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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7AEDF it is the complementary color #485120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7AEDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7AEDF shade: #BCAEDA, #CDC0ED, #DED2FF, #EFE4FF and #FFF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7AEDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7AEDF shade: #B7AEDF, #A69CCC, #958AB9, #8478A6 and #736693

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7AEDF shade: #B7AEDF, #C4AEDF, #D1AEDF, #DEAEDF and #DFAED2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7AEDF shade: #B7AEDF and #AEAEDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7AEDF shade matches the following richer shades: #B7AEDF, #B1A5E8, #AC9CF1 and #A693FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7AEDF shade: #B7AEDF, #BDB7D5, #C3C0CC, #C8CAC3 and #CED3BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7AEDF shade: #AEBFDF, #AEB2DF, #B7AEDF, #C4AEDF and #D1AEDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7AEDF shade: #8373C7, #9D91D3, #B7AEDF, #D1CCEA and #ECE9F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7AEDF shade: #B7AEDF, #DFAECC and #B9DFAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7AEDF shade: #B7AEDF, #DFB7AE and #AEDFB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7AEDF shade: #B7AEDF, #DFAECC, #D6DFAE and #AEDFC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7AEDF shade: #B7AEDF, #DFAEBE, #D6DFAE and #AEDFCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

Complementary color

CMYK 11 / 0 / 60 / 68

HEX #485120

RGB 72 81 32

HSL 71.02, 0.43%, 0.22%

LAB 32.63, -11.9, 27.16

 

CMYK 14 / 20 / 0 / 15

HEX #BCAEDA

RGB 188 174 218

HSL 259.09, 0.37%, 0.77%

LAB 73.56, 13.59, -20.35

 

CMYK 14 / 19 / 0 / 7

HEX #CDC0ED

RGB 205 192 237

HSL 257.33, 0.56%, 0.84%

LAB 80.06, 13.21, -20.64

 

CMYK 13 / 18 / 0 / 0

HEX #DED2FF

RGB 222 210 255

HSL 256, 1%, 0.91%

LAB 86.43, 12.65, -20.46

 

CMYK 6 / 11 / 0 / 0

HEX #EFE4FF

RGB 239 228 255

HSL 264.44, 1%, 0.95%

LAB 92.16, 8.61, -11.72

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 19 / 24 / 0 / 20

HEX #A69CCC

RGB 166 156 204

HSL 252.5, 0.32%, 0.71%

LAB 66.71, 13.5, -23.26

 

CMYK 19 / 25 / 0 / 27

HEX #958AB9

RGB 149 138 185

HSL 254.04, 0.25%, 0.63%

LAB 59.95, 13.96, -23.06

 

CMYK 20 / 28 / 0 / 35

HEX #8478A6

RGB 132 120 166

HSL 255.65, 0.21%, 0.56%

LAB 53.05, 14.47, -22.9

 

CMYK 22 / 31 / 0 / 42

HEX #736693

RGB 115 102 147

HSL 257.33, 0.18%, 0.49%

LAB 45.98, 15.04, -22.77

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 12 / 22 / 0 / 13

HEX #C4AEDF

RGB 196 174 223

HSL 266.94, 0.43%, 0.78%

LAB 74.4, 17.21, -21.74

 

CMYK 6 / 22 / 0 / 13

HEX #D1AEDF

RGB 209 174 223

HSL 282.86, 0.43%, 0.78%

LAB 75.55, 21.42, -19.89

 

CMYK 0 / 22 / 0 / 13

HEX #DEAEDF

RGB 222 174 223

HSL 298.78, 0.43%, 0.78%

LAB 76.76, 25.69, -17.95

 

CMYK 0 / 22 / 6 / 13

HEX #DFAED2

RGB 223 174 210

HSL 315.92, 0.43%, 0.78%

LAB 76.44, 23.67, -11.34

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 22 / 22 / 0 / 13

HEX #AEAEDF

RGB 174 174 223

HSL 240, 0.43%, 0.78%

LAB 72.63, 10.3, -24.61

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 24 / 29 / 0 / 9

HEX #B1A5E8

RGB 177 165 232

HSL 250.75, 0.59%, 0.78%

LAB 70.93, 18.3, -32.11

 

CMYK 29 / 35 / 0 / 5

HEX #AC9CF1

RGB 172 156 241

HSL 251.29, 0.75%, 0.78%

LAB 68.68, 24.07, -40.56

 

CMYK 34 / 41 / 0 / 2

HEX #A693FA

RGB 166 147 250

HSL 251.07, 0.91%, 0.78%

LAB 66.43, 29.79, -49.05

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 11 / 14 / 0 / 16

HEX #BDB7D5

RGB 189 183 213

HSL 252, 0.26%, 0.78%

LAB 75.76, 7.94, -14.31

 

CMYK 4 / 6 / 0 / 20

HEX #C3C0CC

RGB 195 192 204

HSL 255, 0.11%, 0.78%

LAB 78.26, 3.3, -5.65

 

CMYK 1 / 0 / 3 / 21

HEX #C8CAC3

RGB 200 202 195

HSL 77.14, 0.06%, 0.78%

LAB 80.99, -1.95, 3.24

 

CMYK 2 / 0 / 12 / 17

HEX #CED3BA

RGB 206 211 186

HSL 72, 0.22%, 0.78%

LAB 83.58, -6.06, 11.8

 

CMYK 22 / 14 / 0 / 13

HEX #AEBFDF

RGB 174 191 223

HSL 219.18, 0.43%, 0.78%

LAB 77.03, 1.01, -17.91

 

CMYK 22 / 20 / 0 / 13

HEX #AEB2DF

RGB 174 178 223

HSL 235.1, 0.43%, 0.78%

LAB 73.65, 8.09, -23.04

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 12 / 22 / 0 / 13

HEX #C4AEDF

RGB 196 174 223

HSL 266.94, 0.43%, 0.78%

LAB 74.4, 17.21, -21.74

 

CMYK 6 / 22 / 0 / 13

HEX #D1AEDF

RGB 209 174 223

HSL 282.86, 0.43%, 0.78%

LAB 75.55, 21.42, -19.89

 

CMYK 34 / 42 / 0 / 22

HEX #8373C7

RGB 131 115 199

HSL 251.43, 0.43%, 0.62%

LAB 53.18, 25.55, -41.7

 

CMYK 26 / 31 / 0 / 17

HEX #9D91D3

RGB 157 145 211

HSL 250.91, 0.43%, 0.7%

LAB 63.44, 18.62, -32.24

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 11 / 13 / 0 / 8

HEX #D1CCEA

RGB 209 204 234

HSL 250, 0.42%, 0.86%

LAB 83.27, 7.44, -14.16

 

CMYK 4 / 5 / 0 / 4

HEX #ECE9F6

RGB 236 233 246

HSL 253.85, 0.42%, 0.94%

LAB 92.91, 3.36, -5.93

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 0 / 22 / 9 / 13

HEX #DFAECC

RGB 223 174 204

HSL 323.27, 0.43%, 0.78%

LAB 76.27, 22.63, -8.34

 

CMYK 17 / 0 / 22 / 13

HEX #B9DFAE

RGB 185 223 174

HSL 106.53, 0.43%, 0.78%

LAB 85.07, -21.44, 20

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 0 / 18 / 22 / 13

HEX #DFB7AE

RGB 223 183 174

HSL 11.02, 0.43%, 0.78%

LAB 77.64, 13.03, 9.98

 

CMYK 22 / 0 / 18 / 13

HEX #AEDFB7

RGB 174 223 183

HSL 131.02, 0.43%, 0.78%

LAB 84.58, -23.59, 14.5

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 0 / 22 / 9 / 13

HEX #DFAECC

RGB 223 174 204

HSL 323.27, 0.43%, 0.78%

LAB 76.27, 22.63, -8.34

 

CMYK 4 / 0 / 22 / 13

HEX #D6DFAE

RGB 214 223 174

HSL 71.02, 0.43%, 0.78%

LAB 87.06, -11.15, 23.05

 

CMYK 22 / 0 / 13 / 13

HEX #AEDFC1

RGB 174 223 193

HSL 143.27, 0.43%, 0.78%

LAB 84.8, -21.75, 9.56

 

CMYK 18 / 22 / 0 / 13

HEX #B7AEDF

RGB 183 174 223

HSL 251.02, 0.43%, 0.78%

LAB 73.33, 13.09, -23.47

 

CMYK 0 / 22 / 15 / 13

HEX #DFAEBE

RGB 223 174 190

HSL 340.41, 0.43%, 0.78%

LAB 75.87, 20.31, -1.28

 

CMYK 4 / 0 / 22 / 13

HEX #D6DFAE

RGB 214 223 174

HSL 71.02, 0.43%, 0.78%

LAB 87.06, -11.15, 23.05

 

CMYK 22 / 0 / 7 / 13

HEX #AEDFCF

RGB 174 223 207

HSL 160.41, 0.43%, 0.78%

LAB 85.14, -19.02, 2.65

 

Description

Color code: HEX #B7AEDF | qconv.com Color code: HEX #B7AEDF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 174 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 174 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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