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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39022 it is the complementary color #4C6FDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39022. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39022 shade: #B8901D, #C9A230, #DAB443, #EBC656 and #FCD869

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39022. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39022 shade: #B39022, #A27E0F, #916C00, #805A00 and #6F4800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39022 shade: #B39022, #B36922, #B34222 and #B32222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39022 shade: #B39022, #AFB322, #88B322, #61B322 and #39B322

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39022 shade matches the following richer shades: #B39022 and #C59910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39022 shade: #B39022, #A28733, #917E44, #7F7556 and #6E6C67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39022 shade: #B34122, #B36822, #B38F22, #B1B322 and #8AB322

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39022 shade: #6E5915, #91741B, #B39022, #D6AC29 and #DCB94B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39022 shade: #B39022, #29B322 and #5522B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39022 shade: #B39022, #22B38F and #8F22B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39022 shade: #B39022, #29B322, #2246B3 and #AC22B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39022 shade: #B39022, #22B346, #2246B3 and #B3228F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

Complementary color

CMYK 66 / 50 / 0 / 13

HEX #4C6FDD

RGB 76 111 221

HSL 225.52, 0.68%, 0.58%

LAB 49.65, 22.7, -60.05

 

CMYK 0 / 22 / 84 / 28

HEX #B8901D

RGB 184 144 29

HSL 44.52, 0.73%, 0.42%

LAB 61.85, 4.74, 60.66

 

CMYK 0 / 19 / 76 / 21

HEX #C9A230

RGB 201 162 48

HSL 44.71, 0.61%, 0.49%

LAB 68.37, 3.2, 60.85

 

CMYK 0 / 17 / 69 / 15

HEX #DAB443

RGB 218 180 67

HSL 44.9, 0.67%, 0.56%

LAB 74.8, 1.91, 60.31

 

CMYK 0 / 16 / 63 / 8

HEX #EBC656

RGB 235 198 86

HSL 45.1, 0.79%, 0.63%

LAB 81.14, 0.8, 59.41

 

CMYK 0 / 14 / 58 / 1

HEX #FCD869

RGB 252 216 105

HSL 45.31, 0.96%, 0.7%

LAB 87.4, -0.15, 58.32

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 0 / 22 / 91 / 36

HEX #A27E0F

RGB 162 126 15

HSL 45.31, 0.83%, 0.35%

LAB 54.7, 4.33, 57.47

 

CMYK 0 / 26 / 100 / 43

HEX #916C00

RGB 145 108 0

HSL 44.69, 1%, 0.28%

LAB 47.94, 6.34, 54.68

 

CMYK 0 / 30 / 100 / 50

HEX #805A00

RGB 128 90 0

HSL 42.19, 1%, 0.25%

LAB 41.06, 8.72, 49.03

 

CMYK 0 / 35 / 100 / 56

HEX #6F4800

RGB 111 72 0

HSL 38.92, 1%, 0.22%

LAB 34.01, 11.25, 43.27

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 0 / 41 / 81 / 30

HEX #B36922

RGB 179 105 34

HSL 29.38, 0.68%, 0.42%

LAB 51.61, 24.29, 49.68

 

CMYK 0 / 63 / 81 / 30

HEX #B34222

RGB 179 66 34

HSL 13.24, 0.68%, 0.42%

LAB 43.65, 44.34, 42.17

 

CMYK 0 / 81 / 81 / 30

HEX #B32222

RGB 179 34 34

HSL 0, 0.68%, 0.42%

LAB 39.32, 56.22, 37.92

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 2 / 0 / 81 / 30

HEX #AFB322

RGB 175 179 34

HSL 61.66, 0.68%, 0.42%

LAB 70.5, -17.62, 66.36

 

CMYK 24 / 0 / 81 / 30

HEX #88B322

RGB 136 179 34

HSL 77.79, 0.68%, 0.42%

LAB 67.72, -33.95, 62.84

 

CMYK 46 / 0 / 81 / 30

HEX #61B322

RGB 97 179 34

HSL 93.93, 0.68%, 0.42%

LAB 65.67, -48.13, 60.22

 

CMYK 68 / 0 / 81 / 30

HEX #39B322

RGB 57 179 34

HSL 110.48, 0.68%, 0.42%

LAB 64.34, -58.66, 58.51

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 0 / 22 / 92 / 23

HEX #C59910

RGB 197 153 16

HSL 45.41, 0.85%, 0.42%

LAB 65.51, 5.38, 67.2

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 0 / 17 / 69 / 36

HEX #A28733

RGB 162 135 51

HSL 45.41, 0.52%, 0.42%

LAB 57.32, 0.72, 47.32

 

CMYK 0 / 13 / 53 / 43

HEX #917E44

RGB 145 126 68

HSL 45.19, 0.36%, 0.42%

LAB 53.34, -0.59, 33.98

 

CMYK 0 / 8 / 32 / 50

HEX #7F7556

RGB 127 117 86

HSL 45.37, 0.19%, 0.42%

LAB 49.38, -1.25, 18.53

 

CMYK 0 / 2 / 6 / 57

HEX #6E6C67

RGB 110 108 103

HSL 42.86, 0.03%, 0.42%

LAB 45.66, -0.21, 3.06

 

CMYK 0 / 64 / 81 / 30

HEX #B34122

RGB 179 65 34

HSL 12.83, 0.68%, 0.42%

LAB 43.48, 44.79, 42

 

CMYK 0 / 42 / 81 / 30

HEX #B36822

RGB 179 104 34

HSL 28.97, 0.68%, 0.42%

LAB 51.38, 24.84, 49.47

 

CMYK 0 / 20 / 81 / 30

HEX #B38F22

RGB 179 143 34

HSL 45.1, 0.68%, 0.42%

LAB 61.08, 3.19, 58.24

 

CMYK 1 / 0 / 81 / 30

HEX #B1B322

RGB 177 179 34

HSL 60.83, 0.68%, 0.42%

LAB 70.67, -16.75, 66.57

 

CMYK 23 / 0 / 81 / 30

HEX #8AB322

RGB 138 179 34

HSL 76.97, 0.68%, 0.42%

LAB 67.84, -33.15, 63

 

CMYK 0 / 19 / 81 / 57

HEX #6E5915

RGB 110 89 21

HSL 45.84, 0.68%, 0.26%

LAB 38.75, 1.14, 39.88

 

CMYK 0 / 20 / 81 / 43

HEX #91741B

RGB 145 116 27

HSL 45.25, 0.69%, 0.34%

LAB 50.2, 2.41, 49.54

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 0 / 20 / 81 / 16

HEX #D6AC29

RGB 214 172 41

HSL 45.43, 0.68%, 0.5%

LAB 72.2, 3.31, 67.19

 

CMYK 0 / 16 / 66 / 14

HEX #DCB94B

RGB 220 185 75

HSL 45.52, 0.67%, 0.58%

LAB 76.33, 0.58, 58.6

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 77 / 0 / 81 / 30

HEX #29B322

RGB 41 179 34

HSL 117.1, 0.68%, 0.42%

LAB 64.02, -61.43, 58.09

 

CMYK 53 / 81 / 0 / 30

HEX #5522B3

RGB 85 34 179

HSL 261.1, 0.68%, 0.42%

LAB 30.23, 54.7, -67.27

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 81 / 0 / 20 / 30

HEX #22B38F

RGB 34 179 143

HSL 165.1, 0.68%, 0.42%

LAB 65.41, -45.12, 8.06

 

CMYK 20 / 81 / 0 / 30

HEX #8F22B3

RGB 143 34 179

HSL 285.1, 0.68%, 0.42%

LAB 38.27, 63.67, -53.81

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 77 / 0 / 81 / 30

HEX #29B322

RGB 41 179 34

HSL 117.1, 0.68%, 0.42%

LAB 64.02, -61.43, 58.09

 

CMYK 81 / 61 / 0 / 30

HEX #2246B3

RGB 34 70 179

HSL 225.1, 0.68%, 0.42%

LAB 33.93, 28.34, -61.34

 

CMYK 4 / 81 / 0 / 30

HEX #AC22B3

RGB 172 34 179

HSL 297.1, 0.68%, 0.42%

LAB 43.02, 69.03, -45.92

 

CMYK 0 / 20 / 81 / 30

HEX #B39022

RGB 179 144 34

HSL 45.52, 0.68%, 0.42%

LAB 61.35, 2.64, 58.48

 

CMYK 81 / 0 / 61 / 30

HEX #22B346

RGB 34 179 70

HSL 134.9, 0.68%, 0.42%

LAB 64.18, -59.08, 44.46

 

CMYK 81 / 61 / 0 / 30

HEX #2246B3

RGB 34 70 179

HSL 225.1, 0.68%, 0.42%

LAB 33.93, 28.34, -61.34

 

CMYK 0 / 81 / 20 / 30

HEX #B3228F

RGB 179 34 143

HSL 314.9, 0.68%, 0.42%

LAB 42.32, 65.16, -25.35

 

Description

Color code: HEX #B39022 | qconv.com Color code: HEX #B39022 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 144 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 144 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 81 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 81% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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