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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7C6D0 it is the complementary color #48392F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7C6D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7C6D0 shade: #BCC6CB, #CDD8DE, #DEEAF1 and #EFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7C6D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7C6D0 shade: #B7C6D0, #A6B4BD, #95A2AA, #849097 and #737E84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7C6D0 shade: #B8C6D0, #B8C0D0, #B8B9D0, #BDB8D0 and #C3B8D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7C6D0 shade: #B8C6D0, #B8C0D0, #B8B9D0 and #B8B8D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7C6D0 shade matches the following richer shades: #B8C6D0, #AEC8DA, #A5CAE3, #9BCCED and #92CEF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7C6D0 shade: #B8C6D0, #C1C4C7, #CBC3BD, #D4C1B4 and #DDBFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7C6D0 shade: #B8D0CD, #B8CDD0, #B8C6D0, #B8C0D0 and #B8B9D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7C6D0 shade: #869FB0, #9FB3C0, #B8C6D0, #D0DAE0 and #E9EEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7C6D0 shade: #B7C6D0, #C6B8D0 and #D0D0B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7C6D0 shade: #B7C6D0, #D0B8C6 and #C6D0B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7C6D0 shade: #B7C6D0, #C6B8D0, #D0C1B8 and #C1D0B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7C6D0 shade: #B7C6D0, #CEB8D0, #D0C1B8 and #BAD0B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 5 / 0 / 18

HEX #B7C6D0

RGB 183 198 208

HSL 204, 0.21%, 0.77%

LAB 79.05, -3.1, -6.74

 

Complementary color

CMYK 0 / 21 / 35 / 72

HEX #48392F

RGB 72 57 47

HSL 24, 0.21%, 0.23%

LAB 25.29, 4.89, 8.74

 

CMYK 7 / 2 / 0 / 20

HEX #BCC6CB

RGB 188 198 203

HSL 200, 0.13%, 0.77%

LAB 79.27, -2.45, -3.69

 

CMYK 8 / 3 / 0 / 13

HEX #CDD8DE

RGB 205 216 222

HSL 201.18, 0.2%, 0.84%

LAB 85.69, -2.55, -4.24

 

CMYK 8 / 3 / 0 / 5

HEX #DEEAF1

RGB 222 234 241

HSL 202.11, 0.4%, 0.91%

LAB 92.01, -2.65, -4.77

 

CMYK 6 / 1 / 0 / 0

HEX #EFFCFF

RGB 239 252 255

HSL 191.25, 1%, 0.97%

LAB 98.11, -3.69, -2.91

 

CMYK 12 / 5 / 0 / 18

HEX #B7C6D0

RGB 183 198 208

HSL 204, 0.21%, 0.77%

LAB 79.05, -3.1, -6.74

 

CMYK 12 / 5 / 0 / 26

HEX #A6B4BD

RGB 166 180 189

HSL 203.48, 0.15%, 0.7%

LAB 72.51, -3.01, -6.24

 

CMYK 12 / 5 / 0 / 33

HEX #95A2AA

RGB 149 162 170

HSL 202.86, 0.11%, 0.63%

LAB 65.85, -2.92, -5.72

 

CMYK 13 / 5 / 0 / 41

HEX #849097

RGB 132 144 151

HSL 202.11, 0.08%, 0.55%

LAB 59.05, -2.83, -5.19

 

CMYK 13 / 5 / 0 / 48

HEX #737E84

RGB 115 126 132

HSL 201.18, 0.07%, 0.48%

LAB 52.1, -2.74, -4.65

 

CMYK 12 / 5 / 0 / 18

HEX #B8C6D0

RGB 184 198 208

HSL 205, 0.2%, 0.77%

LAB 79.12, -2.77, -6.63

 

CMYK 12 / 8 / 0 / 18

HEX #B8C0D0

RGB 184 192 208

HSL 220, 0.2%, 0.77%

LAB 77.55, 0.42, -8.96

 

CMYK 12 / 11 / 0 / 18

HEX #B8B9D0

RGB 184 185 208

HSL 237.5, 0.2%, 0.77%

LAB 75.73, 4.18, -11.68

 

CMYK 9 / 12 / 0 / 18

HEX #BDB8D0

RGB 189 184 208

HSL 252.5, 0.2%, 0.77%

LAB 75.86, 6.38, -11.44

 

CMYK 6 / 12 / 0 / 18

HEX #C3B8D0

RGB 195 184 208

HSL 267.5, 0.2%, 0.77%

LAB 76.34, 8.38, -10.67

 

CMYK 12 / 5 / 0 / 18

HEX #B8C6D0

RGB 184 198 208

HSL 205, 0.2%, 0.77%

LAB 79.12, -2.77, -6.63

 

CMYK 12 / 8 / 0 / 18

HEX #B8C0D0

RGB 184 192 208

HSL 220, 0.2%, 0.77%

LAB 77.55, 0.42, -8.96

 

CMYK 12 / 11 / 0 / 18

HEX #B8B9D0

RGB 184 185 208

HSL 237.5, 0.2%, 0.77%

LAB 75.73, 4.18, -11.68

 

CMYK 12 / 12 / 0 / 18

HEX #B8B8D0

RGB 184 184 208

HSL 240, 0.2%, 0.77%

LAB 75.47, 4.73, -12.06

 

CMYK 12 / 5 / 0 / 18

HEX #B8C6D0

RGB 184 198 208

HSL 205, 0.2%, 0.77%

LAB 79.12, -2.77, -6.63

 

CMYK 20 / 8 / 0 / 15

HEX #AEC8DA

RGB 174 200 218

HSL 204.55, 0.37%, 0.77%

LAB 79.25, -4.9, -11.88

 

CMYK 27 / 11 / 0 / 11

HEX #A5CAE3

RGB 165 202 227

HSL 204.19, 0.53%, 0.77%

LAB 79.49, -6.63, -16.41

 

CMYK 35 / 14 / 0 / 7

HEX #9BCCED

RGB 155 204 237

HSL 204.15, 0.69%, 0.77%

LAB 79.77, -8.1, -21.41

 

CMYK 41 / 16 / 0 / 4

HEX #92CEF6

RGB 146 206 246

HSL 204, 0.85%, 0.77%

LAB 80.13, -9.21, -25.71

 

CMYK 12 / 5 / 0 / 18

HEX #B8C6D0

RGB 184 198 208

HSL 205, 0.2%, 0.77%

LAB 79.12, -2.77, -6.63

 

CMYK 3 / 2 / 0 / 22

HEX #C1C4C7

RGB 193 196 199

HSL 210, 0.05%, 0.77%

LAB 79.01, -0.47, -1.87

 

CMYK 0 / 4 / 7 / 20

HEX #CBC3BD

RGB 203 195 189

HSL 25.71, 0.12%, 0.77%

LAB 79.27, 1.74, 4

 

CMYK 0 / 9 / 15 / 17

HEX #D4C1B4

RGB 212 193 180

HSL 24.38, 0.27%, 0.77%

LAB 79.29, 4.56, 8.96

 

CMYK 0 / 14 / 23 / 13

HEX #DDBFAA

RGB 221 191 170

HSL 24.71, 0.43%, 0.77%

LAB 79.35, 7.44, 14.53

 

CMYK 12 / 0 / 1 / 18

HEX #B8D0CD

RGB 184 208 205

HSL 172.5, 0.2%, 0.77%

LAB 81.68, -8.61, -1.25

 

CMYK 12 / 1 / 0 / 18

HEX #B8CDD0

RGB 184 205 208

HSL 187.5, 0.2%, 0.77%

LAB 80.96, -6.45, -3.9

 

CMYK 12 / 5 / 0 / 18

HEX #B8C6D0

RGB 184 198 208

HSL 205, 0.2%, 0.77%

LAB 79.12, -2.77, -6.63

 

CMYK 12 / 8 / 0 / 18

HEX #B8C0D0

RGB 184 192 208

HSL 220, 0.2%, 0.77%

LAB 77.55, 0.42, -8.96

 

CMYK 12 / 11 / 0 / 18

HEX #B8B9D0

RGB 184 185 208

HSL 237.5, 0.2%, 0.77%

LAB 75.73, 4.18, -11.68

 

CMYK 24 / 10 / 0 / 31

HEX #869FB0

RGB 134 159 176

HSL 204.29, 0.21%, 0.61%

LAB 64.16, -4.84, -11.71

 

CMYK 17 / 7 / 0 / 25

HEX #9FB3C0

RGB 159 179 192

HSL 203.64, 0.21%, 0.69%

LAB 71.84, -4.12, -8.94

 

CMYK 12 / 5 / 0 / 18

HEX #B8C6D0

RGB 184 198 208

HSL 205, 0.2%, 0.77%

LAB 79.12, -2.77, -6.63

 

CMYK 7 / 3 / 0 / 12

HEX #D0DAE0

RGB 208 218 224

HSL 202.5, 0.21%, 0.85%

LAB 86.47, -2.22, -4.11

 

CMYK 3 / 1 / 0 / 5

HEX #E9EEF1

RGB 233 238 241

HSL 202.5, 0.22%, 0.93%

LAB 93.81, -1.11, -2.04

 

CMYK 12 / 5 / 0 / 18

HEX #B7C6D0

RGB 183 198 208

HSL 204, 0.21%, 0.77%

LAB 79.05, -3.1, -6.74

 

CMYK 5 / 12 / 0 / 18

HEX #C6B8D0

RGB 198 184 208

HSL 275, 0.2%, 0.77%

LAB 76.58, 9.39, -10.28

 

CMYK 0 / 0 / 12 / 18

HEX #D0D0B8

RGB 208 208 184

HSL 60, 0.2%, 0.77%

LAB 82.9, -4.12, 11.93

 

CMYK 12 / 5 / 0 / 18

HEX #B7C6D0

RGB 183 198 208

HSL 204, 0.21%, 0.77%

LAB 79.05, -3.1, -6.74

 

CMYK 0 / 12 / 5 / 18

HEX #D0B8C6

RGB 208 184 198

HSL 325, 0.2%, 0.77%

LAB 77.14, 10.96, -3.93

 

CMYK 5 / 0 / 12 / 18

HEX #C6D0B8

RGB 198 208 184

HSL 85, 0.2%, 0.77%

LAB 82.15, -7.69, 10.75

 

CMYK 12 / 5 / 0 / 18

HEX #B7C6D0

RGB 183 198 208

HSL 204, 0.21%, 0.77%

LAB 79.05, -3.1, -6.74

 

CMYK 5 / 12 / 0 / 18

HEX #C6B8D0

RGB 198 184 208

HSL 275, 0.2%, 0.77%

LAB 76.58, 9.39, -10.28

 

CMYK 0 / 7 / 12 / 18

HEX #D0C1B8

RGB 208 193 184

HSL 22.5, 0.2%, 0.77%

LAB 79.05, 3.75, 6.42

 

CMYK 7 / 0 / 12 / 18

HEX #C1D0B8

RGB 193 208 184

HSL 97.5, 0.2%, 0.77%

LAB 81.79, -9.44, 10.19

 

CMYK 12 / 5 / 0 / 18

HEX #B7C6D0

RGB 183 198 208

HSL 204, 0.21%, 0.77%

LAB 79.05, -3.1, -6.74

 

CMYK 1 / 12 / 0 / 18

HEX #CEB8D0

RGB 206 184 208

HSL 295, 0.2%, 0.77%

LAB 77.26, 12.1, -9.21

 

CMYK 0 / 7 / 12 / 18

HEX #D0C1B8

RGB 208 193 184

HSL 22.5, 0.2%, 0.77%

LAB 79.05, 3.75, 6.42

 

CMYK 11 / 0 / 12 / 18

HEX #BAD0B8

RGB 186 208 184

HSL 115, 0.2%, 0.77%

LAB 81.3, -11.88, 9.42

 

Description

Color code: HEX #B7C6D0 | qconv.com Color code: HEX #B7C6D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 198 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 198 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 5 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 5% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - Pepperl+Fuchs GmbH -...
Link: http://pepperl-fuchs.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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