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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7C71B it is the complementary color #4838E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7C71B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7C71B shade: #BCC716, #CDD929, #DEEB3C, #EFFD4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7C71B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7C71B shade: #B7C71B, #A6B508, #95A300, #849100 and #737F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7C71B shade: #B5C51A, #C5A71A, #C5791A, #C54B1A and #C51D1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7C71B shade: #B5C51A, #87C51A, #59C51A, #2BC51A and #1AC538

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7C71B shade matches the following richer shades: #B5C51A and #C4D708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7C71B shade: #B5C51A, #A6B32D, #98A13F, #898F51 and #7A7C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7C71B shade: #C5781A, #C5A61A, #B7C51A, #89C51A and #5CC51A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7C71B shade: #727C11, #94A115, #B5C51A, #D0E127 and #D8E64C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7C71B shade: #B7C71B, #1AC54B and #8F1AC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7C71B shade: #B7C71B, #1AB7C5 and #C51AB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7C71B shade: #B7C71B, #1AC54B, #291AC5 and #C51A95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7C71B shade: #B7C71B, #1AC57E, #291AC5 and #C51A61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 86 / 22

HEX #B7C71B

RGB 183 199 27

HSL 65.58, 0.76%, 0.44%

LAB 76.67, -24.3, 73.43

 

Complementary color

CMYK 68 / 75 / 0 / 11

HEX #4838E4

RGB 72 56 228

HSL 245.58, 0.76%, 0.56%

LAB 37.49, 57.03, -83.88

 

CMYK 6 / 0 / 89 / 22

HEX #BCC716

RGB 188 199 22

HSL 63.73, 0.8%, 0.43%

LAB 77.04, -22.3, 74.8

 

CMYK 6 / 0 / 81 / 15

HEX #CDD929

RGB 205 217 41

HSL 64.09, 0.7%, 0.51%

LAB 83.32, -23.42, 76.54

 

CMYK 6 / 0 / 74 / 8

HEX #DEEB3C

RGB 222 235 60

HSL 64.46, 0.81%, 0.58%

LAB 89.52, -24.37, 77.26

 

CMYK 6 / 0 / 69 / 1

HEX #EFFD4F

RGB 239 253 79

HSL 64.83, 0.98%, 0.65%

LAB 95.65, -25.17, 77.3

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 8 / 0 / 86 / 22

HEX #B7C71B

RGB 183 199 27

HSL 65.58, 0.76%, 0.44%

LAB 76.67, -24.3, 73.43

 

CMYK 8 / 0 / 96 / 29

HEX #A6B508

RGB 166 181 8

HSL 65.2, 0.92%, 0.37%

LAB 70.3, -23.07, 70.72

 

CMYK 9 / 0 / 100 / 36

HEX #95A300

RGB 149 163 0

HSL 65.15, 1%, 0.32%

LAB 63.82, -21.62, 66.27

 

CMYK 9 / 0 / 100 / 43

HEX #849100

RGB 132 145 0

HSL 65.38, 1%, 0.28%

LAB 57.23, -20.03, 60.78

 

CMYK 9 / 0 / 100 / 50

HEX #737F00

RGB 115 127 0

HSL 65.67, 1%, 0.25%

LAB 50.48, -18.41, 55.16

 

CMYK 8 / 0 / 87 / 23

HEX #B5C51A

RGB 181 197 26

HSL 65.61, 0.77%, 0.44%

LAB 75.97, -24.19, 72.99

 

CMYK 0 / 15 / 87 / 23

HEX #C5A71A

RGB 197 167 26

HSL 49.47, 0.77%, 0.44%

LAB 69.17, -1.93, 68.02

 

CMYK 0 / 39 / 87 / 23

HEX #C5791A

RGB 197 121 26

HSL 33.33, 0.77%, 0.44%

LAB 57.67, 23.06, 58.71

 

CMYK 0 / 62 / 87 / 23

HEX #C54B1A

RGB 197 75 26

HSL 17.19, 0.77%, 0.44%

LAB 48.23, 46.58, 51.03

 

CMYK 0 / 85 / 87 / 23

HEX #C51D1A

RGB 197 29 26

HSL 1.05, 0.77%, 0.44%

LAB 42.5, 62.35, 46.33

 

CMYK 8 / 0 / 87 / 23

HEX #B5C51A

RGB 181 197 26

HSL 65.61, 0.77%, 0.44%

LAB 75.97, -24.19, 72.99

 

CMYK 31 / 0 / 87 / 23

HEX #87C51A

RGB 135 197 26

HSL 81.75, 0.77%, 0.44%

LAB 73, -42.62, 69.31

 

CMYK 55 / 0 / 87 / 23

HEX #59C51A

RGB 89 197 26

HSL 97.89, 0.77%, 0.44%

LAB 70.96, -57.61, 66.76

 

CMYK 78 / 0 / 87 / 23

HEX #2BC51A

RGB 43 197 26

HSL 114.04, 0.77%, 0.44%

LAB 69.84, -67.01, 65.35

 

CMYK 87 / 0 / 72 / 23

HEX #1AC538

RGB 26 197 56

HSL 130.53, 0.77%, 0.44%

LAB 69.78, -66.96, 56.37

 

CMYK 8 / 0 / 87 / 23

HEX #B5C51A

RGB 181 197 26

HSL 65.61, 0.77%, 0.44%

LAB 75.97, -24.19, 72.99

 

CMYK 9 / 0 / 96 / 16

HEX #C4D708

RGB 196 215 8

HSL 65.51, 0.93%, 0.44%

LAB 82.03, -26.85, 80.64

 

CMYK 8 / 0 / 87 / 23

HEX #B5C51A

RGB 181 197 26

HSL 65.61, 0.77%, 0.44%

LAB 75.97, -24.19, 72.99

 

CMYK 7 / 0 / 75 / 30

HEX #A6B32D

RGB 166 179 45

HSL 65.82, 0.6%, 0.44%

LAB 69.85, -21.05, 62.19

 

CMYK 6 / 0 / 61 / 37

HEX #98A13F

RGB 152 161 63

HSL 65.51, 0.44%, 0.44%

LAB 63.77, -16.84, 48.59

 

CMYK 4 / 0 / 43 / 44

HEX #898F51

RGB 137 143 81

HSL 65.81, 0.28%, 0.44%

LAB 57.61, -12.07, 32.17

 

CMYK 2 / 0 / 20 / 51

HEX #7A7C63

RGB 122 124 99

HSL 64.8, 0.11%, 0.44%

LAB 51.21, -5.34, 13.43

 

CMYK 0 / 39 / 87 / 23

HEX #C5781A

RGB 197 120 26

HSL 32.98, 0.77%, 0.44%

LAB 57.44, 23.6, 58.52

 

CMYK 0 / 16 / 87 / 23

HEX #C5A61A

RGB 197 166 26

HSL 49.12, 0.77%, 0.44%

LAB 68.91, -1.4, 67.81

 

CMYK 7 / 0 / 87 / 23

HEX #B7C51A

RGB 183 197 26

HSL 64.91, 0.77%, 0.44%

LAB 76.11, -23.35, 73.17

 

CMYK 30 / 0 / 87 / 23

HEX #89C51A

RGB 137 197 26

HSL 81.05, 0.77%, 0.44%

LAB 73.11, -41.88, 69.45

 

CMYK 53 / 0 / 87 / 23

HEX #5CC51A

RGB 92 197 26

HSL 96.84, 0.77%, 0.44%

LAB 71.07, -56.78, 66.89

 

CMYK 8 / 0 / 86 / 51

HEX #727C11

RGB 114 124 17

HSL 65.61, 0.76%, 0.28%

LAB 49.54, -16.87, 50.89

 

CMYK 8 / 0 / 87 / 37

HEX #94A115

RGB 148 161 21

HSL 65.57, 0.77%, 0.36%

LAB 63.21, -20.67, 62.49

 

CMYK 8 / 0 / 87 / 23

HEX #B5C51A

RGB 181 197 26

HSL 65.61, 0.77%, 0.44%

LAB 75.97, -24.19, 72.99

 

CMYK 8 / 0 / 83 / 12

HEX #D0E127

RGB 208 225 39

HSL 65.48, 0.76%, 0.52%

LAB 85.71, -26.07, 79.15

 

CMYK 6 / 0 / 67 / 10

HEX #D8E64C

RGB 216 230 76

HSL 65.45, 0.75%, 0.6%

LAB 87.83, -23.64, 70.02

 

CMYK 8 / 0 / 86 / 22

HEX #B7C71B

RGB 183 199 27

HSL 65.58, 0.76%, 0.44%

LAB 76.67, -24.3, 73.43

 

CMYK 87 / 0 / 62 / 23

HEX #1AC54B

RGB 26 197 75

HSL 137.19, 0.77%, 0.44%

LAB 69.94, -65, 48.78

 

CMYK 27 / 87 / 0 / 23

HEX #8F1AC5

RGB 143 26 197

HSL 281.05, 0.77%, 0.44%

LAB 38.92, 69.24, -63.36

 

CMYK 8 / 0 / 86 / 22

HEX #B7C71B

RGB 183 199 27

HSL 65.58, 0.76%, 0.44%

LAB 76.67, -24.3, 73.43

 

CMYK 87 / 7 / 0 / 23

HEX #1AB7C5

RGB 26 183 197

HSL 184.91, 0.77%, 0.44%

LAB 68.11, -32.08, -17.79

 

CMYK 0 / 87 / 7 / 23

HEX #C51AB7

RGB 197 26 183

HSL 304.91, 0.77%, 0.44%

LAB 47.01, 76.03, -41.66

 

CMYK 8 / 0 / 86 / 22

HEX #B7C71B

RGB 183 199 27

HSL 65.58, 0.76%, 0.44%

LAB 76.67, -24.3, 73.43

 

CMYK 87 / 0 / 62 / 23

HEX #1AC54B

RGB 26 197 75

HSL 137.19, 0.77%, 0.44%

LAB 69.94, -65, 48.78

 

CMYK 79 / 87 / 0 / 23

HEX #291AC5

RGB 41 26 197

HSL 245.26, 0.77%, 0.44%

LAB 27.41, 59.19, -82.71

 

CMYK 0 / 87 / 24 / 23

HEX #C51A95

RGB 197 26 149

HSL 316.84, 0.77%, 0.44%

LAB 45.33, 71.56, -24.06

 

CMYK 8 / 0 / 86 / 22

HEX #B7C71B

RGB 183 199 27

HSL 65.58, 0.76%, 0.44%

LAB 76.67, -24.3, 73.43

 

CMYK 87 / 0 / 36 / 23

HEX #1AC57E

RGB 26 197 126

HSL 155.09, 0.77%, 0.44%

LAB 70.63, -56.7, 24.49

 

CMYK 79 / 87 / 0 / 23

HEX #291AC5

RGB 41 26 197

HSL 245.26, 0.77%, 0.44%

LAB 27.41, 59.19, -82.71

 

CMYK 0 / 87 / 51 / 23

HEX #C51A61

RGB 197 26 97

HSL 335.09, 0.77%, 0.44%

LAB 43.47, 66.38, 5.16

 

Description

Color code: HEX #B7C71B | qconv.com Color code: HEX #B7C71B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 199 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 199 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 86 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 86% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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