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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39E55 it is the complementary color #4C61AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39E55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39E55 shade: #B89E50, #C9B063, #DAC276, #EBD489 and #FCE69C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39E55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39E55 shade: #B39E55, #A28C42, #917A2F, #80681C and #6F5609

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39E55 shade: #B39E56, #B38556, #B36C56 and #B35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39E55 shade: #B39E56, #AEB356, #95B356, #7CB356 and #63B356

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39E55 shade matches the following richer shades: #B39E56, #C6A942, #DAB42E and #EEBF1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39E55 shade: #B39E56, #9F9369, #8B887D, #777D91 and #6372A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39E55 shade: #B36B56, #B38456, #B39D56, #B0B356 and #97B356

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39E55 shade: #7E6E38, #9A8745, #B39E56, #BFAE72 and #CCBE8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39E55 shade: #B39E55, #59B356 and #7856B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39E55 shade: #B39E55, #56B39D and #9D56B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39E55 shade: #B39E55, #59B356, #566BB3 and #B056B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39E55 shade: #B39E55, #56B36E, #566BB3 and #B3569A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 53 / 30

HEX #B39E55

RGB 179 158 85

HSL 46.6, 0.38%, 0.52%

LAB 65.51, -1.85, 40.61

 

Complementary color

CMYK 55 / 43 / 0 / 33

HEX #4C61AA

RGB 76 97 170

HSL 226.6, 0.38%, 0.48%

LAB 42.75, 14.02, -41.68

 

CMYK 0 / 14 / 57 / 28

HEX #B89E50

RGB 184 158 80

HSL 45, 0.42%, 0.52%

LAB 65.92, -0.13, 43.72

 

CMYK 0 / 12 / 51 / 21

HEX #C9B063

RGB 201 176 99

HSL 45.29, 0.49%, 0.59%

LAB 72.47, -0.93, 42.45

 

CMYK 0 / 11 / 46 / 15

HEX #DAC276

RGB 218 194 118

HSL 45.6, 0.57%, 0.66%

LAB 78.92, -1.6, 41.19

 

CMYK 0 / 10 / 42 / 8

HEX #EBD489

RGB 235 212 137

HSL 45.92, 0.71%, 0.73%

LAB 85.28, -2.17, 39.97

 

CMYK 0 / 9 / 38 / 1

HEX #FCE69C

RGB 252 230 156

HSL 46.25, 0.94%, 0.8%

LAB 91.55, -2.67, 38.79

 

CMYK 0 / 12 / 53 / 30

HEX #B39E55

RGB 179 158 85

HSL 46.6, 0.38%, 0.52%

LAB 65.51, -1.85, 40.61

 

CMYK 0 / 14 / 59 / 36

HEX #A28C42

RGB 162 140 66

HSL 46.25, 0.42%, 0.45%

LAB 58.82, -1.02, 41.87

 

CMYK 0 / 16 / 68 / 43

HEX #917A2F

RGB 145 122 47

HSL 45.92, 0.51%, 0.38%

LAB 52, 0.02, 43

 

CMYK 0 / 19 / 78 / 50

HEX #80681C

RGB 128 104 28

HSL 45.6, 0.64%, 0.31%

LAB 45.04, 1.32, 43.72

 

CMYK 0 / 23 / 92 / 56

HEX #6F5609

RGB 111 86 9

HSL 45.29, 0.85%, 0.24%

LAB 37.94, 3.01, 43.25

 

CMYK 0 / 12 / 52 / 30

HEX #B39E56

RGB 179 158 86

HSL 46.45, 0.38%, 0.52%

LAB 65.52, -1.76, 40.11

 

CMYK 0 / 26 / 52 / 30

HEX #B38556

RGB 179 133 86

HSL 30.32, 0.38%, 0.52%

LAB 59, 11.99, 32.08

 

CMYK 0 / 40 / 52 / 30

HEX #B36C56

RGB 179 108 86

HSL 14.19, 0.38%, 0.52%

LAB 52.93, 25.93, 24.3

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 12 / 52 / 30

HEX #B39E56

RGB 179 158 86

HSL 46.45, 0.38%, 0.52%

LAB 65.52, -1.76, 40.11

 

CMYK 3 / 0 / 52 / 30

HEX #AEB356

RGB 174 179 86

HSL 63.23, 0.38%, 0.52%

LAB 70.81, -14.93, 46.3

 

CMYK 17 / 0 / 52 / 30

HEX #95B356

RGB 149 179 86

HSL 79.35, 0.38%, 0.52%

LAB 68.97, -25.08, 43.67

 

CMYK 31 / 0 / 52 / 30

HEX #7CB356

RGB 124 179 86

HSL 95.48, 0.38%, 0.52%

LAB 67.42, -34.55, 41.45

 

CMYK 45 / 0 / 52 / 30

HEX #63B356

RGB 99 179 86

HSL 111.61, 0.38%, 0.52%

LAB 66.19, -42.92, 39.66

 

CMYK 0 / 12 / 52 / 30

HEX #B39E56

RGB 179 158 86

HSL 46.45, 0.38%, 0.52%

LAB 65.52, -1.76, 40.11

 

CMYK 0 / 15 / 67 / 22

HEX #C6A942

RGB 198 169 66

HSL 46.82, 0.54%, 0.52%

LAB 70.02, -0.94, 55.17

 

CMYK 0 / 17 / 79 / 15

HEX #DAB42E

RGB 218 180 46

HSL 46.74, 0.7%, 0.52%

LAB 74.66, 0.99, 67.95

 

CMYK 0 / 20 / 89 / 7

HEX #EEBF1A

RGB 238 191 26

HSL 46.7, 0.86%, 0.52%

LAB 79.34, 3.38, 77.76

 

CMYK 0 / 12 / 52 / 30

HEX #B39E56

RGB 179 158 86

HSL 46.45, 0.38%, 0.52%

LAB 65.52, -1.76, 40.11

 

CMYK 0 / 8 / 34 / 38

HEX #9F9369

RGB 159 147 105

HSL 46.67, 0.22%, 0.52%

LAB 61.01, -2.11, 23.88

 

CMYK 0 / 2 / 10 / 45

HEX #8B887D

RGB 139 136 125

HSL 47.14, 0.06%, 0.52%

LAB 56.66, -0.93, 6.3

 

CMYK 18 / 14 / 0 / 43

HEX #777D91

RGB 119 125 145

HSL 226.15, 0.11%, 0.52%

LAB 52.55, 2.2, -11.54

 

CMYK 40 / 31 / 0 / 35

HEX #6372A5

RGB 99 114 165

HSL 226.36, 0.27%, 0.52%

LAB 48.76, 7.73, -29.16

 

CMYK 0 / 40 / 52 / 30

HEX #B36B56

RGB 179 107 86

HSL 13.55, 0.38%, 0.52%

LAB 52.7, 26.49, 23.99

 

CMYK 0 / 26 / 52 / 30

HEX #B38456

RGB 179 132 86

HSL 29.68, 0.38%, 0.52%

LAB 58.75, 12.55, 31.76

 

CMYK 0 / 12 / 52 / 30

HEX #B39D56

RGB 179 157 86

HSL 45.81, 0.38%, 0.52%

LAB 65.25, -1.22, 39.79

 

CMYK 2 / 0 / 52 / 30

HEX #B0B356

RGB 176 179 86

HSL 61.94, 0.38%, 0.52%

LAB 70.97, -14.1, 46.52

 

CMYK 16 / 0 / 52 / 30

HEX #97B356

RGB 151 179 86

HSL 78.06, 0.38%, 0.52%

LAB 69.11, -24.29, 43.86

 

CMYK 0 / 13 / 56 / 51

HEX #7E6E38

RGB 126 110 56

HSL 46.29, 0.38%, 0.36%

LAB 46.81, -1.16, 32.1

 

CMYK 0 / 12 / 55 / 40

HEX #9A8745

RGB 154 135 69

HSL 46.59, 0.38%, 0.44%

LAB 56.71, -1.54, 37.7

 

CMYK 0 / 12 / 52 / 30

HEX #B39E56

RGB 179 158 86

HSL 46.45, 0.38%, 0.52%

LAB 65.52, -1.76, 40.11

 

CMYK 0 / 9 / 40 / 25

HEX #BFAE72

RGB 191 174 114

HSL 46.75, 0.38%, 0.6%

LAB 71.26, -2.48, 33.01

 

CMYK 0 / 7 / 30 / 20

HEX #CCBE8F

RGB 204 190 143

HSL 46.23, 0.37%, 0.68%

LAB 77.07, -2.24, 25.57

 

CMYK 0 / 12 / 53 / 30

HEX #B39E55

RGB 179 158 85

HSL 46.6, 0.38%, 0.52%

LAB 65.51, -1.85, 40.61

 

CMYK 50 / 0 / 52 / 30

HEX #59B356

RGB 89 179 86

HSL 118.06, 0.38%, 0.52%

LAB 65.78, -45.86, 39.07

 

CMYK 33 / 52 / 0 / 30

HEX #7856B3

RGB 120 86 179

HSL 261.94, 0.38%, 0.52%

LAB 44.09, 34.4, -44.61

 

CMYK 0 / 12 / 53 / 30

HEX #B39E55

RGB 179 158 85

HSL 46.6, 0.38%, 0.52%

LAB 65.51, -1.85, 40.61

 

CMYK 52 / 0 / 12 / 30

HEX #56B39D

RGB 86 179 157

HSL 165.81, 0.38%, 0.52%

LAB 67.02, -33.07, 2.81

 

CMYK 12 / 52 / 0 / 30

HEX #9D56B3

RGB 157 86 179

HSL 285.81, 0.38%, 0.52%

LAB 48.36, 44.52, -37.58

 

CMYK 0 / 12 / 53 / 30

HEX #B39E55

RGB 179 158 85

HSL 46.6, 0.38%, 0.52%

LAB 65.51, -1.85, 40.61

 

CMYK 50 / 0 / 52 / 30

HEX #59B356

RGB 89 179 86

HSL 118.06, 0.38%, 0.52%

LAB 65.78, -45.86, 39.07

 

CMYK 52 / 40 / 0 / 30

HEX #566BB3

RGB 86 107 179

HSL 226.45, 0.38%, 0.52%

LAB 46.64, 12.98, -40.73

 

CMYK 2 / 52 / 0 / 30

HEX #B056B3

RGB 176 86 179

HSL 298.06, 0.38%, 0.52%

LAB 50.85, 49.88, -33.49

 

CMYK 0 / 12 / 53 / 30

HEX #B39E55

RGB 179 158 85

HSL 46.6, 0.38%, 0.52%

LAB 65.51, -1.85, 40.61

 

CMYK 52 / 0 / 39 / 30

HEX #56B36E

RGB 86 179 110

HSL 135.48, 0.38%, 0.52%

LAB 66.02, -42.97, 27.01

 

CMYK 52 / 40 / 0 / 30

HEX #566BB3

RGB 86 107 179

HSL 226.45, 0.38%, 0.52%

LAB 46.64, 12.98, -40.73

 

CMYK 0 / 52 / 14 / 30

HEX #B3569A

RGB 179 86 154

HSL 316.13, 0.38%, 0.52%

LAB 50.18, 46.43, -19.82

 

Description

Color code: HEX #B39E55 | qconv.com Color code: HEX #B39E55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 158 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 158 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 53 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 53% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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