX #93B379

RGB 147 179 121

HSL 93.1, 0.28%, 0.59%

LAB 69.34, -21.47, 26.15

HEX #93B379

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 0 / 25 / 47 / 23

HEX #C49368

RGB 196 147 104

HSL 28.04, 0.44%, 0.59%

LAB 64.65, 13.13, 29.89

 

CMYK 0 / 31 / 59 / 16

HEX #D59257

RGB 213 146 87

HSL 28.1, 0.6%, 0.59%

LAB 66.05, 19.26, 41.08

 

CMYK 0 / 37 / 70 / 10

HEX #E69046

RGB 230 144 70

HSL 27.75, 0.76%, 0.59%

LAB 67.44, 26.31, 51.64

 

CMYK 0 / 42 / 79 / 3

HEX #F78F35

RGB 247 143 53

HSL 27.84, 0.92%, 0.59%

LAB 69.24, 33.03, 61.64

 

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 0 / 8 / 15 / 36

HEX #A2958A

RGB 162 149 138

HSL 27.5, 0.11%, 0.59%

LAB 62.52, 2.88, 7.53

 

CMYK 6 / 3 / 0 / 39

HEX #91969B

RGB 145 150 155

HSL 210, 0.05%, 0.59%

LAB 61.83, -0.79, -3.26

 

CMYK 25 / 12 / 0 / 33

HEX #8097AB

RGB 128 151 171

HSL 207.91, 0.2%, 0.59%

LAB 61.36, -3.48, -13.14

 

CMYK 40 / 19 / 0 / 26

HEX #7099BC

RGB 112 153 188

HSL 207.63, 0.36%, 0.59%

LAB 61.53, -4.89, -22.56

 

CMYK 0 / 32 / 30 / 30

HEX #B3797E

RGB 179 121 126

HSL 354.83, 0.28%, 0.59%

LAB 56.85, 23.37, 6.52

 

CMYK 0 / 27 / 32 / 30

HEX #B38379

RGB 179 131 121

HSL 10.34, 0.28%, 0.59%

LAB 59.16, 17.08, 12.67

 

CMYK 0 / 18 / 32 / 30

HEX #B39379

RGB 179 147 121

HSL 26.9, 0.28%, 0.59%

LAB 63.2, 8.15, 18.28

 

CMYK 0 / 9 / 32 / 30

HEX #B3A379

RGB 179 163 121

HSL 43.45, 0.28%, 0.59%

LAB 67.4, -0.61, 23.97

 

CMYK 0 / 1 / 32 / 30

HEX #B3B279

RGB 179 178 121

HSL 58.97, 0.28%, 0.59%

LAB 71.42, -8.6, 29.33

 

CMYK 0 / 23 / 44 / 45

HEX #8B6B4E

RGB 139 107 78

HSL 28.52, 0.28%, 0.43%

LAB 47.69, 8.71, 21.14

 

CMYK 0 / 23 / 43 / 36

HEX #A47F5E

RGB 164 127 94

HSL 28.29, 0.28%, 0.51%

LAB 55.97, 9.81, 23.41

 

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 0 / 13 / 24 / 24

HEX #C2A993

RGB 194 169 147

HSL 28.09, 0.28%, 0.67%

LAB 70.84, 5.64, 14.7

 

CMYK 0 / 9 / 17 / 18

HEX #D1BEAD

RGB 209 190 173

HSL 28.33, 0.28%, 0.75%

LAB 78.11, 3.95, 11.01

 

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 21 / 0 / 32 / 30

HEX #8DB379

RGB 141 179 121

HSL 99.31, 0.28%, 0.59%

LAB 68.96, -23.67, 25.56

 

CMYK 31 / 32 / 0 / 30

HEX #7C79B3

RGB 124 121 179

HSL 243.1, 0.28%, 0.59%

LAB 53.18, 14.66, -30.26

 

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 32 / 0 / 18 / 30

HEX #79B393

RGB 121 179 147

HSL 146.9, 0.28%, 0.59%

LAB 68.32, -25.81, 10.4

 

CMYK 18 / 32 / 0 / 30

HEX #9379B3

RGB 147 121 179

HSL 266.9, 0.28%, 0.59%

LAB 55.21, 21.78, -26.96

 

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 21 / 0 / 32 / 30

HEX #8DB379

RGB 141 179 121

HSL 99.31, 0.28%, 0.59%

LAB 68.96, -23.67, 25.56

 

CMYK 32 / 15 / 0 / 30

HEX #7999B3

RGB 121 153 179

HSL 206.9, 0.28%, 0.59%

LAB 61.74, -4.74, -17.13

 

CMYK 11 / 32 / 0 / 30

HEX #9F79B3

RGB 159 121 179

HSL 279.31, 0.28%, 0.59%

LAB 56.39, 25.64, -25.04

 

CMYK 0 / 17 / 32 / 30

HEX #B39479

RGB 179 148 121

HSL 27.93, 0.28%, 0.59%

LAB 63.46, 7.6, 18.63

 

CMYK 31 / 0 / 32 / 30

HEX #7CB379

RGB 124 179 121

HSL 116.9, 0.28%, 0.59%

LAB 67.95, -29.63, 24.04

 

CMYK 32 / 15 / 0 / 30

HEX #7999B3

RGB 121 153 179

HSL 206.9, 0.28%, 0.59%

LAB 61.74, -4.74, -17.13

 

CMYK 2 / 32 / 0 / 30

HEX #B079B3

RGB 176 121 179

HSL 296.9, 0.28%, 0.59%

LAB 58.19, 31.21, -22.12

 

Description

Color code: HEX #B39479 | qconv.com Color code: HEX #B39479 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 148 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 148 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 32 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 32% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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